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The Lost Laugh
#12 1 April 2020 Welcome to issue 12 of THE LOST LAUGH. I hope, wherever this reaches you, that you’re coping OK with these troubled times, and keeping safe and well. These old, funny films are a great form of escapism and light relief at times like these. In fact, I was thinking the other day that the times they were made in had their fair share of troubles : two world wars, the 1918 flu pandemic, the Wall Street Crash and the great depression, to name a few. Yet, these comics made people smile, often even making fun out of the anxi- eties of the day. That they can still make us smile through our own troubles, worlds away from their own, is testament to how special they are. I hope reading this issue helps you forget the outside world for a while and perhaps gives you some new ideas for films to seek out to pass some time in lockdown. Thanks to our contributors this issue: David Glass, David Wyatt and Ben Model; if you haven't seen them yet, Ben’s online silent comedy events are a terrific idea that help to keep the essence of live silent cinema alive. Ben has very kindly taken time to answer some questions about the shows. As always, please do get in touch at [email protected] with any comments or suggestions, or if you’d like to contribute an article (or plug a project of your own!) in a future issue. Finally, don’t for- get that there are more articles, including films to watch online, at thelostlaugh.com. -
The Films of Raoul Walsh, Part 1
Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema .................... -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
Sons of the Pioneers Charity Benefit Concert
SONS OF THE PIONEERS CHARITY BENEFIT CONCERT The legendary Sons of the Pioneers will be appearing in concert on Saturday evening, November 3, at 6:30 p.m. at the Victor Valley College Performing Arts Center, in Victorville, California. This special charity performance will benefit the abused children served by the Happy Trails Children’s Foundation in Apple Valley, California. For decades, the Sons of the Pioneers have musically painted unforgettable images of the West; horses, cattle, cowboys, trails, tall timber, canyons and prairies. Their original songs like “Tumbling Tumbleweeds” and “Cool Water” are classics forever entwined into the lore and mystique of the American West. Both songs have been inducted into the Grammy Hall of Fame. The Sons of the Pioneers are the most highly awarded singing group of all time. Among their many prestigious awards, they have been inducted into the Country Music Hall of Fame, the Western Music Association Hall of Fame, the Nashville Songwriters Hall of Fame and the National Cowboy Hall of Fame – Hall of Great Western Performers, for their legacy of works in literature, music, film and television that reflect the significant stories of the American West. The Smithsonian Institute named them as “National Treasures.” The Sons of the Pioneers history began in the fall of 1933 when a young man from Duck Run, Ohio, Leonard Slye, then only 22 years of age and living in Southern California, contacted two of his friends, Bob Nolan and Tim Spencer, to form a musical group. They worked long and hard to develop a unique close harmony sound that has had an enduring influence on American music to this day. -
UNCERTAIN GLORY (The Other Casablanca) for THOMAS Mcnulty- in Appreciation and Gratitude*
UNCERTAIN GLORY (The other Casablanca) For THOMAS McNULTY- in appreciation and gratitude* Uncertain Glory is the 29th in the celluloid career of Errol Flynn. The only film of Flynn’s released for the year 1944 falling between Northern Pursuit and Objective Burma. The first of a series of seven films (ultimately amended to three) to be made by Flynn’s company, Thomson Productions, which was contracted to Warners both for use of facilities and release arrange-ments. It has the distinction of being the 5th of 8 films in which Flynn would die, along with Charge of the Light Brigade, Dawn Patrol, The Private Lives of Elizabeth and Essex, They Died With Their Boots On, Rocky Mountain, Too Much Too Soon, and The Roots of Heaven). And also the 4th of 5 dealing with the subject of World War 2- the others being Desperate Journey, Edge of Darkness, Northern Pursuit, and Objective Burma. It’s Flynn’s first important film post-trial. He’s in mid-career, and about 33 years old. He is vulnerable and changed. And the performance shows it- someone in transition, from a boyish attitude toward life into a man’s more serious focus (remember we’re speaking about Flynn: he still had his extra-curricular activities- only less of them). At about this time he was paying alimony and support, married**, LIVING WITH Nora, a father, working on the novel Showdown (writing always having a calming effect), and a recently successful USO and bond tour (meaning public acceptance). He chose this film as his next project, and it DID NOT capitalize on (although there are the usual references to a young man in search of feminine company) the rape trial (the ordeal actually started on 10/11/42 with 2 policemen coming to the house and culminated in an acquittal on 2/6/43) by suggesting the new image he would ultimately be saddled with. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
It Happened in Hollywood (Comedians) (1960) [Screen Gems] [Sound] Hosted by Vincent Price
JOHN E. ALLEN, INC. JEA T.O.16 <05/95> [u-bit #19200037] 16:00:07 -It Happened In Hollywood (Comedians) (1960) [Screen Gems] [sound] hosted by Vincent Price AERIAL of Hollywood, HA houses and buildings, street scenes, sign: “Hollywood & Vine”, court of Graumans Chinese Theatre with Vincent Price looking at hand and foot prints (1960) Henry B. Walthall in early Western with Harry Carey, Ken Murray with Buster Keaton and Billy Gilbert and Joan Davis in pie throwing sequence, Vincent Price’s home, collection of masks, Price looking at film clips through movieola (1960) John Bunny and Flora Finch, Mack Sennett, Charlie Murray with Fatty Arbuckle and Sessue Hayakawa, Harold Lloyd, Chester Conklin, Clyde Cook on roller skates in restaurant, Zasu Pitts in front of cameraman cranking movie camera, Louise Fazenda giving apple to director Erie Kenton with cameraman loading camera, Jimmy Durante, Marx Brothers and Syd Graumans, Ritz Brothers, W.C. Fields hitting golf ball, Price changing reel on movieola (1960) Ken Murray and ladies on bicycle built for three, Fred Allen and Rudy Vallee speaking into NBC microphone on radio show, CUT AWAY of audience laughing, Bob Hope with Brenda and Cobina speaking into microphone, Mickey Rooney watching himself as Mickey McGuire with Mary Pickford and Ruth Roland and Mae Murray and Dolores Del Rio and June Kaiser, Douglas Fairbanks with Joel McCrea, straw hat signed by Maurice Chevalier 16:16:22 Groucho Marx and Carole Landis with dark hair singing western songs into microphone with orchestra in background for WWII U.S. soldiers 16:18:25 Dean Martin and Jerry Lewis at Photo Play award dinner with George Jessel -16:24:38 16:24:48 -It Happened In Hollywood (Westerns) (1960) [Screen Gems] [sound] hosted by Vincent Price Vincent Price speaking from western set on back lot of movie studio, looking at film clips on movieola (1960) MCU William S. -
PRISCO Everyone to Do His Or Her Part to Prevent the Fires and BIDSJMMS Thompson Is Now Assistant from Mr
Let us all make Christmas Eve a "Night of Light." than have men of other countries and other continents. "As America's answer to the black-out threatening Democratic institutions, and would re-charge our de- No-where else in the world can the people feel more Let us proclaim our solemn intention of continuing the world—a black-out of freedom as well as of light termination to keep America beyond the reach of closely the spirit of Christmas. We have been spared these honorable .pursuits by sending forth a blaze of —will you proclaim Christmas Eve a 'Night of Light,' dictatorship. the horrors of dictatorships and of wars. There are light, symbolic of the light which shown over Bethle- calling on citizens to keep every room of every home "I believe that citizens will spontaneously respond no threats of enemy airplanes and their death-dealing hem. and building fully lighted, with blinds wide open, and that America's 'Night of Light' will be bigger, bombs. There is no cause for us to huddle in our cell- Mayors August F. Greiner and Walter C. Christen- from dusk to midnight? more significant news—in nations where news can ars, the windows of our homes covered in blackness sen today officially proclaimed, in response to a re- "I believe this symbolic action, making this night* still be circulated—than any black-out has been." to blot out a target for sky raiders. quest by Bernarr Macfadden, publisher, Christmas brighter than any we have ever experienced, would In urging the response of the people of this com- We have been blessed many times over for our Eve as a "Night of Light." Hi*. -
La Grande Avventura Di Raoul Walsh
LA GRANDE AVVENTURA DI RAOUL WALSH The Big Adventure of Raoul Walsh Programma.a.cura.di./.Programme curated by. Peter von Bagh Note.di./.Notes by. Paola Cristalli,.Dave Kehr.e.Peter von Bagh 176 Dopo gli omaggi a Josef von Sternberg, Frank Capra, John Ford e After Sternberg, Capra, Ford and Hawks, the name that symbolizes Howard Hawks, ecco il nome che rappresenta l’avventura e il cine- the sense of adventure and pure cinema, action and meditation, ma puro, l’azione e la meditazione, lo spettacolo e il silenzio: Raoul spectacle and silence – Raoul Walsh (1887-1980). In the words of Walsh (1887-1980). Come ha scritto Jean Douchet, i film di Walsh Jean Douchet, Walsh’s films are “an inner adventure”: “This pas- sono “un’avventura interiore”: “Questo shakespeariano passionale sionate Shakespearian is so intensely phisical because, above all, è un regista intensamente fisico perché dipinge prima di tutto il he is painting the tumultuous mental world”. Our series consists tumultuoso mondo mentale”. Il nostro programma si compone di of a full set of silents, too often ignored as indifferent sketches on una selezione di film muti, importanti quanto spesso trascurati, e the way to things to come, plus selected treasures of the sound di alcuni tesori del periodo sonoro, a partire dalla magnifica avven- period, especially the early years which include the magnificent tura in formato panoramico di The Big Trail del 1930. 1930 adventure in widescreen The Big Trail plus some brilliant A Hollywood Walsh fu un ribelle solitario: rifiutò la rete di sicurezza bonuses from later years. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
CATALOGX 87.Pdf
E R T A N M E N T BIG NEWS, fRANIINSTBN, TIIE RDT•m VEIIIII (1831) BLACDAWK MOVESI \ Big news and good news for our many customers nationwide! Blackhawk Films, for years based in Davenport, Iowa is heading west to Hollywood. Effective September 18, 1987, Blackhawk Films moved its operations closer to the heart of the industry. The new facilities mean faster response and even more personal attention given to filling your orders. The most outstanding new feature that goes with the move is the extension of phone service to 24 hours a day, every day of the year. At Blackhawk Films, we keep trying to find new ways to retain our customers and give you the kind of service you deserve ... the best. You can see that effort most clearly in this catalog's selection of collectable entertainment. Just looking through our exclusive LANDMARKS IN ENTERTAINMENT Section gives you a taste of the kinds of special videocassettes we have to offer. Not just entertaining features, Blackhawk strives to select high-quality, important work that is valuable entertainment. Titles like the original FRANKENSTEIN, TOP HAT, DIRECTOR: James Whales PRODUCER: Carl Laemmle Jr. MAKE-UP: Jack Pierce CAST: Boris Ka.rfoff. Colin MR. SMITH GOES TO WASHINGTON, Clive, Mae Clarke, Edward Van Sloan, John Boles, Marilyn Harris and Dwight Frye SONS OF THE DESERT and the rest read like a roll call of the greatest films from For the first time in 50 years, this classic adaptation of Mary Shelly's novel can be seen the way its Hollywood's heyday.