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Gordon Camera – Revealed
PHOTOGRAPHIC CANADIANA Volume 35 Number 2 Sept.– Oct.– Nov. 2009 PHOTOGRAPH BY ROBERT LANSDALE PHOTOGRAPH BY ROBERT THE MYSTERY GORDON CAMERA – REVEALED THE PHOTOGRAPHIC HISTORICAL SOCIETY OF CANADA PHOTOGRAPHIC CANADIANA JOURNAL OF THE PHOTOGRAPHIC HISTORICAL SOCIETY OF CANADA Volume 35, Number 2 ISSN 0704-0024 Sept. – Oct. – Nov. 2009 Date of Issue – September 2009 Canada Post Canadian Publications Mail Sales Product Agreement No. 40050299 Postage Paid at Toronto Photographic Canadiana is published four times a year (except July and August) by The Photographic Historical Society of Canada, 6021 Yonge Street, Box 239, Toronto, Ontario, M2M IN THIS ISSUE 3W2 Photographic Canadiana does not pay 2 PC Index 17 Yes Virginia there is a for articles or photographs; all functions Our Cover Gordon Camera of the PHSC are based on voluntary 3 President’s Message –Robert Lansdale and participation. Manuscripts or articles The Society, Executive and Clint Hryhorijiw should be sent to the Editor and will be PC Editorial Board returned if requested. 4 Toronto Notes: April, May and PC Supplement Sheet Views expressed in this publication June 2009 meetings 1 Schedule for September solely reflect the opinions of the au- –Robert Carter thors, and do not necessarily reflect the 2009 views of the PHSC. 6 Browsing through our Exchanges 2 Coming Events & Want Ads –George Dunbar For Back Issues 8 The Melodrama Continues For back issues and single copies: or- as the Vitascope Travels to der directly from the Librarian, whose Toronto and Halifax name and address appear on page 3. –Robert Gutteridge Current copies are $5.00 each. A sub- scription is included in membership fee which is $35.00 a year. -
10. the Extraordinarily Stable Technicolor Dye-Imbibition Motion
345 The Permanence and Care of Color Photographs Chapter 10 10. The Extraordinarily Stable Technicolor Dye-Imbibition Motion Picture Color Print Process (1932–1978) Except for archival showings, Gone With the He notes that the negative used to make Wind hasn’t looked good theatrically since the existing prints in circulation had worn out [faded]. last Technicolor prints were struck in 1954; the “That negative dates back to the early ’50s 1961 reissue was in crummy Eastman Color when United Artists acquired the film’s distri- (the prints faded), and 1967’s washed-out bution rights from Warner Bros. in the pur- “widescreen” version was an abomination.1 chase of the old WB library. Four years ago we at MGM/UA went back to the three-strip Tech- Mike Clark nicolor materials to make a new internegative “Movies Pretty as a Picture” and now have excellent printing materials. All USA Today – October 15, 1987 it takes is a phone call to our lab to make new prints,” he says.3 In 1939, it was the most technically sophisti- cated color film ever made, but by 1987 Gone Lawrence Cohn With the Wind looked more like Confederates “Turner Eyes ’38 Robin Hood Redux” from Mars. Scarlett and Rhett had grown green Variety – July 25, 1990 and blue, a result of unstable film stocks and generations of badly duplicated prints. Hair The 45-Year Era of “Permanent” styles and costumes, once marvels of spectral Technicolor Motion Pictures subtlety, looked as though captured in Crayola, not Technicolor. With the introduction in 1932 of the Technicolor Motion Not anymore. -
KODAK CANADA the Early Years (1899–1939)
KODAK CANADA The Early Years (1899–1939) Ryerson Image Centre www.kodakcanada.omeka.net Table of Contents Introduction 9 Lodoe-Laura Haines-Wangda Women at Work: At Kodak Heights and Female Employment in the 1920s 19 Kate Fogle “Shooting” the Great War: Kodak Cameras and the First World War 29 Olivia Jenkins Difficult Histories: Looking Beneath the Surface 41 Misty-Dawn MacMillan Further Readings 44 Works Exhibited 46 Acknowledgements and Credits 48 Canadian Kodak Co. [Aerial view of Kodak Heights property], 1937 Gelatin silver print 20.3 x 25.4 cm Introduction Lodoe-Laura Haines-Wangda In 1899, the Rochester-based Eastman Kodak Company formally opened its first Canadian location on Colborne Street in Toronto. This movement northward to establish “Kodak Heights” allowed the corporation to extend its reach beyond its American borders, connecting the cities of Rochester and Toronto through photography, and establishing a new market of consumers for the Kodak brand. Kodak Canada: The Early Years (1899–1939) is an exhibition, publication, and digital project, created and organized by the 2019 cohort of Ryerson University’s Film + Photography Preservation and Collections Management program. Drawing from the Kodak Canada Corporate Archives and Heritage Collection at the University’s Archives and Special Collections, Kodak Canada examines the company’s earliest years in Canada and traces the global expansion of the Kodak empire into Canada in the early part of the twentieth century. Growth into Canada solidified Kodak as North America’s dominant man- ufacturer in photographic technology, a driving force behind visual culture in Canada, and a near century-long employer in Toronto’s Mount Dennis neighbourhood. -
KODAK EASYSHARE TOUCH Camera / M5370
KODAK EASYSHARE TOUCH Camera / M5370 Extended user guide www.kodak.com Help: www.kodak.com/go/m5370support Tutorials: www.kodak.com/go/m5370demos Eastman Kodak Company Rochester, New York 14650 © Eastman Kodak Company, 2011 All screen images are simulated. Kodak, EasyShare Touch, Ektachrome, Kodachrome, Kodacolor, Max, Perfect Touch, Pulse, T-Max, and Tri-X are trademarks of Eastman Kodak Company. 4H8631_en Product features Quick start 1 Load the battery. 2 Charge until the light stops blinking. 3 Set language, date/time. 4 Take pictures, videos. 5 Install software, then share. Keep learning! Take and share your best pictures, videos! www.kodak.com/go/support i Product features Front, top view AF Assist/ Self-timer/ Flash Video light Lens Power Power/Battery Charging light Shutter button (for pictures) Zoom Record Video ii www.kodak.com/go/support Side, bottom view LCD Tripod socket Speaker Micro USB/ AV Out Strap post Review MICROSD/SDHC Card (accessory) Share Slot for MICROSD/SDHC Card (accessory) Battery compartment www.kodak.com/go/support iii Touchscreen gestures Tap Swipe Drag or scroll (or tap and hold) (Drag and quickly release) (Pull down or push up) iv www.kodak.com/go/support Table of contents 1 1 Setting up your camera .........................................................................1 Loading the KLIC-7006 battery......................................................................1 Charging the battery .....................................................................................2 Turning on the camera ..................................................................................5 -
Photofinishing Prices 08-01-19 X CUSTOMER 08-03-19.Pub
Miscellaneous Film Processing Services (Page 1 of 2) August 1, 2019 110 & 126 Develop, Scan & Print (C-41) Seattle Filmworks 35mm Processing Service Time: 10 Lab Days Matte or Glossy finish prints. Process: ECN-II or SFW-XL. Service Time: up to 2 weeks. C-41 process. Prints, if requested, on Kodak Royal paper. Applicable Films: Seattle Filmworks; Signature Color; Scanning the negatives is required prior to making prints. Eastman 5247 or 5294; Kodak Vision 2 or Vision 3 500T / We develop your cartridge of negatives ($4.90), scan the 5218 or 7218. visible images ($1.58 per negative), and, if requested, make prints ($0.20 per print). Scans are written to CD (no charge). Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. 110 film makes 4x5" prints. 126 film makes 4x4" prints. Default service is 4x6 Matte prints (if you don’t specify). Minimum charge : $12.00 Develop Only service Minimum Charge : $4.90 Develop Only service (blank film) ECN-II Develop & Print 4x6 or 3½x5 Identical 110 & 126 C-41 Develop Negatives & Scan to CD First Set 2nd Set Develop Develop & 20 or 24 Exposure ....................... 22.95 .................... 6.00 & Scan Scan & Print 36 Exposure ................................ 26.95 .................... 9.00 12 Exposure ................................ 23.86 .................. 26.26 Scan ECN-II process film to CD: 24 Exposure ................................ 42.82 .................. 47.62 Discount for unscannable negs ….1.58 each 1Reprint 2Enlargement Discount for prints not made from blank images ..........20 each Quality Quality Scanning Price per Roll CD CD Scans & Prints from Old 110 & 126 Negs with Develop & Print .......... -
Workshop Memoriav Fachtagung Erfolgsfaktoren & Stolpersteine
Workshop Memoriav Fachtagung Erfolgsfaktoren & Stolpersteine. Lernen aus 20 Jahren Memoriav-Projekten Identifikation der physischen Elemente eines Films, Auswahl für Restaurierung und/oder Digitalisierung; Kommunikation mit Dienstleistern (Pflichtenheft schreiben, Offerten lesen) 20. Mai 2016 – David Pfluger > Dilemma Vorbereitung Konservierung Restaurierung 20. Mai 2016 – David Pfluger – Workshop Memoriav Fachtagung > Dilemma Vorbereitung MEMORIAV EINGABE Konservierung Restaurierung 20. Mai 2016 – David Pfluger – Workshop Memoriav Fachtagung > Dilemma Unbekannt Zustandsanalyse Technische Priorisierung Inhaltliche Analyse Vorbereitung Inhaltliche Priorisierung Recherche externer Elemente Bekannt MEMORIAV EINGABE Vorbereitung des Materials Konservierung Digitalisierung Restaurierung 20. Mai 2016 – David Pfluger – Workshop Memoriav Fachtagung > Dilemma Unbekannt Zustandsanalyse Technische Priorisierung Inhaltliche Analyse Vorbereitung Inhaltliche Priorisierung Recherche Bekannt ! MEMORIAV EINGABE Vorbereitung Konservierung Digitalisierung Information zum Inhalt Restaurierung 20. Mai 2016 – David Pfluger – Workshop Memoriav Fachtagung > Dilemma • Metainformationen aus dem Bestand (Vorsicht!) • Bestehende Transfers (Vorsicht!) • Analyse am Sichtungstisch 20. Mai 2016 – David Pfluger – Workshop Memoriav Fachtagung > Elemente eines Films FILMBILD 20. Mai 2016 – David Pfluger – Workshop Memoriav Fachtagung > Elemente eines Films TON FILMBILD UNTER TITEL 20. Mai 2016 – David Pfluger – Workshop Memoriav Fachtagung > Elemente eines Films META TON -
582 King Street West
REPORT FOR ACTION Intention to Designate under Part IV, Section 29 of the Ontario Heritage Act - 582 King Street West Date: February 6, 2020 To: Toronto Preservation Board Toronto and East York Community Council From: Senior Manager, Heritage Preservation Services, Urban Design, City Planning Wards: Ward 10 - Spadina - Fort York SUMMARY This report recommends that City Council state its intention to designate the listed heritage property that contains significant built heritage resources at 582 King Street West (including the entrance addresses at 590 and 592 King Street West and 471 and 473 Adelaide Street West), formerly known as the Canadian Kodak Building, under Part IV, Section 29 of the Ontario Heritage Act. The property at 582 King Street West extends from the north side of King Street West to the south side of Adelaide Street West in the block east of Portland Street. It is a building complex containing an original collection of two four-storey factory-type buildings at 582-592 King Street West and one four-storey factory-type building and two-storey wing at 473 Adelaide Street West - all constructed between 1902 and 1911 by the Canadian Kodak Company Ltd. A single-storey garage constructed c.1928-1931 was added by Ontario Silknit Ltd. The property was listed on the City's Heritage Register in 2005 and identified as contributing in the King-Spadina Heritage Conservation District, adopted by City Council in 2017 and currently under appeal. Following city staff's additional research and evaluation under Ontario Regulation 9/06, the provincial criteria prescribed for municipal designation, it has been determined that the property at 582 King Street West merits designation under Part IV Section 29 of the Ontario Heritage Act for its design, associative and contextual value. -
KODAK EASYSHARE Camera / M552
KODAK EASYSHARE Camera / M552 Extended user guide www.kodak.com For help with your camera: www.kodak.com/go/M552support Eastman Kodak Company Rochester, New York 14650 © Eastman Kodak Company, 2011 All screen images are simulated. Kodak, EasyShare, and Pulse are trademarks of Eastman Kodak Company. 4H7336_en Product features Front view Record button (for videos) Shutter button (for pictures) Battery Charging light Power button Self-timer/Video light Lens Flash Speaker Microphone www.kodak.com/go/support i Product features Back view Display button: Switch between Tools View and Clean View Flash button Mode button: Choose a capture mode or effect Delete button Zoom button OK, USB port Strap post LCD Tripod Review button: Review, socket edit, or tag pictures and videos; change settings Share button: Share pictures and videos SD/SDHC card SD/SDHC Card slot (optional accessory) Battery compartment ii www.kodak.com/go/support Table of contents 1 1 Setting up your camera .........................................................................1 Attaching the strap .......................................................................................1 Loading the KLIC-7006 battery......................................................................1 Charging the battery .....................................................................................2 Turning on the camera ..................................................................................5 Setting the language and date/time...............................................................5 -
Film Grain, Resolution and Fundamental Film Particles
FFFiiilllmmm GGGrrraaaiiinnn,,, RRReeesssooollluuutttiiiooonnn aaannnddd FFFuuunnndddaaammmeennntttaaalll FFFiiilllmmm PPPaaarrrtttiiicccllleeesss Version 9 March 2006 Tim Vitale © 2006 use by permission only 1 Introduction 1 2 Fundamental Film Particles – Silver-Halide 0.2 - 2.0 um 3 Feature Size and Digital Resolution: Data Table 1 4 Dye Clouds are the Fundamental Particles Color Film 6 3 Film Grain 6 Dye Clouds are the Film Grain in Color Film 6 Film Grain in Black-and-White Film 7 Cross-Section of Film 9 Grain Size Variability 9 RMS Granularity – Film Image Noise 9 RMS Granularity of Several Films: Data Table 2 10 Film Resolution – Sharpness 10 System Resolving Power Equation 12 Lens Issues Effecting Resolution 12 Film Issues Effecting Resolution 12 Evaluation a System: Camera, Lens and Film 13 Selected Film & Lens Resolution Data: Data Table 3 13 Camera System Resolving Power: Data Table 4 14 Measuring Film Grain 14 Print Grain Index 14 Size of Perceived Film Grain: Example 15 Size Domains for Enlargement & Magnification: Data Table 5 15 Maximum Resolution of a Microscope: Data Table 6 16 4 Eliminating Film Grain from an Image 18 Drum Scan Aperture 18 Feature size vs. Digital Resolution vs. Film: Data Table 7 19 Scan Resolution in Flatbed Scanning 19 Wet Mounting for Film Scanning 20 New Generation of Flatbed Scanners 21 Future Generation of Scanners – Epson Perfection V750-M 23 Software for Diminishing Film Grain 24 1 Introduction The purpose of this complex essay is to demonstrate the following: • Fundamental film particles (silver -
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.)
Indira Gandhi National Tribal University Amarkantak 484887 (M.P.) Faculty of Technical, Vocational Education & Skill Training Notes B.Voc. theatre, Stagecraft, Film Production & Media Technology Subject : - Basic Audio Video Production Unit 1 What is Cinematography ? Cinematography is the art of visual storytelling. Anyone can set a camera on a tripod and hit record, but the artistry of cinematography comes in controlling what the viewer sees (or doesn’t see) and how the image is presented. Film is a visual me- dium, and the best-shot films are ones where you can tell what’s going on without hearing any of the dialogue. With some basic knowledge of composition and scene construction, you can plan scenes using this visual language. Learn how different shots work together to form a clear, cohesive narrative and how to compose each shot in a way that is visually pleasing for the viewer. Understanding these simple rules will help make your films more thrilling and engaging. Basic Rules of Composition There are some simple cinematography techniques that will have a great impact in making your videos look more professional. The Rule of Thirds is a technique of dividing the frame up into a 3x3 grid, splitting your frame into nine boxes. Our natural impulse is to put our subject dead center, but a centered subject will look like they’re caught in a spotlight, and by dropping them in the center of the frame, it gives them nowhere to go. Instead, by positioning your action in any of the four vertices where those nine boxes meet, you create a balance in your composition that feels more natural. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
From the Editor Interstate Search Extended for Prof
Plans ior New Union's Construction • • •f,' Hp! •• From the Editor Hindered by Financial Requirements A day or more of protest... by Joel Siegfried Alfred's present student union er learned that the University is "I know there are many here 7 had no shoes and complained . was erected around 1945 and being retarded in its construction who take a personal Interest in known as Burdick Hall. After ... until I met a man with no feet.- efforts due to a lack of funds <*- Alfred," said Dr. Drake, "and I -anonymous World War n, two prefabricated one hundred and fifty thousand structures were obtained from the would like them to feel free to dollars to be exact. But I still bad no shoes.—bell government, and were attached at discuss their ideas with me." The financial situation is such the western end of the building. What has been done so far to •that the University now holds a The Student Senate has received a letter from the American The entire unit has served as the bring the new union closer to re- donbract for a loan of $300,000 totudejnt union (tor the past ten ality? Many alumni and friends of Committee on Africa asking that the students of Alfred help from the Federal Housing Author- years, and while It has undergone the school have been contacted. iupport their endeavor to stop apartheid in South Africa. The ity. This loan, to be paid by amort- many alterations and additions Groups have been offered, as an following is a paragraph from their letter: ization is at a discount rate of such as the construction of a inducement .to subscribe to the 2.78 per cent.