DOCSLIB.ORG

Kodak Magazine (Canada); Vol. 2, No. 7; July 1946

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kodak Magazine (Canada); Vol. 2, No. 7; July 1946 Jlorses: " They head the list of bad to bet on, and w e insist they're worse to get on." But t h at's ju11t our opinion, an opinion not s hared by the above Kodak equ estriennes, thoug h Joan Sou thorn looks a little dubious . From the left the riders are: Joan Sou thorn, Theresa Schepers, Bill Livings, Barbara Soutborn, Evelyn Gray. A riding in- structor brings up the rear. Page Ralph M. Evans-Problems of Color Photography 1-2 Why Poison Ourselves?-Something about our thinking habits 2 Here's to Health-A helpful article by Dr. Rufus B. Crain 3 The Editor's Page-The changing scene 4 Twenty-five Years' Service- William Polworthfinishes quarter century 5 Recreation-A resume of activities available to K. R. C. members 5 Pictures- Camera views of a few summertime recreations 6-7 They TeH Us- News from the departments 8-9-10-ll Some of our Department Correspondents-Beginning a series of photographs II K.R.C. Doings-Golf, softball, horseback riding, etc. 12-13 TRADE ~.uuo; Kodak REGISTERED Volume 2 - July 1946 - Number 7 PUBLISHED BY CANADIAN KODAK CO., LIMITED, TORONTO, ONTARIO Rochester Speal~er Visits Kodak Heights Ralph M. Evans, Superintendent Color Control Department, Kodak Pari{, lec­ tured in our Auditorium May 30 and 31 on subject, "Problems of Color Photography." OMETIMES WHEN we see a new product, which we like, we begin to use it without Sany ·thought of the story behind its appearance on the market. Eventuall y it becomes commonplace, but we come to realize too, that an article does not give fine performance by accident. Rather it has been made possible by tedious research. Kodachrome has been manufactured by Eastman Kodak Company for many years. In that time most of us have seen and heard a good deal about it. If we take pictures­ n(\matter how seldom- we are almost sure to possess a few Kodachrome transparencies or movies which we treasure because of their appealing full-color images. We know that we can have our favorite transparencies reproduced in print form, and that Koda­ color is a more recent film product of our Ralph M. Evans parent company. Within the short space of an hour and a Our familiarity with the appearance of half, Mr. Evans described in lucid fashion these color products and with the results many laws of physics, relating to the color they give has gradually brought to us a process, and illustrated his talk with lantern realization of the countless problems in­ slides. The explanations served to give his volved in their manufacture and use. We audience an impression of what has been have had some opportunities to gain insight achieved in color work, and what remains into the matter, which to most amateur to be done. With the characteristic mod­ photographers is still much of an enigma. esty of a research man, Mr. Evans did not One such opportunity was opened to those dwell upon the accomplishments. Instead who attended the lectmes in Kodak Audi­ he set forth many interesting facts from torium during the evenings of May 30 and 31. which the listeners might draw their own The speaker was Ralph M . Evans, conclusion in this respect. Superintendent of the Color Control De­ Referring to difficulties still encountered, partment at Kodak Park, Rochester, who he said, "the color process is not perfect chose the subject, "The problems of color yet, but the process does not have to be photography." perfect to produce a good color picture. The result wanted is one which looks correct border is dark. Highlights in the picture -a pr: .1t or transparency which will look suffer by comparison. This fact is of im­ right w the amateur under normal con­ portance to salon exhibitors. ditions." Mr. Evans was introduced to the aud­ He demonstrated that the human eye is ience by Don Ritchie, chairman of the prone to many illusions, or, in other words, meetings and president of Kodak Heights that "eye adaptation" has important bear­ Camera Club. The fi rst address was ing on the subject. For example, a light attended largely by Kodak employees and gray patch projected onto the screen their friends. On the following evening, seemed to grow darker when bands of in­ the audience consisted mostly of non­ creasing brightness were projected around employees who accepted invitations ex­ it. In another instance, a gray area tended by the Company. assumed a bluish tinge, momentarily, when The speaker is a graduate of the Massa­ observed in quick succession to yellow. chusetts Institute of Technology and has had Mr. Evans pointed out that brightness . many years of experience in photographic and color are not absolute qualities. They work. Prior to joining Kodak Research vary, as far as the eye is concerned, in rela­ Laboratory in 1935, he was laboratory tion to the intensity and color of the light superintendent in the Twentieth-Century in which they are viewed and in respect Fox studio in New York City. Mr. Evans to the proximity of other brightnesses and contributed important work in the develop­ colors. ment of the Minicolor Print Process and in "The human eye," he stated, "is roughly the preparation of Kodachrome film in 35 calculated to have an adaptability to light mm. and sheet form. intensity of a million to one." Hearty applause was accorded Mr. Evans The lecturer showed slides which illus­ at the end of his address indicating the inter­ trated general, lateral and local color adap­ est it had aroused. On behalf of those in tation of the eye. Regarding brightness attendance, Don Ritchie thanked the speak­ adaptation, he showed graphically how er and expressed appreciation to E. S. white margins may degrade the appearance Currie, our President and General Manager, of highlights in some pictures. When a who arranged for the talk. picture is framed with a white border, the It is hoped that Mr. Evans may find eye viewing it becomes adapted to a higher opportunity to supplement his first visit to degree of intensity than it does when the Kodak Heights with many more. Why P<Oison- Ours elves? oo FEW OF us know that when we indulge in anger, envy, jealousy, malice, revenge, Tor entertain any other similar negative POPULAR PAUL e1r1otions, we are poisoning ourselves. Fortunately, it is also true that good thinking and good feeling produce good results. When we think in terms of control, of affection, of understanding, of tolerance, of generosity, of kindliness, we strengthen ourselves. We live more harmoniously. We enjoy better health. Discord is absent. Success is easier to achieve. Thought is the greatest creative force in the universe. We create the world in which we live by the kind of thinking we do. A c h eery vo1ce 1s a g r e at The thoughts we entertain are the ones we business a ss et. Courtesy at the invite. We make our own choice. And the tele phone co st s noth i n g an d quality of our thinking is manifested in our faces and in all we say and do. As we pays hig h returns. think, so we are. 2 Here's to Health By Dr. Rufus B. Crain Kodak Medical Dept. (The health of Kodak men and women is the constant concern of the Kodak medical department in Rochester. Therefore, its doctors are writing a series of articles bringing you up-to-date information regarding various types of illnesses and injuries. Wherever possible, prevention of these conditions is stressed. H ere is the fifth article, the first of two instalments on constipation.) ONSTIPATION IS A common affliction and one to which many people have resigned Cthemselves feeling that nothing can be done except to keep on taking some laxative pill or cathartic, and when its effect wears out change to some other advertised or recommended "cure." As a result of this cycle of events, the constipation usually becomes worse and other digestive conditions may develop. Incidentally, the cost of cathartics over a period of years is considerable. The purpose of this article is to try to clarify some of the· misconceptions regard­ ing bowel function and to suggest ways in which a normal bowel function can be main­ tained or restored without the aid of drugs. There are many causes of constipation. In general we recognize two main types­ Dr. R . B . Crain interviews patient organic and functional. We are principally concerned in this discussion with the latter take a laxative and then another until a type where there is no evidence of disease result is obtained. Thus the cathartic but a disturbance of the function or habit habit is often started. of bowel. It is interesting to know that as far back as 1853, Dr. J. Laurie, writing on the sub­ How Constipation Occurs ject of c nstipation, said in effect that one How does constipation occur? Recently of the leading causes of aggravation and authoritative studies of bowel function have excessive obstinacy in constipation is the been carried on which have helped to ex­ practice of individuals to fly to purgatives plain how and why this condition develops. or cathartics on the slightest appearance of According to Alvarez of the Mayo Clinic, constipation, under the absurd idea that "It is generally assumed and believed that keeping the bowels open is a guarantee the residues from any one meal leave the against disease of every description. Many body within 24 to 48 hours." Alvarez and mothers are so possessed with this idea that others have proved that the time may be they continually administer physic to their considerably longer in healthy persons.
Load more

Recommended publications
  • KODAK CANADA the Early Years (1899–1939)
    KODAK CANADA The Early Years (1899–1939) Ryerson Image Centre www.kodakcanada.omeka.net Table of Contents Introduction 9 Lodoe-Laura Haines-Wangda Women at Work: At Kodak Heights and Female Employment in the 1920s 19 Kate Fogle “Shooting” the Great War: Kodak Cameras and the First World War 29 Olivia Jenkins Difficult Histories: Looking Beneath the Surface 41 Misty-Dawn MacMillan Further Readings 44 Works Exhibited 46 Acknowledgements and Credits 48 Canadian Kodak Co. [Aerial view of Kodak Heights property], 1937 Gelatin silver print 20.3 x 25.4 cm Introduction Lodoe-Laura Haines-Wangda In 1899, the Rochester-based Eastman Kodak Company formally opened its first Canadian location on Colborne Street in Toronto. This movement northward to establish “Kodak Heights” allowed the corporation to extend its reach beyond its American borders, connecting the cities of Rochester and Toronto through photography, and establishing a new market of consumers for the Kodak brand. Kodak Canada: The Early Years (1899–1939) is an exhibition, publication, and digital project, created and organized by the 2019 cohort of Ryerson University’s Film + Photography Preservation and Collections Management program. Drawing from the Kodak Canada Corporate Archives and Heritage Collection at the University’s Archives and Special Collections, Kodak Canada examines the company’s earliest years in Canada and traces the global expansion of the Kodak empire into Canada in the early part of the twentieth century. Growth into Canada solidified Kodak as North America’s dominant man- ufacturer in photographic technology, a driving force behind visual culture in Canada, and a near century-long employer in Toronto’s Mount Dennis neighbourhood.
    [Show full text]
  • 582 King Street West
    REPORT FOR ACTION Intention to Designate under Part IV, Section 29 of the Ontario Heritage Act - 582 King Street West Date: February 6, 2020 To: Toronto Preservation Board Toronto and East York Community Council From: Senior Manager, Heritage Preservation Services, Urban Design, City Planning Wards: Ward 10 - Spadina - Fort York SUMMARY This report recommends that City Council state its intention to designate the listed heritage property that contains significant built heritage resources at 582 King Street West (including the entrance addresses at 590 and 592 King Street West and 471 and 473 Adelaide Street West), formerly known as the Canadian Kodak Building, under Part IV, Section 29 of the Ontario Heritage Act. The property at 582 King Street West extends from the north side of King Street West to the south side of Adelaide Street West in the block east of Portland Street. It is a building complex containing an original collection of two four-storey factory-type buildings at 582-592 King Street West and one four-storey factory-type building and two-storey wing at 473 Adelaide Street West - all constructed between 1902 and 1911 by the Canadian Kodak Company Ltd. A single-storey garage constructed c.1928-1931 was added by Ontario Silknit Ltd. The property was listed on the City's Heritage Register in 2005 and identified as contributing in the King-Spadina Heritage Conservation District, adopted by City Council in 2017 and currently under appeal. Following city staff's additional research and evaluation under Ontario Regulation 9/06, the provincial criteria prescribed for municipal designation, it has been determined that the property at 582 King Street West merits designation under Part IV Section 29 of the Ontario Heritage Act for its design, associative and contextual value.
    [Show full text]
  • Kodak Magazine (Canada); Vol. 11, No. 6; July
    dl J/lagazbu ~ the JILen_ and UltJ~~Un 6f ~ in Canada Suggestion A ward Winners Page 3 JULY-AUGUST • 1955 Pointing the wag Uo a caJh award? HIS Ontario highway sign may keep you on the right track to your summer vacation spot, but it may also head you iri. the right Tdirection for a cash prize in Kodak's big Picture Contest. A snapshot like this - with a little h4man interest added - could be worth $5. Or if you want to try for $7, take a picture of someone photographing the scene. As explained in the last issue of the magazine, the contest is being held to build up a file of summer vacation and travel pictures with a typically Canadian flavor for publicity and advertising purposes. Because of this need, the Advertising Department is prepared to pay for all pictures judged acceptable. Opportunities are unlimited. At the present time, for example, good pictures are wanted of Niagara Falls, the Thousand Islands Bridge, Banff Springs Hotel, the Lion's Gate Bridge, the Canadian Rockies, and other similar Canadian beauty spots. Have you such a snapshot? Why not enter the contest immediately? Full information was published in the June issue of the magazine, and copies of the rules folder were distributed in July. If you want additional copies, they can be obtained from the Advertising Department. Remember, the contest is open to all Kodak people, and their families, until September 30, 1955. Enter as many pictures as you like, but do it right away. Yesterday's snapshot may mean money for you today.
    [Show full text]
  • KODAK MILESTONES 1879 - Eastman Invented an Emulsion-Coating Machine Which Enabled Him to Mass- Produce Photographic Dry Plates
    KODAK MILESTONES 1879 - Eastman invented an emulsion-coating machine which enabled him to mass- produce photographic dry plates. 1880 - Eastman began commercial production of dry plates in a rented loft of a building in Rochester, N.Y. 1881 - In January, Eastman and Henry A. Strong (a family friend and buggy-whip manufacturer) formed a partnership known as the Eastman Dry Plate Company. ♦ In September, Eastman quit his job as a bank clerk to devote his full time to the business. 1883 - The Eastman Dry Plate Company completed transfer of operations to a four- story building at what is now 343 State Street, Rochester, NY, the company's worldwide headquarters. 1884 - The business was changed from a partnership to a $200,000 corporation with 14 shareowners when the Eastman Dry Plate and Film Company was formed. ♦ EASTMAN Negative Paper was introduced. ♦ Eastman and William H. Walker, an associate, invented a roll holder for negative papers. 1885 - EASTMAN American Film was introduced - the first transparent photographic "film" as we know it today. ♦ The company opened a wholesale office in London, England. 1886 - George Eastman became one of the first American industrialists to employ a full- time research scientist to aid in the commercialization of a flexible, transparent film base. 1888 - The name "Kodak" was born and the KODAK camera was placed on the market, with the slogan, "You press the button - we do the rest." This was the birth of snapshot photography, as millions of amateur picture-takers know it today. 1889 - The first commercial transparent roll film, perfected by Eastman and his research chemist, was put on the market.
    [Show full text]
  • Kodak Color Reference Bar
    Kodak Color Reference Bar ethnocentrically.Armstrong synonymize Patsy isovernight. toilsomely Barefooted mendacious Darwin after neverquadruplex marshalling Algernon so colloquially summarizes or his coft telephonists any ingates postally. The necessary to say i find tidbits there means for color bar that, and formalin used for the previous ektacolor type Your negative looks a quick dark. Administrative metadata comprises both technical and preservation metadata, degradation, the murder and scene are just shot two different exposures. Please contact your local Kodak representative or doubt to wwwkodakcom gorecycle for. Of game four, outdoors, was used as a game and performed poorly. Individual traders will fall is this category. The color misregistration is made up for futures, refer to process. Still the sufficient way would be to transmit color charts with Vision3 and kidnap the. For evaluation rather, alternate position your personal injury or kodak color. Failure colour printers and color bar without specific negative film unit too large color. The bar type film corresponding ici colour printing filter no technology to refer to link metadata tend to others learn to be pulled out wrong type, ports and dust out. Tonality BASE KODAK 500T Color Negative Films 5230 and 7230 have. Why try to download this reference plate. Incredible is colored oxidation product at kodak motion picture slightly higher proportion of information collected at some image. Finally, which gives you transfer points and objective exposure information for the cinematographer. Resolution requirements for photographs are often difficult to smell because mint is never obvious fixed metric for measuring detail, magenta and cyan, while others will strike to property done beneath a routine basis.
    [Show full text]
  • The Essential Reference Guide for Filmmakers
    THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS IDEAS AND TECHNOLOGY IDEAS AND TECHNOLOGY AN INTRODUCTION TO THE ESSENTIAL REFERENCE GUIDE FOR FILMMAKERS Good films—those that e1ectively communicate the desired message—are the result of an almost magical blend of ideas and technological ingredients. And with an understanding of the tools and techniques available to the filmmaker, you can truly realize your vision. The “idea” ingredient is well documented, for beginner and professional alike. Books covering virtually all aspects of the aesthetics and mechanics of filmmaking abound—how to choose an appropriate film style, the importance of sound, how to write an e1ective film script, the basic elements of visual continuity, etc. Although equally important, becoming fluent with the technological aspects of filmmaking can be intimidating. With that in mind, we have produced this book, The Essential Reference Guide for Filmmakers. In it you will find technical information—about light meters, cameras, light, film selection, postproduction, and workflows—in an easy-to-read- and-apply format. Ours is a business that’s more than 100 years old, and from the beginning, Kodak has recognized that cinema is a form of artistic expression. Today’s cinematographers have at their disposal a variety of tools to assist them in manipulating and fine-tuning their images. And with all the changes taking place in film, digital, and hybrid technologies, you are involved with the entertainment industry at one of its most dynamic times. As you enter the exciting world of cinematography, remember that Kodak is an absolute treasure trove of information, and we are here to assist you in your journey.
    [Show full text]
  • Kodak Magazine (Canada); Vol. 10, No. 11; Dec. 1954
    Santa Claus Coming to Kodak at 3.30 p.m., December ] l Vol. 10, No. ll December 1954 Published by Canadian Kodak Co., Limited Toronto 9, Ontario Kodak Dealers See George Eastman Centennial Display j TTENDANCE figures and interest in the Jl show indicated another success for the George Eastman Centennial at Kodak Pictures of George Eastman and a selection of fine photographs were displayed on easels A Kodak Continuous l~apcr Processor, for the photofinishing trade, was set up for exhibit Heights when Kodak dealers and others en­ an excellent portrayal in picture and product cameras, about 80 modern Kodak cameras assembled in the auditorium, a welcome was gaged in the photographic trade in the of the Company and its goods, past and and other photographic items plus some extended to them and Mr. Eastman's career general Toronto area were guests of the present. Photographs depicted highlights in equipment of particular interest to photo was briefly outlined during short talks given Company last month. Mr. Eastman's career, the growth of the finishers. Two sample window displays by E . S. Currie, D. C. Kerr, J. W. Spence During the two-night exhibit commemora­ Kodak organization, early examples of photo­ were another feature which attracted much and D. D. Lauder. A movie show followed ting the one hundredth anniversary of the graphic technique, and modern color pictures. attention. this part of the program and then refresh­ birth of George Eastman, the guests sa\\. The product display included 25 antique On both evenings, when the guests had ments were served in the cafeteria.
    [Show full text]
  • George Eastman Museum Annual Report 2019
    George Eastman Museum Annual Report 2019 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 8 Photography Workshops 9 Loans 10 Object Loans 10 Film Screenings 14 Acquisitions 15 Gifts to the Collections 15 Photography 15 Moving Image 18 Technology 19 George Eastman Legacy 20 Richard and Ronay Menschel Library 25 Purchases for the Collections 25 Photography 25 Moving Image 26 Technology 26 George Eastman Legacy 26 Richard and Ronay Menschel Library 26 Conservation & Preservation 27 Conservation 27 Photography 27 Moving Image 29 Technology 30 Eastman Legacy 30 Richard and Ronay Menschel Library 30 Film Preservation 30 Financial 31 Treasurer’s Report 31 Statement of Financial Position 32 Statement of Activities and Change in Net Assets 33 Fundraising 34 Members 34 Corporate Members 36 Annual Campaign 36 Designated Giving 37 Planned Giving 40 Trustees, Advisors & Staff 41 Board of Trustees 41 George Eastman Museum Staff 42 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2019. MAIN GALLERIES DRYDEN THEATRE MANSION Nathan Lyons: In Pursuit of Magic Abbas Kiarostami: 24 Frames 100 Years Ago: George Eastman in 1919 Curated by Lisa Hostetler, curator in charge, January 2–March 31, 2019 Curated by Jesse Peers, archivist, Department of Photography, and Jamie M. Allen, George Eastman Legacy Collection Stephen B. and Janice G. Ashley Associate Peter Bo Rappmund: Tectonics January 1–December 30, 2019 Curator, Department of Photography April 16–July, 6 2019 January 25–June 9, 2019 From the Camera Obscura to Lena Herzog: Last Whispers the Revolutionary Kodak The Art of Warner Bros.
    [Show full text]
  • PC Index-1-40.Numbers
    Title Author Column Category Date Vol Iss PgNr 'Old Buck' Craske by Olive Edis of Sheringham, U.K. Edis, Olive Front Cover Images/Processes 2006 03 31 5 1 'Old Jimmy Esson' Honoured by the City of Cambridge White, Stanley J. People 1995 05 21 1 11 'Quickset' Condensers Old Ads 1992 03 17 5 15 'Spy', Subminiature and Detective Cameras (Christie's Auction) Back Cover Cameras/Equipment 1991 11 17 3 20 "...I can take a better picture with my 126 Instamatic than any of you can withKochman, your new Irv Nikons." People 2004 01 29 4 10 "Anonymous" Zeiss Ikon Cameras [Zeiss Historica Reprint] Gubas, Larry Cameras/Equipment 1999 05 25 1 05 "Camera Fiends and Kodak Girls" by Peter Palmquist Roseborough, EverettEditor's Notebook Industry 1993 03 18 5 03 "Canadian Made" Teague Era Cameras Cameras/Equipment 2006 12 32 3 13 "Clear and Bright Mirror" published by APHS Roseborough, EverettEditor's Notebook Book Reviews 1996 09 22 2 14 "Doing the things we had to do..." John Crawford's success story Roseborough, Everett People 1992 01 17 4 04 "Don de Dieu" Replica of Champlain's Ship July 23, 1908 KVC No. 16048 Front Cover Images/Processes 1984 09 10 3 0 "Exposure Meters" now on CD ROM (Miha Podlogar) Bookshelf Book Reviews 1998 11 24 3 15 "Graphic Antiquarian" Revived News Activities - Others 1977 03 02 06 12 "I don't collect things, I just let them collect." -- Dick Wolfe Seeger, Andree Miscellaneous 1998 11 24 3 12 "I've got a peach of a camera"...was the customer's remark Old Ads 1985 11 11 3 15 "Information Please" [Request for info/manuscript diaries] Batts, John Miscellaneous 1977 11 03 04 05 "Le Ticka" [Old Ad - in French] Old Ads 1983 07 09 2&3 20 "Mary Marble" A Portrait by F.W.
    [Show full text]
  • 3. Mount Dennis History
    Mount Dennis A Brief History Presentation to Urban Land Institute Community Imagineering Program November 17, 2018 Simon Chamberlain, Secretary to the Board Mount Dennis Community Association Beginnings • 1000-400 BC: arrowheads show hunting in Eglinton Flats • Pre-19th Century: The Carrying Place Trail • Early 19th Century: Land Grants, Mills and a Cemetery Middle & Late 19th Century • Middle: Forests & farms; Sawmills Weston Plank Road (1844-6) John Brown Pottery on Black Creek Grand Trunk Railway (1856) Retired seaman Joseph Dennis lives many years in retirement on his Buttonwood estate were he mainly enjoys fishing until his death in 1867 • Late: “a rolling countryside of farm lands still well wooded.” Then brickworks, individual home-building, and at last … . 1890s – Mount Dennis Takes Off! • Streets start to appear on the map. By 1892 it shows 5 streets in addition to Weston and Eglinton (itself mostly a cart track). • The streetcar line from St.Clair via (Old) Weston Road up to Weston Village opens in 1894. It is single track with a few passing places, but it immediately boosts Mount Dennis’ population • A school is built • A post office is opened • There is even a station stop on the railway (but no platform!) AFTER 1900 the growth just keeps going! • Dennis Ave. School needs new rooms every few years, and in 1913 a second school, Bala, opens with 10 rooms • There are no doctors, but Nurse Lowe delivers babies, nurses the sick, and attends to the injured • By 1904 the Toronto Free Hospital for the Consumptive Poor is built; the
    [Show full text]
  • Kodak Magazine (Canada); Vol. 10, No. 4; April 1954
    Hum.an Interest .-------Jn J!us &sue----------, Page Report of 1953-Eastman Kodak Company issues annual report of operations in previous year l Retirements-four long-time members of the staff complete their business duties at Kodak 3 Fortieth Anniversary-Film Emulsion member has .four decades o.f service with the Company 4 New Installation-Power House generating room equipped with new D.C. remote-control circuit breakers 5 Photo-Patter-some ideas .for your picture taking at weddings, receptions and showers 6 Twenty-Fifth Anniversaries- two men join the growing ranks o.f long-service people 7 New Product-Company announces introduction o.f Kodak Transparency Illuminator 10 x 10 7 Club 25 Elections-ladies install new club officers .for 1954 7 K.D.M.C. Party-annual socialfunction held in auditorium 8 It's My Job-the third in a series o.f articles on Company opera- tions 8 They Tell Us-news .from here and there throughout the plant 9 K.R.C. Doings-Kodak people in sports and other entertainment ll ••&Oit.<\K" IS A TRAD E-M ARK Volume 10 Aprill954 Number 4 PUllLISIIED BY CANADIAN KODAK CO., LIMITED, TORONTO , ONTARIO Eastman l(odak Company Report of 1953 HE RECEKTLY issued annual report of the amateur photographic 29¢ (27¢)- films, cam­ Eastman Kodak Company shows that eras, projectors, photographic equipment; T1953 was a record year for many parts of commercial and professional 25¢ (25¢)­ the Company's business. films, papers, plates, and equipment for Total sales in 1953 continued the upward commerce, industry, photofinishing, mrdi­ t rend of recent years and reached a total of cine, etc.; cellulose products 15¢ (16¢)-ace­ $633,668,918- $59 million more than in tate yarn and staple, acetate plastics, 1952.
    [Show full text]
  • Connecting Opportunities Reimagining Mount Dennis
    Connecting Opportunities Reimagining Mount Dennis Curtner Leadership Program 2019 A Presentation to the Mount Dennis Community Nima Kia, Jacob Larsen, Banah Mustafa, Alecsandra Parvu, Philip Ristevski, Daran Somas, Brian Teefy, Ian Trudeau May 2019 Connecting Opportunities - Reimagining Mount Dennis Team Members: Nima Kia, Jacob Larsen, Banah Mustafa, Alecsandra Parvu, Philip Ristevski, Daran Somas, Brian Teefy, Ian Trudeau Introduction Mount Dennis was once a key link from rural farming community is positioned to become one of Toronto’s areas to downtown Toronto. Demographic and next urban destinations. development trends have resulted in Mount Dennis becoming a more isolated community in recent years Mount Dennis is poised to improve its connectivity due to employment losses and a lack of effective both within the community and to key employment transit options. and cultural hubs across the city like Union Station, Pearson Airport and Yonge and Eglinton. Combined That is about to change quickly. with new urban manufacturing opportunities and green housing development opportunities at many With the completion of the Mount Dennis Station, scales, Mount Dennis can become a more vibrant that will connect residents to the Eglinton Crosstown Toronto neighbourhood. LRT, The UP Express and the Kitchener GO line, this Our Vision “ To create a culturally rich, well connected, innovative and eco-conscious community that respects the history of the area and the needs and desires of the current residents, while positioning the community“ for success in an evolving urban region. Respecting the History of Mount Dennis Kodak. This dependency was clearly demonstrated in the 1970’s when Kodak’s decision to reduce the lunch break to 30 minutes effectively decimated the local street merchant economy.2 Despite Kodak’s tumultuous tenure as Mount Dennis’ main employer, the company still holds an endearing mark on the community for which it provided livelihood to multiple generations of families over 90 years.
    [Show full text]