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Eurl Rémy FOURNIE MARDI 17 NOVEMBRE 2015 À 15 H 00
Eurl Rémy FOURNIE Commissaire-Priseur habilité SVV (agrément 2002-308) 7 rue d’Astorg 31000 TOULOUSE – Tél 05.61.12.52.07- Fax 05.61.12.52.00 – site : www.interencheres.com/31007 E-mail :[email protected] – Site internet : www.interencheres.com/31007 MARDI 17 NOVEMBRE 2015 à 15 H 00 APPAREILS PHOTOS 21 Boitier LEICA R3 électronic (Portugal) avec objectif Elmarit R 2,8 /24 ; sac cuir 800/1000 22 Objectif Elmarit R 2,8/135 (sac) 300/500 23 Visoflex III (système complet en boite avec notice) 200/300 24 Boitier LEICA M5 avec objectif Summicron 2/50 (sac) (avec boite et notice) 600/800 25 Objectif Elmar 3,5/65 (boite) 100/150 26 Objectif télé-Elmarit 2,8/90 (boite 150/200 27 Objectif Minolta Wroktor 2,8/35 (sac) 100/150 28 Ensemble : cellule à main Lunasix 3, filtre orange, filtre jaune, convertisseur M/vis, tête pivotante, filtre 100/200 + PS amovible, pare-soleil 35 et 50, pare-soleil 90 et 135, rail macro (incomplet) 29 Agrandisseur Leitz avec objectif Focotar 4,5/50 50/100 30 Boitier Leica IIIa avec objectif Sumitar 2/50 (étui) 300/400 31 Boitier Leica IIIf avec objectif Sumicron 2/5 (étui) 400/500 32 Objectif Leitz Telyt 4,5/200 200/300 33 Objectif Leitz Hektor 4,5/135 (étui) 150/200 34 Objectif Leitz Hektor 4,5/135 (étui) 100/150 35 Objectif Foca Robot téléxenar 4,5/150 (étui) 200/300 36 Accessoires Leitz Wetzlar (A : 0,85 62 : 1) 50/100 37 Chambre Photo-Hall – 5 rue Scribe à Paris 50/100 38 Rolleiflex 3,5 F (6x6) objectif Zeiss Planar 3,5/75 300/500 39 Pentacon six TL, avec objectif Zeiss flektogon 4/50 ; on joint un objectif Zeiss Biometar 2,8/80 et un 150/250 viseur à cellule 40 Contax II a avec objectif Zeiss Biogon 4,5/21 (avec étui, viseur multifocale, pare-soleil et deux filtres) ; 200/300 on y joint un objectif Zeiss Sonar 2/50 et un objectif Zeiss Sonar 4/135 ; on y joint brochure et livre 41 Voigtlander Bessamatic avec objectif Zoomar 2,8/36-82 (avec étui et lentille) 200/300 42 Bronica zenca C2 (6x6), avec objectif Nikkor 2,8/75 (étui) 250/350 43 Exakta 135 avec objectif Zeiss Jena Tessar 2,8/50 ; on y joint un objectif macro-télé Quinar 2,8/135. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
George Eastman Museum Annual Report 2018
George Eastman Museum Annual Report 2018 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Objects Loaned For Exhibitions 10 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 30 Technology 32 George Eastman Legacy 34 Richard and Ronay Menschel Library 48 Purchases for the Collections 48 Photography 48 Moving Image 49 Technology 49 George Eastman Legacy 49 Richard and Ronay Menschel Library 49 Conservation & Preservation 50 Conservation 50 Photography 50 Technology 52 George Eastman Legacy 52 Richard and Ronay Menschel Library 52 Preservation 53 Moving Image 53 Financial 54 Treasurer’s Report 54 Fundraising 56 Members 56 Corporate Members 58 Annual Campaign 59 Designated Giving 59 Planned Giving 61 Trustees, Advisors & Staff 62 Board of Trustees 62 George Eastman Museum Staff 63 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2018. MAIN GALLERIES HISTORY OF PHOTOGRAPHY GALLERY Stories of Indian Cinema: A History of Photography Abandoned and Rescued Curated by Jamie M. Allen, associate curator, Department of Photography, and Todd Gustavson, exhibitions, Moving Image Department curator, Technology Collection NovemberCurated by 11,Jurij 2017–May Meden, curator 13, 2018 of film October 14, 2017–April 22, 2018 Nandita -
The PENTAX K-1 Mark II: the New Standard of the 35Mm Full-Frame K Series
The PENTAX K-1 Mark II: the new standard of the 35mm full-frame K series Rich colors and subtle shades, and a beautiful bokeh and a well-defined sense of depth. When the photographer’s inspiration is truly reflected in all these elements, photographs will become more than mere records — they will evolve into truly impressive works of art. The PENTAX K-1 Mark II has been created as the flagship model that will fulfill this goal. It features a new, advanced image-processing system to deliver the beautiful image quality which all photographers demand. It produces images that are rich in color and gradation, high in resolution, and superb in bokeh rendition. The Pixel Shift Resolution System II — the PENTAX-original super-solution technology — now accommodates handheld photography. The AF system featuring a new algorithm assures high-precision focusing even with moving subjects. While inheriting the PENTAX K-1’s development concept, the PENTAX K1 Mark II has advanced technologies to near perfection. When your creativity is in complete harmony with the camera, your photography will truly come alive. Top sensitivity of ISO 819200 enhances image quality, and expands the creative boundaries of high-resolution digital SLR photography State-of-the-art imaging processing system Greatly improved image quality, even in high-sensitivity photography NEW To reproduce lively colors and rich gradations closeclose toto memorymemory colors in all sensitivity ranges, the PENTAX K-K-1 MarkMark IIII newlynewly incorporates an original accelerator unit, which efficientlyefficiently processes image signals output by the image sensor before sending them to the imaging engine. -
Second-Hand-Artikel Stand 30.10.2019
Calumet Photographic - Second-Hand-Artikel Stand 30.10.2019 * Mit Diff.-Best. bezeichenete Artikel werden nach § 25a UStG als Gebrauchtwaren differenzbesteuert. Daten Beschreibung Zustand Artikelnr. Steuer-Art Excl MwST incl. MwSt. Shop Berlin 030 257 571 0 Arca Swiss Discovery 4x5 mit 150mm Zust.:A SN:xxx 150mm Copal, 3xPFK,Case 19B0137D1 Diff.-Best. 1.400,00 B.I.G. Nikon N-AF DG 1,4 Auto Teleconverter Zust.:A SN:xxx 19B0127D6 Diff.-Best. 40,00 Bowens Wabenreflektor mit Wabe + Engstrahl+Wabe Zust.:AB 17B0085D10 Diff.-Best. 59,00 Calumet Hintergrund Aufhängung CAL6095 Zust.:AB SN: 19B04424 MwSt. 100,84 120,00 Canon 430 EX II Blitz+OVP Zust.:AB S/N:852942 19B0555D4 Diff.-Best. 176,00 Canon 600 RT EX Blitz+OVP Zust.:AB S/N:3708101810 19B0555D5 Diff.-Best. 279,00 Canon Batteriegriff BG-E21 f. Canon EOS 6D Mark II Zust.:AB S/N:400009230 19B0576D2 Diff.-Best. 80,00 Canon Batteriegriff BG-E6 f. 5D Mark II Zust.:A S/N: 19B0589D1 Diff.-Best. 99,00 Canon Batteriegriff BG-E7 f. EOS 7D Zust.:A SN:400009230 19B0336D2 Diff.-Best. 29,00 Canon EF 100 mm/2,8 L Macro IS USM+OVP+Zub. Zust.:A S/N:6538250 19B0577D4 Diff.-Best. 779,00 Canon EF 100-400mm 4,5-5,6 L II USM IS Köcher+Zub. Zust.:AB S/N:4710002670 19B0593D2 Diff.-Best. 1.629,00 Canon EF 100mm 2,8 L IS Macro USM+OVP+Zub. Zust.:A S/N:7070114 19B0563D1 Diff.-Best. 779,00 Canon EF 11-24 mm/4 L USM+OVP+Zub. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
Catalogue: Smc Pentax(A and M) Lenses and Accessoriesl (1986)
PE NTAX®IL--=.=LE =.::::.:NSE=-=---=S &===-=------.l INDEX _________________________________________________ THE PENTAX SYSTEM ................................................................ ................................ 1 A NEW PERSPECTIVE ON PHOTOGRAPHY ..............................................•............. 3 CHOOSING YOUR SMC PENTAX LENSES ................................................. ............. 4 STANDARD LENSES ................ .................................................................................... 8 ULTRA·WIDE·ANGLE LENSES .................................................................................... 9 WIDE·ANGLE LENSES ..................................................•.................•............................ 10 TELEPHOTO LENSES .....................................•............................................................. 12 ULTRA·TELEPHOTO LENSES ...................................................................................... i6 ZOOM LENSES .................. .................... ........................................................... ............. 20 MACROPHOTO LENSES .......•................... .. ................................................................. 26 SPECIAL PURPOSE LENSES ....................................................................................... 28 LENS SPECIFICATIONS •........•...........•................................................................ .......... 30 FLASH SYSTEMS ...............................•......................................................................... -
Second-Hand-Artikel Stand 21.11.2019
Calumet Photographic - Second-Hand-Artikel Stand 21.11.2019 * Mit Diff.-Best. bezeichenete Artikel werden nach § 25a UStG als Gebrauchtwaren differenzbesteuert. Daten Beschreibung Zustand Artikelnr. Steuer-Art Excl MwST incl. MwSt. Shop Berlin 030 257 571 0 Arca Swiss Discovery 4x5 mit 150mm Zust.:A SN:xxx 150mm Copal, 3xPFK,Case 19B0137D1 Diff.-Best. 999,01 B.I.G. Nikon N-AF DG 1,4 Auto Teleconverter Zust.:A SN:xxx 19B0127D6 Diff.-Best. 40,00 Bowens Wabenreflektor mit Wabe + Engstrahl+Wabe Zust.:AB 17B0085D10 Diff.-Best. 59,00 Calumet Hintergrund Aufhängung CAL6095 Zust.:AB SN: 19B04424 MwSt. 100,84 120,00 Canon EF 50mm 1,8 STM Zust.:B S/N:4615110153 19B0651D3 Diff.-Best. 59,00 Canon 430 EX II Blitz, Tasche Zust.:AB S/N:483569 19B0649D2 Diff.-Best. 129,00 Canon 430 EX Blitz, Fuß, Tasche Zust.:AB SN:513917 19B0436D5 Diff.-Best. 49,00 Canon 430 EX II Blitz+OVP Zust.:AB S/N:852942 19B0555D4 Diff.-Best. 176,00 Canon Batteriegriff BG-E21 f. Canon EOS 6D Mark II Zust.:AB S/N:400009230 19B0576D2 Diff.-Best. 80,00 Canon Batteriegriff BG-E21 f. Canon EOS 6D Mark II Zust.:AB S/N:5000000254 19B0643D2 Diff.-Best. 130,00 Canon Batteriegriff BG-E7 f. EOS 7D Zust.:A SN:400009230 19B0336D2 Diff.-Best. 29,00 Canon EF 100 mm/2,8 L Macro IS USM Zust.:AB S/N:3945425 19B0661D2 Diff.-Best. 709,00 Canon EF 100 mm/2,8 L Macro IS USM+OVP+Zub. Zust.:A S/N:6538250 19B0577D4 Diff.-Best. -
Digitális Fotokamerák
DIGITÁLIS FOTOKAMERÁK 2020 augusztus blzs ver. 1.1 TARTALOMJEGYZÉK 1. A digitális kameragyártás általános helyzete…………………………...3 2. Középformátum………………………………………………………...6 2.1 Hátfalak……………………………………………………………..9 2.2 Kamerák…………………………………………………………...18 3. Kisfilmes teljes képkockás formátum………………………………….21 3.1 Tükörreflexesek……………………………………………………22 3.2 Távmérősek………………………………………………………...31 3.3 Kompaktok…………………………………………………………33 3.4 Tükörnélküli cserélhető objektívesek………………………………35 4. APS-C formátum……………………………………………………….42 4.1 Tükörreflexesek…………………………………………………….43 4.2 Kompaktok………………………………………………………….50 4.3 Tükörnélküli cserélhető objektívesek……………………………….53 5. Mikro 4/3-os formátum…………………………………………………60 5.1 Olympus…………………………………………………………….61 5.2 Panasonic…………………………………………………………...64 6. „1 col”-os formátum……………………………………………………69 6.1 Cserélhető objektívesek…………………………………………….69 6.2 Beépített objektívesek………………………………………………71 7. „Nagyszenzoros” zoom-objektíves kompaktok………………………..75 8. „Kisszenzoros” zoom-objektíves kompaktok………………………….77 8.1 Bridge kamerák…………………………………………………….78 8.2 Utazó zoomos ( szuperzoomos ) kompaktok……………………….81 8.3 Strapabíró ( kaland- víz- ütés- porálló ) kompaktok………………..83 9. A kurrens kamerák összefoglalása……………………………………...87 9.1 Technológia szerint…………………………………………………87 9.2 Gyártók szerint……………………………………………………..89 10. Gyártók és rendszereik………………………………………………....90 10.1 Canon……………………………………………………………...91 10.2 Sony……………………………………………………………….94 10.3 Nikon……………………………………………………………...98 10.4 Olympus………………………………………………………….101 10.5 Panasonic………………………………………………………...104 -
Cine-Kodak News; Dec. 1933; Vol. 9, No. 5
"ON LOCATION" FOR OUTDOOR WINTER MOVIES B ECAUSE of a special lubricant used in Cine-Kodak it will run as efficiently in zero In this ISSUe: weather as during warm summer months. But before you set out to film winter subjects here are a few precautions that may help you. "ON LOCATION" FOR The use of filters for general pictorial work is strongly recommended. Yellow filters OUTDOOR WINTER cut down on the blue light which is so overwhelmingly predominant in winter, particu- larly when the ground is covered with snow, and permit the more even registration of MOVIES all color tones in black and white. Filters accentuate cloud effects by reproducing sky and How to make the most o f your out- clouds more nearly as the eye sees them- gray sky and white clouds. Filters also enable door filming opportunities. your camera's lens to penetrate the haze so often encountered in winter landscapes. Do (Pages 1 and 2) not use a filter when making close-ups of individuals. Owners of 16 mm. Cine-Kodaks will find CK-1, CK-2, and CK-3 filters extremely useful TIPS ON TITLING for sky and landscape £ilming. Owners of Cine-Kodaks Eight, Models 20 or 25, should use the Z-CK-3 filter; Model 6o, the U8-CK-3 filter. Now's the time to whip summer And watch your exposure! The sunlight of winter in northern and temperate climes shots into final shape. (Page 2) is weaker than that of summer months. When there is snow on the ground to reflect light it compensates for this loss of intensity, and you can use summertime openings. -
Pentax LX to Take on the Might of Nikon, Canon, Olympus and Others
In 1980, shortly after Nikon introduced the third generation of the Nikon F3-series system camera, Asahi Optical Co. Ltd. Japan rocked the photographic community by introducing a pin-sized, jewel-like professional class system camera on their own, the Pentax LX to take on the might of Nikon, Canon, Olympus and others. The year was also coincided with Pentax's 60th anniversary. Asahi Pentax, one of the longest and most respectful trade name and camera manufacturing business in the business. Some of its original concept and features found in the LX camera was truly original, functional and very practical. It has also proved to be an immensely successful SLR camera commercially and it remained in production until 1997. Throughout the product life cycle of 17 years, the camera has exhibited its true strength as a first rated professional class SLR system camera and created a huge following around the globe. With its rugged and dependable camera body which forms as the nucleus of many innovative system accessories, it enables Pentax to take on other great rivalries of comparing standard such as Canon New F-1, Nikon F3, the Olympus OM1(n) & OM2(n) and even with the Contax RTS series models etc. at this highly demanding professional users' market segment. The Pentax LX SLR camera, famed for its compactness which capsules a ultra-rugged hybrid body construction, a highly sensitive and innovative metering system, a superb insulation to penetration of moisture and dust, overall great backward compatibilities with other system accessories within the Pentax photographic system, has been appreciated by many of its users worldwide. -
Fujica Stx-1 4
FUJICA STX-1 This camera manual library is for reference and historical purposes, all rights reserved. This page is copyright by M. Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer On-line camera manual library This is the full text and images from the manual. If you find this manual useful, how about a donation of $3 to: M. Butkus, 29 Lake Ave., High Bridge, NJ 08829-1701 This will help me to continue to host this site, buy new manuals, and pay their shipping costs. It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M.O. or cash. Back to my main Camera Manual page CLICK HERE FOR PDF MANUAL MADE FROM THIS FILE CONTENTS Part 2, Advanced Techniques 1 Changing the Lens .. .... Part 1, Fundamentals 2. Exposure Correction : . Names and Functions of Parts. 3. Utilizing the Lens Depth of Field Special Features 4. Using the Self Timer. ... 1. Basic Steps. 5. Infrared Photography 2. Battery Insertion . 6. Taking flash pictures 3. Film Loading . 7 Accessories for the FUJICA STX-1 4. Setting the Film Speed. 8. Care and Storage of your FUJICA STX-1 5. Setting the Shutter Speed . 9 Specifications 6 Focus the Lens and Frame Your Picture 7 Correct Exposure . 8 Holding the Camera and Releasing the Shutter .... .... 9 Rewinding Film and Unloading Film Names and functions of the parts 1. Film Advance Lever 8. Shutter Release. Lock 2. Shutter Speed Selector Dial/ASA film 9.