WHITE LIGHT and COLORED LIGHT Grades K–5
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 LIGHT PHYSICS Light and Lighting Francesco Anselmo Light Intro Light Animates and Reveals Architecture
1 LIGHT PHYSICS Light and Lighting Francesco Anselmo Light intro Light animates and reveals architecture. Architecture cannot fully exist without light, since without light there would be nothing to see. Yet in architectural design light is usually either expected from nature or developed as an add-on attachment very late in the design process. The course explores the symbiotic relationship between architecture and light. As much as light can reveal architecture, architecture can animate light, making it bounce, scatter, refract, altering its spectrum and colour perception, absorbing it or reflecting it, modulating its path and strength in both space and time. It aims at developing a sensibility and intuition to the qualities of light, whilst giving the physical and computational tools to explore and validate design ideas. 4 7 1 2 5 3 6 1 LIGHT PHYSICS 4 LIGHT ELECTRIC 7 LIGHT CONNECTED 2 LIGHT BIOLOGY 5 LIGHT ARCHITECTURE 3 LIGHT NATURAL 6 LIGHT VIRTUAL Reading list Books Free online resources Bachelard, Gaston. The poetics of space, Beacon Press 1992 • http://hyperphysics.phy-astr.gsu.edu/hbase/ligcon.html Banham, Reyner. The architecture of the well-tempered Environment, Chicago University Press 1984 • http://thedaylightsite.com/ Bazerman, Charles. The languages of Edison’s light, MIT Press 2002 Berger, John. Ways of seeing, Pearson Education, Limited, 2002 • http://issuu.com/lightonline/docs/handbook-of-lighting-design Berger, John. About looking, Bloomsbury Publishing 2009 • http://www.radiance-online.org/ Bluhm, Andreas. Light! The industrial age 1750-1900, Carnegie Museum of Art 2000 Boyce, Peter R. Human Factors in Lighting, Taylor & Francis 2003 Calvino, Italo. -
Diffraction Grating Experiments Warning: Never Point Any Laser Into Your Own Or Other People’S Eyes
Diffraction grating experiments Warning: Never point any laser into your own or other people’s eyes. Materials and tools Diffraction glasses (diffraction grating 1000 lines/mm) Flashlight Laser pointers (red, green, blue) Other light sources (light bulbs, arc lamps, etc.) Rulers White paper for screen Binder clips Graphing paper or computer graphing tools Scientific calculator In these experiments you will use diffraction glasses to perform measurements of light diffraction. Diffraction is a phenomenon that is due to the wave-like nature of light. Predict 1. What do you think will happen when you shine white light through a prism and why? Draw a picture to show your predictions. When white light goes through a diffraction grating (diffraction glasses), different colors are bent a different angles, similar to how they are bent be a prism. 2. (a) What do you think will happen when you shine red laser light through the diffraction glasses? (b) What do you think will happen when you shine blue laser light through the diffraction glasses? (c) Draw a picture to show your predictions. Experiment setup 1. For a projection screen, use a white wall, or use binder clips to make a white screen out of paper. 2. Use binder clips to make your diffraction glasses stand up. 3. Secure a light source with tape as needed. 4. Insert a piece of colored plastic between the source and the diffraction grating as needed. Observation 1. Shine white light through the diffraction glasses and observe the pattern projected on a white screen. Adjust the angle between the beam of light and the glasses to get a symmetric pattern as in the figure above. -
Colors of the Rainbow 105
©2011 by Connie Bergstein Dow. Published by Redleaf Press, www.redleafpress.org. Unauthorized reproduction or distribution of these pages is strictly prohibited. Colors of the Rainbow 105 This activity is an extended movement study based on the theme of color. It will take about an hour to an hour and a half, including the time it takes to help the children make ribbon bangles. If you expand it into a presentation, plan to add about an extra half hour to hang the large sheet of paper on which you write the children’s suggestions in the opening section of the lesson, hang the paper plate rainbows, place the bangle props, get your music set up, and have the children in their spots ready to begin the dance. What You Need ` a large space ` “Catsup” instrumental (disc 1, track 17), “Goldie Rock” instrumental (disc 2, track 23), “Care of the Earth” instrumental (disc 1, track 16), and “Shine & Brighten” instrumental (disc 2, track 37) ` a large roll of paper; red, yellow, and blue markers; the book Color Dance by Ann Jonas; pipe cleaners and precut ten-inch strips of ribbon in many different colors; crayons of many colors; paper plates What You Do Begin with the children seated in a circle. These places will be their home spots as you introduce each new color. Say to the children: Today we are going to dance about all the colors! What is your favor- ite color? Why is it your favorite color? How does thinking about that color make you feel? First let’s talk about red. -
How the Rainbow Was Made
How the Rainbow Was Made A Creation Tale from the Ojibwe Nation retold by S. E. Schlosser One day when the earth was new, Nanabozho looked out the window of his house beside the wide waterfall and realized that all of the flowers in his meadow were exactly the same offwhite color. How boring! He decided to make a change, so he gathered up his paints and his paintbrushes and went out to the meadow. Nanabozho sat down in the tall grass and arranged his red and orange and yellow and green and blue and violet paint pots next to him. Then he began to paint the flowers in his meadow in many different colors. He painted the violets dark blue and the tiger lilies orange with brown dots. He made the roses red and pink and purple. He painted the pansies in every color combination he could think of. Then he painted every single daffodil bright yellow. Nanabozho hummed happily to himself as he worked in the brilliant daylight provided by Brother Sun. Overhead, two little bluebirds were playing games with each other. The first little bluebird would chase his friend across the meadow one way. Then they would turn around and the second bluebird would chase him back the other way. Zippityzip went the first bluebird as he raced across the sky. Zappityzing went the second bluebird as he chased him in the brilliant sunshine. Occasionally, Nanabozho would shade his eyes and look up…up into the endless blue sky to watch the two little birds playing. -
Esoteric Theories of Color
chapter 18 Esoteric Theories of Color Joscelyn Godwin As with Divine truths so also with colours, we see them as they appear to be, not as they really are. j. stuart bogg1 Although color, like music, is both a science and an art, color theory has al- ways been at a disadvantage vis-à-vis the companion discipline of Harmonics. The latter rests on empirical and mathematical principles, exemplified by the legendary experiments of Pythagoras, which have given rise to the rich vein of musica speculativa that runs parallel to the Western esoteric tradition. Color, lacking harmony’s mathematical anchor and its link to perception (e.g., that the purest perceived interval, the octave, derives from the simplest proportion of 1:2; the perfect fifth from 2:3, and so on), is a fluctuating field, even in its major landmarks such as the primary colors. Its definitions rely not on number but on words, whose translation of the eye’s experience is at best imprecise and at worst contradictory. A second problem is the abstraction of colors from the things colored. To separate them and develop an independent color vocabulary did not come naturally to the ancients, though scholars resist the idea that they didn’t see colors as we do.2 Homer’s “wine-dark sea” and the multiple hues represented by purpureus (the murex dye) are well-known instances of the problem. When Pliny, a walking dictionary and generally so finicky in his categories, comes to write of the color of the eyes, the only one he names is caesius, a word used only of eyes and presumed to mean blue, or gray.3 The classical world, so ad- vanced in harmonics, has little to offer here. -
Lab 4: DIFFRACTION GRATINGS and PRISMS (3 Lab Periods)
revised version Lab 4: DIFFRACTION GRATINGS AND PRISMS (3 Lab Periods) Objectives Calibrate a diffraction grating using a spectral line of known wavelength. With the calibrated grating, determine the wavelengths of several other spectral lines. De- termine the chromatic resolving power of the grating. Determine the dispersion curve (refractive index as a function of wavelength) of a glass prism. References Hecht, sections 3.5, 5.5, 10.2.8; tables 3.3 and 6.2 (A) Basic Equations We will discuss diffraction gratings in greater detail later in the course. In this laboratory, you will need to use only two basic grating equations, and you will not need the details of the later discussion. The first equation should be familiar to you from an introductory Physics course and describes the angular positions of the principal maxima of order m for light of wavelength λ. (4.1) where a is the separation between adjacent grooves in the grating. The other, which may not be as familiar, is the equation for the chromatic resolving power Rm in the diffraction order m when N grooves in the grating are illuminated. (4.2) where (Δλ)min is the smallest wavelength difference for which two spectral lines, one of wave- length λ and the other of wavelength λ + Δλ, will just be resolved. The absolute value insures that R will be a positive quantity for either sign of Δλ. If Δλ is small, as it will be in this experiment, it does not matter whether you use λ, λ + Δλ, or the average value in the numerator. -
Download the DIA Color Chart
DEMI-PERMANENT HAIRCOLOR 2 COMPLIMENTARY LINES OF HAIRCOLOR Each with its own benefit & expertise both provide maximum creativity & freedom ADVANCED ALKALINE TECHNOLOGY GENTLE ACID TECHNOLOGY HIGH PERFORMANCE HIGH PERFORMANCE • Demi-permanent crème • Luminous demi-permanent gel-crème • Rich tones, exceptional softness • Zero lift • Covers up to 70% grey • Intense care for the hair THE PROCESS THE PROCESS • Lifts (up to 1.5 Levels with 15-vol), then deposits • Zero lift, deposit only BEFORE COLOR DURING COLOR AFTER COLOR BEFORE COLOR DURING COLOR AFTER COLOR On natural hair, the cuticle The alkaline agents slightly open DIA Richesse has the ability to lighten up On color-treated & DIA Light has an acid The cationic polymers in scales are closed. the hair fiber allowing colorants to 1.5 levels, cover up to 70% white hair sensitized hair, the cuticle pH close to the natural pH of the hair. DIA Light have a resurfacing to penetrate the cuticle. & create rich, profound tones. scales are already open. effect on the cuticle, leaving There is no lift with gentle penetration the hair with amazing shine. of colorants for long lasting color. ADVANCED ALKALINE TECHNOLOGY ADVANCED ALKALINE TECHNOLOGY HIGH PERFORMANCE • Demi-permanent crème • Rich tones, exceptional softness • Covers up to 70% grey THE PROCESS • Lifts (up to 1.5 Levels with 15-vol), then deposits BEFORE COLOR DURING COLOR AFTER COLOR On natural hair, the cuticle The alkaline agents slightly open DIA Richesse has the ability to lighten scales are closed. the hair fiber allowing colorants up to 1.5 levels, cover up to 70% white to penetrate the cuticle. -
Diffraction Grating and the Spectrum of Light
DIFFRACTION GRATING OBJECTIVE: To use the diffraction grating in the formation of spectra and in the measurement of wavelengths. THEORY: The operation of the grating is depicted in Fig. 1 on page 3. Lens 1 produces a parallel beam of light from the single slit source A to the diffraction grating. The grating itself consists of a large number of very narrow transparent slits equally spaced with a distance D between adjacent slits. The light rays numbered 1, 2, 3, etc. represent those rays which are diffracted at an angle by the grating. Lens 2 is used to focus these rays to a line image at B. Notice that ray 2 travels a distance x = D sin more than 1, ray 3 travels x more than 2, etc. When the extra distance traveled is one wavelength, two wavelengths, or N wavelengths, constructive interference occurs. Thus, bright images of a monochromatic (single color) source of wavelength will occur at position B at a diffraction angle if Sin(N) = N / D where N = 0, 1, 2, 3, ... (1) The images generally are brightest for N=0 (0 = 0), and become corresponding less bright for higher N. Since, for a given value of N, the angle at which constructive interference occurs depends on , a polychromatic light source will produce a SERIES of single color bright images. There will be an image for each wavelength radiated by the source. Each image will have a color corresponding to its wavelength, and each image will be formed at a different angle. In this manner a spectrum of the light source is formed by the grating. -
Light, Color, and Atmospheric Optics
Light, Color, and Atmospheric Optics GEOL 1350: Introduction To Meteorology 1 2 • During the scattering process, no energy is gained or lost, and therefore, no temperature changes occur. • Scattering depends on the size of objects, in particular on the ratio of object’s diameter vs wavelength: 1. Rayleigh scattering (D/ < 0.03) 2. Mie scattering (0.03 ≤ D/ < 32) 3. Geometric scattering (D/ ≥ 32) 3 4 • Gas scattering: redirection of radiation by a gas molecule without a net transfer of energy of the molecules • Rayleigh scattering: absorption extinction 4 coefficient s depends on 1/ . • Molecules scatter short (blue) wavelengths preferentially over long (red) wavelengths. • The longer pathway of light through the atmosphere the more shorter wavelengths are scattered. 5 • As sunlight enters the atmosphere, the shorter visible wavelengths of violet, blue and green are scattered more by atmospheric gases than are the longer wavelengths of yellow, orange, and especially red. • The scattered waves of violet, blue, and green strike the eye from all directions. • Because our eyes are more sensitive to blue light, these waves, viewed together, produce the sensation of blue coming from all around us. 6 • Rayleigh Scattering • The selective scattering of blue light by air molecules and very small particles can make distant mountains appear blue. The blue ridge mountains in Virginia. 7 • When small particles, such as fine dust and salt, become suspended in the atmosphere, the color of the sky begins to change from blue to milky white. • These particles are large enough to scatter all wavelengths of visible light fairly evenly in all directions. -
Color Wheel Page 1 Crayons Or Markers Color
Crayons or markers Color Wheel Cut-out (at the end of this description) String, about 3 feet Scissors Step 1 Color each wedge of the circle with a different rainbow color. Use heavy paper or a paper plate. Step 2 Cut out the circle, as well as the center holes (you can use a sharp pencil to poke through, too!). Step 3 Feed the string through the holes and tie the ends together. Step 4 Pick up the string, one side of the loop in each hand so the circle is in the middle. Wind the string by rotating it, in a “jump-rope”-like motion. The string should be a little loose with the circle pulling it down in the middle. Step 5 Move your hands out to pull the string tight to get the wheel spinning. When the string is fully unwound, move your hands closer together so it can wind in the other direction If it’s not spinning fast enough, keep winding! Step 6 As it spins, what happens to the colors? What do you notice? Color Wheel Page 1 What did you notice when you spun the wheel? You may have seen the colors seem to disappear! Where did they go? Let’s think about light and color, starting with the sun. The light that comes from the sun is actually made up of all different colors on the light spectrum. When light hits a surface, some of the colors are absorbed and some are reflected. We only see the colors that are reflected back. -
C-316: a Guide to Color
COLLEGE OF AGRICULTURAL, CONSUMER AND ENVIRONMENTAL SCIENCES A Guide to Color Revised by Jennah McKinley1 aces.nmsu.edu/pubs • Cooperative Extension Service • Guide C-316 The College of Agricultural, Consumer and Environmental Sciences is an engine for economic and community development in New Figure 1. Sample color wheel. Mexico, improving the lives of New Color is one of the most important stimuli in the world. It affects our moods and personal characteristics. We speak of blue Mondays, being Mexicans through in the pink, seeing red, and everything coming up roses. Webster de- fines color as the sensation resulting from stimulating the eye’s retina with light waves of certain wavelengths. Those sensations have been academic, research, given names such as red, green, and purple. Color communicates. It tells others about you. What determines and extension your choice of colors in your clothing? In your home? In your office? In your car? Your selection of color is influenced by age, personality, programs. experiences, the occasion, the effect of light, size, texture, and a variety of other factors. Some people have misconceptions about color. They may feel cer- tain colors should never be used together, certain colors are always unflattering, or certain colors indicate a person’s character. These ideas will limit their enjoyment of color and can cause them a great deal of frustration in life. To get a better understanding of color, look at na- ture. Consider these facts: All About Discovery!TM • The prettiest gardens have a wide variety of reds, oranges, pinks, New Mexico State University violets, purples, and yellows all mixed together. -
Atmospheric Optics Learning Module
Atmospheric Optics Learning Module Everything we see is the reflection of light and without light, everything would be dark. In this learning module, we will discuss the various wavelengths of light and how it is transmitted through Earth’s atmosphere to explain fascinating optical phenomena including why the sky is blue and how rainbows form! To get started, watch this video describing energy in the form of waves. A sundog and halo display in Greenland. Electromagnetic Spectrum (0 – 6:30) Source Electromagnetic Spectrum Electromagnetic (EM) radiation is light. Light you might see in a rainbow, or better yet, a double rainbow such as the one seen in Figure 1. But it is also radio waves, x-rays, and gamma rays. It is incredibly important because there are only two ways we can move energy from place to place. The first is using what is called a particle, or an object moving from place to place. The second way to move energy is through a wave. The interesting thing about EM radiation is that it is both a particle and a wave 1. Figure 1. Double rainbow Source 1 Created by Tyra Brown, Nicole Riemer, Eric Snodgrass and Anna Ortiz at the University of Illinois at Urbana- This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Champaign. 2015-2016. Supported by the National Science Foundation CAREER Grant #1254428. There are many frequencies of EM radiation that we cannot see. So if we change the frequency, we might have radio waves, which we cannot see, but they are all around us! The same goes for x-rays you might get if you break a bone.