DOCSLIB.ORG

By Number 2020 Photo Regional Submissions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
By Number 2020 Photo Regional Submissions 42nd Annual Photography Regional Exhibition # First Name Last Name Artwork A: Title Artwork A: Medium Artwork A: PriceArtwork B: Title Artwork B: Medium Artwork B: Price Artwork C: Title Artwork C: Medium Artwork C: Price 1 Hillary Raimo Rapture Photography $300 Clouds & Lines Photography $200 2 Brodsky fatherhood Digital photography on $150 fatherhood 2 Digital photography $150 fatherhood 3 Digital photography $150 Laura aluminum 3 Kimberly Ruggeri Destruction or Rehabilitation? Photography $249 Isolation or Contemplation? Photography $249 Disorder or Reclamation? Photography $249 4 Film photography (Kodak Digital photography on Five Tickets to Ride Day and Instamatic and Kodak Chuck Miller After the Rain aluminum $150 Night Verichrome Pan) $125 Broke Down on Maggie's Farm Digital photography $75 6 Black Liberation in the time of Robert Cooper Covid Inkjet photo $200 Predilection Inkjet photo $200 Respect to the Golden Era Inkjet photo $200 7 I'm feeling quite inclined to Christie Olson vomit Mixed media $200 Get Me Outta Here Mixed media $175 On A Blue Kick Mixed media NFS 8 The Cleansing (from the series Archival pigment print on Stephen Honicki The Book of James) German etching paper $1,200 9 Playground, Honduras Mountain Corn Husks, Honduras Mountain Connie Frisbee Houde Village Archival digital color print $200 Village Archival digital color print $200 Curiosity, La Laguna, Honduras Archival digital color print $200 10 Photograph, archival pigment Photograph, archival pigment Jill Baucom Crabapples print $700 Radishes print $700 Blackberries Photograph, archival pigment print $700 11 Ellen Adler Flying Sepia photograph $400 Hotdogs Color photograph $300 The Birth of Venus Black and white photography $300 12 Jeanne Finley Ann Lee Pond Photograph, inkjet print $125 Autumn Tree Photograph, inkjet print $150 Pickerelweed Photograph, inkjet print $200 13 David Brickman Tar Paper Digital C print $250 No Trespassing Digital C print $250 Homestead Flag Digital C print $450 14 Jay Freud Girl with a Pearl Earring Photo archival pigment print $150 Black and White Portrait Photo archival pigment print $150 Girl in Blue Photo archival inkjet print $150 15 Robert Coppola HAUNTED HOUSE Digital chromogenic print $250 THE RAVAGES OF TIME Digital chromogenic print $250 WINDOWS CHARLESTON SC Digital chromogenic print $250 16 Railroad Avenue, Town of Lawrence Rappoport Colonie, New York Digital print $160 South Troy, New York Digital print $160 East Kingston, New York Digital Print $160 17 Gelatin silver fiber-based Gelatin silver fiber-based Gelatin silver fiber-based selenium- Jim Allen Road Kill - Deer Baby selenium-toned photograph $500 Elvis x 3 selenium-toned photograph $500 Roadside Memorial toned photograph $500 18 Sean Stewart Boreas Ponds Digital print $300 Winter Landscape Digital print $250 19 Trail Ridge Road Storm at Ronald Greenberg Sunset at Minnewaska Lake Photography on acrylic $400 Sunrise at Bear Lake in RMNP Photography on paper $150 RMNP Photography on paper $100 20 Clifford Oliver Shopping Change Digital photography $600 Peach Pit Digital photography $600 Shopping in Greenwich Digital photography $600 21 Pinhole Camera - 8x10 film - Pinhole Camera - 8x10 film - Pinhole Camera - 8x10 film - archival Dan McCormack Ann_G_01-10-20--09AC archival pigment print $750 Lenoir_R_03-22-19--07A archival pigment print $750 Grace_F_18-19--01AB pigment print $750 22 Rosie Heinegg Abuela Photography $250, unframed Girl with Almond Eyes Photography $250, unframed 23 Linda Pinkans West Hurley No. 4 Digital photography $325 Road View Digital photography $300 Lion Digital photography $250 24 Marty Bannan Omen of Rage Photography $150 Mohawk Craft Photography $120 Two Reactions Photography $120 25 Another Day in Paradise - John Sun Propinquity Mounted photograph $300 Boleyn 19 Mounted photograph $250 soirée Mounted photograph $250 26 Kelly Horn Diamonds. Bennington. Inkjet print $175 Glass. Philadelphia. Inkjet print $175 Weathered Inkjet print $175 27 David Bruce Vertical Horizon Gicleé from 35mm film $500 Drift Gicleé from 35mm film $500 28 Beachfog #5 - Girl with Tube, Ernie Hunt, Used Tire King; Mark McCarty Stone Harbor, NJ Photo - pigment print $350 Danville, NH Photo - pigment print $350 29 Photographic print on mat Photographic print on mat Krystal Einarsson Rainbow 1 board $100 Botanic Fashion 99 board $85 Botanic Fashion 45 Photographic print on mat board $125 30 Dave Higgins House of Glass Photograph $275 Spring 2020 Photograph $275 Waiting For Janis Photograph $275 31 Elena Keesee Twisted Views Photo $134 Impressionist's Forest Photo $175 Hands of Eternity Photo $170 32 Bob Buck Box Cars Photography $250 Rank and File Photography $250 Wading Tree Photography $250 33 Michael Panzarino Ogunquit At Night Photo $275 Silent Bay Photo $275 Walking Bridge Photo $275 34 Cyanotype on mixed fabrics Cyanotype on mixed fabrics (cotton, linen, rayon), cotton (cotton, linen, rayon), cotton Cyanotype on mixed fabrics (cotton, Jennifer Wilkerson False Solomon's Seal stitching $250 Wild Roses stitching $150 Allium linen, rayon), cotton stitching $250 35 Will Nixon Untitled1 Digital photo $250 Untitled2 Digital photo $250 Untitled3 Digital photo $250 36 The Lovers, or an Illusionary Jackie Zysk Closeness Archival inkjet print $300 Imaginary Composition Archival inkjet print $300 37 Chris DeMarco Asbury ! Archival pigment print $285 Asbury2 Archival pigment print $285 Asbury3 Archival pigment print $285 38 Becky Miller Breakwater Light Digital photography $250 Don't Let Go Digital photography $125 Blue Chair Digital photography $125 39 Scott Stoner Moon over Monument Valley Photography $195 Pine Bush Awakening Photography $135 Ray of Hope Photography $55 40 Cherie Miller Schwartz Visitation/Covid-19 Archival pigment print $100 Soundscape. Bowdoin. Archival pigment print $100 41 Ed Schwartz Hutchinson Island, FL 2020 Archival pigment print $100 Really? Archival pigment print NFS Set Up Archival pigment print $100 42 Jason Kates van Staveren Services #5 Archival pigment print $300 Services #8 Archival pigment print $300 Services #24 Archival pigment print $300 43 Henny de Knegt Untitled Lith toned NFS Untitled Lith toned NFS Untitled Lith toned NFS 44 Fred Neudoerffer Out There Photograph $300 Closed Photograph $300 Push Photograph $300 45 McCormick Brubaker Empty Photography $400 Midnight Blues Photography $500 46 Jesse Meenaghan Shirt 120 film $75 Meeting 120 film $150 Fog 120 film $150 47 Gary Larsen Pierless I B&W infrared photograph $195 Pierless II B&W infrared photograph $195 Pierless III B&W infrared photograph $195 48 Life During Lockdown: Darwin Life During Lockdown: Self Frank Rapant with Pretend Horse Archival inkjet $200 Life During Lockdown: Tadpoles Archival inkjet $200 Portrait with Fern Archival inkjet $200 Digital photo on watercolor 52 Richard Ruotolo Feather paper $200 Two Squirrels Safe at Home Digital photo $350 Wings Metal print of digital photo $400 Archival inkjet print from 53 Tom Santelli Dormiveglia scanned negatives $700 54 Sally Willse Morning Mist Photograph - Giclee print $240 Street Art, Cartagena, Spain Photograph - Giclee print $240 West Pierhead Light Photography - Giclee Print $195 55 Patricia Garrett Knife Photograhy $125 Fork Photography $125 Spoon Photography $125 56 Matthew Mu 40th St. Station 35mm Film $250 Cohoes Bridge 35mm Film $250 IPhone photography, metalic High Line, Madonna and Child, IPhone photography, metalic 57 Jennifer Duke ArmstrongFork, Bushwick print $175 NYC print $275 Paris, Cobblestones IPhone photography, metalic print $275 58 Adrienne Szamotula Muttley Digital $60 Tadpole Digital $60 Janet Digital $60 You Can See The Center of the Black and white print, pastels, 59 Steven Fink Universe From New Jersey pencil $1,250 60 Gail DeAngelo Help From A Friend Digital Photography $100 On The Horizon Digital Photography $100 On The Fence Digital Photography $100 61 Julie Pamkowski Couch Queen Archival inkjet print $1,400 Neko Lounge Archival inkjet print $1,400 62 Theresa Swidorski Emergence Gelatin Silverprint $450 Arrival Gelatin Silverprint $450 Exit Gelatin Silverprint $450 63 Amanda Miller Sweet Hills Photograph N/A Place I Know Photograph N/A This Is On You Photograph N/A 64 Alice Gilbert Driftwood Sunset Photograph $50 65 Ed Gilbert Sunset at Southwick Photo on Canvas N/A 66 Diahann Addison BETHANY Photography $225 SANNE Photography $200 67 Brianna Becker Mistake Photography $150 Attic Flowers Photography $150 Holding Something You Don't 68 Owen Barensfeld Robert Oppenheimer Archival inkjet print $400 Fully Understand Archival inkjet print $350 69 Susan Myers Exploding Vase Cyanotype $600 Lily Cyanotype/Giclee $250 Ophelia Cyanotype/Giclee $250 70 George Guarino Not Thinking About This Digital Photo with Words $45 Look Away Anytime But Now Digital Collage with Words $45 Time to Wonder Digital Collage with Words $45 71 Deborah Dewey Beauty in Decay Photograph $100 Nonchalance Photograph $100 Aspiration Photograph $100 72 Margo Singer Thistles Photography $110 Memphis Windows Photography $110 Barn Roses Photography $110 73 Christine Festin Its Down There 1/50 Photography (PS) $100 The Family 2/50 Photography $150 Carol's Getting Married! 2/10 Digital Photography, PS $300 74 Star Herrera Bloody Nose Digital/Print $50 Medusa's Gaze Digital/Print NFS Persephone Digital/Print $200 Domestic Affair 12: A Touch of Domestic Affair 16: Hide and 75 Katria Foster Green Ultra Chrome Print $250 unframed Seek Ultra Chrome Print $250 unframed 76 Alexandra Tamburro Home Photography $150 Rebuild Photography $150 Cloud Resting Upon Dark Laser Print on Crystal Archive Laser Print on Crystal Archive 77 Nelson Toth Woods Paper $400 Weathered Wood Paper $400 Green Door Laser Print on Crystal Archive Paper $400 78 Maryam Vala Life Digital Camera $800 Soul Digital Camera $400 People Digital Camera $400 79 Ronda Anderson Closing Time at the Fair Color infrared - Archival Print $250 Dreaming Infrared - Archival Print $195 Reaching Color infrared Achival Print $195 We met down by the river and I told you to be safe. I would found a secluded spot. Let me love to talk to you. I was riding 80 Ryan Chase Clow I think about you every day. Archival Inkjet Print $200 know if your still around.
Load more

Recommended publications
  • The Pennsylvania State University Schreyer Honors College
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ART HISTORY WOLFGANG TILLMANS: WORLD-MAKING YIZHOU ZHANG SPRING 2020 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Art History with honors in Art History Reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Thesis Supervisor Sarah K. Rich Associate Professor of Art History Honors Adviser Nancy E. Locke Associate Professor of Art History Faculty Reader * Electronic approvals are on file. i ABSTRACT This thesis looks into the body of art works created by Wolfgang Tillmans from the early 1980s to the present, with a focus on the transforming quality of the photographic medium. The essay first investigates the early clashing of mediums in the artist’s work: the photo printer, digital camera, and film in the photograph surface. Then, the essay delves into a longer history of abstract photography that relates to modernist notions of medium specificity. The third chapter deals with the issue of body in a double fold: the body of the art work, and the body of the artist. The fourth chapter introduces a systematic view on Tillmans’ thirty-years-long oeuvre, connecting the motif of astronomy with a distinct world view hidden behind Tillmans photographs. ii TABLE OF CONTENTS Acknowledgements....................................................................................................................... iii List of Figures..............................................................................................................................
    [Show full text]
  • Colors of the Rainbow 105
    ©2011 by Connie Bergstein Dow. Published by Redleaf Press, www.redleafpress.org. Unauthorized reproduction or distribution of these pages is strictly prohibited. Colors of the Rainbow 105 This activity is an extended movement study based on the theme of color. It will take about an hour to an hour and a half, including the time it takes to help the children make ribbon bangles. If you expand it into a presentation, plan to add about an extra half hour to hang the large sheet of paper on which you write the children’s suggestions in the opening section of the lesson, hang the paper plate rainbows, place the bangle props, get your music set up, and have the children in their spots ready to begin the dance. What You Need ` a large space ` “Catsup” instrumental (disc 1, track 17), “Goldie Rock” instrumental (disc 2, track 23), “Care of the Earth” instrumental (disc 1, track 16), and “Shine & Brighten” instrumental (disc 2, track 37) ` a large roll of paper; red, yellow, and blue markers; the book Color Dance by Ann Jonas; pipe cleaners and precut ten-inch strips of ribbon in many different colors; crayons of many colors; paper plates What You Do Begin with the children seated in a circle. These places will be their home spots as you introduce each new color. Say to the children: Today we are going to dance about all the colors! What is your favor- ite color? Why is it your favorite color? How does thinking about that color make you feel? First let’s talk about red.
    [Show full text]
  • History of KODAK Cameras
    CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P.
    [Show full text]
  • How the Rainbow Was Made
    How the Rainbow Was Made A Creation Tale from the Ojibwe Nation retold by S. E. Schlosser One day when the earth was new, Nanabozho looked out the window of his house beside the wide waterfall and realized that all of the flowers in his meadow were exactly the same off­white color. How boring! He decided to make a change, so he gathered up his paints and his paintbrushes and went out to the meadow. Nanabozho sat down in the tall grass and arranged his red and orange and yellow and green and blue and violet paint pots next to him. Then he began to paint the flowers in his meadow in many different colors. He painted the violets dark blue and the tiger lilies orange with brown dots. He made the roses red and pink and purple. He painted the pansies in every color combination he could think of. Then he painted every single daffodil bright yellow. Nanabozho hummed happily to himself as he worked in the brilliant daylight provided by Brother Sun. Overhead, two little bluebirds were playing games with each other. The first little bluebird would chase his friend across the meadow one way. Then they would turn around and the second bluebird would chase him back the other way. Zippity­zip went the first bluebird as he raced across the sky. Zappity­zing went the second bluebird as he chased him in the brilliant sunshine. Occasionally, Nanabozho would shade his eyes and look up…up into the endless blue sky to watch the two little birds playing.
    [Show full text]
  • Esoteric Theories of Color
    chapter 18 Esoteric Theories of Color Joscelyn Godwin As with Divine truths so also with colours, we see them as they appear to be, not as they really are. j. stuart bogg1 Although color, like music, is both a science and an art, color theory has al- ways been at a disadvantage vis-à-vis the companion discipline of Harmonics. The latter rests on empirical and mathematical principles, exemplified by the legendary experiments of Pythagoras, which have given rise to the rich vein of musica speculativa that runs parallel to the Western esoteric tradition. Color, lacking harmony’s mathematical anchor and its link to perception (e.g., that the purest perceived interval, the octave, derives from the simplest proportion of 1:2; the perfect fifth from 2:3, and so on), is a fluctuating field, even in its major landmarks such as the primary colors. Its definitions rely not on number but on words, whose translation of the eye’s experience is at best imprecise and at worst contradictory. A second problem is the abstraction of colors from the things colored. To separate them and develop an independent color vocabulary did not come naturally to the ancients, though scholars resist the idea that they didn’t see colors as we do.2 Homer’s “wine-dark sea” and the multiple hues represented by purpureus (the murex dye) are well-known instances of the problem. When Pliny, a walking dictionary and generally so finicky in his categories, comes to write of the color of the eyes, the only one he names is caesius, a word used only of eyes and presumed to mean blue, or gray.3 The classical world, so ad- vanced in harmonics, has little to offer here.
    [Show full text]
  • WHITE LIGHT and COLORED LIGHT Grades K–5
    WHITE LIGHT AND COLORED LIGHT grades K–5 Objective This activity offers two simple ways to demonstrate that white light is made of different colors of light mixed together. The first uses special glasses to reveal the colors that make up white light. The second involves spinning a colorful top to blend different colors into white. Together, these activities can be thought of as taking white light apart and putting it back together again. Introduction The Sun, the stars, and a light bulb are all sources of “white” light. But what is white light? What we see as white light is actually a combination of all visible colors of light mixed together. Astronomers spread starlight into a rainbow or spectrum to study the specific colors of light it contains. The colors hidden in white starlight can reveal what the star is made of and how hot it is. The tool astronomers use to spread light into a spectrum is called a spectroscope. But many things, such as glass prisms and water droplets, can also separate white light into a rainbow of colors. After it rains, there are often lots of water droplets in the air. White sunlight passing through these droplets is spread apart into its component colors, creating a rainbow. In this activity, you will view the rainbow of colors contained in white light by using a pair of “Rainbow Glasses” that separate white light into a spectrum. ! SAFETY NOTE These glasses do NOT protect your eyes from the Sun. NEVER LOOK AT THE SUN! Background Reading for Educators Light: Its Secrets Revealed, available at http://www.amnh.org/education/resources/rfl/pdf/du_x01_light.pdf Developed with the generous support of The Charles Hayden Foundation WHITE LIGHT AND COLORED LIGHT Materials Rainbow Glasses Possible white light sources: (paper glasses containing a Incandescent light bulb diffraction grating).
    [Show full text]
  • Silver Eye 2018 Auction Catalog
    Silver Eye Benefit Auction Guide 18A Contents Welcome 3 Committees & Sponsors 4 Acknowledgments 5 A Note About the Lab 6 Lot Notations 7 Conditions of Sale 8 Auction Lots 10 Glossary 93 Auction Calendar 94 B Cover image: Gregory Halpern, Untitled 1 Welcome Silver Eye 5.19.18 11–2pm Benefit Auction 4808 Penn Ave Pittsburgh, PA AUCTIONEER Welcome to Silver Eye Center for Photography’s 2018 Alison Brand Oehler biennial Auction, one of our largest and most important Director of Concept Art fundraisers. Proceeds from the Auction support Gallery, Pittsburgh exhibitions and artists, and keep our gallery and program admission free. When you place a bid at the Auction, TICKETS: $75 you are helping to create a future for Silver Eye that Admission can be keeps compelling, thoughtful, beautiful, and challenging purchased online: art in our community. silvereye.org/auction2018 The photographs in this catalog represent the most talented, ABSENTEE BIDS generous, and creative artists working in photography today. Available on our website: They have been gathered together over a period of years silvereye.org/auction2018 and represent one of the most exciting exhibitions held on the premises of Silver Eye. As an organization, we are dedicated to the understanding, appreciation, education, and promotion of photography as art. No exhibition allows us to share the breadth and depth of our program as well as the Auction Preview Exhibition. We are profoundly grateful to those who believe in us and support what we bring to the field of photography. Silver Eye is generously supported by the Allegheny Regional Asset District, Pennsylvania Council on the Arts, The Heinz Endowments, The Pittsburgh Foundation, The Fine Foundation, The Jack Buncher Foundation, The Joy of Giving Something Foundation, The Hillman Foundation, an anonymous donor, other foundations, and our members.
    [Show full text]
  • Atmospheric Optics Learning Module
    Atmospheric Optics Learning Module Everything we see is the reflection of light and without light, everything would be dark. In this learning module, we will discuss the various wavelengths of light and how it is transmitted through Earth’s atmosphere to explain fascinating optical phenomena including why the sky is blue and how rainbows form! To get started, watch this video describing energy in the form of waves. A sundog and halo display in Greenland. Electromagnetic Spectrum (0 – 6:30) Source Electromagnetic Spectrum Electromagnetic (EM) radiation is light. Light you might see in a rainbow, or better yet, a double rainbow such as the one seen in Figure 1. But it is also radio waves, x-rays, and gamma rays. It is incredibly important because there are only two ways we can move energy from place to place. The first is using what is called a particle, or an object moving from place to place. The second way to move energy is through a wave. The interesting thing about EM radiation is that it is both a particle and a wave 1. Figure 1. Double rainbow Source 1 Created by Tyra Brown, Nicole Riemer, Eric Snodgrass and Anna Ortiz at the University of Illinois at Urbana- This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Champaign. 2015-2016. Supported by the National Science Foundation CAREER Grant #1254428. There are many frequencies of EM radiation that we cannot see. So if we change the frequency, we might have radio waves, which we cannot see, but they are all around us! The same goes for x-rays you might get if you break a bone.
    [Show full text]
  • Related Primary Sources
    Related Primary Sources Cameras represent the largest collection of technology at the Fulton County A Century of Cameras Schools Archives and Teaching Museum. The assortment spans nearly all @ the decades of the twentieth century and helps explain why so many images of schools, students, teachers, parents and employees are stored in the ar- Teaching Museum South chives and on display in exhibits. Photographs, more than any other audio/ visual medium, have documented the history of the schools and the commu- nities they serve over the past century and a half. Kodak No. 0 0 Model B, 1916 1916.13.110 The Model B represents the simplest of photograph technology. Its initial price was only $1. Invented by Frank A. Brownell, these “Brownies” were widely popular and affordable. How it works: the lens simply allows light into the box, which upon contact with the light-sensitive film, records an image. To develop prints, the camera was brought to a camera dealer, where the film would be removed and processed. Agfa Synchro Box, 1951 1951.50.3 This German-made camera used Kodak 120 film. The front has a large lens and two viewfinders. The viewfinders were connected by mirrors to corresponding lenses on the top and sides to allow for both portrait and landscape-oriented photographs. Exakta VX IIb, 35mm, 1963 1963.18.4 The Exakta was produced by a German company named Ihagee. At the time it was produced, it pro- vided the photographer with all the newest up- grades in camera technology, including inter- changeable lenses and stereo viewfinder attach- ments.
    [Show full text]
  • Mindful Photographer
    Operating Manual for the Mindful Photographer Ed Heckerman Copyright © 2017 Cerritos College and Ed Heckerman 11110 Alondra Blvd., Norwalk, CA 90650 Second Edition, 2018 This interactive PDF was made in partial fulfillment for a sabbatical during the academic year 2016 - 2017. No part of the text of this book may be reporduced without permission from Cerritos College. All photographs were taken by Ed Heckerman and produced independently from sabbat- ical contract. Ed Heckerman maintains the copyright for all the photographs and edition changes. No images may be copied from this manual for any use without his consent. Contents Part 1 — Insights and Aspirations 1 contents page Introduction 1 What is Photography? 2 What is a Photograph? Motivations — Why Make Photographs? Photography and Mindfulness 6 Thoughts On Tradition ��������������������������������������������������������������������������12 Part 2 — Navigating Choices ������������������������������������������������������������� 14 Cameras Loading Your Camera Unloading Your Camera Manual Focus Autofocus Sensitivity and Resolution — ISO Controlling Exposure — Setting the Aperture and Shutter Speed Shutter Speed Coordinating Apertures and Shutter Speeds Exposure Metering Systems ��������������������������������������������������������������� 25 Full-frame Average Metering Center Weighted Metering Spot Metering Multi-Zone Metering Incident Metering
    [Show full text]
  • Educator Guide: Tom Schiff: Surrounded By
    EDUCATOR GUIDE Tom Schiff: Surrounded by Art Panoramic Views of America’s Landmark Museums November 22 – March 01, 2020 1 | P a g e Welcome! Dear Educators, We are delighted to have you join us at the Contemporary Arts Center (CAC) for Tom Schiff’s first solo exhibition, Surrounded by Art Panoramic Views of America’s Landmark Museums . The exhibition is on view from November 22, 2019 – March 1, 2020. For years, Schiff has traveled the country taking dynamic exterior and interior photographs of different arts institutions, and, as a result, created a visual catalogue of museums. Through artistic license and deliberate framing, Schiff turns the architecture of landmark American museums into a medium. We are encouraged to define panorama, symmetry, asymmetry, abstraction, cirkut, and composition as we explore the way Schiff utilizes his photographic panorama technique. We invite you to explore, create, immerse yourselves, and discover what stories, connections and lessons can be found within this exhibition. Enjoy your visit! 2 | P a g e CONTENTS 4 – 5 Introduction to Tom Schiff: Surrounded by Art - About the artist - About the work - Quotes - About the exhibition 5 - 6 Vocabulary and Themes 7 – 8 Pre-visit Discussions - About the CAC - About the building - Rules and Guidelines 8 - 9 Accessibility Information 9 Artwork Discussions 9 – 10 Lesson Plan Ideas 11 – 17 Artwork and information 18 Resources and Learning standards 3 | P a g e ABOUT THE ARTIST Tom Schiff 1. Cincinnati-based photographer 2. Earned a BBA degree (Bachelors in Business Administration) from Ohio University in 1970, during which time he studied photography under Clarence White, Jr.
    [Show full text]
  • "POX PAL WAGON KODAK COASTER MODEL NO M Firl ENGINE RED Enamtl MOVIE OUTFIT FINISH RUBBER TIRES
    PRESS-HERALD WEDNESDAY, NOV. 13, 1968 THESE PRICES EFFECTIVE THURSDAY thru SUNDtJf BONUS PHOTOS WHtN YOU BRING US YOUR SQUARL PICTURE ALL ITEMS LIMITED TO KODACOLOR FILM STOCK ON HAND YOU GET AN EXTRA STYLE WALLET SIZE PHOTO ALONG WITH EACH REGULAR SIZE ALBUM HAIR SPRAY PHOTO WITH ALL 13 OUNCE CAI^-«79c VALUE EACH KODAK INSTAMATIC 126 FILM (12 OR 20 EXPOSURES! OR 12 00 AND 620 KODACOLOP FILM INSTAMATIC 124' CAMERA OUTFIT PLUS KODACOLOR X FILM FOR 12 COLOR SNAPS, FLASHCUBES. BATTERIES. WRIST STRAP AND INSTRUCTIONS! ULTRA BRITE nd ACCESSORIES KODAK KOTEX Instamatic314 NAPKINS COLOR OUTFIT PKG. OF 12 *49c VALUE EACH LOST IN SPACE ROBOT M V ,'fO ROBOT Tt'M VOVES AROUND YilTH L'GMts FLASHING. HIS ARMS MOVL t POINT. 9.95 VALUE , FUSHCUBES or PLASTIC FLASHBULBS FOOD STORAGE JUNGLEBOOK TELEPHONE SYLVAN IA Mil M AC18 WALT OISNIV S 12 HASH TALKING TELEPHONE THEY PACKS CONTAINERS 1ALK TO YOU. JUST TURN IHE VAlUtS DIAL. 895 VAIUE ... ...... TO ? n .... I t» "POX PAL WAGON KODAK COASTER MODEL NO M FIRl ENGINE RED ENAMtl MOVIE OUTFIT FINISH RUBBER TIRES. 6 95 VALUE INSTAMATIC M MM. JOHNNY TOYMAKER MA'S'', All K'NDS 01 TlNG TOYS. CARS. TRUCKS AM ulHfRS S(T INCLUDES EVEHYIHINC YOU NEED. POLY BOWLS 12 95 VALUE LOVIN1 LEAVES. 120 OZ. 1.39 VAl BONGO BASKET KER-PLUNK GAME II QT, POlYrFMYUNf. 169 VAL. CAT TRAYMATES DEKA. PIASTIC. 13'i"illH"i2»»" FOOD 1 39 VALUE SKITILE-BOWl TIN PiS ACTION GAME SCORF.S UK( BOWLING FUN Fufl IHE WHOLE FAMILY 12 9i VALUE IHE GAME THAT MAXES YOU Kodacolor '126' THINK WHILE HAVING FUN.
    [Show full text]