10. the Extraordinarily Stable Technicolor Dye-Imbibition Motion
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CINERAMA: the First Really Big Show
CCINEN RRAMAM : The First Really Big Show DIVING HEAD FIRST INTO THE 1950s:: AN OVERVIEW by Nick Zegarac Above left: eager audience line ups like this one for the “Seven Wonders of the World” debut at the Cinerama Theater in New York were short lived by the end of the 1950s. All in all, only seven feature films were actually produced in 3-strip Cinerama, though scores more were advertised as being shot in the process. Above right: corrected three frame reproduction of the Cypress Water Skiers in ‘This is Cinerama’. Left: Fred Waller, Cinerama’s chief architect. Below: Lowell Thomas; “ladies and gentlemen, this is Cinerama!” Arguably, Cinerama was the most engaging widescreen presentation format put forth during the 1950s. From a visual standpoint it was the most enveloping. The cumbersome three camera set up and three projector system had been conceptualized, designed and patented by Fred Waller and his associates at Paramount as early as the 1930s. However, Hollywood was not quite ready, and certainly not eager, to “revolutionize” motion picture projection during the financially strapped depression and war years…and who could blame them? The standardized 1:33:1(almost square) aspect ratio had sufficed since the invention of 35mm celluloid film stock. Even more to the point, the studios saw little reason to invest heavily in yet another technology. The induction of sound recording in 1929 and mounting costs for producing films in the newly patented 3-strip Technicolor process had both proved expensive and crippling adjuncts to the fluidity that silent B&W nitrate filming had perfected. -
The Search for Spectators: Vistavision and Technicolor in the Searchers Ruurd Dykstra the University of Western Ontario, [email protected]
Kino: The Western Undergraduate Journal of Film Studies Volume 1 | Issue 1 Article 1 2010 The Search for Spectators: VistaVision and Technicolor in The Searchers Ruurd Dykstra The University of Western Ontario, [email protected] Abstract With the growing popularity of television in the 1950s, theaters experienced a significant drop in audience attendance. Film studios explored new ways to attract audiences back to the theater by making film a more totalizing experience through new technologies such as wide screen and Technicolor. My paper gives a brief analysis of how these new technologies were received by film critics for the theatrical release of The Searchers ( John Ford, 1956) and how Warner Brothers incorporated these new technologies into promotional material of the film. Keywords Technicolor, The Searchers Recommended Citation Dykstra, Ruurd (2010) "The Search for Spectators: VistaVision and Technicolor in The Searchers," Kino: The Western Undergraduate Journal of Film Studies: Vol. 1 : Iss. 1 , Article 1. Dykstra: The Search for Spectators The Search for Spectators: VistaVision and Technicolor in The Searchers by Ruurd Dykstra In order to compete with the rising popularity of television, major Hollywood studios lured spectators into the theatres with technical innovations that television did not have - wider screens and brighter colors. Studios spent a small fortune developing new photographic techniques in order to compete with one another; this boom in photographic research resulted in a variety of different film formats being marketed by each studio, each claiming to be superior to the other. Filmmakers and critics alike valued these new formats because they allowed for a bright, clean, crisp image to be projected on a much larger screen - it enhanced the theatre going experience and brought about a re- appreciation for film’s visual aesthetics. -
Pilot Season
Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography. -
Fujifilm Motion Picture Film Manual
FUJIFILM MOTION PICTURE FILM MANUAL Ref.No.KB-0707E 00_motionpicture目次入 07.11.13 0:57 AM ページ1 Contents FUJICOLOR NEGATIVE FILM LIST........ 1 How to read labels ................................. 2 Products..................................................10 FUJICOLOR NEGATIVE FILM FUJICOLOR NEGATIVE FILM ETERNA Vivid 160 .........................................10 TUNGSTEN TYPE DAYLIGHT TYPE ETERNA 250..................................................14 ETERNA 400..................................................18 ETERNA 500..................................................22 ITEM F-64D .............................................................26 ETERNA 250D ...............................................30 35mm 8543 8553 8583 8573 8522 8563 8592 REALA 500D ..................................................34 TYPE No. FUJICOLOR INTERMEDIATE FILM 16mm 8643 8653 8683 8673 8622 8663 8692 ETERNA-CI ....................................................38 FUJICOLOR RECORDING FILM 16 64 125 ETERNA-RDI .................................................42 TUNGSTEN 160 250 400 500 Kodak Daylight Filter No.80A FUJICOLOR POSITIVE FILM E.I. F-CP ...............................................................46 100 160 250 320 ETERNA-CP...................................................50 DAYLIGHT 64 250 500 ETERNA-CP 3521XD.....................................54 Kodak Daylight Filter No.85 Edge Marking of Films...........................58 SIDEPRINT FN43 FN53 FN83 FN73 FN22 FN63 FN92 35mm..........................................................58 -
Daphne, Bob and Bird Win New City Council to Be Sworn in Nov
INDEX What's going on around the islands 4B ""W f^USfoeSS • 3C Calendar 4B CHvside 9A Classifieds 5C Farewell Singapore Commentary 1C Crossword 5C Bailey, Miracle McPhees Environment Police Beat 2A receive 'official' sail to another Scuba Scoop 4A Far East island IB Weather Watch 4A council send-off Since 1961 Still first on Sanibel i and Captiva 50 CENTS VOL. 31, NO. 45 TUESDAY, NOV. 10, 1992 THREE SECTIONS, 32 PAGES CEPD expresses Islands mourn loss frustration at lack of of long-time resident, Blind Pass progress Esperanza Woodring By Steve Ruediger Noted long-time Sanibel Island resident, Esperanza Lor- Islander staff writer raine Woodring, passed away on Friday, Nov. 6, 1992. Captiva Erosion Prevention District commissioners ex- She was 91. sed frustration at last Wednesday's meeting at what A resident of the island for 77 years coming here at age «say is the lack of progress regarding Blind Pass. 15 from Cayo Costa island where she was born, Esperanza The CEPD commissioners say they view the situation became Southwest Florida's first woman fishing guide. as one in which $6 million in already approved state fund- According to family and friends, she spent three quarters of ing for beach renourishment on northern Sanibel is being a century on the water working as a commercial fisherman held up by Sanibel not agreeing to precise wording on a and fishing and shelling guide. proposed agreement. Some commissioners also said the Esperanza was born on July 7, 1901, the first-born of need for $150,000 in local funding might be holding Manuel and Rosa Almas' 12 children. -
Photography 4X6” [40]
Photography Printing Paper Epson SHEET PAPER Scrapbook Semigloss Photo Quality Adhesive BORDERLESS PAPER All-Purpose Glossy 8.5x11” [20].....................14.95 8.3x11.7” [10]..................10.95 Photo Paper Glossy 8.5x11” [20].......................6.95 Scrapbook Premier Matte Photo Quality Glossy 4x6” [50]............................6.95 Inkjet Transparency 8.5x11” [20].....................14.95 8.5x11” [20].......................9.95 Photo Paper 8.5x11” [30].....................41.50 8.3x11.7” [20]..................10.95 Heavy Weight Matte 11.7x16.5” [20]................59.95 12x12” [10]......................14.95 Durabrite Glossy High Quality 13x19” [20]......................32.50 8x10” [50]..........................9.95 4x6” [50]............................8.49 8.5x11” [100].....................8.95 Dupont Proofing Glossy 11x14” [50]......................22.95 8.3x11.7” [20]....................9.95 8.3x11.7” [100]..................9.50 13x19” [100]..................249.95 Premium Glossy Premium Semigloss Photo Paper Glossy 4x6” [40]............................8.95 Premium Luster 8.3x11.7” [20]..................12.95 8.5x11” [20].......................8.50 4x6” [100]........................13.95 8.5x11” [50].....................29.95 11.7x16.5” [20]................41.95 8.5x11” [50].....................18.95 5x7” [20]............................6.95 Enhanced Matte 11.7x16.5” [50]................77.95 8.5x11” [100]...................25.95 8x10” [20]........................11.95 8.5x11” [50].....................13.95 13x19” [50]......................96.50 -
FUJICOLOR NEGATIVE FILM a 250 35Mm TYPE 8518 • 16Mm TYPE 8528
FUJICOLOR NEGATIVE FILM A 250 35mm TYPE 8518 • 16mm TYPE 8528 General This is an ultra-high speed color negative film for motion pictures having an exposure index Properties of 250. It is color balanced to a 3200K tungsten light source and incorporates automatic color masking through the use of colored couplers. Even with its high speed this film pro vides fine grain, high definition, wide exposure latitude and natural color reproduction. It is suitable to all kinds of motion picture uses but it is especially suited to indoor and out door uses under low light level conditions including special applications such as night time, underwater and high-speed photography. When this film is printed on Fujicolor Positive Film or other similar color print film excellent image qualities are to be derived. Exposure 3200K Tungsten Lamps. 250 Index Daylight 160 (with Fuji Light Balancing Filter LBA-12 or Kodak Daylight Filter No. 85) These numbers are appropriate for use with exposure meters marked for ASA speeds. Since these exposure indexes may not apply exactly as publ ished due to differences in exposure meter usage and processing cond itions, it is recom mended that for best results exposure tests be made prior to use. Film This film is composed of three emulsion layers being sensi tive to blue, green and red light Structure respectively. Beside these a protective layer, a yellow filter layer, an antihalation layer and other layers are all coated on a clear safety base. Incorporated in each one of the co lor layers is a specific coupler and through processing, color dye and co lor mask images are formed in the emu lsion layers. -
YOUR COMPANY Mrougi-I Me YEAR~
YOUR COMPANY mROUGI-I mE YEAR~ •Trademark Reg. U.S. Pat. Off. RECENTLY DOCTOR KALMUS AT THE BEGINNING ... SUMMARIZED THE HISTORY It was forty years ago on November 19, 1915, that OF TECHNICOLOR Technicolor Motion Picture Corporation was born. It all FOR THE DIRECTORS OF OUR COMPANY started a year or so before that date when Mr. William Coolidge, a prominent attorney and businessman of Bos ton, Massachusetts, asked Kalmus, Comstock &Westcott , ------------ Inc., to investigate for him a motion picture projector called Vanascope. Kalmus, Comstock & Westcott was a company formed in 1912 by Dr. Daniel F. Comstock and myself, both graduates of Massachusetts Institute of HIS DISCUSSION REVEALED AN ASTONISHING FACT: Technology and recently returned from obtaining Ph.D. TECHNICOLOR HAS FACED FOUR SERIOUS DEPRESSIONS degrees abroad on fellowships from Massachusetts Insti tute of Technology, together with W. Burton Westcott, a AND HAS SURMOUNTED EACH OF THEM mechanical genius. SUCCESSFULLY We reported unfavorably on the Vanascope and a year later, at the request of Mr. Coolidge, we made a -------------- second unfavorable report in which we suggested to him that if he wanted to put money into the motion picture business he raise his sights and aim to put color on the screen. During the consideration of the problems con BECAUSE YOU ARE WORKING TODAY nected with Vanascope the ideas which led to the first AT THE BEGINNING OF WHAT WE HAVE EVERY Technicolor camera and process were germinated . CONFIDENCE WILL PROVE TECHNICOLOR'S FIFTH Mr. Coolidge must have enjoyed my statement that GREAT STORY "the most he could lose was all he put into this color mo tion picture venture" because he and his partner, Mr. -
Exhibits: U.S. V. Technicolor Motion Picture Corporation
William C, Dixon, Special Assistant to the Attorney General James M, McGrath, Special Attorney Antitrust DiTision D3pa7T;msLi- of Justjoe 16u2 Ti. Postcffice & Courthouse Los Angeles 12, Clifornia Madison 7411, Extension 285 Attorneys for the Plaintiff IN THE DISTRICT COURT OF THE UNITED STATES FOR THE W13THERN DISTRICT OF CALIFORNIA CENTRAL DIVISION UNITED STATES OF AMERICA, Plaintiff, v. Civil Action No. •o-,^11 TECHNICOLOR, INC., TECHNICOLOR COMPLAINT •. MOTION PICTURE CORPORATION, and ELSTIAN KODAK COMPANY, Defendants. The United States of America, plaintiff, by its attorneys, acting under the direction of the Attorney General of the United States, brings this action against the defendants, and complains and alleges as follows JURISDICTION AND VENUE 1, This Complaint is filed and these proceedings are instituted under c. ^6tim 4 of the Act of Congress of July 2, 1890, c. 647, 26 Stat. 20q, es amended, entitled 'An Act to ProteA Trade and Commerce against Unlawrul Restraints and Monopolies," commonly known as the Sherman Antitrust Act, end under Section 15 of the Act of Congress of October 15, 1914, a. 323, 38 Stat, 730, as amended, commonly known as the Clayton Act, in order to prevent and restrain c-Jntinuing violations by the defendants, as hereinafter alleged, of Sections 1 and 2 of the Sherman Act, and of Section 3 of the Clayton Act. 2. Defendants Technicolor Motion Picture Corporation and East- man Kodak Company transact business and are found in the Southern District of California. II DEFINITIONS 3. The words 'professional -
Wildlife Reigns on the Islands Once Again Refuge Dedication
SanibehCaptiva since 1961 vol. 18, no. 6 February 7, 1978 two sections ten cents wildlife reigns on the islands once again refuge dedication by rich arthurs Despite cloudy sides and chilly winds, a large crowd of Islanders, visitors and honored gaests showed up at the observation tows' on the wildlife drive through the main tract of the 3, N. "Ding" Darling National Wildlife Refuge last Saturday afternoon for a long-overdue ceremony formally dedicating the Refuge to the memory of raccoons the famous conservationist and Pulitzer prize-winning cartoonist Jay Norwood 'Ding" Darling (1876-1962). at From Sherry Fisher's opening remarks to the official dedication of the conservation Refuge by Assistant Secretary of the Interior Robert L. Herbst, the ceremony emphasized the need for a center continuing commitment to wildlife preservation efforts In this comtry, as see story en page S empUfied by the pioneering work of Jay Norwood Darling. As political cartoonist for the Des Moines "Register" from 1906 through 1949 whose work was eventually syn- dicated and carried in. .over 130 prominent newspqwars throughout the country, "Ding" Darling probably did more than -any other fjg«e to the history of this eoHatey to promote the spirit of wildlife conservation which now prevails on Sasibei and Captiva. Darling was a regular winter visitor IWA meeting tomorrow by gwen Stevenson discovered that it is not necessary for a utility to request an amendment to A special meeting of the Island Water the Plan to construct a plant, so that is Association's membership will be held one major problem JMS of the way." tomorrow, Wednesday, at 9:30 a.m. -
January Clearance Sale! Quantity on Hand Price Each ~ - -~· -··=~------,------Ostrich Troubles
" ,. ' ' ~ ' .• -~....:.r . ,; -~.. J • January 11951 JANUARY CLEARANCE SALE! QUANTITY ON HAND PRICE EACH ~ - -~· -··=~----------------,-------------------- OSTRICH TROUBLES. Brand new, 1-reel, 16mm. sound film in original cartons. ss.,s 16 Cr:st:e-Kiko the Ka .. garoo Cartoon. Original ptice, $17.50. WOLVES OF THE RANGE with Bob Living5ton s29 95 8 Good used 6-reel, 16mm. sound feature pici·ure, assembled on 2-1600' reels. e -~ ,..a:.;.;::::ii.:._.c __________________ ,________________ ,_,_ _ _,__ BORDER BUCKAROOS with Dave O'Brie11 and Jim Newill s29 95 7 Good used 6-reel, 16mm. sound feature picf·ure, assembled on 2-1600' reels. e AMERICAN LEGION CONVENTION, 1947. Rrcind new, 1-reel, 16mm. silent. SJ 98 32 Castle's film of the fun anc frivolity of 1h11 1947 convention in New York. Origi•al price, $8.75. • ------------~---~----~-·----·-----------~--- tOG ISLAND with Lionel Atwill, Jerome Cowan, George Zucco s39 95 5 Good used 7-reel, 16mm. sound faaf·ure pic~ure, assembled on 2-1600' reels. e SONGS OF LOVE. Brand new, 1-reel, 16mm. sound fiim in original cartons. S6 95 Castle Music Album with Gene G,-ounds, Syl-,ia Froos, Dove Schooler and his Swinghearts. • 47 Original price, $17.50. THE DRIFTER with Buster Crabbe and Al S·t. John s29 95 4 Good used 6-reel, 16mm. sound featura {'i :ture, assembled on 2-1600' reels. e FISH IS FOOD. Brand new, 1-reel, 16mm. s:u.,nd film in original cartons. S6 95 There's nothing fishy about the bargain quolit ) of this lilm on the Fulton Fish Market in New York. -
'DJ.M~ ~ WORLD's GREATEST SELECTION of THINGS to SHOW
WINTER 1984 SUPPLEMENT I -'DJ.m~ ~ WORLD'S GREATEST SELECTION OF THINGS TO SHOW SCROOGE 2 (1935) SEYMORE HICKS, DONALD CALTHROP, ROBERT COCHRAN, MARY GLYNNE It's the one and only "Bah Humbug" story as told by Charles Dickens. From the irascible old Scrooge, through Bob Crotchet's misery, old Marlye's ghost and the new and loveable Scrooge, we and Tiny Tim again enjoy that most wonderful spirit of Christmas. 77 min . BW We are pleased to present the classic version of this Dickens Christ mas classic to all our customers. Merry Christmas to you all! 506-30-0599 - Beta 525-30-0599 - VHS. .. .. .. .................... $29.98 BLACKHAWK CHRISTMAS PRICE ....... ... $23.88 (Sale ends December 31, 1983) A CHRISTMAS CAROL, here called SCROOGE, was the first of Charles Dickens "Christmas Books" written' in 1845 and we are pleased to announce on page 3 his third "Book" called THE CRICKET ON THE HEARTH. (order blank p. 33) 1983 Blackhawk f ilms, Inc ., One Old Eagle Brewery, Davenport, Iowa 52802 Special Delivery Services United States: Guarantee 16mm Film - Special Order Most 16mm format film is special order. Please UPS BLUE LABEL $2 .00 per item POSTAL EXPRESS OVERNITE $8.00 (1 only) If after receivin!;l an item you are not allow 12 weeks for printing and delivery. satisfied, return 11 to us within 10 days. {Limit 1 tape or 1 Disc only) We'll allow full credit on some other Running Time Conversion Table UPS NEXT DAY AIR $10.00 per item FEDERAL EXPRESS $28.00 per item purchase or give you a full refund.