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Simone De Beauvoir's Photographic Journey Inspired by Her Diary, America Day by Day
Inspiration / Photography Simone de Beauvoir's photographic journey inspired by her diary, America Day by Day Written by Katy Cowan 22.01.2019 Esher Bubley, Coast to Coast, SONJ, 1947. @ Estate Esther Bubley / Courtesy Howard Greenberg Gallery / Sous Les Etoiles Gallery This month, Sous Les Etoiles Gallery in New York presents, 1947, Simone de Beauvoir in America, a photographic journey inspired by her diary, America Day by Day published in France in 1948. Curated by Corinne Tapia, director of the Gallery, the show aims to illustrate the depiction of De Beauvoir’s encounter with America at the time. In January of 1947, the French writer and intellectual, Simone de Beauvoir landed in New York’s La Guardia Airport, beginning a four-month journey across America. She travelled from East to the West coast by trains, cars and even Greyhound buses. She has recounted her travels in her personal diary and recorded every experience with minute detail. She stayed 116 days, travelling through 19 states and 56 cities. “The Second Sex”, published in 1949, became a reference in the feminist movement but has certainly masked the talent of diarist Simone de Beauvoir. The careful observer, endowed with a chiselled and precise writing style, travelling was central guidance of the existential experience for her, a woman with infinite curiosity, a thirst for experiencing and discovering everything. In 1929, she made her first trips to Spain, Italy and England with her lifelong partner, the French philosopher Jean-Paul Sartre. In 1947, she made, this time alone, her first trip to the United States, a trip that would have changed her life: "Usually, travelling is an attempt to annex a new object to my universe; this in itself is an undertaking: but today it’s different. -
The Pennsylvania State University Schreyer Honors College
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ART HISTORY WOLFGANG TILLMANS: WORLD-MAKING YIZHOU ZHANG SPRING 2020 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Art History with honors in Art History Reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Thesis Supervisor Sarah K. Rich Associate Professor of Art History Honors Adviser Nancy E. Locke Associate Professor of Art History Faculty Reader * Electronic approvals are on file. i ABSTRACT This thesis looks into the body of art works created by Wolfgang Tillmans from the early 1980s to the present, with a focus on the transforming quality of the photographic medium. The essay first investigates the early clashing of mediums in the artist’s work: the photo printer, digital camera, and film in the photograph surface. Then, the essay delves into a longer history of abstract photography that relates to modernist notions of medium specificity. The third chapter deals with the issue of body in a double fold: the body of the art work, and the body of the artist. The fourth chapter introduces a systematic view on Tillmans’ thirty-years-long oeuvre, connecting the motif of astronomy with a distinct world view hidden behind Tillmans photographs. ii TABLE OF CONTENTS Acknowledgements....................................................................................................................... iii List of Figures.............................................................................................................................. -
Oral History Interview with Roy Emerson Stryker, 1963-1965
Oral history interview with Roy Emerson Stryker, 1963-1965 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Roy Stryker on October 17, 1963. The interview took place in Montrose, Colorado, and was conducted by Richard Doud for the Archives of American Art, Smithsonian Institution. Interview Side 1 RICHARD DOUD: Mr. Stryker, we were discussing Tugwell and the organization of the FSA Photography Project. Would you care to go into a little detail on what Tugwell had in mind with this thing? ROY STRYKER: First, I think I'll have to raise a certain question about your emphasis on the word "Photography Project." During the course of the morning I gave you a copy of my job description. It might be interesting to refer back to it before we get through. RICHARD DOUD: Very well. ROY STRYKER: I was Chief of the Historical Section, in the Division of Information. My job was to collect documents and materials that might have some bearing, later, on the history of the Farm Security Administration. I don't want to say that photography wasn't conceived and thought of by Mr. Tugwell, because my backround -- as we'll have reason to talk about later -- and my work at Columbia was very heavily involved in the visual. -
Stantec, Inc. (STN) Investor Day
Corrected Transcript 12-Jun-2019 Stantec, Inc. (STN) Investor Day Total Pages: 62 1-877-FACTSET www.callstreet.com Copyright © 2001-2019 FactSet CallStreet, LLC Stantec, Inc. (STN) Corrected Transcript Investor Day 12-Jun-2019 CORPORATE PARTICIPANTS Alison Tucker Kirk Morrison Vice President-Sector Marketing & Client Development, Stantec, Inc. Executive Vice President, Energy & Resources, Stantec, Inc. Scott Argent Leonard Castro Vice President, Regional Leader, Canada (Edmonton Capital), Stantec, Executive Vice President, Buildings, Stantec, Inc. Inc. Stuart Lerner Gordon Allan Johnston Executive Vice President, Infrastructure, Stantec, Inc. President, Chief Executive Officer & Director, Stantec, Inc. Marshall Davert Theresa B. Y. Jang Executive Vice President-Water, Stantec, Inc. Chief Financial Officer & Executive Vice President, Stantec, Inc. Catherine Margaret Schefer Robert H. Seager Executive Vice President & Regional Operating Unit Leader, Stantec, Executive Vice President, Environmental Services, Stantec, Inc. Inc. ...................................................................................................................................................................................................................................................... OTHER PARTICIPANTS Chris Murray Mark Neville Analyst, AltaCorp Capital, Inc. Analyst, Scotiabank Michael Tupholme Derek Spronck Analyst, TD Securities, Inc. Analyst, RBC Capital Markets Derrick Richard Gut Benoit Poirier Analyst, Jarislowsky, Fraser Ltd. Analyst, Desjardins -
Preview Issue, the American Historian
PREVIEW ISSUE: APRIL 2014 The American Historian ORGANIZATION OF AMERICAN HISTORIANS The ACT of HISTORY The Promise and Pitfalls of Historic Portrayals ALSO INSIDE Finding Time for Social Media p. 8 The Vexing Challenges of Contingent Historians p. 10 Writing History with Emotion p. 12 Reviews p. 28 Career and family... We’ve got you covered. Organization of American Historians’ member insurance plans and services have been carefully chosen for their valuable benefits at competitive group rates from a variety of reputable, highly-rated carriers. Professional Home & Auto • Professional Liability • GEICO Automobile Insurance • Private Practice Professional Liability • Homeowners Insurance • Student Educator Professional Liability • Pet Health Insurance Health Life • TIE Health Insurance Exchange • New York Life Group Term • New York Life Group Accidental Death Life Insurance† & Dismemberment Insurance† • New York Life 10 Year Level • Cancer Insurance Plan Group Term Life Insurance† • Medicare Supplement Insurance • Educators Dental Plan † Underwritten by New York Life Insurance Company, New York, NY 10010 Policy Form GMR. Please note: Not all plans are available in all states. Trust for Insuring Educators Administered by Forrest T. Jones & Company (800) 821-7303 • www.ftj.com/OAH Personalized Long Term Care Insurance Evaluation Featuring top insurance companies and special discounts. This advertisement is for informational purposes only and is not meant to define, alter, limit or expand any policy in any way. For a descriptive brochure that summarizes features, costs, eligibility, renewability, limitations and exclusions, call Forrest T. Jones & Company. Arkansas producer license #71740, California producer license #0592939. 2 The American Historian | April 2014 #6608 0314 6608 OAH All Coverage Ad.indd 1 2/26/14 3:46 PM Career and family.. -
Documenting the Dissin's Guest House: Esther Bubley's Exploration of Jewish-American Identity, 1942-43
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2013-06-03 Documenting the Dissin's Guest House: Esther Bubley's Exploration of Jewish-American Identity, 1942-43 Vriean Diether Taggart Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Art Practice Commons BYU ScholarsArchive Citation Taggart, Vriean Diether, "Documenting the Dissin's Guest House: Esther Bubley's Exploration of Jewish- American Identity, 1942-43" (2013). Theses and Dissertations. 3599. https://scholarsarchive.byu.edu/etd/3599 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Documenting the Dissin’s Guest House: Esther Bubley’s Exploration of Jewish- American Identity, 1942-43 Vriean 'Breezy' Diether Taggart A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts James Russel Swensen, Chair Marian E. Wardle Heather Jensen Department of Visual Arts Brigham Young University May 2013 Copyright © 2013 Vriean 'Breezy' Diether Taggart All rights reserved ABSTRACT Documenting the Dissin’s Guest House: Esther Bubley’s Exploration of Jewish- American Identity, 1942-43 Vriean 'Breezy' Diether Taggart Department of Visual Arts Master of Arts This thesis considers Esther Bubley’s photographic documentation of a boarding house for Jewish workingmen and women during World War II. An examination of Bubley’s photographs reveals the complexities surrounding Jewish-American identity, which included aspects of social inclusion and exclusion, a rejection of past traditions and acceptance of contemporary transitions. -
A Photography of Belonging
Dominican Scholar Collected Faculty and Staff Scholarship Faculty and Staff Scholarship 2014 Gelang: A Photography of Belonging Chase Clow Department of Humanities and Cultural Studies, Dominican University of California, [email protected] Survey: Let us know how this paper benefits you. Recommended Citation Clow, Chase, "Gelang: A Photography of Belonging" (2014). Collected Faculty and Staff Scholarship. 125. https://scholar.dominican.edu/all-faculty/125 This Dissertation is brought to you for free and open access by the Faculty and Staff Scholarship at Dominican Scholar. It has been accepted for inclusion in Collected Faculty and Staff Scholarship by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. GELANG: A PHOTOGRAPHY OF BELONGING by Chase M. Clow A Dissertation Submitted to the Faculty of California Institute of Integral Studies in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Transformative Studies California Institute of Integral Studies San Francisco, CA 2014 UMI Number: 3680156 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3680156 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. -
Mark Neville (B
Cristea Roberts Gallery Artist Biography 43 Pall Mall, London SW1Y 5JG +44 (0)20 7439 1866 [email protected] www.cristearoberts.com Mark Neville (b. 1966) Mark Neville works at the intersection of art and documentary. Brugge Centraal, Arentshuis, Belgium His socially driven practice includes, film, photography and 2009 Running Time: Artists Film in Scotland, Dean Gallery, targeted book dissemination. He often refers to his work as Edinburgh, UK collaborative and he consistently looks to subvert the traditional 2008 Fancy Pictures, Mount Stuart, Isle of Bute, UK role of social documentary practice, seeking to find new ways Parrworld (touring exhibition), Haus Der Kunst, Munich, to empower the position of its subject over that of the author. In Germany 2011 Neville was commissioned as an official war artist by the Intermezzo, Kunstmuseum, Bern, Switzerland Imperial War Museum, and spent time with the 16 Air Assault 2006 Port Glasgow Book Project (travelling exhibition), Brigade in Helmand Province. The photos and films from this Holden Gallery, Manchester, UK project were shown at the Imperial War Museum in 2014. Neville Animal Architecture, Hunterian Museum, Glasgow, has also been commissioned by the New York Times Magazine UK to document the stark differences in London society and The Jump Films Installation, Street Level Gallery, subcultures. This broadened into a project that looked at income Glasgow, UK inequality throughout the UK and US. The Moth and the Lamp, Kuntshalle, Bern, Switzerland Local Stories, Modern Art Oxford, -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
On This Date Daily Trivia Happy Birthday! Quote Of
THE SUNDAY, AUGUST 1, 2021 On This Date 1834 – The Emancipation Act was Quote of the Day enacted throughout the British “Study as if you were going to Dominions. Most enslaved people were live forever; live as if you re-designated as “apprentices,” and were going to die tomorrow.” their enslavement was ended in stages over the following six years. ~ Maria Mitchell 1941 – The first Jeep, the army’s little truck that could do anything, was produced. The American Bantam Happy Birthday! Car Company developed the working Maria Mitchell (1818–1889) was the prototype in just 49 days. General first professional female astronomer Dwight D. Eisenhower said that the in the United States. Born in Allies could not have won World Nantucket, Massachusetts, Mitchell War II without it. Because Bantam pursued her interest in astronomy couldn’t meet the army’s production with encouragement from her demands, other companies, including parents and the use of her father’s Ford, also started producing Jeeps. telescope. In October 1847, Mitchell discovered a comet, a feat that brought her international acclaim. The comet became known as “Miss Mitchell’s Comet.” The next year, the pioneering stargazer became the first woman admitted to the Daily Trivia American Academy of Arts and Sciences. The Jeep was probably named after Mitchell went on to Eugene the Jeep, a Popeye comic become a professor strip character known for its of astronomy at magical abilities. Vassar College. ©ActivityConnection.com – The Daily Chronicles (CAN) UNDAY UGUST S , A 1, 2021 Today is Mahjong Day. While some folks think that this Chinese matching game was invented by Confucius, most historians believe that it was not created until the late 19th century, when a popular card game was converted to tiles. -
LHS Numismatics
Vol. 22, No. 10 Inside The Celatorv ... October 2008 Consecutive Issue No. 256 Incorporating Romall Coins and CU/lUre FEATURES PublisherlEdilor Kerry K. WeUerstrnm [email protected] 6 Dionysos Unmasked on Neapoliton Nomoi Associate Editors by Joseph Wihnyk Robert L. Black Michael R. Mehalick 20 Observations on the Madonna Denars of Page 6 Matthias Corvinus of Hungary-Part II For Back Issues From by Steven H. Kaplan 1.987 to May 1999 contact: Wayne Sayles 32 The Julius Caesar 'Elephant' Denarius: [email protected] What is the Symbolism? by James A. Hauck An: Parnell Nelson DEPARTMENTS Maps & Graphic An: Page 20 Kenny Grady 2 Guest Editorial by Ed Snible p.o. Box 10607 Coming Next Month Lancaster, PA 17605 TeUFax: 717-656-8557 4 Letters to the Editor For FedEx & UPS deliveries: Kerry K. Wetterstrom 36 People in the News 87 Apricot Ave tlroHtes in i2l11l1islIIlltirs Leola, PA 17540-1788 www.celator.com 37 Art and the Market Th6 C6/ator (lSSN 111048·0986) is an independent journal pub 40 Coming Events Page 32 lished on the !irst day of each month at 87 Apricot Ave, Leola. 42 e.-. &~ & ()~ PA 17540·1788. II is circulated in About the cover: A ternationally through subscrip by Mark Lehman tions and special distributions. marble circular relief Subscription rates, payable in 45 ANTIQ1JITI ES by David Liebert depicting Dionysos,ca. u.S. funds, are $36 per year (Pe 1"' century AD, photo riodical rate) within the United by States: $45 to Canada: $75 per 46 <!Co ins of t~c ~!'&ible David Hendin courtesy of the Metro year to all other addresses (ISAL). -
Beets Documentation Release 1.5.1
beets Documentation Release 1.5.1 Adrian Sampson Oct 01, 2021 Contents 1 Contents 3 1.1 Guides..................................................3 1.2 Reference................................................. 14 1.3 Plugins.................................................. 44 1.4 FAQ.................................................... 120 1.5 Contributing............................................... 125 1.6 For Developers.............................................. 130 1.7 Changelog................................................ 145 Index 213 i ii beets Documentation, Release 1.5.1 Welcome to the documentation for beets, the media library management system for obsessive music geeks. If you’re new to beets, begin with the Getting Started guide. That guide walks you through installing beets, setting it up how you like it, and starting to build your music library. Then you can get a more detailed look at beets’ features in the Command-Line Interface and Configuration references. You might also be interested in exploring the plugins. If you still need help, your can drop by the #beets IRC channel on Libera.Chat, drop by the discussion board, send email to the mailing list, or file a bug in the issue tracker. Please let us know where you think this documentation can be improved. Contents 1 beets Documentation, Release 1.5.1 2 Contents CHAPTER 1 Contents 1.1 Guides This section contains a couple of walkthroughs that will help you get familiar with beets. If you’re new to beets, you’ll want to begin with the Getting Started guide. 1.1.1 Getting Started Welcome to beets! This guide will help you begin using it to make your music collection better. Installing You will need Python. Beets works on Python 3.6 or later. • macOS 11 (Big Sur) includes Python 3.8 out of the box.