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Creo Color Server for the Xerox Docucolor 242/252/260 Printer/Copier
Creo Color Server for the Xerox DocuColor 242/252/260 Printer/Copier 731-01023A-EN Rev A User Guide English Copyright © Creo, 2007. All rights reserved. This document is also distributed in Adobe Systems Incorporated's PDF (Portable Document Format). You may reproduce the document from the PDF file for internal use. Copies produced from the PDF file must be reproduced in whole. Trademarks Creo is a trademark of Creo. Adobe, Acrobat, Adobe Illustrator, Distiller, Photoshop, PostScript, and PageMaker are registered trademarks of Adobe Systems Incorporated. Apple, AppleShare, AppleTalk, iMac, ImageWriter, LaserWriter, Mac OS, Power Macintosh, and TrueType are registered trademarks of Apple Computer, Inc. Macintosh is a trademark of Apple Computer, Inc., registered in the U.S.A. and other countries. Kodak, Brisque, and InSite are trademarks of Kodak. PANTONE, Hexachrome, PANTONE Hexachrome, and PANTONE MATCHING SYSTEM are the property of Pantone, Inc. PEARL, PEARLsetter, PEARLhdp, PEARLdry, and PEARLgold are registered trademarks of Presstek, Inc. XEROX is a trademark of XEROX CORPORATION. FCC Compliance Any Creo equipment referred to in this document complies with the requirements in part 15 of the FCC Rules for a Class A digital device. Operation of the Creo equipment in a residential area may cause unacceptable interference to radio and TV reception, requiring the operator to take whatever steps are necessary to correct the interference. Product Recycling and Disposal If you are managing the disposal of your Xerox product, please note that the product contains perchlorate, lead, mercury, and other materials whose disposal may be regulated due to environmental considerations in certain countries or states. -
Xerox CX Print Server, Powered by Creo Color Server Technology, for the Xerox 700 Digital Color Press
User Guide English Xerox CX Print Server, Powered by Creo Color Server Technology, for the Xerox 700 Digital Color Press Version 2.0 731-02026A-EN Rev A Copyright Eastman Kodak Company, 2011. All rights reserved. This document is also distributed in Portable Document Format (PDF). You may reproduce the document from the PDF file for internal use. Copies produced from the PDF file must be reproduced in whole. Trademarks Creo, InSite, Kodak, and Prinergy are trademarks of Kodak. Acrobat, Adobe, Distiller, Illustrator, Photoshop, and PostScript are trademarks of Adobe Systems Incorporated. Apple, AppleShare, iMac, ImageWriter, LaserWriter, Mac OS, Power Macintosh, and TrueType are registered trademarks of Apple Inc. Macintosh is a trademark of Apple Inc., registered in the U.S.A. and other countries. Hexachrome, PANTONE, PANTONE Goe, PANTONE Hexachrome, PANTONE MATCHING SYSTEM, and PANTONE Plus are the property of Pantone, Inc. Xerox and the sphere of connectivity design are trademarks of Xerox Corporation in the United States and/or other countries. FCC Compliance Any Creo branded equipment referred to in this document complies with the requirements in part 15 of the FCC Rules for a Class A digital device. Operation of the Creo branded equipment in a residential area may cause unacceptable interference to radio and TV reception, requiring the operator to take whatever steps are necessary to correct the interference. Class A Equipment (Industrial Broadcasting & Communication Equipment) This equipment is Industrial (Class A) electromagnetic wave suitability equipment and seller or user should take notice of it, and this equipment is to be used in the places except for home. -
Page 16 of 128 Exhibit No. Description Deposition
Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 1 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-168 7/16/2003, Technical Reference Napoli Ex. Manual [DM270] (EKCCCI007053- 132 836) PTX-169 2003, Data Sheet for TMS320DM270 Processor (AX200153-55) PTX-170 10/30/2002, DM270 Preliminary Napoli Ex. Register Manual Rev. b0.6 131 (EKCCCI001305-495) PTX-171 TI DM270 Imx Hardware Akiyama Programming Interface, Version 0.0 Ex. 312 (EKCNYII005007249-260) PTX-172 3/3/2003, DM270 Preliminary Data Ohtake Ex. Sheet Rev. b0.7C (EKCCCI008094- 123 131) PTX-173 Fact Sheet for TMS320DM270 Lacks Processor (AX200150-52) authenticity; Hearsay; Lacks foundation; Lacks relevance PTX-174 6/04, Data Sheet rev 0.5 for Hynix Ligler Ex. Lacks HY57V561620C[L]T[P] (AX200163- 13 (ITC) authenticity; 74) Hearsay; Lacks foundation; Lacks relevance PTX-175 Sharp RJ21T3AA0PT Data Sheet Hearsay; (EKCCCI017389-413) Lacks foundation; Lacks relevance PTX-176 DX7630 Thumbnail Test Lacks (AXD022568-81) authenticity; Hearsay; Lacks foundation; Lacks relevance; Inaccurate/ incomplete description PTX-177 1/11/2005, DM270 IP Chain ver. 0.7 Yoshikawa with translation (EKC001021025-31, Ex. 348 AX211033-42) PTX-178 1/26/2004, Bud Camera F/W Task Lacks foundation; Interface Capture Main <-> Image ISR Lacks relevance (DX7630) ver. 0.07 / Takeshi Domen with translation (EKCCCI002404-19, AX211607-26) Page 16 of 128 Case 1:04-cv-01373-KAJ Document 467-2 Filed 10/23/2006 Page 2 of 140 Exhibit Description Deposition Objections No. Ex. No. PTX-179 2/17/2003, Budweiser Camera EXIF Akiyama Lacks foundation; File Access Library Spec (DX7630) Ex. -
17156 NA-GFX100 Housing for Fujifilm GFX 100
1 FORWARD Thank you for your purchase of a NAUTICAM housing. At NAUTICAM, we pride ourselves in the ability to recognize the requirements of professional as well as amateur underwater photographers and fulfill them through the innovative designs of our products. We strive to achieve a high level of user-friendliness by allowing stress-free installation and easy operation of all important functions of the camera. Each housing is individually inspected and water pressure tested to ensure optimum quality. Please read this manual carefully before using the housing, this will maximize its performance as well as its lifetime. 2 T ABLE OF CONTENTS Warranty ……………………………………………………………………………………………………………...... 4 Precautions ………………………………………………………………………………………………………….... 5 Package Contents ………………………………………………………………………………………………... 7 Specifications ……………………………………………………………………………………………………..... 8 Identification of Parts ………………………………………………………………………………………….. 9 Opening and Locking the Housing ……………………………………………………………………. 13 Preparation of the Housing ………………………………………………………………………………… 15 Installing the Camera ………………………………………………………………………………………….. 20 Mounting the Port ………………………………………………………………………………………………... 24 Changing the Viewfinder …………………………………………………………………………………….. 27 Care and Maintenance ……………………………………………………………………………………….. 29 Optional Accessories ………………………………………………………………………………………….. 30 3 W ARRANTY All NAUTICAM Products are warranted against any material and manufacturing defects for two years from the date of purchase for consumer use. The warranty period is defined -
Kodak SALES NEWS Published by the Marketing Division ! Coburg
'.':r~. J. L.'\CZ :rn . CO LO IJ :-: P: ~ I 'J' [' I l [PT ,o, sratt " " """ I '"'""'"'"· A BGO sro :'D . Kodak SALES NEWS Published by the Marketing Division ! Coburg. May/June, 1965 in the Retina caniera line ... • l KODAK RETINA REFLEX IV SALES NEWS "GIANT DOUBLEISSUE" Giant double issues of periodicals are usually produced about Christmas time, or as a "gimmick" to sell advertising space. The reason, however, for ou.r double issue is much more ordinary. The simple facts are that much of the copy for the May issue was held up and when the edition was ready for the press our Multi lith operator went down with a bad case of gastric influenza. When he returned to work he had to tackle the Kodak Price List, plus several other jobs of higher priority than Sales News. Rather than send out the May issue at the beginning of June we decided to combine it with the June issue. 1n the fin der and on top of the camera. The Kodak Retina Reflex IV Camera , In add1t1on lens aperture and shutter f i tted with f/ 2.8 Xenar le ns , 1s speed settings are visi ble in the priced at £109.0.0 retail, including finder. Two flash contacts are pro imported always - ready case. Fitted vided , one in the access ory shoe and with f/1 :9 Xenon lens £ 125 .5 . 0 , in c a cable socket on the front of the luding imported al ways re ady case. camern. The counter auto matica ll y re sets , to the sta rtin g mark before OOR PICTURE- TAKING Ci\J,TPJ\IGN number 36, on opening the camera back . -
History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
The Image Processing Handbook, Third Edition by John C
The Image Processing Handbook, Third Edition by John C. Russ CRC Press, CRC Press LLC ISBN: 0849325323 Pub Date: 07/01/98 Search Tips Search this book: Advanced Search Introduction Acknowledgments Chapter 1—Acquiring Images Human reliance on images for information Using video cameras to acquire images Electronics and bandwidth limitations High resolution imaging Color imaging Digital cameras Color spaces Color displays Image types Range imaging Multiple images Stereoscopy Imaging requirements Chapter 2—Printing and Storage Printing Dots on paper Color printing Printing hardware Film recorders File storage Optical storage media Magnetic recording Databases for images Browsing and thumbnails Lossless coding Color palettes Lossy compression Other compression methods Digital movies Chapter 3—Correcting Imaging Defects Noisy images Neighborhood averaging Neighborhood ranking Other neighborhood noise reduction methods Maximum entropy Contrast expansion Nonuniform illumination Fitting a background function Rank leveling Color shading Nonplanar views Computer graphics Geometrical distortion Alignment Morphing Chapter 4—Image Enhancement Contrast manipulation Histogram equalization Laplacian Derivatives The Sobel and Kirsch operators Rank operations Texture Fractal analysis Implementation notes Image math Subtracting images Multiplication and division Chapter 5—Processing Images in Frequency Space Some necessary mathematical preliminaries What frequency space is all about The Fourier transform Fourier transforms of real functions Frequencies and -
Friends of Japan Tradition Meets Modernity— in This Report We Introduce the Life and Work of a Friend of Japan
Friends of Japan Tradition Meets Modernity— In this report we introduce the life and work of a friend of Japan. the Japanese Way of Living and Working My first encounter with a Japanese approach to business was in 1995 in Silicon Valley, California. It was then that I was asked to help establish the American arm of one of the best- known Japanese electronics companies. Although my knowledge of Japanese culture was limited, I was determined to work for a Japanese company. I strongly felt that working for a Japanese company would allow me to immerse myself in a new challenge and learn a new way of thinking and doing. An enjoyable part of working for a Japanese multi-national is the way they take delight in making the customer happy. This isn’t just a company mantra; it is an important part of doing business. And, while speed is important, the Japanese cherish a deliberate way of working. Teamwork is also highly regarded, while the individual is allowed to feel that they can make a valued contribution. The Japanese also prioritize personnel development over creating products. When I think about it, of all the Japanese principles of business I’ve encountered, I mostly revere the following: contribution to society, fairness and honesty, cooperation and team spirit, untiring efforts for improvement, courtesy and humility, adaptability, and gratitude. These are the seven core values of Konosuke Matsushita, the Japanese industrialist who founded Panasonic in 1918, and this was the company I would later help establish in the United States. I truly believe these principles are also a core part of Japanese life. -
Spire CXP50 Color Server 1.0 for Xerox Docucolor 5000 Digital Press
731-00710A-EN Xerox DocuColor 5000 Digital Press Press Digital 5000 DocuColor Xerox Spire CXP50 Color Server 1.0 for for 1.0 Server Color CXP50 Spire www.creopod.com English User Guide User Copyright Copyright © 2006 Creo Inc. All rights reserved. No copying, distribution, publication, modification, or incorporation of this document, in whole or part, is permitted without the express written permission of Creo. In the event of any permitted copying, distribution, publication, modification, or incorporation of this document, no changes in or deletion of author attribution, trademark legend, or copyright notice shall be made. No part of this document may be reproduced, stored in a retrieval system, published, used for commercial exploitation, or transmitted, in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the express written permission of Creo Inc. This document is also distributed in Adobe Systems Incorporated's PDF (Portable Document Format). You may reproduce the document from the PDF file for internal use. Copies produced from the PDF file must be reproduced in whole. Trademarks The Creo wordmark, the Creo logo, and the names of Creo products and services referred to in this document are trademarks of Creo Inc. Adobe, Acrobat, Adobe Illustrator, Distiller, Photoshop, PostScript, and PageMaker are trademarks of Adobe Systems Incorporated. Apple, iMac, Power Macintosh, Mac OS, AppleShare, AppleTalk, TrueType, ImageWriter, and LaserWriter are registered trademarks of Apple Computer, Inc. Macintosh is a trademark of Apple Computer, Inc., registered in the U.S.A. and other countries. PANTONE, Hexachrome, PANTONE Hexachrome, and PANTONE MATCHING SYSTEM are the property of Pantone, Inc. -
My Mother's Camera
Manning 1 Pam Manning Marydorsey Wanless Retro Camera Seminar AR399 F April 10, 2011 My Mother’s Camera The Kodak Brownie camera has a long history with the Eastman Kodak company which began in February 1900 with the introduction of a very basic cardboard box camera with a simple lens that took 2¼ inch square pictures and cost only $1. The Brownie introduced the concept of snapshot photography and was intended to introduce photography to everyone, not just professional photographers (Kodak). What is considered one of the greatest slogans in advertising history, “You push the button, we do the rest” reinforced the simplicity of the Brownie camera (American Heritage). Designed and marketed for children, the Brownie camera was named after popular characters created by Palmer Cox, a children’s author and illustrator. Cox was the Walt Disney of his day. His Brownie characters were as well known in the 1880’s as Mickey Mouse is today (Kodak). Like Disney’s characters, Cox’s Brownies often appeared in ads. They helped sell everything from candies to cigars, coffee to ice cream, and even painkillers. Brownie dolls, games, puzzles, and trading cards were eagerly sought. And so was the Brownie camera, far beyond anyone’s expectations (Kodak). My history with the Kodak Brownie began when my mother took my picture with her Kodak Brownie Hawkeye. She would direct me to stand in a certain pose or perform a certain task. When she was happy with what she saw she would then back away from me, hold the camera about waist height, look down into the viewfinder and click. -
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner
Are You Ready for a Digital Camera? by Jennifer Ruisaard and Conrad Turner Digital cameras flashed onto the technology scene a few years ago, threatening the future of conventional photography. Employing the same elements as traditional cameras, digital cameras convert images into a series of pixels that computers can understand and display directly on-screen. These digital images transmit easily through e-mail attachments and are instantly ready to use. The quality of digital images improved drastically over the last five years. In addition, digital cameras offer the benefits of speed, flexibility, and cost savings. Digital photographs are easy to retouch and manipulate through programs such as Photoshop. Furthermore, digital images do not need to be scanned. Therefore, defects introduced by the scanning process are eliminated. Types of Digital Cameras The digital photography market offers consumers three types of cameras: low-, mid-, and high-range. Buyers of digital cameras should choose a camera depending on their specific needs and the type of job to be done. Low-end digital cameras cost around $1,000 and are equivalent to conventional point-and- shoot cameras. Their low resolution, usually about 640 ´ 480 pixels, makes them a cost-effective tool for jobs that do not require high quality, sharpness, or color accuracy. This range of cameras can produce quality prints up to 2.4 ´ 1.8 inches at 133 lpi (266 ppi), which is sufficient for small brochures, advertisements, and catalog images. The next group of digital cameras, called mid-range, cost between $5,000 and $15,000. These cameras are essentially traditional Single Lens Reflex (SLR) camera bodies. -
Openimageio 1.7 Programmer Documentation (In Progress)
OpenImageIO 1.7 Programmer Documentation (in progress) Editor: Larry Gritz [email protected] Date: 31 Mar 2016 ii The OpenImageIO source code and documentation are: Copyright (c) 2008-2016 Larry Gritz, et al. All Rights Reserved. The code that implements OpenImageIO is licensed under the BSD 3-clause (also some- times known as “new BSD” or “modified BSD”) license: Redistribution and use in source and binary forms, with or without modification, are per- mitted provided that the following conditions are met: • Redistributions of source code must retain the above copyright notice, this list of condi- tions and the following disclaimer. • Redistributions in binary form must reproduce the above copyright notice, this list of con- ditions and the following disclaimer in the documentation and/or other materials provided with the distribution. • Neither the name of the software’s owners nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIB- UTORS ”AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT- NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUD- ING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABIL- ITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.