GUNSMOKE TV CAST and DETAILS Premiered
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Andy Devine the Illustrated Cf>Ress
The Old Time Radio Club Established 1975 b Number 343 October 2006 Andy Devine The Illustrated Cf>ress Membership Information Club Officers and Librarians Club Membership: $18.00 per year from January 1 President to December 31. Members receive a tape library list Jerry Collins (716) 683-6199 ing, reference library listing and the monthly 56 Christen Ct. newsletter. Memberships areas follows: If you join Lancaster, NY 14086 January-March, $18.00; April-June, $14; JUly [email protected] September, $10; October-December. $7. All renewals should be sent in as soon as possible to Vice President & Canadian Branch avoid missing newsletter issues. Please be sure to Richard Simpson (905) 892-4688 notify us if you have a change of address. The Old 960 16 Road R.R. 3 Time Radio Club meets on the first Monday of the Fenwick, Ontario month at 7:30 PM during the months of September Canada, LOS 1CO through June at St. Aloysius School Hall. Cleveland Drive and Century Road, Cheektowaga, NY. There Treasurer, Videos & Records is ng meeting during the month of July, and an Dominic Parisi (716) 884-2004 informal meeting is held in August at the same 38 Ardmore PI. address. Buffalo, NY 14213 Anyone interested in the Golden Age of Radio is Membership Renewals, Change of Address welcome. The Old Time Radio Club is affiliated with Peter Bellanca (716) 773-2485 the Old Time Radio Network. 1620 Ferry Road Grand Island, NY 14072 Club Mailing Address [email protected] Old Time Radio Club 56 Christen Ct. Membership Inquires and OlR Lancaster, NY 14086 Network Related Items E-Mail Address: Richard Olday (716) 684-1604 [email protected] 171 Parwood Trail Depew. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Appendix a Biography: Andy Devine
Appendix A Biography: Andy Devine There is an abundance of information on Andy Devine on the internet which includes Andy Devine’s film, radio and TV career. This section is not designed to be all inclusive of his history but merely a short synopses of his life before and after his Big Bear presence. The major part of this section deals with Andy Devine’s activities while in Big Bear from 1945 to 1960. Andy Devine was born on October 7, 1905 and grew up in Kingman, Arizona where his family moved when he was a year old. Devine was an able athlete as a student and actually played semi-pro football under a phony name (Jeremiah Schwartz, often erroneously presumed to be his real name). Devine used the false name in order to remain eligible for college football. After being a successful football player at St. Mary & St. Benedict College, Arizona State Teacher's College, and Santa Clara University, Devine went to Hollywood with dreams of becoming an actor. Devine had a number of small roles in silent films, (several of which were in Big Bear). Devine met his wife-to-be, Dorothy House, in 1933 while filming “Doctor Bull” at Fox Studios. They were married on October 28, 1933, in Las Vegas, Nevada. They had five children: Andrew Devine, Jr. (born 1934), Patrick Gabriel Devine (born 1935), Susanna Rachel Devine (born 1937), Arthur Matthew Devine (born 1938) and Deborah Catherine Devine (born 1941). Andy, Jr. and Patrick are actors while the rest of his and House's children have other careers. -
Music in GUNSMOKE Half-Hour Series PART II
Music in GUNSMOKE Half-Hour Series PART II [all Season Six half-hour episodes] Next is the Gunsmoke Sixth Season, Volume One dvd... 1 2 Note than just slightly more than half of the music in the episodes of this season were original scores, including three by Bernard Herrmann, three by Goldsmith, three by Fred Steiner, two by Lyn Murray, etc. "Friend's Payoff" (September 3, 1960) *** C Original score by Lyn Murray. Synopsis: An old friend of Matt Dillon's that he hasn't seen in many years, Ab Butler, is shot. Mysteriously, a man named Joe Leeds (played by Tom Reese) enters Dodge to look for Ab Butler. Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series. Score no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703. Box 77. -#3694 "Speechless Lies" Take 3 (1:15) -00:23 thru 00:53 CBS cue #3693 "After Summer Merrily" Take 3, (00:35) 3 Scene: Chester is busy in the Marshal's office trying to fix an old chair. A small boy comes in with a written message, looking for the Marshal. -2:19 thru 3:34 CBS cue #3694 "Speechless Lies" Take 3 (1:15) Scene: The message is from Matt's old friend, Ab Butler, who says he was shot in the shot & needs help quick. Dillon on a horse & Chester in an open wagon go out to find him. -3:56 thru 4:44 Scene: Dissolve to Doc's office, being treated by Adams. Dillon starts to question Ab again. Note that I have no further info on this and following cues for this score. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
Contents Adventure
from place to place, following work or a whim, living out of their wagon, battling Contents the elements, each other, and the fates Adventure ........................................................ 1 in a land that can be as harsh as it is Animal ............................................................... 2 beautiful. Starring Deborah Kerr, Robert Classic ............................................................... 3 Mitchum, Peter Ustinov, Glynis Johns, and Chips Rafferty. Not rated. 1960. Drama ............................................................... 3 (ADV) Fantasy ............................................................. 9 Holiday............................................................ 10 Horror ............................................................. 10 Humor ............................................................. 10 Mystery ........................................................... 13 Romance ........................................................ 13 Science Fiction .............................................. 14 War ................................................................. 14 Western .......................................................... 15 DVD 544 The Snows of Kilimanjaro. Gravely injured while on safari in Africa, a successful but world-weary novelist Adventure lies on a cot in the shadow of Mt. Kilimanjaro watching the vultures gather and brooding on his life and loves. It is DVD 537 The Great Adventure. a drama filled with high adventure, hair- During the Gold Rush two spunky -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
![It Happened in Hollywood (Comedians) (1960) [Screen Gems] [Sound] Hosted by Vincent Price](https://docslib.b-cdn.net/cover/6219/it-happened-in-hollywood-comedians-1960-screen-gems-sound-hosted-by-vincent-price-1186219.webp)
It Happened in Hollywood (Comedians) (1960) [Screen Gems] [Sound] Hosted by Vincent Price
JOHN E. ALLEN, INC. JEA T.O.16 <05/95> [u-bit #19200037] 16:00:07 -It Happened In Hollywood (Comedians) (1960) [Screen Gems] [sound] hosted by Vincent Price AERIAL of Hollywood, HA houses and buildings, street scenes, sign: “Hollywood & Vine”, court of Graumans Chinese Theatre with Vincent Price looking at hand and foot prints (1960) Henry B. Walthall in early Western with Harry Carey, Ken Murray with Buster Keaton and Billy Gilbert and Joan Davis in pie throwing sequence, Vincent Price’s home, collection of masks, Price looking at film clips through movieola (1960) John Bunny and Flora Finch, Mack Sennett, Charlie Murray with Fatty Arbuckle and Sessue Hayakawa, Harold Lloyd, Chester Conklin, Clyde Cook on roller skates in restaurant, Zasu Pitts in front of cameraman cranking movie camera, Louise Fazenda giving apple to director Erie Kenton with cameraman loading camera, Jimmy Durante, Marx Brothers and Syd Graumans, Ritz Brothers, W.C. Fields hitting golf ball, Price changing reel on movieola (1960) Ken Murray and ladies on bicycle built for three, Fred Allen and Rudy Vallee speaking into NBC microphone on radio show, CUT AWAY of audience laughing, Bob Hope with Brenda and Cobina speaking into microphone, Mickey Rooney watching himself as Mickey McGuire with Mary Pickford and Ruth Roland and Mae Murray and Dolores Del Rio and June Kaiser, Douglas Fairbanks with Joel McCrea, straw hat signed by Maurice Chevalier 16:16:22 Groucho Marx and Carole Landis with dark hair singing western songs into microphone with orchestra in background for WWII U.S. soldiers 16:18:25 Dean Martin and Jerry Lewis at Photo Play award dinner with George Jessel -16:24:38 16:24:48 -It Happened In Hollywood (Westerns) (1960) [Screen Gems] [sound] hosted by Vincent Price Vincent Price speaking from western set on back lot of movie studio, looking at film clips on movieola (1960) MCU William S. -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
The American Indian in the American Film
THE AMERICAN INDIAN IN THE AMERICAN FILM Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in American Studies in the University of Canterbury by Michael J. Brathwaite 1981 ABSTRACT This thesis is a chronological examination of the ways in which American Indians have been portrayed in American 1 f.ilms and the factors influencing these portrayals. B eginning with the literary precedents, the effects of three wars and other social upheavals and changes are considered. In addition t-0 being the first objective detailed examination of the subj�ct in English, it is the first work to cover the last decade. It concludes that because of psychological factors it is unlikely that film-makers are - capable of advancing far beyond the basic stereotypes, and that the failure of Indians to appreciate this has repeatedly caused ill-feeling between themselves and the film-makers, making the latter abandon their attempts at a fair treatment of the Indians. ii TABLE OF CONTENTS Preface iii Chapter I: The Background of the Problem c.1630 to c.1900. 1 Chapter II: The Birth of the Cinema and Its Aftermath: 1889 to 1939. 21 Chapter III: World War II and Its Effects: 1940 to 1955. 42 Chapter IV: Assimilation of Separatism?: 1953 to 1965. 65 Chapter V: The Accuracy Question. 80 Chapter VI: Catch-22: 1965 to 1972. 105 Chapter VII: Back to the Beginning: 1973 to 1981. 136 Chapter VIII: Conclusion. 153 Bibliography 156 iii PREFACE The aim of this the.sis is to examine the ways in which the American Indians have been portrayed in American films, the influences on their portrayals, and whether or not they have changed.