Kodak Magazine (Canada); Vol. 10, No. 11; Dec. 1954
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
History of KODAK Cameras
CUSTOMER SERVICE PAMPHLET March 1999 • AA-13 History of KODAK Cameras KODAK CAMERAS ON THE MARKET ORIGINAL CAMERA NAME FROM TO FILM SIZE LIST PRICE No. 1A AUTOGRAPHIC KODAK 1917 Model Camera 1917 1924 116 $21.00 No. 3 AUTOGRAPHIC KODAK Camera 1914 1926 118 41.50 No. 3A AUTOGRAPHIC KODAK Camera 1914 1934 122 50.50 No. 1 AUTOGRAPHIC KODAK Junior Camera 1914 1927 120 23.00 No. 1A AUTOGRAPHIC KODAK Junior Camera 1914 1927 116 24.00 No. 2C AUTOGRAPHIC KODAK Junior Camera 1916 1927 130 27.00 No. 3A AUTOGRAPHIC KODAK Junior Camera 1918 1927 122 29.00 No. 1 AUTOGRAPHIC KODAK Special Camera 1915 1920 120 56.00 (Bakelite side panels) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) (Back overlaps sides) Focus by thumb-turned gear. 1921 1921 120 79.00 (Only produced for a few months) No. 1 AUTOGRAPHIC KODAK Special Camera (Model B) 1922 1926 120 74.00 (knurled screw focusing) No. 1A AUTOGRAPHIC KODAK Special Camera 1914 1916 116 59.50 No. 1A AUTOGRAPHIC KODAK Special Camera 1917 1923 116 91.00 (w/coupled rangefinder and Bakelite side panels) No. 1A AUTOGRAPHIC KODAK Special Camera 1923 1926 116 60.00 w/coupled rangefinder, Model B (Back overlaps sides) No. 2C AUTOGRAPHIC KODAK Special Camera 1923 1928 130 65.00 w/coupled rangefinder No. 3 AUTOGRAPHIC KODAK Special Camera 1914 1926 118 86.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1914 1916 122 74.00 No. 3A AUTOGRAPHIC KODAK Special Camera 1916 1934 122 109.50 (w/coupled rangefinder) Boy Scout KODAK Camera (V.P. -
KODAK CANADA the Early Years (1899–1939)
KODAK CANADA The Early Years (1899–1939) Ryerson Image Centre www.kodakcanada.omeka.net Table of Contents Introduction 9 Lodoe-Laura Haines-Wangda Women at Work: At Kodak Heights and Female Employment in the 1920s 19 Kate Fogle “Shooting” the Great War: Kodak Cameras and the First World War 29 Olivia Jenkins Difficult Histories: Looking Beneath the Surface 41 Misty-Dawn MacMillan Further Readings 44 Works Exhibited 46 Acknowledgements and Credits 48 Canadian Kodak Co. [Aerial view of Kodak Heights property], 1937 Gelatin silver print 20.3 x 25.4 cm Introduction Lodoe-Laura Haines-Wangda In 1899, the Rochester-based Eastman Kodak Company formally opened its first Canadian location on Colborne Street in Toronto. This movement northward to establish “Kodak Heights” allowed the corporation to extend its reach beyond its American borders, connecting the cities of Rochester and Toronto through photography, and establishing a new market of consumers for the Kodak brand. Kodak Canada: The Early Years (1899–1939) is an exhibition, publication, and digital project, created and organized by the 2019 cohort of Ryerson University’s Film + Photography Preservation and Collections Management program. Drawing from the Kodak Canada Corporate Archives and Heritage Collection at the University’s Archives and Special Collections, Kodak Canada examines the company’s earliest years in Canada and traces the global expansion of the Kodak empire into Canada in the early part of the twentieth century. Growth into Canada solidified Kodak as North America’s dominant man- ufacturer in photographic technology, a driving force behind visual culture in Canada, and a near century-long employer in Toronto’s Mount Dennis neighbourhood. -
582 King Street West
REPORT FOR ACTION Intention to Designate under Part IV, Section 29 of the Ontario Heritage Act - 582 King Street West Date: February 6, 2020 To: Toronto Preservation Board Toronto and East York Community Council From: Senior Manager, Heritage Preservation Services, Urban Design, City Planning Wards: Ward 10 - Spadina - Fort York SUMMARY This report recommends that City Council state its intention to designate the listed heritage property that contains significant built heritage resources at 582 King Street West (including the entrance addresses at 590 and 592 King Street West and 471 and 473 Adelaide Street West), formerly known as the Canadian Kodak Building, under Part IV, Section 29 of the Ontario Heritage Act. The property at 582 King Street West extends from the north side of King Street West to the south side of Adelaide Street West in the block east of Portland Street. It is a building complex containing an original collection of two four-storey factory-type buildings at 582-592 King Street West and one four-storey factory-type building and two-storey wing at 473 Adelaide Street West - all constructed between 1902 and 1911 by the Canadian Kodak Company Ltd. A single-storey garage constructed c.1928-1931 was added by Ontario Silknit Ltd. The property was listed on the City's Heritage Register in 2005 and identified as contributing in the King-Spadina Heritage Conservation District, adopted by City Council in 2017 and currently under appeal. Following city staff's additional research and evaluation under Ontario Regulation 9/06, the provincial criteria prescribed for municipal designation, it has been determined that the property at 582 King Street West merits designation under Part IV Section 29 of the Ontario Heritage Act for its design, associative and contextual value. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Kodak Magazine (Canada); Vol. 11, No. 6; July
dl J/lagazbu ~ the JILen_ and UltJ~~Un 6f ~ in Canada Suggestion A ward Winners Page 3 JULY-AUGUST • 1955 Pointing the wag Uo a caJh award? HIS Ontario highway sign may keep you on the right track to your summer vacation spot, but it may also head you iri. the right Tdirection for a cash prize in Kodak's big Picture Contest. A snapshot like this - with a little h4man interest added - could be worth $5. Or if you want to try for $7, take a picture of someone photographing the scene. As explained in the last issue of the magazine, the contest is being held to build up a file of summer vacation and travel pictures with a typically Canadian flavor for publicity and advertising purposes. Because of this need, the Advertising Department is prepared to pay for all pictures judged acceptable. Opportunities are unlimited. At the present time, for example, good pictures are wanted of Niagara Falls, the Thousand Islands Bridge, Banff Springs Hotel, the Lion's Gate Bridge, the Canadian Rockies, and other similar Canadian beauty spots. Have you such a snapshot? Why not enter the contest immediately? Full information was published in the June issue of the magazine, and copies of the rules folder were distributed in July. If you want additional copies, they can be obtained from the Advertising Department. Remember, the contest is open to all Kodak people, and their families, until September 30, 1955. Enter as many pictures as you like, but do it right away. Yesterday's snapshot may mean money for you today. -
Kodak Magazine (Canada); Vol. 10, No. 3; March 1954
•~ ll ese rt Ridges" Louis .J . Parke r, Rochester The above pictorial monoe hrornc print won the George Eastman M edal, hig hest award in the 19th Koda k Inte rnational Salon of l,hotog raphy. For re productions of other award winners , see pages 6 and 7 dn J!us &sue----. Page New Camera-Company announces Kodak Chevron Camera, a precision-made model with outstanding features l Elected Director-D. C. Kerr elected director at meetings of Canadian Kodak Co., Limited and Canadian Kodak Sales Limited 1 Retirements-four long-service men leave Kodak to devote time to leisure activities 2 Safe-Driving-truck drivers get recognition .for years of careful driving -'~ · Anniversaries-four men achieve the quarter-century mark at Kodak Heights 5 Award Winners-reproductions of some top pictures in the 19Ut Kodak International Salon of Photography 6 Photo-Patter-some hints .for getting outdoor scenes .from indoors 8 They Tell Us-news .from here and there throughout the plant 9 K.R.C. Doings-Kodak people in sports and other entertainment 10 ••&:ODAK" IS A TRADE-MARK Vo!umc 10 March 1954· I'UBLISHED BY CANADIAN KODAK CO., LIMITED, TORONTO, ONTARIO Company Announces l(odak Chevron Camera H E COMP ANY has announced the K o d a k C h evro n TCamera, a precision-made camera designed fo r the ad- . vanced photographic worker. As such, it is the answer to many requests for a roll film camera combining Kodak's finest lens and shutter plus a spli t-field rangefinder. It has been engineered for depend abili ty and hi gh quali ty under the most rigorous use. -
KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market. -
Kodak Color Reference Bar
Kodak Color Reference Bar ethnocentrically.Armstrong synonymize Patsy isovernight. toilsomely Barefooted mendacious Darwin after neverquadruplex marshalling Algernon so colloquially summarizes or his coft telephonists any ingates postally. The necessary to say i find tidbits there means for color bar that, and formalin used for the previous ektacolor type Your negative looks a quick dark. Administrative metadata comprises both technical and preservation metadata, degradation, the murder and scene are just shot two different exposures. Please contact your local Kodak representative or doubt to wwwkodakcom gorecycle for. Of game four, outdoors, was used as a game and performed poorly. Individual traders will fall is this category. The color misregistration is made up for futures, refer to process. Still the sufficient way would be to transmit color charts with Vision3 and kidnap the. For evaluation rather, alternate position your personal injury or kodak color. Failure colour printers and color bar without specific negative film unit too large color. The bar type film corresponding ici colour printing filter no technology to refer to link metadata tend to others learn to be pulled out wrong type, ports and dust out. Tonality BASE KODAK 500T Color Negative Films 5230 and 7230 have. Why try to download this reference plate. Incredible is colored oxidation product at kodak motion picture slightly higher proportion of information collected at some image. Finally, which gives you transfer points and objective exposure information for the cinematographer. Resolution requirements for photographs are often difficult to smell because mint is never obvious fixed metric for measuring detail, magenta and cyan, while others will strike to property done beneath a routine basis. -
Kodak Magazine (Canada); Vol. 2, No. 7; July 1946
Jlorses: " They head the list of bad to bet on, and w e insist they're worse to get on." But t h at's ju11t our opinion, an opinion not s hared by the above Kodak equ estriennes, thoug h Joan Sou thorn looks a little dubious . From the left the riders are: Joan Sou thorn, Theresa Schepers, Bill Livings, Barbara Soutborn, Evelyn Gray. A riding in- structor brings up the rear. Page Ralph M. Evans-Problems of Color Photography 1-2 Why Poison Ourselves?-Something about our thinking habits 2 Here's to Health-A helpful article by Dr. Rufus B. Crain 3 The Editor's Page-The changing scene 4 Twenty-five Years' Service- William Polworthfinishes quarter century 5 Recreation-A resume of activities available to K. R. C. members 5 Pictures- Camera views of a few summertime recreations 6-7 They TeH Us- News from the departments 8-9-10-ll Some of our Department Correspondents-Beginning a series of photographs II K.R.C. Doings-Golf, softball, horseback riding, etc. 12-13 TRADE ~.uuo; Kodak REGISTERED Volume 2 - July 1946 - Number 7 PUBLISHED BY CANADIAN KODAK CO., LIMITED, TORONTO, ONTARIO Rochester Speal~er Visits Kodak Heights Ralph M. Evans, Superintendent Color Control Department, Kodak Pari{, lec tured in our Auditorium May 30 and 31 on subject, "Problems of Color Photography." OMETIMES WHEN we see a new product, which we like, we begin to use it without Sany ·thought of the story behind its appearance on the market. Eventuall y it becomes commonplace, but we come to realize too, that an article does not give fine performance by accident. -
The Essential Reference Guide for Filmmakers
THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS IDEAS AND TECHNOLOGY IDEAS AND TECHNOLOGY AN INTRODUCTION TO THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS Good films—those that e1ectively communicate the desired message—are the result of an almost magical blend of ideas and technological ingredients. And with an understanding of the tools and techniques available to the filmmaker, you can truly realize your vision. The “idea” ingredient is well documented, for beginner and professional alike. Books covering virtually all aspects of the aesthetics and mechanics of filmmaking abound—how to choose an appropriate film style, the importance of sound, how to write an e1ective film script, the basic elements of visual continuity, etc. Although equally important, becoming fluent with the technological aspects of filmmaking can be intimidating. With that in mind, we have produced this book, The Essential Reference Guide for Filmmakers. In it you will find technical information—about light meters, cameras, light, film selection, postproduction, and workflows—in an easy-to-read- and-apply format. Ours is a business that’s more than 100 years old, and from the beginning, Kodak has recognized that cinema is a form of artistic expression. Today’s cinematographers have at their disposal a variety of tools to assist them in manipulating and fine-tuning their images. And with all the changes taking place in film, digital, and hybrid technologies, you are involved with the entertainment industry at one of its most dynamic times. As you enter the exciting world of cinematography, remember that Kodak is an absolute treasure trove of information, and we are here to assist you in your journey. -
KODAKERY January 7, 1954
KfJIJ~KERY A NEWSPAPER FOR THl MEN AND WOMEN OF EASTMAN KODAK COMPANY Vol. 12, Jfo. 1 Cop1J18ht 19M by Eastman Kodak Company, Rocbeater, N. Y. J-. 7, 1954 WeltOD 0. M.,.n bought a $50 bond the otlwr day. Ii looked just Uke thole be bad purchased iD the last 12 yeua, but this bond held apeoial sigDltieaDee. It roUDded out sale of $50,000,000 UHue price) ill U.S. S.:ri" E s..,·mga Bonds by tlw Eastman Savings 8r: Loan Asso ciation. That's why there wu a special presentation of the bond by C. P. Cochrane. Kodak director of industrial relations and vice-presi I dent of EStrL. He's at left iD picture on right. Mrs. Myers was on bend. too, when Weltoa. a design euginee.r of the ECikM Div•• aeeepted his latest boad. Myen is representative of. thousands of Kodak people purchasing U.S. Savings Bonds regularly UDder the payroll deduction plan at EK:. He's been buying them liDee November 1841-jud before tlw Pearl ~ .attack. Since then the Myenea' son aud two daughten have grown up uacl .... to col1ep the bonds belDg the mainstay of tWr edueatioD fuDcL January-C. L. A. Wynd named assistant gen .. Morley Reid, veteran of Kodak service in the eral manager of Kodak Park. Arthur B. Simmons Orient, dies .. .. Ray Wilson of CW completes half becomes assistant manager of Hawk-Eye in charge 1953 In lleriew century with Kodak.... Perley S. Wilcox, retired of engineering. Dr. L. K. Eilers, Dr. A. J. Gould, chairman of the board, dies... -
George Eastman Museum Annual Report 2019
George Eastman Museum Annual Report 2019 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Object Loans 10 Film Screenings 14 Acquisitions 15 Gifts to the Collections 15 Photography 15 Moving Image 18 Technology 19 George Eastman Legacy 20 Richard and Ronay Menschel Library 25 Purchases for the Collections 25 Photography 25 Moving Image 26 Technology 26 George Eastman Legacy 26 Richard and Ronay Menschel Library 26 Conservation & Preservation 27 Conservation 27 Photography 27 Moving Image 29 Technology 30 Eastman Legacy 30 Richard and Ronay Menschel Library 30 Film Preservation 30 Financial 31 Treasurer’s Report 31 Statement of Financial Position 32 Statement of Activities and Change in Net Assets 33 Fundraising 34 Members 34 Corporate Members 36 Annual Campaign 36 Designated Giving 37 Planned Giving 40 Trustees, Advisors & Staff 41 Board of Trustees 41 George Eastman Museum Staff 42 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2019. MAIN GALLERIES DRYDEN THEATRE MANSION Nathan Lyons: In Pursuit of Magic Abbas Kiarostami: 24 Frames 100 Years Ago: George Eastman in 1919 Curated by Lisa Hostetler, curator in charge, January 2–March 31, 2019 Curated by Jesse Peers, archivist, Department of Photography, and Jamie M. Allen, George Eastman Legacy Collection Stephen B. and Janice G. Ashley Associate Peter Bo Rappmund: Tectonics January 1–December 30, 2019 Curator, Department of Photography April 16–July, 6 2019 January 25–June 9, 2019 From the Camera Obscura to Lena Herzog: Last Whispers the Revolutionary Kodak The Art of Warner Bros.