The Cine-Kodak News; May 1930; Vp;. 6, No. 12
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ws 1930 ou are invited of of Kodacolor Color. At Cine-Kodak . f ateur-taken movies 1 C d this month. An exhibiuon o am h U nited States and ana a D ealers' throughout t e Home Movies that reproduce on the Screen EVERY COLOR THE EYE CAN SEE ... as easy to take as snapshots s0 many people, par- movies shows color. ents particular! y, have You simply use a Koda- inquired about home color Filter and Koda- movies in full color that color Film when making sp ecial exhibitions of or projectin g mov ies Kodacolor films have in color. been arranged for this Ify ou can look through month at Cine-Kodak a finder and press a lever dealers' throughout the you can take these amaz- United States and ingly beautiful pictures. Canada. Then send the film to any Step in and see one of Eastman processing sta- these fi lms on the screen. tion. In a few days it Do this whether or not comes back to you , ready you are immediately in- for projection ... at no ad- terested in making home ditional cost; the charge movies. What you see for developing is includ- will amaze you. ed in the price of the For, with Cine-Kodak, film. home movies in full color Everything is so con- are made as easily as Nothing that this page can say or show can f ully reveal the startling beauty of home venient, so easy. And, if snapshots are with your movies in color . For K odacolor is admittedly the greatest single triumph i n the history of you can afford even the child's Brownie. photography. See for yourself. Vi sit the exhibition this month at Cine-Kodak dealers'. smaller nice things of today, you can afford Life Itself of dress and background, every scene the Cine-Kodak. of your travels ... all in full color. Kodacolor reproduces faithfully and Ask to See Kodacolor unerringly on the screen every color In short, life itself. For life, as the that the eye can see. The exact shade eye sees it, remember, is made up of See what wonders are now offered of your child's hair, those elusive color and· motion. Now these two are you by the same Eastman m en who tints of youthful cheeks, every tone combined in the most remarkable of so simplified photography that any all developments in home movies. child can make snapshots. Movies that are closer to life itself See the exhibition of Kodacolor CINE-KODAK than anything h eretofore known. that is being presented this month Model BB. f.1.9. Think of having such pictures of b y Cine-Kodak dealers of the United your mother. All so wonderful . .. yet States and Canada. Visit your so simple a child can take them. dealer today. How It's Done EASTMAN KODAK COMPANY Rochester, New York The same Cine-K odak (B orB B f.l.9) that takes black-and-white movies takes color. The same Kodascope (A KODACOLOR or B) that shows black-and-white HOME MOVIES I N FULL COLOR Kodacolor Film reduced in price. See back cover of this issue. The CINE 7 KODAK News Publishe d Monthly in the In tere sts o f Amate ur Moti on Pictures by the Eastman Kodak Co mpany, Roch ester, N . Y., Volume 6, Number 12. MAY 1930 Just What Is Kodacolor? A Word or Two About What It Does « « How It Does It And How You May Enjoy It LTHOUGH Kodacolor celebrated its first birth- necessary differences. The first is that Kodacolor Film is panchro- day last August there is still a good number of matic- or sensitive to light of all colors. The second is that the amateurA movie makers who do not fully recognize its possibili- uncoated side of the transparent film base is embossed with ties. We even suspect that some of our readers believe it to minute cylindrical lenses which join one another and extend the be a sort of colored or tinted film, and that we may even stray, entire length of the film . There are about 220 of these lens ever so slightly, from the narrow path of truthfulness in some elements in the width of the picture area, causing the peculiar of our claims for it. satin-like appearance characteristic of Kodacolor Film. In short, they have to be shown. The film is so wound that when it is loaded into the camera A glance at the page to the left of this one will tell you of our and exposed in the usual way, the picture is taken through the plans for doing just this. The dealer from whom you purchased film base. At the same time that the camera lens forms an image your home movie camera will be very happy to project Koda- of the subject upon the film, each embossed lens forms an image color Film for you any day this month. And when you are view- of the camera lens and its color filter on the sensitive surface of the ing these films, realize, please, that you can make and project film. By this means, when white light falls upon the film, it is Kodacolor pictures just like them! broken up into its three principal components, which are red, Kodacolor reproduces faithfully and unerringly on the screen green and blue. (See Figure 1.) every color that the eye can see. It is no more difficult to make Let us suppose that we are taking a picture of a red object. movies in Kodacolor than in black and white. All that is neces- Only red light is reflected by such an object and some of these sary is an f.1.9 lens-equipped Cine-Kodak, rays fall upon the Kodacolor filter in the Kodacolor Film, the Kodacolor Filter, and camera lens. Both the green and blue por- sunlight. And now Kodacolor Film has been tions of the filter absorb red light, but reduced in cost-it is priced but slightly the red portion allows the rays to pass higher than Cine-Kodak Panchromatic through. The camera lens focuses these Film. red rays upon the proper portion of the Perhaps you are interested in learning picture area of the film. Each minute em- how Kodacolor pictures are obtained? We bossed lens in this portion then sends shall endeavor to explain. these rays to the position occupied by the The Kodacolor Filter is composed of image of the red filter. (See Figure 2.) three bands of dyed gelatin, red, green When the film is developed, these por- and blue-cemented between disks of tions that have been struck by red light optical glass. Kodacolor Film is similar to will be rendered black and opaque by a regular Cine-Kodak Film, except for two deposit of silver. (See Figure 3.) 3 4 The film is now put through a reversal process which re- You may be interested in knowing whether all subjects re- moves the silver from the opaque areas, leaving them clear, and produce equally well in Kodacolor. Generally speaking, they do. blackens the areas that were not struck Of course, the colors are more bril- by light in the exposure of the film. liant when the subject is close than (See Figure 4 ) (\ when it is distant- just as they are in The film so processed is ready for nature. For instance, the close-up of a child projection. It is threaded into the Kodascope with the base side facing will bring out every color in its the projection lens and its Kodacolor clothes, the glint of gold in its hair, projection filter. The light from the v ( the delicate flesh tones, the red of its lamp passes through the clear spaces on lips- all the colors that you see. These the film- which, as you remember, is colors will be absolutely true to life. where the red light A picture of the rays were focused same child, taken - and is sent by the farther away, will embossed lenses reproduce the colors through the projec- just as accuratel y, tion lens and red but less brilliantly portion of the filter. - just as the eye It then falls upon ac tually sees them. its proper position Kodacolor also on the screen, re- reproduces medium producing the color and far distant Fig. 3 and form of the scenes effectively. red object Mountains, lakes, graphed. (See Fig- landscapes, all re- ure 5.) tain their full beau- By following this ty. The brilliancy description for a of the colors is of red object, it is easy course dependent to to see what happens a certain extent up- when a blue or green on atmospheric con- Kodacolor captures all the vividness of summer seashores object is photo- ditions. graphed. Objects Right here it may of all other colors reflect varying proportions of red, green, be well to add a word of warning lest you forget that Kodacolor, and blue light. For instance, yellow reflects red light and green like any other photographic achievement, has its limitations. light; purple reflects red light and blue light; blue-green reflects Bright sunlight is an absolute necessity, unless the camera used green light and blue light; white reflects light has a half-speed feature, in which case Kodacolor of all colors; and black reflects very little light may be taken out of the direct sunlight but with of any color. a clear sky overhead. Backlighting- that old It can thus be seen that the Kodacolor process (Reversed) favorite of many movie makers- should not be is capable of reproducing all colors by separating attempted with Kodacolor.