The Films of Raoul Walsh, Part 1
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Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
7.Castrillo-Echart
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dadun, University of Navarra Pablo Castrillo Towards a narrative definition of [email protected] PhD Candidate and Lecturer. the American political thriller film University of Navarra. Spain. Pablo Echart Abstract [email protected] Senior Lecturer in The Hollywood political thriller is a film genre of unique Screenwriting. University of relevance in the United States, often acting as a reflection of the Navarra. Spain. fears and anxieties of its historical times. At the same time, however, the definition of its identity and boundaries still leaves Submitted room for further specification, perhaps due to the frequent June 4, 2015 consideration of the political thriller as part of the broader Approved September 30, 2015 categories of either thriller narratives or political films. By revising the available literature and filmography and analyzing the narrative features of the classical political thriller, this © 2015 Communication & Society article proposes a deeper definition of the genre that takes into ISSN 0214-0039 account the nature of the broader ‘thriller’ category of films E ISSN 2386-7876 springing from a specific mode of crime fiction that focuses on a doi: 10.15581/003.28.4. 109-123 www.communication-society.com victim or threatened individual as its protagonist, depicts and conveys intense emotional states, portrays an unbalanced and highly existentialist worldview, and travels into the 2015 – Vol. 28(4), pp. 109-123 extraordinary while at the same time holding on to very concrete expectations of verisimilitude. The political thriller How to cite this article: specifies this broader form of narration and links it to dramatic Castrillo, P. -
The First Critical Assessments of a Streetcar Named Desire: the Streetcar Tryouts and the Reviewers
FALL 1991 45 The First Critical Assessments of A Streetcar Named Desire: The Streetcar Tryouts and the Reviewers Philip C. Kolin The first review of A Streetcar Named Desire in a New York City paper was not of the Broadway premiere of Williams's play on December 3, 1947, but of the world premiere in New Haven on October 30, 1947. Writing in Variety for November 5, 1947, Bone found Streetcar "a mixture of seduction, sordid revelations and incidental perversion which will be revolting to certain playgoers but devoured with avidity by others. Latter category will predomin ate." Continuing his predictions, he asserted that Streetcar was "important theatre" and that it would be one "trolley that should ring up plenty of fares on Broadway" ("Plays Out of Town"). Like Bone, almost everyone else interested in the history of Streetcar has looked forward to the play's reception on Broadway. Yet one of the most important chapters in Streetcar's stage history has been neglected, that is, the play's tryouts before that momentous Broadway debut. Oddly enough, bibliographies of Williams fail to include many of the Streetcar tryout reviews and surveys of the critical reception of the play commence with the pronouncements found in the New York Theatre Critics' Reviews for the week of December 3, 1947. Such neglect is unfortunate. Streetcar was performed more than a full month and in three different cities before it ever arrived on Broadway. Not only was the play new, so was its producer. Making her debut as a producer with Streetcar, Irene Selznick was one of the powerhouses behind the play. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M
ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe -
Georgetown and Dartmouth Also B Ises, Insuring the Highest Possible E Rder of Tailoring in Every Detail
f DISTRICT LEAG1UE BOOKED Nationals \Will Get Free Suits iff ^ , I | "x TO COMPLETE ROSTER TODAY They Bat Well This Season \ « To encourage the Washington play ere to get busy and hit the ball this ceteon, Mr. Omohundro -will fir* J i to the player knocking the first hom«> run on the local grounds a free ra It.also to tho player having the best batting average at the end of tJhis season. N New Club Will Be O:rganized to FiD Vacancy The winners can select any suit 1they fancy, and we will tailor them 1to their exact mewurav !I . J* .Peek Drops Otit of Sunday School S Le<igue. I ! /n/^ r bk i^JSr Ihf* r _ ^blSS The officials of the District League wiill committee to look Into the matter and H neet this morning to complete the for_ decide whether the team really meant business In trying to get together a club nation of the circuit for the coming eei to I rjMQigjUBin^>>^^HRjM^wuiMj|j|SpPS^&jp| represent that church. YOUR EASTEfl ron. Other matters pertaining to' tlie While the of the circuit win fsurn personnel jpenlng of the season and the playirlg necessarily be changed to a certain ex- H Not Selectt It Tomorrow? I ichedule will also J>e discussed. tent owing to the withdrawal of the club H Why The committee appointed to look aft mentioned, the existence of the organl- H Experience has taught you the a dvantage of early buying. Stocks H zation is not threatened in the least, as H are fullest now and opportunities t*Jr selection are the beet.leisurely H he enrollment of another nine to corn* it is almost certain that a nine can be H >lete a six-club league has so far be<;n found to take the vacant franchise. -
By Philip Roth
The Best of the 60s Articles March 1961 Writing American Fiction Philip Roth December 1961 Eichmann’s Victims and the Unheard Testimony Elie Weisel September 1961 Is New York City Ungovernable? Nathan Glazer May 1962 Yiddish: Past, Present, and Perfect By Lucy S. Dawidowicz August 1962 Edmund Wilson’s Civil War By Robert Penn Warren January 1963 Jewish & Other Nationalisms By H.R. Trevor-Roper February 1963 My Negro Problem—and Ours By Norman Podhoretz August 1964 The Civil Rights Act of 1964 By Alexander M. Bickel October 1964 On Becoming a Writer By Ralph Ellison November 1964 ‘I’m Sorry, Dear’ By Leslie H. Farber August 1965 American Catholicism after the Council By Michael Novak March 1966 Modes and Mutations: Quick Comments on the Modern American Novel By Norman Mailer May 1966 Young in the Thirties By Lionel Trilling November 1966 Koufax the Incomparable By Mordecai Richler June 1967 Jerusalem and Athens: Some Introductory Reflections By Leo Strauss November 1967 The American Left & Israel By Martin Peretz August 1968 Jewish Faith and the Holocaust: A Fragment By Emil L. Fackenheim October 1968 The New York Intellectuals: A Chronicle & a Critique By Irving Howe March 1961 Writing American Fiction By Philip Roth EVERAL winters back, while I was living in Chicago, the city was shocked and mystified by the death of two teenage girls. So far as I know the popu- lace is mystified still; as for the shock, Chicago is Chicago, and one week’s dismemberment fades into the next’s. The victims this particular year were sisters. They went off one December night to see an Elvis Presley movie, for the sixth or seventh time we are told, and never came home. -
Anika and Her Production Company Roaring Virgin Productions Have Recently Optioned TV and Film Rights to Shadowshaper, Daniel Jo
ANIKA NONI ROSE Tony Award winner Anika Noni Rose currently plays the lead in BET’s new series The Quad, starring as Eva Fletcher, the newly elected President of the fictional college George A&M. Anika was last seen on the big screen in Everything, Everything, based off the popular young adult novel by Nicola Yoon and will soon be seen in the film AssassinationNation. Last Memorial Day, Anika starred in History Channel’s adaption of Roots as Kizzy (NAACP Image Award nom for Outstanding Actress). On television she has a reoccurring role in the Starz hit series Power as LaVerne and has previously been seen in CBS’s The Good Wife, ABC’s Private Practice, CBS’s Elementaryand FOX’s The Simpsons (voice of Abie’s long lost wife). Other TV credits include: the A&E mini- series Stephen King’s Bag of Bones opposite Pierce Brosnan, The No. 1 Ladies Detective Agency for HBO/BBC/Weinstein Company. Anika’s many film credits include: Dreamgirls, The Princess and The Frog (voice of Princess Tiana), A Day Late and a Dollar Short, Half of a Yellow Sun, Imperial Dreams,For Colored Girls and the comedy feature Just Add Water. Additional film credits include,As Cool As I Am and Khumba. She won the Tony Award for Best Featured Actress in a Musical for her role in Caroline, or Change and has also starred in Broadway productions such as A Raisin in the Sun (Tony Award nom and Outer Critics Circle nom), Cat On A Hot Tin Roof, Footloose and the Off-Broadway of Eli’s Comin’. -
HISTORY of the CINEMA : 1895 - 1940 / Collection De Microfiches (MF 195)
HISTORY OF THE CINEMA : 1895 - 1940 / Collection de microfiches (MF 195) Classement par auteur / collectivité AUTEUR TITRE EDITION Abramson, Ivan. Mother of truth : a story of romance and retribution based on the events [New York] : Graphic Literary Press,[c1929] of my own life. Academy of Motion Picture Arts and 1937 academy players directory bulletin. Special ed., 2nd printing, rev. Beverly Hills, Calif. : Sciences. Academy of Motion Picture Arts and Sciences, c1981. Academy of Motion Picture Arts and Motion picture sound engineering. New York : D. Van Nostrand Company, 1938. Sciences. Research Council. Academy of Motion Picture Arts and Report on television from the standpoint of the motion picture producing Hollywood : The Academy, 1936. Sciences. Research Council. industry. Academy of Motion Picture Arts and Screen achievements records bulletin. Reference list of productions. Reference list of productions 1934/38. Hollywood Sciences. :[The Academy, 1938?] Ackerman, Carl William, 1890- George Eastman / by Carl W. Ackerman ; with an introduction by Edwin London : Houghton Mifflin Co., 1930. R. A. Seligman. Adam, Thomas Ritchie, 1900- Motion pictures in adult education New York : American Association for Adult Education, 1940 Adeler, Edwin. Remember Fred Karno? : the life of a great showman London : John Long, 1939. Adler, Mortimer Jerome, 1902- Art and prudence : a study in practical philosophy New York ;Toronto : Longmans, Green and Company, 1937 Aguilar, Santiago. El genio del septimo arte : apologia de Charlot Madrid : Compania Ibero-Americana de Publicaciones, 1930. Albert, Katherine ed. How to be glamorous : expert advice from Joan Crawford, Cecil B. New York, c1936. DeMille, et al. BCUL Dorigny-Unithèque/ Cinespace/ps 1. Albert, Katherine. -
J'essaie Toujours De Construire Mes Films Sur
Contempler est en effet pour Anthony Mann le but ul- time de la mise en scène western. Non qu’il n’ait de goût pour l’action et sa violence, sa cruauté même. Il sait au LES AFFAMEURS «contraire la faire éclater avec une soudaineté éblouissante mais nous sentons bien qu’elle déchire la paix et qu’elle as- UN FILM D’ANTHONY MANN pire à y retourner de même que les grands contemplatifs font les meilleurs hommes d’action parce qu’ils en mesurent tous ensemble la vanité dans la nécessité. » André Bazin 1952 - états-Unis - 91 min - Visa 12777 - vostf Version restaurée 2k SORTIE 20 FÉVRIER 2019 DISTRIBUTION MARY-X DISTRIBUTION PRESSE 308 rue de Charenton 75012 Paris SF EVENTS Tel : 01 71 24 23 04 / 06 84 86 40 70 Tél : 07 60 29 18 10 [email protected] [email protected] SYNOPSIS Deux hommes au passé trouble, Glyn McLyntock et son ami Emerson Cole, escortent la longue marche d’un convoi de pionniers. Arrivés à Portland, les fermiers achètent des vivres et du bétail que Hendricks, un né- gociant de la ville, promet d’envoyer avant l’automne. Les mois passent et la livraison se fait attendre... beaucoup plus ambigus que les archétypes universels de John Ford. C’est le cas de James Stewart dans Les Affameurs (le premier film en couleur de Mann) et de Gary Cooper dans L’Homme de l’Ouest. Avec Winchester 73, il entame une fructueuse col- laboration avec le scénariste Borden Chase, collaboration qui s’achèvera en 1955 et 5 films plus tard avec L’Homme de la plaine.