Cognition: the Limit to Organization Change; a Case Study of Eastman Kodak
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Openimageio 1.7 Programmer Documentation (In Progress)
OpenImageIO 1.7 Programmer Documentation (in progress) Editor: Larry Gritz [email protected] Date: 31 Mar 2016 ii The OpenImageIO source code and documentation are: Copyright (c) 2008-2016 Larry Gritz, et al. All Rights Reserved. The code that implements OpenImageIO is licensed under the BSD 3-clause (also some- times known as “new BSD” or “modified BSD”) license: Redistribution and use in source and binary forms, with or without modification, are per- mitted provided that the following conditions are met: • Redistributions of source code must retain the above copyright notice, this list of condi- tions and the following disclaimer. • Redistributions in binary form must reproduce the above copyright notice, this list of con- ditions and the following disclaimer in the documentation and/or other materials provided with the distribution. • Neither the name of the software’s owners nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIB- UTORS ”AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT- NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUD- ING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABIL- ITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. -
KODACOLOR RDTG Series Inks Datasheet
KODACOLOR RDTG Series Inks High performance with mid/high viscosity inks KODACOLOR RDTG Series System Qualiied Piezo-electric Print Heads The KODACOLOR RDTG Series inks from Kodak FUJI STARFIRE, RICOH GEN 4, RICOH GEN 5 & were speciically developed for direct-to-fabric RICOH GH2220. Formulated with best in class printing on cotton, cotton blends, and polyester components selected to provide market leading, fabrics. They are equally at home when used industrial performance. for printing directly to inished garments or to roll fabrics. This water-based digital ink system is designed to work in printers that employ 14 piezo-electric print heads. Although designed RDTG Viscosity Proile for use in production printing, it is suitable for 12 high quality sampling and strike offs. 10 KODAK RDTG Series performs to the highest level of nozzle performance among Print Heads 8 requiring mid-high viscosity inks. 6 Fabric Pre-Treats The KODACOLOR Pre-Treats are formulated (mPas) Viscosity 4 exclusively for the KODACOLOR EDTG & RDTG Ink Sets to produce the highest quality image 2 and excellent durability in wash-fastness. The 0 three types of Pre-Treat cover the gamut of 22 24 26 28 30 32 34 36 38 40 garments available, from 100% Cotton Dark to Temperature (deg C) White Polyesters. RCDGT RMDGT RYDGT RKDGT RWDGT Powered by KODACOLOR Technology KODACOLOR RDTG Series Inks Micrographs of dot formation KODAK RDTG Series mid-high viscosity Ink set printed through a RICOH GEN 5 Print Head Cyan Black RDTG Viscosity Viscosity Viscosity Viscosity Viscosity Viscosity -
The Retina Reflex Guide
by mischa koning kodak.3106.net > index manuals information The Retina Reflex Guide These web-pages have been scanned and converted from a photocopy of the "Focal Press" publication "Retina Reflex Guide", 1970 edition. There may be reference to "current" and "discontinued" models. Obviously all Retina cameras are now long discontinued, but For ease of editing if nothing else, all the original text has been retained. The original book was divided into two sections, effectively an overview and a "green pages" section covering specific models in more detail. I've not bothered with a green background to these pages, but hopefully I will have included links where appropriate to the relevant text. Similarly, page-number references; as I've included each sub- section of the book on one web-page, original page number references have been linked to the new layout. Table of Contents The Retina Reflex The Winding and Release Sequence Retina Reflex Evolution Handling the Retina Reflex Handling, Winding and Trimming the Film Films and Filters Exposure Using an Exposure Meter Flash with the Retina Reflex Using Alternative Lenses The Retina Reflex IV The Retina Reflex III The Retina Reflex and Retina Reflex S The Retina Reflex Retina Reflex Lenses Accessories Facts, Figures and Tables The Retina Reflex The Retina Reflex is an eye-level 35 mm. reflex camera with interchangeable lenses for all general photography as well as technical work, copying, photomicrography, stereo photography, etc. In many of these fields the ground-glass screen is a distinct advantage. The camera takes normal 35 mm. perforated film and produces a negative size 24x36 mm.(1 x 1½ in.). -
The Cine-Kodak News; May 1931; Vol. 7, No. 12
softly diffused ... ideal fo r close-ups ... Kodalite, Model B, simplifies indoor movie making AvAILABLE in one-, two- and three- including stand and cord, is priced at light units, Kodalite, Model B, $15; the two-light unit at $27.50. A makes it surprisingly easy for the am- complete outfit, including single and ateur movie maker to get satisfactory double units with carrying case, costs illumination for his indoor pictures. $50. The 500-watt lamp is sold sepa- Technical knowledge of lighting is no rately, at $4.85 (available in three longer a necessary factor. voltages- 100, ll0 and llS). No diffuser is needed with Kodalite, Your Cine-Kodak dealer will be glad Model B. Its scientifically designed re- to point out to you the many interest- flector throws a broad-angle, uniform ing features of the Model B Kodalite. flood of light. The illumination is He'll explain its practical application smooth and even . .. so softly diffused as to indoor movie making- a field that to make it ideal for close-ups. offers many attractive opportunities to Model B' s telescoping s rand is quickly the owner of a movie outfit. and easily set up or taken down. The lamp itself is adjustable in any direc- tion. It is equipped with a handle for holding or carrying the light in any Kodnlite, Model B. Single unit with special position that may be desired . stand and cord, $1 5. The single-unit Kodalite, Model B, The CINE-KODAK News Published Monthly in th e Interests of Amateur Motion Pictures b v th e Eastman Kodok Company, Rochester, N . -
The Effect of Radiation on Selected Photographic Film
NASA/TP--2000-210193 The Effect of Radiation on Selected Photographic Film Richard Slater L ymton B. Johnson Space Center Houston, Texas 77058-3690 ,lohn Kinard L vndon B. Johnson Space Center Houston, Texas 77058-3696 Ivan Firsov Energia Space Corporation Moscow, Russia NASA/ENERGIA Joint Film Test October 2000 The NASA STI Program Office ... in Profile Since its founding, NASA has been dedicated to CONFERENCE PUBLICATION. the advancement of aeronautics and space Collected papers from scientific and science. The NASA Scientific and Technical technical conferences, symposia, Information (STI) Program Office plays a key seminars, or other meetings sponsored or part in helping NASA maintain this important co-sponsored by NASA. role. SPECIAL PUBLICATION. Scientific, The NASA STI Program Office is operated by technical, or historical information from Langley Research Center, the lead center for NASA programs, projects, and missions, NASA's scientific and technical information. The often concerned with subjects having NASA STI Program Office provides access to the substantial public interest. NASA STI Database, the largest collection of aeronautical and space science STI in the world. TECHNICAL TRANSLATION. English- The Program Office is also NASA's institutional language translations of foreign scientific mechanism for disseminating the resuhs of its and technical material pertinent to research and development activities. These NASA's mission. results are published by NASA in the NASA STI Report Series, which includes the following Specialized services that complement the STI report types: Program Office's diverse offerings include creating custom thesauri, building customized TECHNICAL PUBLICATION. Reports of databases, organizing and publishing research completed research or a major significant results .. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
Kodacolor Gold Films
Kodacolor Gold 400 Kodacolor Gold 1600 I [{•] »7iW«]" Kodacolor Gold 400 Kodacolor Gold 1600 78 PHOTOgraphic/September 1989 welcome addition. sharpness between the 400 Gold and by Jack and Sue Drafahl We noticed a tremendous difference its slower siblings. When we look at when color printing this new film. The the ISO 400 color films of ten years previous emulsions tended to be denser ago, it's hard to believe that the only Everyone has a fami- and printed much cooler than the oth- difference today between the ISO 400 ly tree, which ex- er Gold films. The appearance of the and 100 films is in the degree of en- pands and spreads in ISO 100, 200 and 400 films is so much largement recommended. different directions alike that you must read the film edge with each new addition. Kodak is to verify the emulsion type when print- NEW 1600 GOLD proud to announce it is adding two ing the negatives. A welcome surprise is the high- new members to its Gold family of speed ISO 1600. Kodak states that this films. With over 100 million color neg- new addition has borrowed technology atives taken by consumers every year, from the Ektar 1000, but we suspect there comes a need to provide a variety that some help also was derived from of color negative films in order to sat- the Ektapress 1600 research. As the isfy every photographic situation. newer cameras increase their shutter Presently the Gold family tree in- speeds to '/sooo, there comes the poten- cludes ISO 100, 200, 400, and 1000 tial of photographing very-high-speed members. -
Lecture 9, Part 2A: Cameras We Cannot Picture
Cameras We Cannot Picture Ravi Athale The MITRE Corporation Outline • History of Camera: important milestones • Modern milestones: – Invention of photographic film – Invention of CCD semiconductor sensor • New directions in camera design: – Cameras + computers • Future A world reliant on imaging • You are probably carrying a camera right now • It is likely you have been imaged at least once TODAY! • Have you received information today communicated by an image? • You or someone close to you is alive today because of an image • 1/3 or brain processing devoted to vision 3 Images (clockwise from upper left) from US Govt Agencies: NOAA/NCEP; NASA ; NIH; FBI,; USAID Natural Observations Image courtesy of Steve took it on Flickr. Images of the sun during a solar eclipse through the leaves of a tree. October 3, 2005, St Juliens, Malta. © Wikipedia User: Ellywa. License CC BY-SA. This content is excluded from our Creative Commons license. For more information, see http://ocw.mit.edu/fairuse. Historical Milestones – Early Contributors 400-500 BC: Chinese philosophers, Aristotle Observation of pinhole images 1011-1012: Alhazan; “Book of Optics” First scientific study of light combining philosophical aspect with experimental observations. - Constructed first “pinhole camera” - Elaborated laws of reflection and refraction World’s Largest Pinhole Camera (July 2006) • Six photographers captured an image measuring 8.5 X 32 meters of the decommissioned El Toro Marine Corps Air Station in Irvine, Calif., and unveiled the slightly fuzzy image Wednesday. • The black-and-white shot was recorded on a massive sheet of light- sensitive fabric about eight storey tall and one-third the length of a football field. -
“Dark Chamber”
The Word Camera Is From Latin “Camera Obscura” Which Means “Dark Chamber”. National Camera Day is observed each year on June 29th. This day commemorates photographs, the camera, and their invention. A camera is an irreplaceable tool used to record and replicate memories, events, and people/places. Before the invention of the camera, the only resource to document a vision was a painting. There are very few who can perfectly capture the image of a person or a place in a drawing. The power of a camera provided many with a simple, inexpensive and fast solution. George Eastman, also known as “The Father of Photography,” brought the camera to the masses. While he did not invent the camera, he did invent many additions that improved the use, ease, and production of the camera, making it widely available to homes around the world. The original camera was large and bulky but has now evolved into something that can be as small as a pen. Cameras have many features and variations, making them appealing to men and women of all ages for personal and professional use. Joseph Niépce was a French inventor; he is most noted as one of the inventors of photography and was a pioneer in the field. He developed the heliograph; a technique used to produce the world’s first known photograph in 1825, the view from the window at Le Gras the families estate. In 1839, Louis Jacques Daguerre took the first fixed image that didn’t fade. He is recognized for his invention of the daguerreotype process of photography. -
I798 JACKSON Jackson, Phil, 1349 Jackson, Thomas Penfield, Ro3 8
I798 JACKSON INDEX INDEX JORDAN MCGRATH CASE & TAYLOR, INC. I799 798, I2oI, I266, I52I, i601; Thrille~ Japan Advertising Agency Association, 466, Jennings, Peter, 95, 523 Joe Camel, 311, 316, 336, 539, 690, 760, Johnson, Ray, 77 (Durham, North Carolina). See under r520; "Thrille1;" Io92 469, 878 Jenny Craig International. See under Craig 1212, 1369, 1694 Johnson, Robert Wood, Jr., 880, 881, 882 Harttnan Jackson, Phil, 1349 Japan Advertising Council, 468 Jeno's Pizza, 623, 1234, 1235 Joe Chemo, 336 Johnson, Robert Wood, Sr., 880 John W. Shaw Advertising. See under Shaw Jackson, Reggie, 148r, I482 Japan Air Lines, 898, 900, 1462 Jensen, Thomas, 525 Joe Isuzu, 114, II4, 457, 475, 522 Johnson, Samuel, 749 John Wanamaker & Company. See under Jackson, Thomas Penfield, ro3 8 Japan Audit Bureau of Circulation Jenson, Nicolas, 1580, 1583 foe Palooka, 729 Johnson, Samuel Curtis, 884, 886, 888 Wanamaker Jackson & Perkins, 1673 Association, 466 Jenson typefaces, 1580, 1583, 1584 Joe Robbie Stadiun1, 335 Johnson, William H., 139 "Join the Dodge rebellion," 305 Jacksonville Jaguars, 3 3 5 japan Marketing Association, 466 Jeopardy!, 1426. See also color plate in "Jogger," 940 Johnson, William R., 730 "Join the people who've joined the Army," Jackson Wain Agency, 1071 144, 238, I437 Japan Newspaper Advertising Agency volume one John, W.A.P., 791 Mead Johnson & Co1npany, 57, 210, 880 1050 Jack Tinker & Partners. See under Tinker Association, 466 Jep et Carre, 618 "John and Marsha" (Freberg), 623, 824 Johnson & Johnson, 582, 880-83; Ammirati Joint Policy Com1nittee for Broadcast Talent Jacob Ruppert, Inc. See under Ruppert Jardine Matheson & Company, 301 ]e Reviens, 1202 John Birch Society, 1676 Puris Lintas and, 967; Batten Barton Union Relations, 99 Jacobs, Alan, 197 Jarreau, Al, 1395 Andrew Jergens Company: Cunningham & John Brown & Partners. -
Joseph Ciaglia, Barbara London, John Upton, Ken Kobre and Betsy
00 0789731207_fm.qxd 4/6/04 2:16 PM Page i Absolute Beginner’s Guide to Digital Photography Joseph Ciaglia, Barbara London, John Upton, Ken Kobré, and Betsy Brill with Peter Kuhns 800 East 96th Street, Indianapolis, Indiana 46240 00 0789731207_fm.qxd 4/6/04 2:16 PM Page ii Absolute Beginner’s Guide to Digital Executive Editor Photography Candace Hall Copyright 2004 by Que Publishing Acquisitions Editor All rights reserved. No part of this book shall be reproduced, stored in a retrieval Karen Whitehouse system, or transmitted by any means, electronic, mechanical, photocopying, record- Development ing, or otherwise, without written permission from the publisher. No patent liability Editor is assumed with respect to the use of the information contained herein. Although Karen Whitehouse every precaution has been taken in the preparation of this book, the publisher and author assume no responsibility for errors or omissions. Nor is any liability assumed Managing Editor for damages resulting from the use of the information contained herein. Charlotte Clapp International Standard Book Number: 0-7897-3120-7 Project Editor Library of Congress Catalog Card Number: 2004100876 George Nedeff Printed in the United States of America Copy Editor Karen Whitehouse First Printing: April 2004 Indexer 07 06 05 04 4321 Mandie Frank Trademarks Production Editor All terms mentioned in this book that are known to be trademarks or service marks Seth Kerney have been appropriately capitalized. Que Publishing cannot attest to the accuracy of this information. Use of a term in this book should not be regarded as affecting the Publishing validity of any trademark or service mark. -
Modeling 3D Scenes
Modeling 3D Scenes Paradigm Shifts in Photogrammetry, Remote Sensing and Computer Vision Reinhard Klette CITR, The University of Auckland, Auckland, New Zealand Ralf Reulke Humboldt University and DLR, Berlin, Germany Paradigm 1962: ”...a constellation of concepts, values, perceptions and practices shared by a community which forms a particular vision of reality that is the basis of the way a community organises itself.” RK_RR T.S.Kuhn. The Structure of Scientific Revolutions. BGSU, 1962 Contents of Talk Progress in digital frame cameras - the basic tool Computer vision - success stories in 3D object modeling A few words on laser range finders - new opportunities for 3D scene modeling Photogrammetry and remote sensing - from digital frame cameras to line cameras Panoramic imaging - by applying line cameras Unified applications of new technologies - example: LRF and line camera for 3D modeling Conclusions RK_RR Properties of Interest 3D scene properties Distances between camera and objects in the scene Color textures of object surfaces Changes in 3D scenes Varying lighting conditions, weather, etc. Coping with dynamic scenes Calibration Positions of cameras or used sensors (tools) Viewing directions of cameras or sensors Inner camera parameters RK_RR n ≥ 1 pinhole cameras (Still) the Common Default nth camera 1st camera projection ray world coordinates RK_RR it started with n = 1 1900: The railroad camera of George R. Lawrence RK_RR Division of Photographic History, National Museum of American History, Smithsonian Institution Digital Camera