softly diffused ... ideal fo r close-ups ... Kodalite, Model B, simplifies indoor movie making AvAILABLE in one-, two- and three- including stand and cord, is priced at light units, Kodalite, Model B, $15; the two-light unit at $27.50. A makes it surprisingly easy for the am- complete outfit, including single and ateur movie maker to get satisfactory double units with carrying case, costs illumination for his indoor pictures. $50. The 500-watt lamp is sold sepa- Technical knowledge of lighting is no rately, at $4.85 (available in three longer a necessary factor. voltages- 100, ll0 and llS). No diffuser is needed with Kodalite, Your Cine-Kodak dealer will be glad Model B. Its scientifically designed re- to point out to you the many interest- flector throws a broad-angle, uniform ing features of the Model B Kodalite. flood of light. The illumination is He'll explain its practical application smooth and even . .. so softly diffused as to indoor movie making- a field that to make it ideal for close-ups. offers many attractive opportunities to Model B' s telescoping s rand is quickly the owner of a movie outfit. and easily set up or taken down. The lamp itself is adjustable in any direc- tion. It is equipped with a handle for holding or carrying the light in any Kodnlite, Model B. Single unit with special position that may be desired . stand and cord, $1 5. The single-unit Kodalite, Model B, The CINE-KODAK News

Published Monthly in th e Interests of Amateur Motion Pictures b v th e Eastman Kodok Company, Rochester, N . Y., Volume 7, Number 12.

MAY 1931

.Spring at Last

It's open season for the camera hunter

BAS the snittles, snowdrifts, quinine and lethargy if par remains a will-o'-the-wisp? You play the game for the fun A of winter. of it- for relaxation- not to break records. It's a perfectly Vive plus fours and clubs, flannels and rackets, swimming reasonable view of the affair, too. suits and sun tan, open water and leisure, and the picnic lunches And so it is with your movies, in the majority of cases. If and roadsters of spring. they demanded painstaking preparation and involved scenarios, It certainly is a grand and glorious feeling to once more wel- exact exposure calculations, checked and double checked focus- come spring- that fullest and kindliest of seasons. By July, the ing and the like, they would cease to be the good fun you want wonder of it may largely be forgotten, but now it is deliciously them to be. Of course, you do want the best possible results new, reca ll ing all manner of almost forgotten sights, sounds and with the minimum of effort; and if a few simple rules of thumb scents. and an occasional hint will further this cause, well and good. One can almos t look fondly upon lawn mowers and hedge Well, there are a few points to keep in mind- a few things clippers. Even inch worms and mosquitoes seem playful little harbingers of the season, to be atomized, without the slightest trace of malice, with copious toasts of arsenate of lead and nicotine sulphate. This mon th marks the beginning of a season of unparalleled enjoyment. Everything missed last year will be enjoyed to the utmost in 1931, and the essence of it all is to be captured by that talented little box- the home movie camera- so it may always be vividly recalled. At this point you may expect the suggestion that you closet yourself with pencil and paper to work out, in minute detail, the movies you will make of your summer's golf, gardening and the like. Perish the thought. To most of you, your movie camera is a friendly, helpful ally enabling you to get pictures of whatever you might be doing whenever you so desire. You load the camera- point it- and shoot. "Pan" film and filters get the clouds? Fine- we'll use them. Close-ups are excellent punctuation marks for a series of long and medium shots? Easy enough. Rapid panoraming is poisonous and no panoraming at all is better than slow panoraming? Very good- we'll avoid it. One would certainly not fail to heed easi ly applied suggestions. But they must be simple' T o most, movie making is good sport- and to a part-time participant a sport loses some of its appeal if its pursuit becomes exacting. These just about approximate your sentiments, do they not? Somewhat, in fact, like golf. If one can keep on the fairway How much easier it is for your sub· most of the time, enjoy oneself ject s to act naturall y when the camera is brought into action after a conven · and get a good coat of tan, ient cue is already at hand. It 's ea sy what more can one ask? What to be nonchalant in the proper setting. 3 , The CINE-KODAK News

those weeds will have to go tomorrow. M y, but there is a lovely group of blossoms--prettier from this side than over there-even more beautiful when viewed from a foot or two down--whirr, another appealing scene. Guests. N ot, "Now I'm going to take your picture," but, "Have you seen our tulip beds?" They, you and the camera go along. 'Th ey admire the fl owers, stoop down to do so- you ge t a naturaL unposed movie. Their cue, admiration of the flowers, has already been given them. If you're going on a week-end trip, a shot or two of Dad kicking the tires to test their pressure, a gas station attendant checking the oil, close-ups of the gas hose nozzle being placed in the tank anci the gas dropping down in the pump are easy enough to make, belong in the film story, and logica ll y represent the preparations for your journey. And if you stop for lunch at a country inn, there's no reason w hy a shot of its sign and one of the building and grounds can't easily be made. It's all fine continuity of the incidents that occur of their own accord- not prearranged " busi ness" which, while it mi ght im prove your picture, might, too, add not at all to your enjoyment to do which will improve of the occasion. your movie sport. T ake things easil y. Film T ake this summer ,for ex- what appeals to you, ample. Your movie making things which occur. Be activities can perhaps be alert for opportunities. di vided into four or five These tactics will act- general groups: Family, ually make life more Week-End Trips, The pleasurable ; for ma ny Garden, Friends, and inte res ting scenes, the V acation. Certain which might other- steps can be taken, Wise be overlooked, both before and after will bob up to be ap- filming, that will ren- preciated and film ed. der more interesting the Much could be written movies you will make . on the psychology of For one, obtai n several movie making. In nine 400-foot reels (they cost cases out of ten, it is the but 75 cents each) and label natural and unhurried shot them right now with cap- which screens up to expecta- tions similar to those just tions. The unpretentious intro- given. (You can write on their duction of your camera makes aluminum surface with an ordi- easy its acceptance by your sub- nary pencil. ) A s soon as you have jects. Give them something to do- viewed your processed 50' or 100' have them interested in some object. foot film s, break them up and assem- If advisable, place the camera upon ble them on these large reels. Then some steady support, press down you will have them all together Picture of a young lady having her picture taken. 'The ingredients- and lock the exposure lever, and where they may more easily be lo- but not the idea. Both the youngsters below have som ething besides walk over to chat with them. T ac t cated. That 's logical, isn't it? the camera to occupy their attention. is as important as correct exposure. When you have an odd half hour now and then, project one of these reels. There may be some poor scenes. Cut them out and throw them away. Perhaps a little rearranging or scene trimming will be of advantage. Do it , if you wish- it's reall y quite easy. Then, this fall, run over these reels and decide where tit les will be helpful. If you don't want to make them yourself, just print or type them and turn them over to your Cine-Kodak dealer for the making of Cine-Kodak Titles. Certainly this plan raises no obstacles and guarantees more enjoyment from your movies. Now, for the ac tual filming of these pictures. Relax. M any people are too quick on the camera trigger. They just can't rest until the reel is exposed. If you wish a picture of baby at the beach, don't deliberately stalk the child for the scene, or direct his action. Seat yourself and camera nearby, and before you expect it, his majesty will fall into your trap with the very gestures and mannerisms you are seeking. If it is the garden, stroll through it with your camera. U 'm-m, 4 for MAY 1931

Sea-Going Cinematics

Photograph ic pointers for those who go down t o t he sea 1n ships

HETHER SALT or soft, dust-free linen or cotton by W fresh water sailors, rubbing them gently. "kicker" helmsmen or blue water en- When not using a Color Filter, thusiasts, yawlers or yachters, your with a bright sun,in temperate climes, movie camera will unquestionably be it is advisable to stop down to com- on deck . If it is your desire to get as pensate for the lack of shadowy ob- much of this season's doings as jects and the more than ordinary light possible with your camera, will you reflecting properties of water. The luff into the wind for a moment exposure guide in your manual while we box the compass of camera covers this subject. Briefly, stop "do's" and "don't's" for taffrail down one stop from normal land- movies? scape exposure in temperate climes. One of the reasons you prefer In equatorial latitudes, on brilliant being before the wheel of your boat, days, stop down one diaphragm stop sousing along under sail or power, is and use a Color Filter-the CK-2 solitude. This is a very tangible with "Pan" and the CK-1 with reg- thing to those who seek and enjoy ular film. it, but not an especially fine movie Color Filters, as has been pointed subject. Distant views of foam- out, with the exception of the very tipped waves and cloud-banked skies slight color-correcting CK-1 Filter, are, however, if you get the distance offset the increased illumination of and get the clouds. To do this with sky and water. A folder on the black and white film you will need Cine-Kodak Color Filters will be two items, Cine-Kodak Panchromatic sent to you upon request. Film and a Color Filter. To get them Another point for deep sea en- in Kodacolor you will require, in most thusiasts. A sail coming up just over Open water! Nautically minded movie makers will instances, besides the Kodacolor Film and especially appreciate this scene. " Pan" Film, and a the horizon provides a genuine thrill for Kodacolor Filter, a Neutral Density Filter. color filter for the clouds, will enable you to duplicate it. those who see it, but becomes only a First to be considered are black and minute speck on a home movie screen. white movies. The screen results all too Wait until the sail comes closer and then often secured of blue water, sky and cloud cloud formations are perhaps the most im- use a long-focus lens so that it will be effects are light gray water and white sky. portant feature of seascapes, the use of a brought still nearer to your movie audi- This, because regular film is sensitive Color Filter will make them still more ences. A Cine-Kodak Color Filter is also chiefly to blues- and the colors to which prominent. The Color Filter retards the available for the long-focus lens. The use a film is sensitive appear "whiter" on the blue of the sky- making it appear a darker of a long-focus lens also makes available screen than those to which it is "color gray on the screen, thereby giving better that helpful ruse of the thoughtful movie blind." contrast to the clouds. maker-an interesting intermingling of "Pan" film, on the other hand, is sensi- Cine-Kodak owners will find excellent distant and close-up shots. A far-off vessel tive to all colors. Of course, an open water use for the Cine-Kodak Color Filters, can first be shown with the regular lens, seascape is largely blue anyway, but there CK-1, CK-2, and CK-3 . These are a set of and then, even if it actually maintains its is one important feature to be registered three yellow filters of graduating densities, distance, the long-focus lens can pick it up on your film . Clouds. If there are no clouds, and will adequately answer all demands and apparently bring it within hailing open water and sky are hardly worth the for normal use with Cine-Kodak Panchro- distance. Its crew and passengers can be while filming- but clouds there generally matic Film. Instructions for their use are shown watching your boat. Perhaps its are, which, due to the absence of competi- furnished with the Filters. name or pennant will be visible. tive objects and dust-laden atmosphere, Another important advantage of Color Unusually attractive effects may be are never more beautiful than over water. Filters is their haze-penetration properties. obtained by framing such scenes with a With regular film, the intense blue of the Haze is almost always to be found over porthole or stanchions. sky causes it to appear white on the screen water. The use of a Color Filter will enable Too, shots of the boat's prow knifing - the clouds, particularly those white your camera's lens to cut through it to a the waves, and of the wake of your boat, billowy clouds of summertime, obtaining surprising degree. belong in your movie story. All the little no contrast against the "white" sky. And speaking of filters- guard against characteristic incidents of shipboard which "Pan" film will get the clouds by repro- water or moisture collecting on them, and mean so much to you will be welcomed ducing the sky in gray. But even so, as incidentally, on the lens. Dry them with (Concluded on Page 9) 5 The CINE-KODAK News Film, or write to our Service Department at Rochester, New York.

ASHINGTON, D. C., is W now processing Kodacolor as well as black and white film . This makes it practically unanimous. Below is a list of United States and Canadian processing stations. With the sole exception of Atlantic City, all of these stations process both black and white and Kodacolor Film. Jacksonville, Florida, however, processes Kodacolor Film during the winter months only. Select the station nearest to you, and mail in your exposed films for processing. They will be returned to you promptly, postpaid, to any point within the country in which they were processed. A list of foreign processing stations may be had upon request. Atlantic City, N . ]. : Eastman Kodak Stores, Inc., 17 35 Board walk. Chicago, Ill .: Eastman Kodak Company, 1727 Indiana A venue. Hollywood, Calif. : Eastman Kodak Company, 67o6 Santa Monica Blvd. Jacksonville, Fla.: Cine-Kodak Service, Inc., 31 5 West 8th Street. Kansas City, Mo.: Cine-Kodak Service, Inc ., 422 East roth Street. Rochester, N . Y.: Eastman Kodak Company. Cine-Chat San Francisco, Calif.: Eastman Kodak Company, 241 Battery Street. Washington, D. C.: Eastman Kodak Stores, Inc., 6o7 14th Street N . W. Gathered From our Toronto, Ontario: Canadian Kodak Co., Ltd. Vancouver, B. C .: Eastman Kodak Stores, Ltd ., mailbag and notebook 6ro Granville Street. EVERAL MONTHS ago S your attention was called to the Cine-Kodak News binder. So great HE ADVENT of warm UR ENLARGING de- was the response to this announcemen t Tweather, together with its partment has asked us to that our stock of binders was quickly ex- increased movie opportunities, calls for the urge thoseO desiring enlargements of frames hausted. M ore have been prepared, and consideration of a few points foreign to of Cine-Kodak Film to consider the follow- are now available. Each handsome leather wintertime picture making. ing points. Do not send in just one or two binder contains filin g wires for twenty-four One quite sound idea is to re-read the film frames. It is next to impossible to issues of the News. They are offered to manual which came with your camera. realize maximum results from such short you at cost for your convenience in pre- Cine-Kodak owners will do well to go lengths. Either send in the entire scene serving copies of this magazine. Your over their copy of "M aking the Most of from which you desire one frame to be check or a money order for $r, made out Your Cine-Kodak." M any suggestions for enlarged, or send in the reel, indicating and addressed to the Eastman Kodak movie making, which may have slipped by knotting fine twine or thread through Company at Rochester, New York, will your mind, are contained in this booklet. the film perforations, the section from hring you one of these binders. Study, too, the exposure chart in your which you wish one frame enlarged. Quite manual. Summer lighting is different from often, when just one or two frames are winter. And we once again urge you to submitted, some undesirable movement of equip yourself with a set of color filters to your subject- the eye or mouth, perhaps realize the full possibilities of "Pan" film . - will prohibit satisfactory enlargement. Their use is not the least bit difficult. The Indicate the limits of the scene from which results they assure are really too important you desire an enlargement, and allow us to ignore. to select the most suitable frame. A s considerable movie making will be Frames of clearly exposed black and done at the beach, keep in mind the fact white film can be enlarged up to 6½ by that the camera should not be placed on 8½ inches, although 3 by 4 inches is the the sand. Sand will penetrate where light usual size. This latter size is the safe limit will not . Keep the camera in its carrying to which Kodacolor Film frames can be case, if you have one, or carefully covered. enlarged. This latter suggestion for another impor- Those scenes which make you reach for tant reason- the sun. The temperature the still attachment on your projector- generated inside a closed camera case ex- wouldn't you like to lift them from your posed to the hot sun for an hour or two is screen to your mantel or album? Inquire of The Cine-Kodak News Binder. A sturdy and considerable. Sensitive film emulsion will your Cine-Kodak dealer as to whether or attractive container for your copies of thts not benefit by it. not he is eq uipped to enlarge Cine-Kodak magazine. 6 for MAY 1931

HE MAY ISSUE of "Movie similar to an over-abundance of the fir st Oil and water TMakers," official publication of person in writing. Particularly when the may not mix, but- the Amateur Cinema League of 105 W. 40th family and friends- and rightly so-play so Street, New York City, is now ready. large a part in most home movie reels, it is It is difficult for us to speak too highly no more than fitting that a purely imperson- of "Movie Makers." It's a cracker-jack al note be maintained in those reels which publication- interesting- breezy- inform- do not have to do with family activities. ative. You should read it each month. To Although Mr. Segall has selected his make compliance with this suggestion easy, subjects from events of a more or less the League will be happy to send you a spectacular nature, all manner of incidents free introductory copy of their current can be used as subject material for such issue, if you will drop them a line. reels. A few- a very few- are shown on this page, together with suggested titles. CONOCLASTS among our For titles are vitally necessary to the I readers have recently given us success of impersonal movies. You can un- food for thought. Idol breaker No. is doubtedly think of as many more suitable Glimpses of the Club's Mr. George G. Maginn of Los Angeles. subjects. Furthermore, you will probably spring regatta Idol toppler No. 2 is Mr. Leroy Segall find the nucleus for news reels in scores of Milwaukee. scenes sea ttered through your film library. Mr. Maginn tipped over the personal "Human interest stuff" is unbeatable movie applecart with the information that material for this purpose. One unfailing his best reels of personal home movies are source is to be found at a circus. All of a decidedly impersonal nature. athletic events, fires, travel scenes, river Mr. Segall helped us to right matters by or harbor scenes, holiday activities- these, outlining his efforts at impersonal movie and innumerable other opportunities which making. The idea being that personal home certainly have no place in your personal movies- the family, etc.- are admittedly reels, are the very best material for in- valuable and interesting to the "family, teresting, impersonal news reels. etc.," but not too much so to the average audience. Local celebrity receives Says Mr. Maginn, in part, "Few people Wrestling champion stages boxed seat at circus owning movie cameras shoot pictures benefit show which are interesting to everyone. Their films are of too personal a nature." Says Mr. Segall, "My movies are divided into two sharply defined groups- family pictures for the family, and im- personal pictures for our guests. A 400- foot reel of the second type is on its way to you. Reactions are in order." Reactions certainly were in order Mr. Segall's film, "News Reel No. I, was keenly interesting from the start to finish. It was about evenly divided be- tween the Chicago National Air Races of 1930 and the 1930 Wisconsin State Fair. Prominent figure in fa shionable Shots from the spring Just these two subjects, with clever home- Easter parade training camps made titles, and we didn't see half enough of either. In the Air Race portion of the reel, Mr. Segall used all possible pre-race "business," and then showed the contestants roaring down the stretches, to bank, at dizzy angles, around the pylons. An unfortunate crash, which occurred perilously close to our cameraman, supplied many thrilling shots. For the State Fair footage, Mr. Segall assembled a kaleidoscopic series of shots of auto races, horse races, wide-eyed ur- chins munching ice cream cones, men " Fall crops up to normal," being shot from cannons, lions and lion- The fleet's in ! says local expert esses, leopards and leopardesses disporting themselves at the behest of their trainer, gymnasts flouting gravitation on horizontal bars and flying rings- and all the other absorbing goings on of the occasion. This impersonal note is one often over- looked by cinamateurs. For years the recipe for home movies has called for the introduction of some member of the family into practically all scenes, no matter what their nature. This treatment is, admittedly, 7 The CINE-KODAK News

Kodacolor Highlights

For those who are already enjoying Kodacolor and those considering it

N THE SPRING , ing when using diaphragm I the cinamateur's stops larger than f. 5.6 .) As fancy lightly turns to the camera's lens, when thoughts of Kodacolor. In making Kodacolor, is at its some instances, however, largest aperture, accurate these thoughts are never focusing is vitally impor- crystallized by action. tant. Analyzing the reasons If your subject is in mo- thereof, it appears that tion, estimate the average there are those who believe distance it maintains from Kodacolor filming to be the camera, and focus at difficult- requiring techni- this distance. cal knowledge of photog- The only other point of raphy and extreme care in importance to keep in mind exposure and projection- is the sun. "Bright" sun is altogether, a branch of necessary- but there is a cinematography calling for difference in "bright" suns. professional expertness. On ordinary subjects, par- This is far from the ticularly close-ups, the truth. bright sun of summertime If there is any difference is ideal. Yet in distant between Kodacolor and landscapes, beach or water black and white filming, as scenes, the sun's brilliance far as ease of operation is concerned, it is Picture this scene in Kodacolor-blue water, is enhanced by the high light-reflecting in favor of Kodacolor. There is no question gayly colored canoe, sun-tanned complexion properties of sand and water for distant of diaphragm stops, for one thing. When against a white sports costume. shots. In this event- the diaphragm stop the regular f.1.9 Cine-Kodak lens hood is being locked at [.1.9- slip a Neutral Den- replaced by the Kodacolor Filter mount, it after the camera is loaded and the filter in sity Filter on your Kodacolor Filter, simply automatically locks the diaphragm stop place, is the focusing. However, this should and automatically correcting the exposure. at [.1.9. All that is then necessary is to be as nearly exact as possible, for this TheN. D. I Filter is for normal brilliance, slip a roll of Kodacolor Film into your reason. Your lens- due to the fact that and theN. D. 2 Filter for more than ordi- camera, and anything the sun shines upon the light is being somewhat retarded by nary brilliance, such as in tropical climes is yours in the exact coloring of nature. the all-important Kodacolor Filter- is or on extraordinarily bright days in temper- Let's stress that point! wide open at [.1.9. It is a well-known ate climes. Kodacolor reproduces faithfully and un- optical rule that the larger the lens open- At times the sun may be brilliant, but erringly on the screen every color that the ing, the greater the necessity for accurate slightly obscured by haze or light clouds. eye can see just as you view the scene focusing. When making close-ups, the Kodacolor can be made under such condi- through the sight finder. added beauty of an exactly focused picture tions by cameras equipped with the half- When projecting your black and white will make it well worth your while to speed device. films, try to visualize some of the scenes in measure the distance. If, for example, you If, when your camera is loaded with a full, natural color. A close-up of the young- are filming a bed of flowers six feet in roll of Kodacolor Film, wholly or partly ster- a sunset- that bed of tulips- the depth, focus one-third of the way into the unexposed, and the sun beats a permanent baby in his sun suit at the beach- a bronze flower bed for the best definition of the retreat behind clouds, you strongly desire and scarlet spangled fall landscape- scenes entire flower bed. In all group picture to continue your picture making, it can like these are almost unbelievably lifelike making, use this rule of thumb-that is: easily be accomplished by supplanting the in Kodacolor. focus one-third of the way into any group Kodacolor Filter with the regular lens The problem of the correct diaphragm for best definition of group subjects. hood. The Kodacolor Film can then be opening, as has been said, does not enter One point which might well be men- exposed (and later projected) as black and into Kodacolor filming . Bright sunlight on tioned here is that, although an f. 1.9 Cine- white film by using the next larger open- your subjects, a Kodacolor Filter over the Kodak may be operated as a fixed-focus ing than that required for black and white lens, Kodacolor Film in your f.1.9-lens- camera by setting the focus at the red, film. The result will be a black and white equipped camera, the correct focus-and 25-foot mark, this does not hold true when picture, but the minute film embossings you are ready for Kodacolor movies. using Kodacolor Film. (It is not, in fact, (which are necessary for Kodacolor) will As you see, the sole remaining step, advisable in black and white picture mak- be slightly apparent upon the screen . 8 for MAY 1931

There is, therefore, no reason, as you can EDIToR's NoT!! : It will be good news to for see, why a single foot of Kodacolor Film readers already having a No. Neutral $100,000 should not play its own important part in Density Filter to learn that they may Simple Snapshots fi lling out your film records. obtain a No. 2 Neutral Density Filter Clearly exposed frames of Kodacolor without charge by writing the Eastman ANY MOVIE MAKERS Film can be enlarged similar to black and Kodak Company at Rochester, New York, Mwill undoubtedly be inter- white 16 mm. film. (See Col. 2, Page 6.) stating the serial number of their camera. ested in the announcement of the Kodak Kodacolor Film frames, however, should This serial number is stamped upon the International $roo,ooo Competition for only be enlarged to 3 by 4 inches in size. winding arm, or key, of the Cine-Kodak. Amateur Picture-Takers--movie makers, that is, who possess and use snapshot cameras, as many do. You will undoubtedly Sea- Go ing Cinematics recall the 1929 $30,000 United States pic- (Continued from Page 5) ture-taking contest. This year, the Contest by your landbound screen audiences. One point more when you seek the sea . has been made world-wide and the prizes Now for Kodacolor seascapes. Use close-ups, not only of your fellow more than tripled! There is $25 ,ooo in The use of a Neutral Density Filter is voyagers, but of the compass, wheel, 1,000 prizes for the United States alone, necessary on brilliant days when making rudder, the mudhook being raised or including the $2,500 U . S. Grand Prize and Kodacolor movies over water. In temperate dropped- and all the rest. the opportunity of winning the $10,000 climes, the No. I Neutral Density Filter Such things spell the difference between International Grand Award. One simple ordinarily will suffice, but in the tropics, animated snapshots and a movie story. snapshot may win $14,000! There are or on unusually bright days in temperate There's a difference. One you look at, the special state prizes. Canadian contestants climes, the No. 2 Neutral Density Filter other you follow- with interest. may win as much as $12,250 with one Is necessary. This does not necessarily mean that picture. A distinguished group of judges If you have yet to make a Kodacolor your continuity must be prearranged. will select the winners. Judges for the mov ie of a sunset or a sunrise over water, Merely register all the shipboard activities U. S. district are Rear Admiral Richard you have missed portraying one of the most on your film, and at the season's end you'll E. Byrd, renowned explorer; M ary Roberts beautiful aspects of nature. Mere words have enough salty material to animate the Rinehart, foremost authoress; Howard cannot do justice to its loveliness. Film most blase home movie audience. Chandler Christy, celebrated artist; Rudolf sunsets in summer just before or just after And remember that a scene may be in- Eickemeyer, eminent photographer; and the sun sets, and preferably when its rays teresting for two distinct reasons. Because Kenneth Wilson Williams, Editor of "Ko- are partly obscured by clouds. If you can of the subject, itself; and because of the dakery." look at the sun for several seconds without way in which it is filmed. A combination Further details may be obtained from eye strain, you can make movies of it. of the two is ideal. your Kodak dealer.

Sweepstakes on Level

"Fixixing". II c har ges fal se re ports comm ittee ma jo ri ty

The start' No small amount of indigna- " ABSOLUTELY NOTHING tion was voiced by race goers when the in the charges of jockey mount of Jockey No. 4 burrowed across 'fixi ng' and doped horses," reported six the oval to emerge victorious at the finish of the eight members of the Committee to line. Investigate Sweepstakes Winners. Smilingly posing for cameramen today, Sweepstakes. Each race has six entries, and Cinegraph Sweepstakes are wonderful the six committeemen had nought but the start in each race is identical. The group entertainment. Mr. Fred Barger of praise for the sponsors of the Cinegraph horses are first seen cantering to the start· Elkhart, Indiana, wrote of the interesting Sweepstakes. The remaining two members ing line- both jockeys and horses being uses to which he has put them. At the of the Committee, returning home late last numbered for easy identification. Follow- conclusion of a bridge party, for example, night rather low in spirits, stated, "We ing this comes a short piece of blank film , unlucky bidders were given a chance to have nothing for the press at this time, at which point the projector is stopped for boost their scores by having all the guests but you can quote us as saying that there the audience to pick their favorites. Then prophesy Sweepstakes winners, 50 points are unmistakable signs of collusion. The the race is on- and the way those horses being added to or subtracted from in- wrong horses won." fight for victory would make Man-o'-War dividual scores. And there you have it! and Zev look like hack horses. Marquis of The Cinegraph Sweepstakes are divided Whether or not one agrees with the Queensbury rules are strictly enforced. into two units. Section I is composed of Committee's findings, there is absolutely After one race has been run, the pro- four 5o-foot reels, Section II of two 5o-foot no question of the high entertainment cedure is repeated with another. And reels. These sections may be purchased value of Cinegraph Sweepstakes- a series remember, not only is the start of each individually. Section I, No. 4529, price of six horse races run by amusing, cleverly race exactly the same, but there are no $12 ; Section II, No. 4530, $6. A sk your animated horses and jockeys. external markings to distinguish one reel Cine-Kodak dealer to show you one of the Six 50-foot reels make up the Cinegraph from another. Cinegraph Sweepstakes. 9 The CINE-KODAK News

11 8 rave heart

Kodascope Libraries New Feature Film with Rod La Rocque, Robert Edeson and Tyrone Power

"BRAVEHEART" is the screen HIS IS BUT one of some 475 adaptation of the famous stage Tfilm s available from Koda- classic, "Strongheart." scope Li braries Branches and Distributors. Besides being fine film drama, this film Besides comedies and dramas, you may is of decided historical importance in that rent film s on sports, travel, history, popu- it recounts the struggle of the red man to lar science and other subjects. maintain even the slender solace of treaty A list of Kodascope Li braries Branches rights from the enveloping enterprise of is given below. If none are convenient, the white race. address their headquarters at 33 W est Rod LaRocque is cast as Braveheart, son 42nd Street, New York City, for the loca - of an Indian Chief, T yrone Power. Robert tion of the Distributor nearest to you. Edeson, cast as the owner of extensive salmon canneries in the Northwest , drives Braveh eart is accu sed of sel ling hi s team signals. Atlanta, Ga.- 183 Peachtree Street a way the Indian tribes from the river banks Incidentally, the shots of the football game are Boston, M ass.- 438 Stuart Street in violation of their perpetual treaty rights imm e11 se. Chicago, Ill.- 137 N . W abash A venue to fi sh unmolested in all waterways. His Cincinnati, Ohio- IIo West 8th Street daughter, Lillian, is dispatched East to against the redskin's. Bra veheart is ex- Cleveland, Ohio- 8o6 Huron Road break up an interest she is displaying in pelled, and, upon returning to his tribe, is Detroit, Mich.--1206 W oodward A venue the Chiefs son. Braveheart likewise goes judged guilty of a betrayal of their trust , Kansas City, Mo.----916 Grand A venue East, at the command of his father, who, and is branded and cast out. Los Angeles, Calif.- 643 South Hill Stree t realizing the futility of resistance, desires How Braveheart is vindicated and his M inneapolis, Minn.- 11 2 S. 5th Street his son to become educated at a white tribesmen's ri ghts sustained makes thrill- New York, N . Y.- 33 W est 42nd Street man's college so that he may secure legal ing entertainment. Braveheart is a fine Philadelphia, Pa.- 132 South 15 th Street redress in the courts. picture. N o. 8172, it is fi ve 400-foot reels Pittsburgh, Pa.- 6o6 W ood Street Bravehea rt becomes the outstanding in length. Base rental $7. 50. Rochester, N . Y.- 343 State Street football hero of his school, and as Lillian All Kodascope Library film s have been San Francisco, Calif.- 545 M arket Street returns to the college town, their attach- reduced in price. Li brary members may Seattle, Wash.- 1 Cherry Street ment is renewed. This is bitterly resented now rent films for ro% less than the T oronto, Ont.-156 King Street, W est by her brother (Arthur Housman) who prices shown in the Kodascope Library M ontreal, Quebec- 104 Drummond Bldg. sells the signals of his team to their ri vals catalog. Non-members may obtain film s at W innipeg, M anitoba- 205 Paris Building and accuses Braveheart of the treachery. the catalog price- hitherto offered only to Vancouver, B. C .- 310 Credit Fancier It is the old story of the white man's word library members. Building.

Li ll ian and Braveheart meet for the fi rst time. Braveheart is branded an outcast before hi s tribe. I O KODATOY-the Children's Movie Projector now has a case of its own

Kodatoy case in maroon artificial leather. "Silvered" screen surface, by 12 inches. Price, $3.

ow there's a convenient carrying case commodate either the hand- or motor-driven N for Kodatoy- the Eastman movie pro- Kodatoy. And it's equally useful whether jector for children. The youngsters are sure you're going away, or usingKodatoyat home. to welcome it. They can safely carry their The case is finished in good quality maroon Kodatoy wherever they like. artificial leather. Screen surface measures And it's more than just a case to carry by r 2. inches. and protect the Kodatoy. It's built to serve See Kodatoy- hand-driven model, $r2.; as an excellent screen as well. On the inside, motor-driven, $r8.5o (motor sold separately, one wall has a "silvered" screen surface. $6.5 o )- at leading Kodak dealers', toy and It can be set up anywhere-ready on the in- department stores. Combined case and screen stant to project clear, brilliant movies. sold as an accessory. Price, $3. Eastman Kodak This case- strong and sturdy-will ac- Company, Rochester, N.Y. KODATOY the children's movie projector by EASTMAN Summer's opportunities

With Cine, Kodak

Safety Film

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