Download Download

Total Page:16

File Type:pdf, Size:1020Kb

Download Download THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME II(2013)T81–94 Bibliography on Life Writing from Eastern Europe The present bibliography is an attempt to bring together work on life writing from Eastern Europe. We welcome further references to national scholarship in the attempt to make more visible the Eastern European presence in life writing. The European Journal of Life Writing provides the ideal format for an open ended sharing of references to which all inter- ested scholars in the field are invited to contribute. Aarelaid, Aili, and Li Bennich-Björkman.Baltic Biographies at Historical Crossroads. London: Routledge, 2012. Print. ---. Cultural Trauma and Life Stories. Helsinki: Kikimora, 2006. Print. Anghelescu, Mircea. Literatura Autobiografica˘: Pus¸ca˘ria la Români Note De Curs s¸i Antologie. [Autobiographical Literature: Prison Writings. Anthology and Course Notes]. Bucures¸ti: Editura Universita˘t,ii din Bucures¸ti, 2008. Print. ---. Literatur i biografie. [Literature and Biography]. Bucure ti: Editura Universal Dalsi, 2005. Annuk, Eve. “In Search of an Autobiographical Room of Her Own: First Feminist Lilli Su- burg (1841–1923) as an Autobiographer.” Aspasia. International Yearbook of Central, Eastern, and Southeastern European Women’s and Gender History 7 (2013): 1–18. Print. ---. “Letters as a New Approach to History: A Case Study of an Estonian Poet Ilmi Kolla (1933– 1954).” NORA: Nordic Journal of Women’s Studies 1 (2007): 6–20. Print. ---. Ilmi Kolla ja tema aeg: biograafilise lähenemisviisi võimalusi nõukogue aja kontekstis. [Ilmi Kolla and Her Time: The Possibilities of Biographical Approach in the Context of Researching the Soviet Period]. Tartu: Tartu UP, 2006. Print. Avižienis, Jura. “Learning to Curse in Russian: Mimicry in Siberian Exile.” Baltic Postcolonial- ism: On the Boundary of Two Worlds: Identity, Freedom, and Moral Imagination in the Baltics. Ed. Violeta Kelertas. 6th ed. Amsterdam: Rodopi, 2006. 186–202. Print. ---. “Performing Identity: Lithuanian Memoirs of Siberian Deportation and Exile.” History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries. 4th ed. Ed. Marcel Corni -Pope and John Neubauer. Vol. 4. Amsterdam: J. Ben- jamins, 2010. 504–14. Print. Bak, Janos. “Political Biography and Memoir in Totalitarian Eastern Europe.” Political Mem- oir: Essays on the Politics of Memory. George W. Egerton. London: F. Cass, 1994. 292–301. Print. European Journal of Life Writing, Vol II, T81–94 2013. doi: 10.5463/ejlw.2.23 82 Bibliography on Life Writing Balkelis, Tomas. “Ethnicity and Identity in the Memoirs of Lithuanian Children Deported to the Gulag.” Maps of Memory: Trauma, Identity and Exile in Deportation Memoirs from the Baltic States. Ed. Violeta Davoli t and Tomas Balkelis. Vilnius: Institute of Lithuanian Literature and Folklore, 2012. n. pag. Web. ---. “Lithuanian Children in the Gulag: Deportations, Ethnicity and Identity in Memoirs of Children Deportees, 1941–1952.” Lituanus 51.3 (2005): 40–75. Print. Beitnere, Dagm ra. “Identit te un pašreference dz vesst st .” LZA V stis 5.59 (2005): 36–43. Print. ---. “Pretest bas t ma dz vesst stos.” Kult ra un Vara. Raksti par valodu, literat ru, tradicion lo kult ru. R ga: LU Akad miskais apg ds, 2007. 49–58. Print. Bela-Kr mi a, Baiba. “Dz vesst ssti k resurss sabiedr bas izp t : Nacion l s mutv rdu v stures projekts.” Sociolo ija Latvij . R ga: LU Akad miskais apg ds, 2010. 380–401. Print. ---. “Everyday Life, Power, and Agency in Turbulent Latvia: The Story of Otto Irbe.” Baltic Biog- raphies in Historical Crossroads. Ed. Aili Aardelaid-Tart and Li Bennich-Björkman. London: Routledge, 2012. 37–52. Print. ---. “Relationship between Personal and Social: Strategies of Everyday Life in the Process of Radical Social Changes.” Pro Ethnologia 16 (2003): 9–19. Print. ---. M s nebrauc m uz Zviedriju, lai k tu par zviedriem: mutv rdu v stures p t jums. R ga: Zin tne, 2010. Print. Bela-Kr mi a, Baiba, M ra Zirn te, and Arnolds Podmazovs, comp. Letonikas kongress. Nacion l mutv rdu v sture. Reli isk s idejas Latvij . R ga: LU Filozofijas un sociolo ijas instit ts, 2008. Print. Bennich-Björkman, Li, and Aili Aarelaid. Baltic Biographies at Historical Crossroads. London: Routledge, 2012. Print. B rzi a-Reinsone, Sanita. “St sti par apmald šanos: priekšstati un skaidrojumi.” Platforma 2. R ga: Zin tne (2004): 155–63. Print. ---. “Priekšstati par telpu apmald šan s st stos.” Proceedings of 10th Annual Conference in Liep ja University: Aktu las probl mas literat ras zin tn . Liep ja: Liep ja University, 2005. 262–69. Print. Besemeres, Mary. “The Family in Exile, between Languages: Eva Hoffman’s Lost in Transla- tion, Lisa Appignanesi’s Losing the Dead, Anca Vlasopolos’s No Return Address.” A/B: Auto/ Biography Studies 19.1–2 (2004): 239–48. Print. ---. “Rewriting One’s Self in English: Milosz Translated by Milosz.” Translating One’s Self: Lan- guage and Selfhood in Cross-Cultural Autobiography. Mary Besemeres. Oxford: Peter Lang, 2002. 65–85. Print. Breši , Vinko, ed. Autobiografije Hrvatskih Pisaca. [Autobiography in Croatian Literature]. Zagreb: AGM, 1997. Print. ---. Teme novije hrvatske književnosti. Zagreb: Nakladni zavod Matice hrvatske, 2001. Print. Budryt , Dovil . “‘We Didn’t Keep Diaries, You Know’: Memories of Trauma and Violence in the Narratives of Two Former Women Resistance Fighters.” Lituanus 57.2 (2011): n. pag. Web. ---. “Experiences of Collective Trauma and Political Activism: A Study of Women ‘Agents of Memory’ in Post-Soviet Lithuania.” Journal of Baltic Studies 41.3 (2010): 331–50. Rpt. in Bibliography on Life Writing 83 Memory and Democratic Pluralism in the Baltic States – Rethinking the Relationship. Ed. Eva- Clarita Onken. London: Routledge, 2011. Print. ---. “Transnational Memory as Traveling Trauma: Lithuanian Traumatic Memory after World War II.” Memory and Trauma in International Relations: Theories, Cases and Debates. Ed. Erica Resende and Dovile Budryte. New York: Routledge, 2013. Print. ---. “War, Deportation and Trauma in the Narratives of Former Women Resistance Fight- ers.” Maps of Memory: Trauma, Identity and Exile in Deportation Memoirs from the Baltic States. Ed. Violeta Davoli t and Tomas Balkelis. Vilnius: Institute of Lithuanian Literature and Folklore, 2012. Print. Buhanovska, Sintija. “Fakti un fikcija: totalit risma literat ra un m sdienu memu ri.” By Jan na Kurs te, et al. Kult ra un vara: raksti par valodu, literat ru, tradicion lo kult ru. R ga: LU Akad miskais apg ds, 2007. 149–55. Print. ---. “Reli ija uz 1940.–1960. gadu fona: ieskats memu rliterat r .” Literat ra, folkloristika, m ksla 732 (2008): 165–71. Print. Bula, Dace. “Zvejnieku b rni: Pieredzes ce i manga salnieku atmi u st stos.” Letonica 16 (2007): 7–26. Print. Cesereanu, Ruxandra. “Representations of the Gulag in the Romanian Detention Memoirs.” Echinox Journal 15 (2008): 7–15. Print. ---. Gulagul în Con tiin a Româneasc : Memorialistica i Literatura Închisorilor i Lag relor Comu- niste: Eseu de Mentalitate. [The Gulag in the Romanian Consciousness: Diaries and Literature from Prisons and Communist Camps]. Ias : Polirom, 2005. Print. Corni -Pope, Marcel. “Paul Goma: The Permanence of Dissidence and Exile.” The Exile and Return of Writers from East-Central Europe: A Compendium. Ed. John Neubauer and Borbála Zsuzsanna Török. New York: Walter De Gruyter, 2010. 342–67. Print. Cozea, Liana. Confesiuni ale Eului Feminin. [Women’s Confessional Writings]. Pite ti: Paralela 45, 2005. Print. Cr ciun, Camelia. “Monica Lovinescu at Radio Free Europe.” The Exile and Return of Writers from East-Central Europe: A Compendium. Ed. John Neubauer, and Borbála Zsuzsanna Török. New York: Walter de Gruyter, 2009. 276–303. Print. Danys, Milda. DP: Lithuanian Immigration to Canada after the Second World War. Toronto: Multi- cultural History Soc. of Ontario, 1989. Print. Danyt , Milda [Danys, Milda]. “The Emigrant Experience: Contract Hiring of Displaced Per- sons in Canadian Domestic Employment, 1947–1950.” Lituanus 29.2 (1983): n. pag. Web. http://www.lituanus.org/1983_2/83_2_04.htm. Daugirdait , Solveiga. “Travelling Women in Modern Lithuanian Literature.” New Women’s Writing in Russia, Central and Eastern Europe: Gender, Generation, and Identities. Ed. Rosalind Marsh. Newcastle: Cambridge Scholars, 2012. 220–37. Print. Davoli t , Violeta. “‘We Are All Deportees.’ The Trauma of Displacement and the Consoli- dation of National Identity during the Popular Movement in Lithuania.” Maps of Memory: Trauma, Identity and Exile in Deportation Memoirs from the Baltic States. Ed. Violeta Davoli t and Tomas Balkelis. Vilnius: Institute of Lithuanian Literature and Folklore, 2012. n. pag. Web. ---. “Deportee Memoirs and Lithuanian History: The Double Testimony of Dalia Grinkevi i t .” Journal of Baltic Studies 36.1 (2005): 51–68. Print. 84 Bibliography on Life Writing Dobos, István. “Stereotypes in Autobiographical Reading.” Neohelicon 32.1 (2005): 25–33. Print. Duppé, Claudia. “Tourist in Her Native Country: Kapka Kassabova’s Street Without a Name.” Facing the East in the West: Images of Eastern Europe in British Literature, Film and Culture. Ed. Barbara Korte, Eva Ulrike. Pirker, and Sissy Helff. Amsterdam: Rodopi, 2010. 423–36. Print. Elenkov, Ivan, and Daniela Koleva. “Historical Studies in Post-Communist Bulgaria: Between Academic Standards and Political Agendas.” Narratives Unbound: Historical Studies in Post- Communist Eastern Europe. Ed. Sorin Antohi, Balázs Trencsényi, and Péter Apor. New York: Central European UP, 2007.
Recommended publications
  • Aino Kallas Syrjässä
    Lopen Joulu 2009 Aino Kallas Syrjässä Kirjailija Aino Kallas os. Krohn, tunnetun fennomaaniperheen tytär, vietti lapsuuden- ja nuoruudenkesänsä Lopen Sajaniemen Järventaustan Syrjässä. Kesällä 2009 Syrjässä järjestetyissä tapahtumissa oli esillä pieni tätä ajanjaksoa kuvaava näyttely, jossa esiteltyyn aineistoon tämä kirjoitus perustuu. Aikaisemmin on Aino Kallaksen vaiheista Lopella kertonut mm. Hele-Anneli Vähäkylä Lopen joulussa 1997. Godenhjelmit ja Syrjä Helsinkiläisellä lehtori B. F. Godenhjelmilla ja hänen Ida-vaimollaan oli 1870-luvulla kesänviettopaikkaa valitessaan monia vaihtoehtoja. Matkustaako kotimaassa vai ulkomailla, ostaako huvila vai majoittuako vuokrahuoneisiin tai hotelliin? Kaupunkiin jääminen ei heitä liene houkutellut, kuuluihan kesänvietto maaseudulla tai kylpylässä säädynmukaiseen elämään, eikä kaupungissa oleskelua kesäisin pidetty terveellisenäkään. Aiemmin Godenhjelmit olivat matkustaneet joka vuosi Haapsaluun, mutta tästä eteenpäin kesäpaikaksi vakiintui Loppi. Valintaan vaikutti varmaankin hyvä ystävä Yrjö Sakari Yrjö-Koskinen, joka oli ostanut Leppälahden tilan Loppijärven rannalta muutamaa vuotta aikaisemmin. Godenhjelmit eivät kuitenkaan pitäneet oman kesäpaikan ostamista tarpeellisena, vaan vuokrasivat Syrjän tilan pihapiiristä ensin pari huonetta, myöhempinä kesinä vieraita varten rakennetun erillisen huvilan. Syrjän tila oli aiemmin ollut Sajaniemen kylän Jalkusen rusthollin torppa. Kantatila Jalkunen oli jaettu kahtia 1700-luvulla. Toinen puoli oli jaettu vielä uudelleen, jolloin Loppijärven länsipuolisesta
    [Show full text]
  • The Revolutions of 1989 and Their Legacies
    1 The Revolutions of 1989 and Their Legacies Vladimir Tismaneanu The revolutions of 1989 were, no matter how one judges their nature, a true world-historical event, in the Hegelian sense: they established a historical cleavage (only to some extent conventional) between the world before and after 89. During that year, what appeared to be an immutable, ostensibly indestructible system collapsed with breath-taking alacrity. And this happened not because of external blows (although external pressure did matter), as in the case of Nazi Germany, but as a consequence of the development of insuperable inner tensions. The Leninist systems were terminally sick, and the disease affected first and foremost their capacity for self-regeneration. After decades of toying with the ideas of intrasystemic reforms (“institutional amphibiousness”, as it were, to use X. L. Ding’s concept, as developed by Archie Brown in his writings on Gorbachev and Gorbachevism), it had become clear that communism did not have the resources for readjustment and that the solution lay not within but outside, and even against, the existing order.1 The importance of these revolutions cannot therefore be overestimated: they represent the triumph of civic dignity and political morality over ideological monism, bureaucratic cynicism and police dictatorship.2 Rooted in an individualistic concept of freedom, programmatically skeptical of all ideological blueprints for social engineering, these revolutions were, at least in their first stage, liberal and non-utopian.3 The fact that 1 See Archie Brown, Seven Years that Changed the World: Perestroika in Perspective (Oxford: Oxford University Press, 2007), pp. 157-189. In this paper I elaborate upon and revisit the main ideas I put them forward in my introduction to Vladimir Tismaneanu, ed., The Revolutions of 1989 (London and New York: Routledge, 1999) as well as in my book Reinventing Politics: Eastern Europe from Stalin to Havel (New York: Free Press, 1992; revised and expanded paperback, with new afterword, Free Press, 1993).
    [Show full text]
  • Cultural Stereotypes: from Dracula's Myth to Contemporary Diasporic Productions
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions Ileana F. Popa Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/1345 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Cultural Stereotypes: From Dracula's Myth to Contemporary Diasporic Productions A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at Virginia Commonwealth University. Ileana Florentina Popa BA, University of Bucharest, February 1991 MA, Virginia Commonwealth University, May 2006 Director: Marcel Cornis-Pope, Chair, Department of English Virginia Commonwealth University Richmond, Virginia May 2006 Table of Contents Page Abstract.. ...............................................................................................vi Chapter I. About Stereotypes and Stereotyping. Definitions, Categories, Examples ..............................................................................1 a. Ethnic stereotypes.. ........................................................................3 b. Racial stereotypes.
    [Show full text]
  • George Toader
    BIBLIOTECA IULIA HASDEU A. LITERATURA ROMANA CLASICA SI CONTEMPORANA 1. Opere alese – Vol. I de Mihail Eminescu – Editura pentru literatura 1964 2. Romanii supt Mihai-Voievod Viteazul - Vol. I, II de Nicolae Balcescu Editura Tineretului 1967 3. Avatarii faraonului Tla – Teza de doctorat – de George Calinescu Editura Junimea, Iasi 1979 4. Domnisoara din strada Neptun de Felix Aderca - Editura Minerva 1982 5. Eficienta in 7 trepte sau Un abecedat al intelepciunii de Stephen R Covey Editura ALLFA, 2000 6. Explicatie si intelegere – Vol.1 de Teodor Dima Editura Stiintifica si Enciclopedica 1980 7. Gutenberg sau Marconi? de Neagu Udroiu – Editura Albatros 1981 8. Arta prozatorilor romani de Tudor Vianu – Editura Albatros 1977 9. Amintiri literare de Mihail Sadoveanu – Editura Minerva 1970 10. Fire de tort de George Cosbuc – Editura pentru literatura 1969 11. Piatra teiului de Alecu Russo – Editura pentru literatura 1967 12. Paradoxala aventura de I. Manzatu – Editura Tineretului 1962 13. Amintiri, povesti, povestiri de Ion Creanga Editura de stat pentru literatura si arta 1960 14. Mastile lui Goethe de Eugen Barbu - Editura pentru literatura 1967 15. Legendele Olimpului de Alexandru Mitru – Editura Tineretului 1962 16. Studii de estetica de C. Dimitrescu – Iasi – Editura Stiintifica 1974 2 17. Un fluture pe lampa de Paul Everac – Editura Eminescu 1974 18. Prietenie creatoare de Petre Panzaru – Editura Albatros 1976 19. Fabule de Aurel Baranga – Editura Eminescu 1977 20. Poezii de Nicolae Labis – Editura Minerva 1976 21. Poezii de Octavian Goga – Editura Minerva 1972 22. Teatru de Ion Luca Caragiale – Editura Minerva 1976 23. Satra de Zaharia Stancu – Editura pentru literatura 1969 24.
    [Show full text]
  • Kun Tunsin Kuuluvani – Toiseus Ja Kuuluminen Uudessa Kulttuurissa Suomalaisesta Näkökulmasta
    TAMPEREEN YLIOPISTO Henna Kostilainen Kun tunsin kuuluvani – Toiseus ja kuuluminen uudessa kulttuurissa suomalaisesta näkökulmasta Yhteiskunta- ja kulttuuritieteiden yksikkö Historian pro gradu -tutkielma Tampere 2018 Tampereen yliopisto Yhteiskunta- ja kulttuuritieteiden yksikkö KOSTILAINEN, HENNA: Kun tunsin kuuluvani – Toiseus ja kuuluminen uudessa kulttuurissa suomalaisesta näkökulmasta Pro gradu -tutkielma, 91 s. Historia Kesäkuu 2018 Matkakirjallisuus on tärkeä matkojen taltioinnin ja jäsentelyn väline. Matkakirjallisuudessa kirjoitta- jat ovat usein nostaneet esille itselleen tärkeitä teemoja, kuten kohtaamisia ja käsityksiä uudesta kult- tuurista. Matkustamiselle oli usein syynsä, kuten vaikkapa työ, opinnot tai silkka mielenkiinto uutta kulttuuria kohtaan. Matkustamisen aikana ihmisille kertyi erilaisia kokemuksia uudesta kulttuurista, ja pidempiä aikoja ulkomailla viettäneet usein integroituivat paikalliseen yhteiskuntaan. Integroitu- misprosessiin kuului erilaisia toiseuden ja kuulumisen kokemuksia. Tässä tutkimuksessa tarkastelen toiseuden ja kuulumisen kokemuksia ja tunteita osana sopeutumis- prosessia erilaisiin yhteisöihin. Tutkin kolmen suomalaisen naisen, Aino Kallaksen, Elsa Enäjärven ja Helmi Krohnin, kokemuksia toiseudesta ja kuulumisesta kielen ja kielikulttuurin, käytös- ja käyt- täytymiskulttuurin sekä luokkajaon näkökulmista. Kallas, Enäjärvi ja Krohn oleskelivat Britanniassa 1900-luvun alkuvuosikymmeninä eripituisia aikoja. Oleskelunsa aikana he kaikki sopeutuivat erilai- siin ryhmittymiin ja yhteisöihin, sekä
    [Show full text]
  • Moshe Idel Ioan P. Coulianu and Ars Combinatoria
    MOSHE IDEL IOAN P. COULIANU AND ARS COMBINATORIA Moshe Idel Hebrew University of Jerusalem, Israel. E-mail: [email protected] Abstract: At the heart of the analyzes proposed by Moshe Idel is the change of perspective that we find in the work of Ioan P. Coulianu in the last stage of his creation. Coulianu leaves the field of historical-philological approach of religious phenomena to explain the development of religions from a fractal perspective, as an actualization of potentials found from the very beginning, which, combined in different ways, produce different results. Idel finds that the sharp methodological shift that Coulianu has been carrying out since 1986, a stage that also coincides with the one after the death of Mircea Eliade, has been interpreted by two of the most important Romanian intellectuals. Moshe Idel considers that their explanations do not address the specificity of the new approach as formulated by Couliano himself. They appear, on the one hand, as an overly simplistic explanation of a vision of great complexity reduced to a form of psychological complex, and on the other hand, the reduction to a theological perspective that appeals to the intervention of a transcendental power. Idel gives a nuanced explanation of this methodological turn, while suggesting that in order to better understand what is happening in the last stage work, it would be better to talk about the “American Couliano” instead of the “last Couliano”. Key words: Ioan Petru Coulianu, future, memory, ars combinatoria, Raymondus Lullus, Mircea Eliade, methology, religious studies. Journal for the Study of Religions and Ideologies, vol.
    [Show full text]
  • 14 Wissenschaftskolleg Zu Berlin Jahrbuch 2004/2005
    CONTEMPLATING BOXES SORIN ANTOHI Born in Romania in 1957, Sorin Antohi was educated in his native country and in France, earning degrees in English, French, and History. He has taught in several countries, spend- ing most of the last decade at Central European University, Budapest, where he was also Academic Pro-Rector, has established Pasts, Inc. Center for Historical Studies, and became Head of the History Department on August 1, 2005. He has published widely on Utopian- ism, Romanian intellectual and cultural history, the history of ideas, historical theory, and the history of historiography. He is the Secretary General of the International Commission for the Theory and History of Historiography, as well as a Member of the Board of the International Committee of Historical Sciences. – Address: Director, Pasts, Inc. Center for Historical Studies, Central European University, Nádor utca 11, 1051 Budapest, Hungary. At 5:50 a.m. on my last day at Wiko, July 26, 2005, when most other Fellows and spouses sleep soundly, contemplating my own boxes of papers and books – ready to be picked up at 11:15 a.m. – is a sobering experience. My solitude is fragile, since I know quite a few early birds among the Fellows. How do I know? I live in Villa Walther, and thus I enjoy both the romantic vista of the Hubertussee (mellow in autumn and crisp in winter, when the lake is frozen over, an occasional fox dashing to the minuscule island), and the panoptic delights of a closely-knit community. Never since my days in the Romanian army have I ever measured the true meaning of this ambiguous word, “community”, as I did during this past academic year.
    [Show full text]
  • Proquest Dissertations
    LITERATURE, MODERNITY, NATION THE CASE OF ROMANIA, 1829-1890 Alexander Drace-Francis School of Slavonic and East European Studies, University College London Thesis submitted for the degree of PhD June, 2001 ProQuest Number: U642911 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642911 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT The subject of this thesis is the development of a literary culture among the Romanians in the period 1829-1890; the effect of this development on the Romanians’ drive towards social modernization and political independence; and the way in which the idea of literature (as both concept and concrete manifestation) and the idea of the Romanian nation shaped each other. I concentrate on developments in the Principalities of Moldavia and Wallachia (which united in 1859, later to form the old Kingdom of Romania). I begin with an outline of general social and political change in the Principalities in the period to 1829, followed by an analysis of the image of the Romanians in European public opinion, with particular reference to the state of cultural institutions (literacy, literary activity, education, publishing, individual groups) and their evaluation for political purposes.
    [Show full text]
  • Artistic Alliances and Revolutionary Rivalries in the Baltic Art World, 1890–1914
    INTERNATIONAL JOURNAL FOR HISTORY, CULTURE AND MODERNITY www.history-culture-modernity.org Published by: Uopen Journals Copyright: © The Author(s). Content is licensed under a Creative Commons Attribution 4.0 International Licence eISSN: 2213-0624 Artistic Alliances and Revolutionary Rivalries in the Baltic Art World, 1890–1914 Bart Pushaw HCM 4 (1): 42–72 DOI: 10.18352/hcm.503 Abstract In the areas now known as Estonia and Latvia, art remained a field for the Baltic German minority throughout the nineteenth century. When ethnic Estonian and Latvian artists gained prominence in the late 1890s, their presence threatened Baltic German hegemony over the region’s culture. In 1905, revolution in the Russian Empire spilled over into the Baltic Provinces, sparking widespread anti-German violence. The revolution also galvanized Latvian and Estonian artists towards greater cultural autonomy and independence from Baltic German artistic insti- tutions. This article argues that the situation for artists before and after the 1905 revolution was not simply divisive along ethnic lines, as some nationalist historians have suggested. Instead, this paper examines how Baltic German, Estonian and Latvian artists oscillated between com- mon interests, inspiring rivalries, and politicized conflicts, question- ing the legitimacy of art as a universalizing language in multicultural societies. Keywords: Baltic art, Estonia, Latvia, multiculturalism, nationalism Introduction In the 1860s a visitor of the port towns of Riga or Tallinn would have surmised that these cities were primarily German-speaking areas of Imperial Russia. By 1900, however, one could hear not only German, but Latvian, Estonian, Russian, as well as Yiddish on the streets of Riga 42 HCM 2016, VOL.
    [Show full text]
  • „The Happiest Women, Like the Happiest Nations, Have No History“: a Woman’S Body As A
    „The Happiest Women, Like the Happiest Nations, Have No History“: A Woman’s Body as a Metaphor For The Nation Finnish authors Aino Kallas and Sofi Oksanen have both written about Estonia, its people and history, often provocatively for their time. Both Kallas’ and Oksanen’s ties with Estonia1 have allowed them to see behind the facade that Estonians put up; they write as both insiders and outsiders, treating issues that create contrasting reactions and feelings amongst their Estonian readers. Focusing on Kallas’ The Wolf’s Bride and Oksanen’s Purge, the former published during the „first independence“ (1928) and the latter during the re- independence (2008) of Estonia, I will ask what the role and purpose of the violence against women in Kallas and Oksanen is, and argue that they have used gender-based violence to depict other conflicts. Estonian literary scholar Sirje Olesk has drawn parallels between Oksanen’s and Kallas’ lives and works, seeing the style of both writers as realistic, but also sharing a mythological dimension, with characters that are often symbolic.2 Kallas writes about a woman’s search for her sexuality and independence in a time when women’s roles were changing. The story takes place in the 17th century, but addresses the questions of the beginning of 20th century. According to Mia Spangenberg women’s sexuality was part of those questions and it is a part of Kallas’s work.3 Oksanen writes mainly through the eyes of female characters and the tragedy of love, betrayal and redemption of the wounds of contemporary Estonian history.
    [Show full text]
  • Literary Translation in Britain and Selective Xenophobia
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 4 (2002) Issue 1 Article 1 Literary Translation in Britain and Selective Xenophobia Eric Dickens Blaricum, The Netherlands Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Dickens, Eric. "Literary Translation in Britain and Selective Xenophobia." CLCWeb: Comparative Literature and Culture 4.1 (2002): <https://doi.org/10.7771/1481-4374.1140> This text has been double-blind peer reviewed by 2+1 experts in the field. The above text, published by Purdue University Press ©Purdue University, has been downloaded 1570 times as of 11/ 07/19.
    [Show full text]
  • Curriculum Vitae Sorin Mitu Was Born in 1965 at Arad (Romania)
    Curriculum vitae Sorin Mitu was born in 1965 at Arad (Romania). He graduated from the Faculty of History of the Cluj University in 1989 as head of his class, acquiring a major in History and a secondary specialization in Philosophy. He got his PhD degree in History from the same university in 1996. Since 1990 he teaches at “Babeş-Bolyai” University in Cluj-Napoca, where he was an assistant lecturer between 1990 and 1992, a lecturer between 1995 and 1997, an associate professor between 1997 and 2003 and a full professor since 2003. He teaches Theory of Nationalism, Modern History and Symbolic Geographies courses. He leads PhD theses in Modern History and Historical Imagology. Since 2008 he is the chief of the Modern History Department of the “Babeş-Bolyai” University in Cluj-Napoca. He is an expert evaluator of the Romanian Agency for Quality Assurance in Higher Education and he was an expert of the Soros Foundation. He conducted major research projects financed by the European Union’s PHARE Programme (1996-1997), by the National Authority for Scientific Research (2006-2008) and by the National Council for Scientific Research in Higher Education (2006-2008). He is a member of the editorial committee of the Journal of Social Theory and Research, of Studia Universitatis “Babeş-Bolyai” and of Historical Anthropology Notebooks. Sorin Mitu has published 27 specialised books and 49 articles in academic journals. His works are available in Romanian, Hungarian, English, French and German and were printed in Romania, Hungary, Germany and the United States. Sorin Mitu is currently one of the internationally best known Romanian historians.
    [Show full text]