"POX PAL WAGON KODAK COASTER MODEL NO M Firl ENGINE RED Enamtl MOVIE OUTFIT FINISH RUBBER TIRES

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PRESS-HERALD WEDNESDAY, NOV. 13, 1968 THESE PRICES EFFECTIVE THURSDAY thru SUNDtJf BONUS PHOTOS WHtN YOU BRING US YOUR SQUARL PICTURE ALL ITEMS LIMITED TO KODACOLOR FILM STOCK ON HAND YOU GET AN EXTRA STYLE WALLET SIZE PHOTO ALONG WITH EACH REGULAR SIZE ALBUM HAIR SPRAY PHOTO WITH ALL 13 OUNCE CAI^-«79c VALUE EACH KODAK INSTAMATIC 126 FILM (12 OR 20 EXPOSURES! OR 12 00 AND 620 KODACOLOP FILM INSTAMATIC 124' CAMERA OUTFIT PLUS KODACOLOR X FILM FOR 12 COLOR SNAPS, FLASHCUBES. BATTERIES. WRIST STRAP AND INSTRUCTIONS! ULTRA BRITE nd ACCESSORIES KODAK KOTEX Instamatic314 NAPKINS COLOR OUTFIT PKG. OF 12 *49c VALUE EACH LOST IN SPACE ROBOT M V ,'fO ROBOT Tt'M VOVES AROUND YilTH L'GMts FLASHING. HIS ARMS MOVL t POINT. 9.95 VALUE , FUSHCUBES or PLASTIC FLASHBULBS FOOD STORAGE JUNGLEBOOK TELEPHONE SYLVAN IA Mil M AC18 WALT OISNIV S 12 HASH TALKING TELEPHONE THEY PACKS CONTAINERS 1ALK TO YOU. JUST TURN IHE VAlUtS DIAL. 895 VAIUE ... ...... TO ? n .... I t» "POX PAL WAGON KODAK COASTER MODEL NO M FIRl ENGINE RED ENAMtl MOVIE OUTFIT FINISH RUBBER TIRES. 6 95 VALUE INSTAMATIC M MM. JOHNNY TOYMAKER MA'S'', All K'NDS 01 TlNG TOYS. CARS. TRUCKS AM ulHfRS S(T INCLUDES EVEHYIHINC YOU NEED. POLY BOWLS 12 95 VALUE LOVIN1 LEAVES. 120 OZ. 1.39 VAl BONGO BASKET KER-PLUNK GAME II QT, POlYrFMYUNf. 169 VAL. CAT TRAYMATES DEKA. PIASTIC. 13'i"illH"i2»»" FOOD 1 39 VALUE SKITILE-BOWl TIN PiS ACTION GAME SCORF.S UK( BOWLING FUN Fufl IHE WHOLE FAMILY 12 9i VALUE IHE GAME THAT MAXES YOU Kodacolor '126' THINK WHILE HAVING FUN. FOR ALL AGES Cartridge FILM UNBREAKABLE 250 VALUE FOR INSTAMATIC PLASTIC HAV01INE MAC MUGS DEKA. HOLDS 11 OUNCES AND MAKES EVERY DRINK TASTE CONCENTRATION GAME BETTER WITH A BUILT-IN MAICH GIFTS WIN MONEY AGES 10 TO ADULT. COASTER 2 TO S PLAYERS. (.00 VALUE ......... KODAK 126' Cartridge FILM FOR INSTAMATIC CAMERAS 3-PC, LUGGAGE SETS DOL1Y AND ME MINIATURE HATBOX AND 8 HAT BOX PLUS FLAP TOP TRAIN CASE 3 95 VALUE.

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History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P.
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Related Primary Sources
Related Primary Sources Cameras represent the largest collection of technology at the Fulton County A Century of Cameras Schools Archives and Teaching Museum. The assortment spans nearly all @ the decades of the twentieth century and helps explain why so many images of schools, students, teachers, parents and employees are stored in the ar- Teaching Museum South chives and on display in exhibits. Photographs, more than any other audio/ visual medium, have documented the history of the schools and the commu- nities they serve over the past century and a half. Kodak No. 0 0 Model B, 1916 1916.13.110 The Model B represents the simplest of photograph technology. Its initial price was only $1. Invented by Frank A. Brownell, these “Brownies” were widely popular and affordable. How it works: the lens simply allows light into the box, which upon contact with the light-sensitive film, records an image. To develop prints, the camera was brought to a camera dealer, where the film would be removed and processed. Agfa Synchro Box, 1951 1951.50.3 This German-made camera used Kodak 120 film. The front has a large lens and two viewfinders. The viewfinders were connected by mirrors to corresponding lenses on the top and sides to allow for both portrait and landscape-oriented photographs. Exakta VX IIb, 35mm, 1963 1963.18.4 The Exakta was produced by a German company named Ihagee. At the time it was produced, it pro- vided the photographer with all the newest up- grades in camera technology, including inter- changeable lenses and stereo viewfinder attach- ments.
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KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.
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HOW to PHOTOGRAPH the GALLERY's 18TH-CENTURY-STYLE FIREWORKS the National Gallery of Art's Eighteenth-Century Fireworks Spectacl
SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • 737-4215 extension 224 HOW TO PHOTOGRAPH THE GALLERY'S 18TH-CENTURY-STYLE FIREWORKS The National Gallery of Art's eighteenth-century fireworks spectacle on the evening of June 1st to mark the opening of the Gallery's major Bicentennial exhibition, The Eye of Thomas Jefferson, will be a special opportunity to photograph a unique Bicentennial event. Here are some tips from the Gallery's Chief Photographer, William J. Sumits, on photographing period fireworks: "Instamatic" snapshot cameras will get good pictures. However, the use of flashbulbs should be avoided because they will light up only the foreground (actually only about the thirty feet directly in front of the. viewer), minimizing the fireworks. Just rely on the illumination from the fireworks to provide enough light necessary for a good picture. In all cases, the fastest color film should be used. About 90% of the Gallery's fireworks display will be "groxmd display's" as they were in the eighteenth century. These last longer and don't move as much as the aerial firevorks. Hand-held cameras are sufficient. (more) -2. Suggested exposures are: 1/30 of a second at f 2.8 on the following films: Kodachrome 64, Ektachrome X, Kodacolor II and Polacolor. On daylight, high speed Ektachrome, 1/30 of a second at f 4 is suggested. Of course, automatic cameras will determine their own exposure. For aerial fireworks displays, the best results are obtained with the use of a tripod or the camera resting on some other solid object.
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Jj[Odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~Ales
- ----.,. ~ \~ ... jJ[odak. PRODUCT C ATAL G APRI L 19&8 F O R WHOLESALE ~-- - - ----- --------:1 D I STRI BUTORS Use I C O NFIDENTIAL ~ales Kodak gifts say just about anything ' Happy Father's Day Okay, now let's see thos(' l:lig fish you always talk :>bout. Happy Mother's Day How about some pictures of "the girls" in your bridge dub? Get some colorful shots of the burnt toast. + I - EXTRA PHOTO SALES FOR YOU! Kodak gifts app~al to The big Spring gift Added together, all men-&~women, young season - including this means a lot of ex and not-so-young Mothers' Day, Fa tra photo business anybody who likes thers' Day, Gradua coming your way. pictures. Now that tions, Weddings, and Drugstore photo picture-taking has many Birthdays-is sales are growing fast been made simple, second only to Christ -and you can keep the gift of a KODAK mas as a major gift in creasi n g them -by INSTAMATIC Still or + giving season. And stocking and promot Movie Camera is ap furthermore, Spring is ing KODAK INSTA propriate fo r any the beginning of the MATIC Still and Movie member of the family. biggest picture-tak Cameras. ing season of the year. HAPPY GIFT SELLING! I. New Products A. KODAK INSTAMATIC 714 AND S14 CAMERAS A714 CAMERA AS14 CAMERA Sugg Sell .. $ 89.68 Sugg Sell . .. $1 04.68 list .... .... $119.50 list ... ... $139.50 The "714" and "814" are respectively the same as the "704" and "804" except for: an extra-sharp EKT AR lens; a built-in battery checker; and PX-825 batteries which substantially reduce flash failure.
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Dissertação De Doutorado
José Carlos da Silva França In situ, ex situ: O virtual como elemento-chave entre o objeto de arte e seus usuários Programa de Pós-Graduação Interunidades em Estética e História da Arte São Paulo, 2018 José Carlos da Silva França In situ, ex situ: O virtual como elemento-chave entre o objeto de arte e seus usuários Trabalho apresentado ao Programa de Pós-Graduação Interunidades em Estética e História da Arte (PGEHA) da Universidade de São Paulo como requisito para a obtenção do título de Doutor em Artes na Área de Con- centração Estética e História da Arte Universidade de São Paulo Orientador: Profa. Dra. Lisbeth Rebollo Gonçalves Programa de Pós-Graduação Interunidades em Estética e História da Arte São Paulo Julho de 2018 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo França, José Carlos da Silva F814i In situ, ex situ: O virtual como elemento-chave entre o objeto de arte e seus usuários / José Carlos da Silva França ; orientador Profa. Dra. Lisbeth Rebollo Gonçalves. - São Paulo, 2018. 387 f. Tese (Doutorado)- Programa de Pós-Graduação Interunidades em Estética e História da Arte da Universidade de São Paulo. Área de concentração: Estética e História da Arte. 1. Arte. 2. Museologia. 3. História da Arte. 4. Tecnologia. I. Gonçalves, Profa. Dra. Lisbeth Rebollo , orient. II. Título. Nome: FRANÇA, José Carlos da Silva.
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Photographica Auction Tuesday 21St July at 10:00 GMT+1
Hugo Marsh Neil Thomas Forrester Director Shuttleworth Director Director Photographica Auction Tuesday 21st July at 10:00 GMT+1 This is an non attented auction Viewing on a rota basis by appointment only Special Auction Services Plenty Close Off Hambridge Road NEWBURY RG14 5RL Telephone: 01635 580595 Email: [email protected] www.specialauctionservices.com @SpecialAuction1 Paul Mason Mike Spencer @Specialauctionservices Photographica Photographica Due to the nature of the items in this auction, buyers must satisfy themselves concerning their authenticity prior to bidding and returns will not be accepted, subject to our Terms and Conditions. Additional images are available on request. Buyer’s Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 1. A Tray of Light Meters, 11. A Tray of Adaptor Rings 22. A Tray of Zoom Lenses, manufacturers including Weston, Kopil, Teleconverters and Tubes, manufacturers manufacturers including Soligor, Tamron, Lunamatic, many other examples, 45 plus including Vivitar, Miranda, Olympus, Sigma, Chinon, other examples, AF £30-50 Tamron, Soligor and others £30-50 £40-60 2. Plate and Folding Cameras, 23. A Tray of Photographic including No. 2 Folding Brownie (2), 12. A Tray of Light Meters, including Litrature, manuals, Cine world magazines, several plate cameras, roll film back a Gossen Lunasix F, Sixtar, Sixton, Sekonik brochures and guides adaptors, film plate cartrage, all AF models, General Electric meter, other £20-30 £30-50 examples, many in original boxes, 30 plus £60-80 24.
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By Number 2020 Photo Regional Submissions
42nd Annual Photography Regional Exhibition # First Name Last Name Artwork A: Title Artwork A: Medium Artwork A: PriceArtwork B: Title Artwork B: Medium Artwork B: Price Artwork C: Title Artwork C: Medium Artwork C: Price 1 Hillary Raimo Rapture Photography $300 Clouds & Lines Photography $200 2 Brodsky fatherhood Digital photography on $150 fatherhood 2 Digital photography $150 fatherhood 3 Digital photography $150 Laura aluminum 3 Kimberly Ruggeri Destruction or Rehabilitation? Photography $249 Isolation or Contemplation? Photography $249 Disorder or Reclamation? Photography $249 4 Film photography (Kodak Digital photography on Five Tickets to Ride Day and Instamatic and Kodak Chuck Miller After the Rain aluminum $150 Night Verichrome Pan) $125 Broke Down on Maggie's Farm Digital photography $75 6 Black Liberation in the time of Robert Cooper Covid Inkjet photo $200 Predilection Inkjet photo $200 Respect to the Golden Era Inkjet photo $200 7 I'm feeling quite inclined to Christie Olson vomit Mixed media $200 Get Me Outta Here Mixed media $175 On A Blue Kick Mixed media NFS 8 The Cleansing (from the series Archival pigment print on Stephen Honicki The Book of James) German etching paper $1,200 9 Playground, Honduras Mountain Corn Husks, Honduras Mountain Connie Frisbee Houde Village Archival digital color print $200 Village Archival digital color print $200 Curiosity, La Laguna, Honduras Archival digital color print $200 10 Photograph, archival pigment Photograph, archival pigment Jill Baucom Crabapples print $700 Radishes print $700
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Readings from Asso
DOCUMENT RESUME ED 219 060 IR 010 231 AUTHOR Hitchens, Howard, Ed. TITLE Producing Slide and Tape Presentations: Readings from "Audiovisual Instruction " ---4. INSTITUTION Association for Educational Communications and Technology, Washington, D.C. REPORT NO ISBN-0-89240-035-8 PUB DATE 80 NOTE 71p. AVAILABLE FROMAssociation for Educational Communications and Technology, 1126 16th St., NW, Washington, DC 20036. EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Audiotape Recordings; *Audiovisual Aids; *Audiovisual Instruction; *Program Design; Scripts; *Slides ABSTRACT Designed to serve as a reference and source of ideas on the use of slides in combination with audiocassettes for presentation design, this book of readings from Audiovisual Instruction magazine includes three papers providing basic tips on putting together a presentation, five articles describing techniques for improving the visual images, five explaining how to make title slides, two on slide-tape programming equipment; and five providing examplas of use in operational situations. The concluding section includes a paper on how to publish a slide-tape presentation and another on rehearsing a slide presentation without a projector. (CHC) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** U.S. DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) 4. T"Odocument has been reproduced as received from the person or organization originating It Minot changes have been made to Improve reproduction quality Points of view or opinions At a ted In this docu merit do not necessarily represent official NIE position or policy. PRODUCING SLIDE AND TAPE PRESENTATIONS Readings from "Audiovisual Instructicin"4 "PERMISSION TO REPRODUCE THIS MATERIAL IN MICROFICHE ONLY HAS BEEN GRANTED BY H.
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Photographica Tuesday 24Th March 2020 at 10.00 Viewing: Monday 23Rd March 2020 10.00-16.00 Morning of Auction Otherwise by Appointment
Hugo Neil Thomas BID LIVE NOW @ Marsh Shuttleworth Forrester auctions.specialauctionservices.com (Director) (Director) (Director) Photographica Tuesday 24th March 2020 at 10.00 Viewing: Monday 23rd March 2020 10.00-16.00 Morning of Auction Otherwise by Appointment For enquiries relating to the auction, PLEASE NOTE OUR NEW ADDRESS please contact: Plenty Close Off Hambridge Road NEWBURY RG14 5RL (Sat Nav tip - behind SPX Flow RG14 5TR) Telephone: 01635 580595 Hugo Marsh Paul Mason Mike Spencer Email: [email protected] Photographica Photographica Photographica www.specialauctionservices.com Buyers Premium with SAS & SAS LIVE: 20% plus Value Added Tax making a total of 24% of the Hammer Price the-saleroom.com Premium: 25% plus Value Added Tax making a total of 30% of the Hammer Price 1. Canon Cameras and Lenses, 5. Pentax SLR Cameras, 9. A Zeiss Ikon Mess-Ikonta comprising a Canon EOS D30 DSLR comprising a Pentax K2 body, an ME 524/16 Folding Roll Film Camera, body, a Canon EOS 600 camera, a F camera with a SMC Pentax AF Zoom serial no Y 37155, Synchro-Compur Canon T50 camera, a Canon T70 35-70mm f/2.8 lens, a Super Program shutter sticking at slowest speeds, a camera, a Canon AE-1 Program body, an MZ-5 camera, an ist DS DSLR Zeiss Opton Tessar 75mm f/3.5 lens, camera, a Canonet rangefinder body, boxed and a Pentax-A Zoom 70- together with a Sanyo VM-D6P 8mm camera, an EF 75-300mm lens and an 200mm f/4 lens, boxed (a lot) £40-60 video camcorder, A/F £30-50 EF 90-300mm lens (a lot) £50-70 2.
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Estate Cameras
REBECCA L. GRAMBO Grambo Photography and Design Inc. Box 910, 113 – 7th Ave N. Warman, SK S0K 4S0 Canada 306-931-8523 [email protected] ESTATE CAMERA COLLECTION I have been entrusted with over 1,000 (yes, that’s one thousand) cameras plus projectors, flash bulbs, magic lanterns and more – before you ask, there are no Leica’s as far as I know. These items range from the sublime (a reconnaissance camera from a Lancaster bomber) to the ridiculous (a hot pink Barbie Polaroid) and getting them photographed and listed on either eBay or in my Etsy shop (http://www.etsy.com/shop/rgwriter?section_id=7253390) is going to take a while. The gentleman who assembled this collection chose pieces in good shape and gently cleaned them with compressed air and a soft cloth. Many might benefit from your detailed attention but I’ve left them as is rather than risk damaging them in any way. These lovely things are truly works of art and to feel a 70+-year-old shutter click over solidly is, to me, technically amazing. I feel extremely privileged to have the opportunity to see and handle each and every one of them. While in most cases I will not be running film through them due to the sheer volume of cameras, I will check to see that the shutter fires, parts move if they are supposed to, and things appear to be as they should. How does it works if you want to buy something? Let me know what item(s) interest you -- please include the box number with the item if you can.
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Copy of Auctionflex Catalog Model Inclusive
LOT # TITLE 1 Keystone 8mm K-8 8mm 1930-1940 2 Bell Howell Filmo Sportster 8mm 1939-1950 3 Kodak EK Medallion 8 Mag 8 Mag 1960+ 4 Kodak Brownie 8mm II Reg 8 1951-1963 5 Kodak Box EK Cine Spec II 6 Box EK Cine K-100 Turret 7 Kodak CK 16mm Mag 16mm 1936-1945 8 Kodak CK Model 8-25 8mm 1932-1947 9 Kodak CK Magazine 8 8mm 1946-1955 10 Simplex Simplex Pockette 8mm 1931- 11 Cinekon Cinekon 3 Lens Turret 8mm 1950 12 Canon G III - QL 35 1960+ 13 Canon Autofocus AF35M 35 1978 14 Graflex Graphic 35 RR 35 1955-1958 15 Bell Howell Electric Eye 127 127 1958 16 Voigtlander Vitessa 35 Vtron 50/2.0 1950 17 Bell Howell Dial 35 35 1963-1967 18 Vivitar Point & Shoot 110 110 1982 19 Kodak #2 Hawkeye Model C 120 May-30 20 Voightlander Avus 6x9 1927-1934 21 Agfa A-8 Cadet Flash 127 1940 22 Lionel Linex Stereo Camera Spec 1940's 23 ASR Foto Disc & Photo Disc Magazines 22x24 1950 24 Ansco Clipper 120 1940-1950 25 Ansco Memar 35 Apotar 1954-1958 26 Ansco Memo 35 1927 27 Ansco Ready Flash 620 1953 28 Ansco Vest Pocket D 127 1916-1923 29 Murer UF 4x4 1910 30 Kodak 1A Pocket 116 Kodex #1 1926-1931 31 Seneca RF Sensor #1 (Uno) 1910 32 Kodak Jr. Six 16 Series II 616 1937-1940 33 Kodak Six 16 Improved 616 1934-1936 34 Kodak Tourist 620 1948-1951 35 Graflex Super Graphic 4x5 4.7 Graflex Optar 1958-1973 36 Ansco No 1 Ansco Delux 120 1925-1928 37 Kodak Premo #1 3 1/4x4 ¼ 1906-1916 38 Kodak Vest Pocket AutoGraph Spec 127 1915-1926 39 Kodak No.
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