MARRAKECH Di N Guide

Total Page:16

File Type:pdf, Size:1020Kb

MARRAKECH Di N Guide Maria Wittendorff Din guide til MARRAKECH muusmann FORLAG Maria Wittendorff Din guide til MARRAKECH muusmann FORLAG INDHOLD 57 Musée Tiskiwin 97 Dar Bellarj 7 Forord 138 Restauranter & cafeer – Museum Bert Flint 98 Dar Moulay Ali 59 Heritage Museum 99 Comptoir des Mines 140 Det marokkanske køkken 62 Maison de la Photographie 100 Festivaler 8 En lang historie kort 64 Musée de Mouassine 102 David Bloch Gallery 143 Gueliz 65 Musée Boucharouite 102 Galerie 127 143 Grand Café de la Poste 12 Historiske 67 Musée de la Femme 103 Musée Mathaf Farid Belkahia 144 La Trattoria seværdigheder 68 Musée des Parfums 104 Maison Denise Masson 145 +61 70 Aman – Musée Mohammed VI 105 La Qoubba Galerie d’Art 146 Gaïa 14 El Koutoubia 71 Observatoire Astronomie 106 Street art 146 Amandine 16 Almoravide-kuplen – Atlas Golf 147 Le Loft 17 Bymur & byporte 147 Le 68 Bar à Vin 19 Jamaa el-Fna 148 Barometre 108 Riads & hoteller 22 Gnawa 149 L’Annexe 72 Haver & parker 24 De saadiske grave 110 Riad Z 150 Le Petit Cornichon 26 Arkitektur 74 Jardin Majorelle 111 Zwin Zwin Boutique Hotel & Spa 150 L’Ibzar 32 El Badi 77 Jardin Secret 112 Riad Palais des Princesses 151 Amal 35 Medersa Ben Youssef 79 Den islamiske have 113 Riad El Walaa 152 Café Les Négociants 37 El Bahia 80 Jardin Menara 113 Dar Annika 153 Al Fassia 39 Dar El Bacha 82 Jardin Agdal 114 Riad Houma 153 Patron de la Mer – Musée des Confluences 83 Anima Garden 114 Palais Riad Lamrani 154 Moncho’s House Café 41 Garverierne 84 Cyber Park 115 Riad Spa Azzouz 154 Le Warner 42 Mellah 85 Jardin des Arts 116 La Maison Arabe 155 16 Café 44 Lazama-synagogen 86 Parc El Harti 118 Riad Ifoulki 155 Kui-Zin Gueliz 44 Den jødiske kirkegård 86 Parc Lalla Hasna 119 Dar Lalla F’dila 45 De syv helgener 87 La Palmeraie 122 Riad Star 156 Jamaa el-Fna 47 Saints Martyrs-kirken 87 Musée de la Palmeraie 122 La Ferme Medina 156 Café de France 88 Jarjeer Mule and Donkey Refuge 123 Riad Nashira & Spa 156 L’Adresse 124 Riad Les Jardins des Lilas 157 Café Guerrab 124 Villa Verde 158 Le Salama 48 Museer 125 Hotel Les Jardins de la Medina 158 Zwin Zwin Café 90 Kunst & kultur 50 Musée de Marrakech 126 La Mamounia 159 Café Kif-Kif 51 Musée Berbère 92 Orientalist Museum 128 Beldi Country Club 52 Musée Yves Saint-Laurent 92 MACMA 132 Hammam 53 Berberne 94 MACAAL 136 Hammam de la Rose 56 Dar Si Said 96 Riad Yima 136 Heritage Spa 2 3 160 Riad Zitoun & Douar Graoua 183 Riad Laarous 207 Styreform 160 Pepe Nero 183 La Ferme Medina 207 Sprog 161 La Famille 184 Moul tanjia 207 Valuta 162 Naranj 185 Dar Simons 208 Prisniveau & drikkepenge 162 Blackchich 208 Vejr 163 Un Déjeuner 186 Sidi Benslimane & 208 Påklædning 164 La Pergola Diour Saboune 208 Transport 164 Henna Art Café 186 Limoni 210 Sightseeing-busser 165 Dar Essalam 187 Dar Zellij 210 Cykler 166 Koulchi Zine 211 Motorcykelture 211 Hestevogne 167 Kasbah 211 Helligdage 188 Shopping & håndværk 167 Café Clock 212 Sport 168 La Table de la Kasbah 190 Souken 212 Børn og Marrakech 168 Kasbah Café & Restaurant 191 Lædervarer 213 Natteliv 169 Grill hos Hajj 192 La Clinique du Ballon 213 Bjerge & ørken 193 Ensemble Artisanal 170 Place des Épices 194 Handelsgader og markeder 170 Café des Épices 196 Keramik 214 Billedreferencer 170 Nomad 197 Lamper 171 Shtatto 197 Mustapha Blaoui 198 Tæpper 216 Stikordsregister 173 Kaat Benahid 199 16 Soufiane Zarib 173 Le Foundouk 200 Tekstil 174 Kafé Merstan 201 Shoppingcentre og designbutikker 222 Kort 174 Bigua 201 33 Rue Majorelle 175 Trou au Mur 202 Max & Jan 202 Souk Cherifia 176 Sidi Abdelaziz 203 Chabi Chic 176 Terrasse des Épices 204 Skønhedspleje 176 Le Jardin 205 Loppemarked 177 Kui-Zin 205 Carrefour 178 Soul Food 178 Café Atay 206 Fakta & info 180 Mouassine & Bab Doukkala 180 La Table du Palais 206 Land 181 Café Arabe 206 By & indbyggere 181 Dar Cherifa 206 Religion 182 Dar Moha 206 Flag 4 5 Forord Marrakech! Magisk, mageløs, malerisk og magnetisk! Grundlagt som udgangspunkt for enorme erobringer; gennem mange år hovedstad for et storrige; politisk, økonomisk og kulturelt centrum og i dag summen af alt det, der gennem næsten tusind år er løbet igennem de smalle røde gader, over legendariske pladser og langs en bymur, der har set det hele ske og stadig omfavner denne eventyrlige by. Det er intet under, at kunstnere, bohemer, eventyrere og livsnydere i århundreder har følt sig tiltrukket af byen, og i dag strømmer millioner af turister til fra alle egne af verden for at opleve det 1001 nats eventyr, som stadig fortælles her i de velbevarede og yderst stemningsfulde omgivelser. Det har fra første færd været en stor glæde og et privilegium at få lov til at skrive om Marrakech. At gå på opdagelse i byen, besøge seværdigheder, bruge timevis på research, samle noter, interviewe folk, tage tusindvis af billeder og siden sidde uger og dage foran computeren og samle det hele til en beretning. Ting tager tid, især når der er så meget at fortælle. Min første bog om den røde by, Marrakech – smag, steder og stemning, ud- kom i 2017, og nu er yderligere to års rejser og oplevelser lagt til i denne nye udvidede guidebog. Alt, hvad du finder heri, er personligt oplevet – jeg har spist på hver eneste restaurant, jeg har besøgt alle stederne, jeg har oplevet alle årstider i byen, og jeg har vandret og vandret i alle kroge af medinaen for hele tiden at opdage noget nyt. Når jeg møder folk og fortæller, at jeg skriver om Marrakech, så får jeg som regel én af tre reaktioner. Enten siger de: “Ihh, jeg har altid drømt om at besøge den by!” Eller: “Herligt! Jeg er netop ved at planlægge en rejse dertil.” Eller endelig: “Hvor sjovt, jeg er lige kommet hjem derfra, og jeg skal bare tilbage!” Marrakech er på alles læber i disse år, og grundene er utallige. Den by skal virkelig opdages, opleves og genses. Når du nu sidder og læser med, så gætter jeg på, at du også selv befinder dig i en af ovenstående kategorier. Uanset hvilken, eller måske en helt fjerde, så skal du være så velkommen – både her i bogen og i den røde by! Mit håb er, at du kan bruge bogen både som inspiration inden turen og som din guide undervejs, når du skal vælge aktivi- teter i byen og ikke mindst gode steder at spise. Og så er der selvfølgelig i tillæg masser af spændende baggrundshistorier – den slags som gør, at man får en meget mere intens og interessant oplevelse af et rejsemål. Jeg ønsker dig og dine rejsefæller en uforglemmelig tur til Marrakech! Maria Wittendorff 6 EN LANG HISTORIE KORT Før man går på opdagelse i byen, kan det anbefales at kaste et blik tilbage i tiden. Når Almoraviderne man får en fornemmelse af et steds historie – hvad gemmer sig i murene, i de små gyder Abdullah Ibn Yasin havde studeret koranen og de store bygningsværker – bliver oplevel- inderligt og ønskede at sprede budskabet sen ved et besøg så meget mere intens og og gøre folk i hele regionen til rigtige mus- meningsfuld. limer. Hans mission startede i det, der i dag Marrakechs historie går næsten 1.000 år er Mauretanien. Her samlede han en gruppe tilbage. Dengang fandtes endnu ingen natio- stammer under sig under navnet Almoravi- nalstat i landet mod vest, men en lang ræk- derne – “de, der er forenet for at tjene gud”. ke uafhængige berberklaner – Marokkos De tilhørte Sanhaja-stammen, som var et oprindelige befolkning – under skiftende kamelridende folk, og i år 1044 red de 1.000 indflydelse af arabiske dynastier siden den mand høj af sted mod byen Sijilmassa mod arabiske invasion omkring år 700. Berberne nord – et af de største knudepunkter for han- var blevet muslimer, men de fastholdt sam- del i Afrika. De indtog byen, fik kontrol med tidig deres oprindelige berbertraditioner og guldhandlen sydfra og dermed penge til fle- fulgte ikke altid islam helt efter bogen. En re kameler og våben. fuldføre missionen, men formåede at trans- De kom til undsætning og fik slået de krist- enkelt mands idealisme kom til at ændre på Hæren rykkede videre og krydsede At- formere det lille rige til et enormt og magt- ne på flugt, men Ibn Tashfin var ikke begej- dette og på hele landets historie. lasbjergene, der dannede grænsen mellem fuldt imperium. Under hans styre nåede stret for sine nye fæller. Han så med foragt ørkenen og det mere frodige og frugtbare byen nye højder – han anlagde rørledninger på andalusiernes manglende moral og deres land på den anden side. Her indtog de i 1058 med vand til indbyggerne og byggede en ekstravagante levevis og besluttede, at de- byen Aghmat, men da den lå lidt skidt med enorm mur omkring byen til deres beskyt- res undersåtter fortjente bedre. Han vendte bjerge på tre sider, som gjorde den svær at telse. Alle gader og pladser i byen blev stort derfor tilbage med en stor hær og indtog det forsvare, var der brug for et nyt hovedkvar- set anlagt på denne tid. andalusiske rige, der dækkede det meste af ter, og således blev Marrakech skabt. Han fortsatte den hellige krig mod nord Den Iberiske Halvø. For første gang var så Almoraviderne valgte et fladt, åbent styk- og indtog den ene by efter den anden – Fez, stort et landområde samlet under én regent, ke land, hvor de grundlagde deres nye by og Tanger, Algir – og således lykkedes det på og Marrakech var hovedstaden.
Recommended publications
  • Livret Voyage Maroc 2013
    Stage collectif au Maroc Livret de voyage (du 15 au 22 avril 2013) Table des matières I. Carte..................................................................................................................................................3 II. Présentation du Maroc.....................................................................................................................4 1. Géographie...................................................................................................................................4 2. Géographie physique...................................................................................................................4 a) Montagnes...............................................................................................................................4 b) Plaines.....................................................................................................................................5 c) Littoral.....................................................................................................................................5 d) Climat.....................................................................................................................................5 3. Politique.......................................................................................................................................5 4. Économie.....................................................................................................................................6 a) Atouts et points
    [Show full text]
  • Islamic Domes of Crossed-Arches: Origin, Geometry and Structural Behavior
    Islamic domes of crossed-arches: Origin, geometry and structural behavior P. Fuentes and S. Huerta Polytechnic University of Madrid, Spain ABSTRACT: Crossed-arch domes are one of the earliest types of ribbed vaults. In them the ribs are intertwined forming polygons. The earliest known vaults of this type are found in the Great Mosque of Córdoba in Spain built in the mid 10th century, though the type appeared later in places as far as Armenia or Persia. This has generated a debate on their possible origin; a historical outline is given and the different hypotheses are discussed. Geometry is a fundamental part and the different patterns are examined. Though geometry has been thoroughly studied in Hispanic-Muslim decoration, the geometry of domes has very rarely been considered. The geometrical patterns in plan will be examined and afterwards, the geometric problems of passing from the plan to the three-dimensional space will be considered. Finally, a discussion about the possible structural behaviour of these domes is sketched. Crossed-arch domes are a singular type of ribbed vaults. Their characteristic feature is that the ribs that form the vault are intertwined, forming polygons or stars, leaving an empty space in the centre. The fact that the earliest known vaults of this type are found in the Great Mosque of Córdoba, built in the mid 10th century, has generated a debate on their possible origin. The thesis that appears to have most support is that of the eastern origin. This article describes the different hypothesis, to then proceed with a discussion of the geometry.
    [Show full text]
  • History of Azerbaijan (Textbook)
    DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms………….
    [Show full text]
  • Azerbaijan Investment Guide 2015
    PERSPECTIVE SPORTS CULTURE & TOURISM ICT ENERGY FINANCE CONSTRUCTION GUIDE Contents 4 24 92 HE Ilham Aliyev Sports Energy HE Ilham Aliyev, President Find out how Azerbaijan is The Caspian powerhouse is of Azerbaijan talks about the entering the world of global entering stage two of its oil future for Azerbaijan’s econ- sporting events to improve and gas development plans, omy, its sporting develop- its international image, and with eyes firmly on the ment and cultural tolerance. boost tourism. European market. 8 50 120 Perspective Culture & Finance Tourism What is modern Azerbaijan? Diversifying the sector MICE tourism, economic Discover Azerbaijan’s is key for the country’s diversification, international hospitality, art, music, and development, see how relations and building for tolerance for other cultures PASHA Holdings are at the future. both in the capital Baku the forefront of this move. and beyond. 128 76 Construction ICT Building the monuments Rapid development of the that will come to define sector will see Azerbaijan Azerbaijan’s past, present and future in all its glory. ASSOCIATE PUBLISHERS: become one of the regional Nicole HOWARTH, leaders in this vital area of JOHN Maratheftis the economy. EDITOR: 138 BENJAMIN HEWISON Guide ART DIRECTOR: JESSICA DORIA All you need to know about Baku and beyond in one PROJECT DIRECTOR: PHIL SMITH place. Venture forth and explore the ‘Land of Fire’. PROJECT COORDINATOR: ANNA KOERNER CONTRIBUTING WRITERS: MARK Elliott, CARMEN Valache, NIGAR Orujova COVER IMAGE: © RAMIL ALIYEV / shutterstock.com 2nd floor, Berkeley Square House London W1J 6BD, United Kingdom In partnership with T: +44207 887 6105 E: [email protected] LEADING EDGE AZERBAIJAN 2015 5 Interview between Leading Edge and His Excellency Ilham Aliyev, President of the Republic of Azerbaijan LE: Your Excellency, in October 2013 you received strong reserves that amount to over US $53 billion, which is a very support from the people of Azerbaijan and were re-elect- favourable figure when compared to the rest of the world.
    [Show full text]
  • Studies and Sources in Islamic Art and Architecture
    STUDIES AND SOURCES IN ISLAMIC ART AND ARCHITECTURE SUPPLEMENTS TO MUQARNAS Sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. VOLUME IX PREFACING THE IMAGE THE WRITING OF ART HISTORY IN SIXTEENTH-CENTURY IRAN BY DAVID J. ROXBURGH BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Roxburgh, David J. Prefacing the image : the writing of art history in sixteenth-century Iran / David J. Roxburgh. p. cm. — (Studies and sources in Islamic art and architecture. Supplements to Muqarnas, ISSN 0921 0326 ; v. 9) Includes bibliographical references and index. ISBN 9004113762 (alk. papier) 1. Art, Safavid—Historiography—Sources. 2. Art, Islamic—Iran– –Historiography—Sources. 3. Art criticism—Iran—History—Sources. I. Title. II. Series. N7283 .R69 2000 701’.18’095509024—dc21 00-062126 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Roxburgh, David J.: Prefacing the image : the writing of art history in sixteenth century Iran / by David J. Roxburgh. – Leiden; Boston; Köln : Brill, 2000 (Studies and sources in Islamic art and architectue; Vol 9) ISBN 90-04-11376-2 ISSN 0921-0326 ISBN 90 04 11376 2 © Copyright 2001 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers MA 01923, USA.
    [Show full text]
  • Download Download
    UNDERGRADUATE JOURNAL OF NEAR AND MIDDLE EASTERN CIVILIZATIONS Issue 9 || 2016-2017 Undergraduate Journal of Near and Middle Eastern Civilizations Eastern Middle and of Near Journal Undergraduate 2 Undergraduate Journal of Near and Middle Eastern Civilizations Eastern Middle and of Near Journal Undergraduate Undergraduate Journal of Near and Middle Eastern Civilizations A publication of the University of Toronto Near and Middle Eastern Civilizations Students’ Union ISSUE 9, 2016-2017 3 Cover photo by Sarah McMillan Hasssan II Mosque, Casablanca, Morocco (June, 2016) Please address all inquiries, comments, and subscription requests to: University of Toronto Undergraduate Journal of Near and Middle Eastern Studies c/o Near and Middle Eastern Civilizations Students’ Union Bancroft Building, 2nd Floor 4 Bancroft Avenue Toronto, ON Canada M5S 1C1 [email protected] www.nmc.utoronto.ca/undergraduate-journal-of-middle-east-studies Undergraduate Journal of Near and Middle Eastern Civilizations Eastern Middle and of Near Journal Undergraduate Copyright © 2017 University of Toronto Undergraduate Journal of Near and Middle Eastern Studies 4 Undergraduate Journal of Near and Middle Eastern Civilizations Eastern Middle and of Near Journal Undergraduate A note from the editors After being unable to release a 2015-2016 journal, we are very excited to resume this year with our 9th issue edition. You will notice that we changed the journal’s name from The Undergraduate Journal of Middle East Studies to The Undergraduate Journal of Near and Middle Eastern Civilizations to reflect the broader scope of history and culture covered in both the NMC department itself and in the essays presented in this journal.
    [Show full text]
  • The Aesthetics of Islamic Architecture & the Exuberance of Mamluk Design
    The Aesthetics of Islamic Architecture & The Exuberance of Mamluk Design Tarek A. El-Akkad Dipòsit Legal: B. 17657-2013 ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tesisenxarxa.net) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del s eu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tesisenred.net) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos.
    [Show full text]
  • Culture of Azerbaijan
    Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CULTURE OF AZERBAIJAN CONTENTS I. GENERAL INFORMATION............................................................................................................. 3 II. MATERIAL CULTURE ................................................................................................................... 5 III. MUSIC, NATIONAL MUSIC INSTRUMENTS .......................................................................... 7 Musical instruments ............................................................................................................................... 7 Performing Arts ....................................................................................................................................... 9 Percussion instruments ........................................................................................................................... 9 Wind instruments .................................................................................................................................. 12 Mugham as a national music of Azerbaijan ...................................................................................... 25 IV. FOLKLORE SONGS ..................................................................................................................... 26 Ashiqs of Azerbaijan ............................................................................................................................ 27 V. THEATRE,
    [Show full text]
  • "KHATA'i" MOTIF in the ISLAMIC ART -A Study for the Original Forms
    "KHATA'I" MOTIF IN THE ISLAMIC ART -A study for the original forms- Minako YAMANLAR MIZUNO* 1. The painting and the ornament patterns in Islam According to the theories and the categories of European art history, ornamental patterns are accepted as the secondary elements which adorn objects and are never dealt with as an independent genre in the arts, but in the Islamic world ornamental patterns form a very important genre of painting and have played a significant role in its art. Heinrich Lutzeler describes the situation as follows; The term ornament usually means something subordinate. Ornaments are used to decorate something, and their forms do not have de- cisive influences upon the overall style of works of art. Therefore in Europe it is not possible to establish an art history based on ornaments, but in Islam it is not only possible, it is necessary.(1) There have been many discussions about the disproportionate emphasis on ornamental patterns in Islamic art. In those cases, the reasons for it are usually explained through the strict prohibtion of idolatry and the ban on the depiction of living things. Thus the theory has arisen that these restrictions have prevented the development of figure painting in favor of ornamental patterns. But in Islam besides the painting known as miniatures, the painting style called Tezhip also has been evaluated. Tezhip is a kind of painting which is used for the ornamental decoration of manuscripts especially using gold, dark blue and other vivid colors. According to the classifications of European art, Tezhip has been classified as illumination.
    [Show full text]
  • La Vague Blanche
    la vague 1 blanche La vague blanche Yassine Alaoui Yoriyas Sanae Arraqas Mustapha Azeroual Amina Benbouchta Hicham Berrada Max Boufathal M’barek Bouhchichi mounir fatmi Avril 2020 Édité par la Galerie 38 Amine El Gotaibi Casablanca, Maroc Mohssin Harraki Imprimé par Direct Print au Maroc Hicham Matini Tous les droits de l’ouvrage sont réservés Tous droits de reproduction, de diffusion et de traduction réservés Youssef Ouchra Toute reproduction, même partielle, interdite, sans autorisation de l’éditeur Nissrine Seffar ©️ La Galerie 38 Mohamed Thara 38, bd Abdelhadi Boutaleb (ex route d'Azemmour), Ain Diab 20000 Casablanca, Maroc Dépôt Légal : 2020MO1680 ISBN : 978-9954-570-26-5 Directeur de la publication Avec les artistes 9 Avant-propos Mohamed Thara Yassine Alaoui Yoriyas Mohamed Thara Sanaa Arraqas Direction artistique Mustapha Azeroual 15 L’éternel printemps des artistes marocains Sophie Goldryng Amina Benbouchta Rime Fetnan Hicham Berrada 21 Ce qui fait retour Coordination de l’ouvrage Max Boufathal et Secrétariat de rédaction M'Barek Bouhchichi Olivier Rachet Syham Weigant mounir fatmi 25 « La vague blanche » Amine el Gotaibi Caroline Corbal Albessard Auteurs Mohssin Harraki Barbara Bourchenin, Jamal Boushaba, Hicham Matini 31 Génération DABA Caroline Corbal, Rime Fetnan, Youssef Ouchra Syham Weigant Pauline Guex, Maï-Do Hamisultane Nissrine Seffar 4 Lahlou, Olivier Rachet, Mohamed Thara, Mohamed Thara 35 « Au milieu du ressac : inventer l’histoire » 5 Syham Weigant et Chahrazad Zahi Barbara Bourchenin Remerciements 41 La vague l’emportera Traduction Aux artistes et à leurs galeries Patrice Buyle Aux auteurs Jamal Boushaba À la Galerie Dar el Bacha et toutes ses 45 Espacement(s) ! Ce catalogue est publié pour équipes Pauline Guex accompagner l’exposition À Amine Slimani et aux équipes de la Rue La Vague blanche qui s’est tenue de Tanger 53 La vague blanche, Paris en voiture, de la Concorde à la Galerie 38 en 2020.
    [Show full text]
  • Books and Articles Availables in the Roger Mimó's Library in Hotel Tomboctou 1.Books About Morocco
    Books and articles availables in the Roger Mimó’s library in Hotel Tomboctou These books are available to our customers during their stay in the hotel. (519 books in French, 492 books in Spanish, 75 books in Catalan, 43 books in English, 19 books in Arabic, 6 books in Italian, 12 books in German, 4 books in Turkish, 1 book in Dutch) Index 1. Books about Morocco: 1.1 -Books about history, society and traditions of Morocco 1.2 -Books about Moroccan arts and architecture 1.3 -Books about Moroccan mountains 1.4 -Books about various aspects of Morocco 1.5 -Gides of Morocco 1.6 -Maps of Morocco 1.7 -Moroccan cities plans 1.8 -Articles about Morocco 1.9 -Magazines and parts of magazines about Morocco 2. Books about Africa and the Muslim world: 2.1 -Books about Northern Africa in general 2.2 -Books about Tunisia 2.3 -Books about Egypt 2.4 -Books about Black Africa 2.5 -Books about other Arabian and Muslim countries 2.6 -Articles and magazines about various Arabian and Muslim countries 2.7 -Books about Islam 2.8 -Maps of Africa and Muslim countries 2.9 -City plans of Africa and Muslim countries 3. Travel books in Africa and Asia 4. Romans 5. Books about other subjects: 5.1 –Dictionaries 5.2 –Travel books in other countries 5.3 -Other books 5.4 -Maps of other countries 5.5 -City plans of other countries 1.Books about Morocco 1.1 - Books about history, society and traditions of Morocco - Hespéris-Tamuda-4 (in French), MH-4-1 - Hespéris-Tamuda-24 (in French), MH-4-2 - Hespéris-Tamuda-1 (in French), MH-4-3 - Hespéris-Tamuda-2 (in French), MH-4-4 -
    [Show full text]
  • MOROCCO 07Th – 14Th OCTOBER 2018 TOUR Nº 2 the IMPERIAL CITIES RABAT – MEKNES
    th th MOROCCO 07 – 14 OCTOBER 2018 TOUR Nº 2 THE IMPERIAL CITIES RABAT – MEKNES - FEZ MARRAKECH st th 1 Day - October 07 – LISBON / MARRAKECH Attendance at Lisbon airport 120 minutes before schedule flight time. Assistance in boarding formalities by a representative of Abreu who will accompany you throughout the trip. Departure at 2:10 pm with confirm ticket on regular flight TAP, TP 1454, to Marrakech. Arrival at 3:45 pm. Disembarking formalities. Reception and private transportation to Hotel Rawabi Marrakech & Spa 4* or similar. Check in and rooms distribution. Dinner and accommodation. nd th 2 Day - October 08 - MARRAKECH Breakfast at the Hotel. In time to be informed locally, departure for a private visit to the historical city of Marrakech, with the main highlights: Koutoubia Mosque, built in the 19th century. XII, whose minaret is considered to be a symbol of Marrakech and which served as inspiration for the Giralda of Seville and for the Hassan Tower in Rabat; the Badii Palace, which is a ruined palace. There are underground passages to explore and the view from the terrace is fantastic; and the Dar si Said Museum, housed in an old palace, has several Moroccan artefacts from different eras such as wooden sculptures, musical instruments and weapons. It is dedicated to the Moroccan Madeiran industry, joining a magnificent collection of Moroccan folk art: carpets, clothing and ceramics. Lunch at the hotel. In the afternoon, visit of the colourful souks (squares) of Marrakech to explore the market, which is divided into smaller souks according to the goods sold. Departure to Jemaa El Fna Square, unique place in the world! More than a place, it is a huge stage between the Medina and Koutoubia, where the population of Marrakech, with its Berber or Arab costumes, is concentrated.
    [Show full text]