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Download the Technical Data for Kodak Professional
TECHNICAL DATA / COLOR TRANSPARENCY FILM May 2004 • E-2529 KODAK PROFESSIONAL EKTACHROME Duplicating SIZES AVAILABLE Film EDUPE is a low-contrast color reversal duplicating Sizes and catalog numbers may differ from country to film designed for making high-quality duplicates from country. See your dealer who supplies KODAK originals on KODAK EKTACHROME or KODACHROME PROFESSIONAL Products. Films. It features excellent color reproduction, extremely fine grain, and very high sharpness. Rolls Code / Acetate CAT No. Although its primary application is producing duplicate Spec No. Base slides, you can also use this film for making copy slides of 135-36 EDUPE 134 2641 high-contrast color reflection prints. EDUPE/ 35 mm x 100 ft 195 2837 SP663 FEATURES BENEFITS EDUPE/ 35 mm x 400 ft 114 7461 • Optimized spectral • Versatile performance SP663 sensitivity and tone scale • Exceptional tone and color EDUPE/ 35 mm x 1000 ft 197 5358 reproduction from a variety SP663 of original film types 5-mil EDUPE/ (0.13 mm) • Extended tone scale • Increased highlight and 46 mm x 100 ft 122 1985 latitude shadow detail SP446 EDUPE/ • Faithful reproduction of 61.5 mm x 100 ft 102 3035 original tone scale SP816 • Richer blacks EDUPE / 70 mm x 100 ft* 813 7523 • Cleaner whites SP481* • Finest grain available in a • Outstanding reproduction of 120 EDUPE 139 5268 color reversal duplicating detailed images—even with film enlargement *Perforated on both edges. • The perfect match for today’s finer-grained films Film Code Acetate • Excellent latent-image • No color or contrast shifts Sheets Size CAT No. keeping within a roll, or from the start Base to the end of the day 10 802 4531 • Superb reciprocity • No tone scale compromise 4 x 5 in. -
Color and False-Color Films for Aerial Photography
Color and False-Color Films for Aerial Photography RATFE G. TARKINGTON and ALLAN L. SOREM Research Laboratories, Eastman Kodak Company Rochester, N. Y. ABSTRACT: Color reproduction by the photographic process using three primary colors is discussed, and the 11se of these photographic and optical principles for false-color reproduction is explained. The characteristics of two new aerial films-Kodak Ektachrome Aero Film (Process E-3) and a false-color type, Kodak Ektachrome Infrared Aero Film (Process E-3)-are compared with those of the older products they replace. The new films have higher speed, im proved definition, and less granularity. OPULAR processes of color photography are KODAK EKTACHROME AERO FILM (PROCESS E-3) P based upon the facts that (1) the colors perceived by the human eye can be produced BLUE SENSITIVE YELLOW POSITIVE IMAGE by mixtures of only three suitably chosen =====::::==l=====~=~=~~[M~ colors called primaries; (2) photographic GREEN SENSITIVE MAGENTA POSITIVE IMAGE emulsions can be made to respond selectively REO SENSITIVE CYAN POSITIVE IMAGE to each of these three colors; and (3) chemical reactions exist which can produce three in dividual colorants, each capable of absorbing FIG. 1. Schematic representation of a essentially only one of the chosen primary multilayer color film. colors. Although theory imposes no single unique set of three primary colors, in prac in a scene, but the results obtained with tice the colors chosen are those produced by modern color photographic materials are re light from successive thirds of the visible markably realistic representations of the spectrum: red, green, and blue. When these original scene. -
Mindful Photographer
Operating Manual for the Mindful Photographer Ed Heckerman Copyright © 2017 Cerritos College and Ed Heckerman 11110 Alondra Blvd., Norwalk, CA 90650 Second Edition, 2018 This interactive PDF was made in partial fulfillment for a sabbatical during the academic year 2016 - 2017. No part of the text of this book may be reporduced without permission from Cerritos College. All photographs were taken by Ed Heckerman and produced independently from sabbat- ical contract. Ed Heckerman maintains the copyright for all the photographs and edition changes. No images may be copied from this manual for any use without his consent. Contents Part 1 — Insights and Aspirations 1 contents page Introduction 1 What is Photography? 2 What is a Photograph? Motivations — Why Make Photographs? Photography and Mindfulness 6 Thoughts On Tradition ��������������������������������������������������������������������������12 Part 2 — Navigating Choices ������������������������������������������������������������� 14 Cameras Loading Your Camera Unloading Your Camera Manual Focus Autofocus Sensitivity and Resolution — ISO Controlling Exposure — Setting the Aperture and Shutter Speed Shutter Speed Coordinating Apertures and Shutter Speeds Exposure Metering Systems ��������������������������������������������������������������� 25 Full-frame Average Metering Center Weighted Metering Spot Metering Multi-Zone Metering Incident Metering -
EASTMAN TRI-X Reversal Film 7278™
TECHNICAL DATA / BLACK-AND-WHITE REVERSAL FILM February 1999 • H-1-7278 H-1-7278 EASTMAN TRI-X July 1996 Reversal Film 7278™ DESCRIPTION For more information about medium- and long-term EASTMAN TRI-X Reversal Film 7278 (16 mm) is a high- storage, see NAPM IT9.11-1992, and KODAK Publications speed, panchromatic black-and-white film with an anti- H-1, KODAK Motion Picture Film, and H-23, The Book of halation undercoat that makes it suitable for general interior Film Care. photography with artificial light. It can be used in daylight and is particularly useful for photographing sports at regular EXPOSURE INDEXES speed or in slow motion in low-light conditions late in the Use the following exposure indexes for recommended day or with an overcast sky. This film is characterized by reversal processing: excellent tonal gradation and high resolving power. Tungsten (3200K)—160 When processed as a reversal film, the resulting positive Daylight*—200 can be used for projection or for duplication. If processed as Use these indexes with incident- or reflected-light exposure a negative material by conventional methods, this film will meters and cameras marked for ISO or ASA speeds or yield satisfactory results, although there will be some loss in exposure indexes. These indexes apply for meter readings of speed. average subjects made from the camera position or for readings made from a gray card of 18-percent reflectance BASE held close to and in front of the subject. For unusually light- This film has a gray acetate safety base with an additional or dark-colored subjects, decrease or increase the exposure anti-halation undercoat. -
Kodak Ektachrome 100D Color Reversal Film 7294
KODAK EKTACHROME 100D COLOR REVERSAL FILM 7294 Shoot With a Film Icon The unparalleled look of KODAK EKTACHROME is waiting… For decades, KODAK EKTACHROME set the What’s more, KODAK EKTACHROME 100D standard for ilmmakers seeking beautiful grain, Color Reversal Film / 7294 also has very strong clean vibrant colors and a distinctive aesthetic. reciprocity and keeping stability so you can trust Now KODAK EKTACHROME 100D Color Reversal each shot will remain exactly as you pictured it. Film / 7294 carries that standard forward into the future, for a new wave of ilmmakers to embrace. Conventional or creative. Product, landscape, nature or fashion. Choose KODAK EKTACHROME Making more of daylight illumination, KODAK 100D Color Reversal Film / 7294 to realise your EKTACHROME 100D Color Reversal Film / 7294’s vision – through the lawless beauty of ilm. dense blacks, rich deep color, neutral gray scale and true-to-life skin tones will elevate your storytelling, frame by frame. With exceptional sharpness and an extremely ine grain, it o ers outstanding, consistent, uniform results in outdoor light or in well lit studio applications where moderate color saturation is required. KODAK EKTACHROME 100D COLOR REVERSAL FILM 7294 Base Exposure Index KODAK Filters Exposure Light Source KODAK EKTACHROME 100D Color Daylight (5500K) - 100 on Camera* Index Reversal Film / 7294 has an acetate Tungsten (3200K) - 25 Daylight None 100 safety base. Use these indexes with incident or (5500 K) relected light exposure meters and Metal Halide None 100 Darkroom Recommendations cameras marked for ISO or ASA speeds Do not use a safelight. Handle or exposure indexes. H.M.I. -
Using KODAK EKTACHROME 100D Color Reversal Film 7285 in Your Super 8 Camera CURRENT INFORMATION SUMMARY March 2010 • CIS-287
Using KODAK EKTACHROME 100D Color Reversal Film 7285 in Your Super 8 Camera CURRENT INFORMATION SUMMARY March 2010 • CIS-287 Kodak has recently announced the availability of KODAK Below is a detailed table summarizing the suggested EKTACHROME 100D Color Reversal Film 7285 in the filtration, Exposure Index, based on the available light Super 8 format. 100D Color Reversal Film features bright source: saturated colors, fine grain with excellent sharpness. It is important to note that KODAK EKTACHROME Light Source KODAK Filters on Camera Exposure 100D Color Reversal Camera Film 7285 is a daylight Index balanced film. No additional filtration is required when Daylight (5500 K) None 100 using the film in daylight conditions. The film cartridge is Tungsten (3000 K) WRATTEN Gelatin No. 80A 25 notched appropriately for the speed and color balance, Tungsten (3200 K) WRATTEN Gelatin No. 80A 25 which will allow it to perform optimally in automatic Fluorescent, Cool Color Compensating Filter 80 cameras. White CC20M Many older manual cameras will require some special Fluorescent, Deluxe WRATTEN Gelatin No. 82C 80 attention. Due to historical reasons (e.g. the films available Cool White at their time of manufacture), most of these cameras Metal Halide (H.M.I.) None 100 assume that the film to be used is tungsten balanced and either EI40 or EI160. This publication will help you get the EXPOSURE best possible results using 100D Film in these cameras. KODAK EKTACHROME 100D Color Reversal Camera Film FILTER USAGE 7285 is an ISO 100 rated product. It is important when exposing the film under daylight conditions that the Many cameras utilize an internal conversion filter to camera is set as close to ISO 100 as possible. -
KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285
KODAK EKTACHROME 100D Color Reversal Film 5285 / 7285 TECHNICAL DATA / COLOR REVERSAL FILM February 2010 • H-1-5285 KODAK EKTACHROME 100D Color Reversal Film 5285 / EXPOSURE INDEXES 7285 is a 100-speed, high-color reversal motion picture Daylight (5500K): 100 camera film intended for photography under daylight Tungsten (3200K): 25 (with 80A filter) illumination (5500K). It offers strikingly saturated color Use these indexes with incident- or reflected-light performance while maintaining a neutral gray scale and exposure meters and cameras marked for ISO or ASA accurate flesh reproduction. speeds or exposure indexes. These indexes apply for 5285/7285 Film has exceptional sharpness that is meter readings of average subjects made from the camera unsurpassed by any other 100-speed reversal film, and its position or for readings made from a gray card of grain performance is excellent. This film also offers very 18-percent reflectance held close to and in front of the strong reciprocity uniformity and keeping stability. subject. For unusually light- or dark-colored subjects, This film offers outstanding results in outdoor and decrease or increase the exposure indicated by the meter studio applications where strong color saturation is accordingly. desired. It is excellent for advertising, nature cinematography, documentaries, music videos, and is Super 8 Exposure especially good for telecine transfers and television Some older cameras may automatically set the exposure to filming. ISO 160. In many situations, results at an ISO 160 exposure 5285 Film is available in 35mm formats. 7285 Film is setting (approximately 1⁄2 stop underexposed) would still available in several 16mm formats, as well as Super 8 50-ft be acceptable. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
Introduction to Basic Color Photography Edition Date
SUBCOURSE EDITION SS0514 A INTRODUCTION TO BASIC COLOR PHOTOGRAPHY EDITION DATE: SEPTEMBER 1994 INTRODUCTION TO BASIC COLOR PHOTOGRAPHY Subcourse Number SS0514 EDITION A United States Army Signal Center and School Fort Gordon, GA 30905-5074 5 Credit Hours Edition Date: September 1994 SUBCOURSE OVERVIEW This subcourse presents you with information on color photography, including theory, exposure, and printmaking. Topics covered include the theory of light, how colors are formed, and color print materials--their structure and exposure. Color negative developing using the popular C-41 process is explained, as well as the Ektaprint 2 process that is most often used to make color prints from negatives. The E6 reversal processing and the two methods of making prints from slides are examined (color coupler (conventional reversal paper) and dye destruction (like Cibachrome)). In addition, this subcourse defines general quality control procedures. Since duplicate transparencies are often required, the generation process is explained. There are no prerequisites for this subcourse. This subcourse reflects the doctrine which was current at the time it was prepared. In your own work situation, always refer to the latest official publications. Unless otherwise stated, the masculine gender of singular pronouns is used to refer to both men and women. TERMINAL LEARNING OBJECTIVE ACTION: You will identify procedures for color negative printing techniques, color reversal film processing and printing, and slide duplicating techniques. CONDITION: You will be given information from TM 11-401-2, STP 11- 25S13-SM-TG, and Photographer's Mate Training Series NAVEDTRA 373-02-45-83, MOD 2. STANDARD: To demonstrate competency of this task, you must achieve a minimum score of 70% on the subcourse examination. -
KODAK TRI-X Reversal Film 7266
TECHNICAL DATA / BLACK-AND-WHITE REVERSAL FILM August 2003 • H-1-7266t KODAK TRI-X Reversal Film 7266 We are committed to black & white film—improvements to DARKROOM RECOMMENDATIONS our family of reversal films prove it. New KODAK TRI-X Reversal Processing Reversal Film 7266 offers finer grain and increased All processing operations should be carried out in total sharpness, and includes EASTMAN KEYKODE Numbers darkness until the bleaching step has been completed. If for easy cross-reference of shots in minutes, not hours. necessary, the film can be examined (for a few seconds only) Reduced static support allows for a cleaner image after development is 50 percent complete. Use a throughout the filmmaking process. And because our new KODAK 3 Safelight Filter / dark green, with a 15-watt bulb, films do not require processing in a bleach containing heavy no closer to the film than 1.2 metres (4 feet). Following metals, they are easier on the environment. Our improved bleaching, normal room lighting can be used. films provide the rich blacks and high contrast you have come to expect from KODAK Black & White reversal films. Negative Processing KODAK TRI-X Reversal Film 7266 (16 mm) is a No safelight is recommended until after the stop bath. high-speed, panchromatic black-and-white film with an Unprocessed films must be handled in total darkness. antihalation undercoat that makes it suitable for general interior photography with artificial light. It can also be used in daylight and is particularly useful for sports pictures STORAGE taken at regular speed or slow motion in weak light (overcast Store unexposed film at 13°C(55°F) or lower. -
Introduction to Photography
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Photography Study Material for Students : Introduction to Photography CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. It functions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news Edited with the trial version of editor, newsreader, programme host, interviewer, cameraman,Foxit Advanced producer, PDF Editor To remove this notice, visit: director, etc. www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Photography INTRODUCTION The book will introduce the student to the techniques of photography. The book deals with the basic steps in photography. Students will also learn the different types of photography. The book also focuses of the various parts of a photographic camera and the various tools of photography. Students will learn the art of taking a good picture. The book also has introduction to photojournalism and the basic steps of film Edited with the trial version of development in photography. -
KODAK Motion Picture Products Price Catalog for the United States
KODAK Motion Picture Products Price Catalog for the United States EASTMAN KODAK COMPANY, ROCHESTER, NEW YORK 14650 FOR DIRECT CUSTOMER USE ONLY EFFECTIVE AUGUST 2, 2021* ©2021 Kodak. Kodak, Eastman, Ektachrome, Estar, Tri-X, Double-X, Keykode, Vision, and Wratten and the Kodak logo are trademarks. Prices are subject to change without notice. * Effective date may vary, please see top of each page for current effective date. MOTION PICTURE PRODUCTS EFFECTIVE AUGUST 2, 2021 US Film Pick Up Location 7758 Sunset Blvd Hollywood, CA 90046 Phone: 323-499-1012 To Order Film and Other Items Monday – Friday, 8:00 am to 5:00pm Eastern Time Call KODAK Customer Service: (800) 621-FILM (3456) Fax Orders: (800) 648-9805 Email Orders: [email protected] Technical Product Support [email protected] KODAK Film Laboratories New York 37-18 Northern Blvd. Long Island City, NY 11101 Suite 101 Tel: (718) 606-9263 Email: [email protected] Atlanta Lab/Delivery and Drop Off: 2156 Faulkner Road Atlanta, GA 30324 Tel: (404) 633-1449 Telecine: 6 West Druid Hills Dr. NE Atlanta, GA 30329 Tel: (404) 545-3172 Email: [email protected] London The Ken Adam Building, Pinewood Studios Pinewood Road, Iver Heath Buckinghamshire SL0 0NH. Tel: 0208 993 9779 Email: [email protected] 2 MOTION PICTURE PRODUCTS EFFECTIVE AUGUST 2, 2021 Table of Contents US Film Pick Up Location ....................................................................................................................................................................................................