Rendez-Vous À La Cathédrale « the Lights of Liberty

Total Page:16

File Type:pdf, Size:1020Kb

Rendez-Vous À La Cathédrale « the Lights of Liberty PRESS KIT PRESS RELEASE An artistic and technical prowess! Since 2014, more than 60,000 people saw the new version of the popular evening show Rendez-vous à la cathédrale “The Lights of Liberty”. This success led the Bayeux Intercom Tourist Office to renew the show-event in 2016. The tree of liberty and the cathedral will therefore continue this year to adorn a thousand lights throughout the summer! Directed by the company Spectaculaires, Allumeurs d’images, a world leading company in the field of monumental projections, this show is a journey to the heart of Liberty! Liberty, a strong value in Bayeux Historic gateway to the D-Day Beaches area, first town to be liberated in 1944, Bayeux is also the guardian of the famous Tapestry and has been hosting the Prix Bayeux Calvados for War Correspondents since its creation in 1994... Bayeux is therefore a coherent venue for the show « Rendez-vous à la cathédrale », centred on liberty. The Place de la Liberté, the surrounding buildings, the cathedral and the two-hundred-year-old tree offer an ideal location for the artistic creation of the company Spectaculaires, creator of the event. A stone facade and a plane tree used as screens Planted in 1797, the Tree of Liberty of Bayeux stands proudly at the centre of the Place de la Liberté, which, for the occasion, becomes a theatre in the heart of the medieval city. This 360 degree video mapping, a unique artistic and technical prowess, is designed to light up the trunk and branches of the tree. The Declaration of the Rights of Man and of the Citizen, the Allied landings, the freedom of the press, the freedom to love, and the symbol of « flower power »... Liberty in Normandy and around the world is celebrated through short « modules », projected continuously during the evening (duration of a cycle: 40 minutes). The portraits of Martin Luther King, Nelson Mandela and General de Gaulle are shown alongside the works of Paul Eluard, Mozart and Debussy. In parallel, the cathedral is adorned with a thousand colours, right to the tip of its highest point, the Lantern Tower. « Mind-blowing! » « Unique! » « Amazing! » Rendez-vous à la Cathédrale : key figures ☼ More than 130 000 spectators since 2010, with more From July 12 to August 27, 2016 – Free show than 60 000 for « Les lumières de la Liberté » since 2014 On Tuesdays, Thursdays & Saturdays ☼ A budget of 150 000 €, 50% of which stems from From dusk to 00.30 a.m. exterior funds Tree of Liberty – Cathedral ☼ In 2016, 21 evening shows Rendez-vous à la cathédrale 2016 – Press contact : Claire BEAURUEL – Tourist office of Bayeux Intercom Tél : +33(0)2.31.51.28.24 – [email protected] – www.bayeux-bessin-tourisme.com 1 CONTENTS « It is when Night prevails that it is fine to believe in the Light », Edmond Rostand A story of freedom ............................................................................................................ p.3 An unprecedented technological challenge ...................................................................... p.4 The Tree of Liberty, a two hundred year old plane tree ................................................... p.5 The Bayeux cathedral and the beauty of stone ................................................................ p.5 Bayeux, a symbol of freedom ............................................................................................ p.6 Spectaculaires, a world reference ...................................................................................... p.7 They talked about the show .............................................................................................. p.8 The partners of Rendez-vous à la cathédrale ..................................................................... p.9 Practical information ....................................................................................................... p.10 A colourful triptych! ........................................................................................................ p.11 Contacts ........................................................................................................................... p.12 Rendez-vous à la cathédrale 2016 – Press contact : Claire BEAURUEL – Tourist office of Bayeux Intercom Tél : +33(0)2.31.51.28.24 – [email protected] – www.bayeux-bessin-tourisme.com 2 A STORY OF FREEDOM Rendez-vous à la Cathédrale “The Lights of Liberty” is a universal show, for the whole family, of all nationalities, enriched by a soundtrack and carefully selected images… The first paid holidays – True ode to chosen artists. Soundtrack: Senza by holiday time, a symbol of freedom, this Camille, Circle by Bobby Mc Ferrin. scene shows alternatively blue and white bathing costumes, beach huts Liberté by Paul Eluard – A « rainbow » and games… On the melody of the song tree evolves slowly for the duration of “Nationale 7”, the resorts of Normandy the poem… Soundtrack: Rêverie by welcome holiday makers! Soundtrack: Debussy. Nationale 7 by Charles Trenet, covered by Spectaculaires in Nationale « 13 » Liberty of the press, the liberty to inform – To the sound of radio reports, The Liberation of 1944 & the speech by the tree is covered with international the General de Gaulle in Bayeux – newspaper reports, which become After the horror of the D-day landings, stained with ink, crossed out, and the fighting, fire and desolation comes ▲ I have a dream – Black and white illegible, and censured. Just like a TV the time of release. Projected on the stripes symbolise the bars of a prison. screen, the image blurs, white dots trunk, the Cross of Lorraine, symbol of Behind them Martin Luther King’s appear and the image vanishes… French Resistance, and the speech of famous sentence “I HAVE A th General de Gaulle on 14 June 1944, in DREAM” and other symbols of Bayeux. Soundtrack: Time by Hans freedom such as Mahatma Gandhi, Zimmer & Swing 42 by Django Reinhardt. Nelson Mandela and Rosa Parks… These form a mosaic of faces, in a colourful scene, previously shown in black and white. Soundtrack: Kae le Kae by the Soweto Gospel Choir, extracts of the Martin Luther King’s speech. Flower Power – The “hippie” era with its utopian ideas is represented in a highly colourful scene... Hippie ▲ Freedom to love – Hearts pierced hairstyles, psychedelic sunglasses and with arrows – the universal symbol of of course the peace and love symbol… love – are etched into the bark of the Soundtrack: If you’re going to San tree... The light then dims, the tree is Francisco by Scott McKenzie. dressed with lace, and undressed, and ▲ The Revolution, the Declaration of appears “naked” in front of spectators, the Rights of Man and of the Citizen – Artistic creation, “in the manner its bark covered with love messages th On March 30 1797, the Tree of Liberty of...” – is a poetic sequence and hearts. Soundtrack: Déshabillez- is planted in Bayeux... The symbols of inspired by the works of great moi by Juliette Gréco. freedom appear successively: artists such as Van Gogh, Klee, Klimt, Marianne, tricolour ribbons, and the Miro, and Monet… The tree first Phrygian cap... Soundtrack: Concerto appears as a sketch and gradually fills pour clarinette by Mozart. with colour and shapes evoking the Rendez-vous à la cathédrale 2016 – Press contact : Claire BEAURUEL – Tourist office of Bayeux Intercom Tél : +33(0)2.31.51.28.24 – [email protected] – www.bayeux-bessin-tourisme.com 3 AN UNPRECEDENTED TECHNOLOGICAL CHALLENGE Many hours of work were needed in order to dress each vein of the tree and highlight the fine texture of its bark. Complex techniques were also designed to allow the projection of animated images in the branches and leaves! Audiovisual columns specially designed for Bayeux Spectaculaires use eight HD video projectors around the tree. The four- meter-high towers were specially designed for Bayeux and fit discreetly in the environment, unnoticed by the public. The columns are made of aluminium, and contain all the lighting, sound, video and IT equipment, needed for the projection of the show. Developing the most suitable tools and investing in research and development is one of Spectaculaires’ missions. These technical achievements answer several constraints: DISCRETION (unnoticed by spectators) BULK (no impact on the circulation of the public) SECURITY / SOLIDITY (resistance to crowd, circulation, and children) RESISTANCE (to the wind, thermic dissipation, water-tightness) PROTECTION (against theft and/or damage) Advancing technology enables ideas to become real projects « We had been thinking about this scenic installation for five years but techniques needed to evolve. In 2014, the anniversary of the Liberation seemed like the perfect opportunity to propose this show. We created a fusion between light and the tree, like a technical photosynthesis, both poetic and lyrical! » Benoit Quéro, Director-Founder of Spectaculaires, Allumeurs d’images « Current technologies enabled the organisers of “Rendez-vous à la cathédrale” to give concrete expression to the ideas which had been forming in their minds for several years. The first edition, in two parts (highlighting of the cathedral / projection of monumental images on the facade of the Deanery) was such a success that the Tourist Office decided to place a new order with the company Spectaculaires for the next challenge: lighting up the place de la Liberté and the tree in the centre of the square. It is a true work of art which once again awaits spectators. » Loïc JAMIN, President of the Bayeux Intercom Tourist
Recommended publications
  • Virginia Theological Seminary Gothic France: 21-31 May 2021
    Virginia Theological Seminary Gothic France: 21-31 May 2021 SAMPLE OF PROGRAM* Day 1: Friday, May 21, 2021 Arrival in Paris on your own Group Welcome Dinner in a restaurant Lodging in a 4 * boutique hotel in the 5th or 6th arrondissement of Paris (Hotel des Saint-Pères or similar) Day 2: Saturday May 22, 2021 Meet your private tour bus and 2 guides at your hotel for a guided day in Paris. Guided visit of the church of St Pierre de Montmartre, one of the oldest extant churches in Paris, and the Sacré Coeur Basilica with its mosaic of Christ in Glory. Lunch on your own in historic Montmartre After lunch, meet your tour bus for a guided visit of the St Denis Basilica to learn about the birth of Gothic architecture Return to the hotel at the end of the day. Dinner on your own Lodging in a 4 * boutique hotel in the 5th or 6th arrondissement of Paris (Hotel des Saint-Pères or similar) Day 3: Sunday, May 23, 2021 Meet your private tour bus and your 2 guides in front of your hotel for a day trip to Chartres. Guided tour of Notre Dame de Chartres Cathedral, a unique example of early gothic architecture, th and its 13 century Labyrinth Group Lunch in a restaurant Free time to explore the town of Chartres Return to Paris with your tour bus at the end of the day Dinner on your own Lodging in a 4 * boutique hotel in the 5th or 6th arrondissement of Paris (Hotel des Saint-Pères or similar) Day 4: Monday, May 24, 2021 Meet your 2 guides at your hotel for a guided day in Paris (transport pass provided) Guided visit of Notre Dame Cathedral (the exterior), an iconic masterpiece of Gothic architecture, ravaged by fire in April 2019.
    [Show full text]
  • 2019 Flagship Vatech Sept5.Indd
    In collaboration with The National WWII Museum Travel Book by May 17, 2019 and save up to $1,000 per couple. D-DAY: THE INVASION OF NORMANDY AND LIBERATION OF FRANCE SEPTEMBER 5 – 11, 2019 NORMANDY BEACHES ARROMANCHES SAINTE-MÈRE-ÉGLISE BAYEUX • CAEN POINTE DU HOC FALAISE • CHAMBOIS NORMANDY CHANGES YOU FOREVER Dear Alumni and Friends, Nothing can match learning about the Normandy landings as you visit the ery places where these events unfolded and hear the stories of those who fought there. The story of D-Day and the Allied invasion of Normandy have been at the heart of The National WWII Museum’s mission since they opened their doors as The National D-Day Museum on June 6, 2000, the 56th Anniversary of D-Day. Since then, the Museum in New Orleans has expanded to cover the entire American experience in World War II. The foundation of this institution started with the telling of the American experience on D-Day, and the Normandy travel program is still held in special regard – and is considered to be the very best battlefield tour on the market. Drawing on the historical expertise and extensive archival collection, the Museum’s D-Day tour takes visitors back to June 6, 1944, through a memorable journey from Pegasus Bridge and Sainte-Mère-Église to Omaha Beach and Pointe du Hoc. Along the way, you’ll learn the timeless stories of those who sacrificed everything to pull-off the largest amphibious attack in history, and ultimately secured the freedom we enjoy today. Led by local battlefield guides who are experts in the field, this Normandy travel program offers an exclusive experience that incorporates pieces from the Museum’s oral history and artifact collections into presentations that truly bring history to life.
    [Show full text]
  • The Bayeux Tapestry
    The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed
    [Show full text]
  • 2018 | 2 Éric Bournazel, Mutations
    2018 | 2 Éric Bournazel, Mutations. Recueil d’articles d’histoire du Mittelalter – Moyen Âge (500– droit, Paris (Éditions Panthéon-Assas) 2017, 530 p., 1 ill., 1500) ISBN 979-10-90429-96-3, EUR 35,00. DOI: 10.11588/frrec.2018.2.48295 rezensiert von | compte rendu rédigé par Patrick Demouy, Reims Seite | page 1 Le titre de ce recueil fait référence au grand livre qu’Éric Bournazel a publié avec Jean-Pierre Poly en 1980, »La mutation féodale (Xe–XIIe siècles)«. Traduit en espagnol, italien et anglais, il est devenu un classique réédité et a alimenté les débats historiographiques. Ceux-ci ne sont pas relancés. Éric Bournazel, qui s’est affirmé comme un spécialiste des premiers Capétiens et de la féodalité, nous offre un florilège d’histoire institutionnelle et juridique, sans s’interdire des réflexions anthropologiques et des excursions loin du domaine qui est a priori le sien, signe d’une curiosité toujours en éveil. On en jugera par les titres des cinq sections regroupant 29 articles: »Les cercles du pouvoir«; »Jus et Ars«; »Imaginaires«,»idées«, idéologies«; »Le gouvernement des femmes«; »Échappées sportives«. Le fil conducteur de la première partie est le processus de récupération de la féodalité par la royauté. Au cours du XIIe siècle se développe une royauté suzeraine qui domine les hommes parce qu’elle domine les fiefs. D’où le concept de mouvance, ce rapport immuable entre les terres qui entraîne la chaîne des hommages. Suger utilise le terme de fief pour définir les principautés et les intégrer dans une pyramide au sommet de laquelle se trouve le roi, ou plutôt la Couronne, une abstraction distincte de la personne physique et mortelle du souverain, un concept qui a pris forme pendant l’absence de Louis VII, parti à la croisade (1147–1149).
    [Show full text]
  • Hie Est Wadard: Vassal of Odo of Bayeux Or Miles and Frater of St Augustine's, Canterbury?'
    Reading Medieval Studies XL (20 14) Hie est Wadard: Vassal of Odo of Bayeux or Miles and Frater of St Augustine's, Canterbury?' Stephen D. White Emory University On the Bayeux Embroidery, the miles identified as Wadard by the accompanying inscription (W 46: Hie est Wadarcf) has long been known as a 'vassal' of William l's uterine brother, Odo of Bayeux (or de Conteville), who was Bishop of Bayeux from 104911050 until his death in 1097; earl of Kent from e. 1067 until hi s exile in 1088; and prior to his imprisonment in 1082, the greatest and most powerful landholder after the king.' Wadard appears just after Duke William's invading army has landed at Pevensey (W 43) and four of his milites have hurried to Hastings to seize food (W 44-5: Et hie milites festinaverunt hestinga lit eibum raperentur).' On horseback, clad in a hauberk and armed with a shield and spear, Wadard supervises as animals are brought to be slaughtered by an axe-wielding figure (W 45) and then cooked (W 46). Writing in 1821, Charles Stoddard was unable to identify Wadard, because written accounts of the conquest never mention him .4 Nevertheless, he cited his image, along with those of two other men called Turold (W 11) and Vital (W 55), as evidence that the hanging must have dated from 'the time of the Conquest', when its designer and audience could still have known of men as obscure as Wadard and the other two obviously were.' In 1833, Wadard was first identified authoritatively as Odo's 'sub-tenant' by Henry Ellis in A General introduction to Domesday Book, though as far back as 1821 Thomas Amyot had I am deeply indebted to Kate Gilbert fo r her work in researching and editing this article and to Elizabeth Carson Pastan for her helpful suggestions and criticisms.
    [Show full text]
  • A Case-Study of the German Archaeologist Herbert Jankuhn (1905-1990)
    Science and Service in the National Socialist State: A Case-Study of the German Archaeologist Herbert Jankuhn (1905-1990) by Monika Elisabeth Steinel UCL This thesis is submitted for examination for the degree of Doctor of Philosophy (PhD) January 2009 DECLARATION I, Monika Elisabeth Steinel, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. January 2009 2 ABSTRACT The thesis investigates the relationship between archaeology, politics and ideology through a case-study of the prominent German archaeologist Herbert Jankuhn (1905- 1990). It addresses the following questions: what role do archaeological scholars assume in a totalitarian state’s organisational structures, and what may motivate them to do so? To what extent and how are archaeologists and their scientific work influenced by the political and ideological context in which they perform, and do they play a role in generating and/or perpetuating ideologies? The thesis investigates the nature and extent of Jankuhn's practical involvement in National Socialist hierarchical structures, and offers a thematically structured analysis of Jankuhn's archaeological writings that juxtaposes the work produced during and after the National Socialist period. It investigates selected components of Herbert Jankuhn's research interests and methodological approaches, examines his representations of Germanic/German pre- and protohistory and explores his adapting interpretations of the early medieval site of Haithabu in northern Germany. The dissertation demonstrates that a scholar’s adaptation to political and ideological circumstances is not necessarily straightforward or absolute. As a member of the Schutzstaffel, Jankuhn actively advanced National Socialist ideological preconceptions and military aims.
    [Show full text]
  • France | Paris, Bayeux & the Normandy Invasion
    France | Paris, Bayeux & The Normandy Invasion Normandy has played a part in two significant invasions: William the Conqueror departed for England from Bayeux in 1066, and the Allied Forces arrived in 1944. The Norman Conquest is depicted on the Bayeux Tapestry and we’ll tour the battlefields with a private historian. Paris, the City of Light. The most beautiful and romantic of all cities, it is also the world’s most popular tourist destination. From the comfort and convenience of our centrally located hotel all the sights of the city are a short walk or metro ride away - the iconic Eiffel Tower and Arc de Triomphe, the magnificent Notre-Dame Cathedral and Sacré-Cœur Basilica, the Louvre, the Bateaux-Mouches, and Napoleon’s Tomb. Day City Highlights 1 Airborne Meet your Group Director for an overnight flight to France! Train to Bayeux and navigate to hotel. Check in, unpack, meet in lobby for an orientation walk around 2 Bayeux town. Kickoff Dinner and a good nights sleep to recover from jet lag. Tomorrow we learn about D-Day. Morning tour of Omaha Sector, brought to life by Spielberg/Hanks in “Saving Private Ryan”. Afternoon Omaha Sector 3 following the actions of “Easy Company” highlighted by Spielberg/Hanks in “Band of Brothers”. See the Easy Company story of the Norman Conquest of England depicted on the Bayeux Tapestry then visit Bayeux Cathedral. Train to Paris and navigate to the hotel. Orientation walk including Île de la Cité, Île Saint-Louis, Quartier Latin Quarter, Les Halles, Le Marais, and Bastille. We’ll grab an ice-cream at Bertillon, explore 4 Paris inside Notre Dame Cathedral, and if time permits we’ll ascend the tower and/or descend into the crypt.
    [Show full text]
  • Open Muroya Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF HISTORY A COMPARISON OF NORMAN ARCHITECTURE IN THE KINGDOMS OF ENGLAND AND SICILY Mikito Muroya FALL 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in History with honors in History Reviewed and approved* by the following: Kathryn Salzer Assistant Professor of History Thesis Supervisor Mike Milligan Senior Lecturer in History Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This study offers a comparison of the differing architectural styles and forms in the Norman Kingdoms of Sicily and England, exploring what exactly differed, as well as attempting to determine why such differences exist in each area. In the Kingdom of England, the Normans largely imported their own forms from Normandy, incorporating little of the Anglo-Saxon architectural heritage. There are in fact examples of seemingly deliberate attempts to eliminate important Anglo-Saxon buildings and replace them with structures built along Norman lines. By contrast, in the Kingdom of Sicily, buildings erected after the arrival of the Normans feature a mix of styles, incorporating features of the earlier Islamic, Byzantine and local Italian Romanesque, as well as the Normans' own forms. It is difficult to say why such variance existed, but there are numerous possibilities. Some result from the way each state was formed: England had already existed as a kingdom when the Normans conquered the land and replaced the ruling class, while the Kingdom of Sicily was a creation of the Norman conquerors; furthermore, the length of time taken to complete the conquest contrasted greatly.
    [Show full text]
  • NORMANDY POST TOUR EXTENSION $1825 Per Person, Based
    NORMANDY POST TOUR EXTENSION MAY16 – 19, 2015 $1825 per person, Based on Double occupancy $500 single supplement Day 1 – Saturday, May 16, 2015 (B)– Saturday, May 16, Breakfast at the hotel in Paris and check-out. Meet your tour guide and board your private coach for a morning drive to Normandy – about 3 hours. Lunch at local restaurant upon arrival. Afternoon guided walking tour of Bayeux and visit the famous tapestry which is one of the most historically important, and unusual, chronicles of its day. The 70m-long (231ft) tapestry offers a splendidly vivid depiction of the events leading up to the Norman Conquest of England in 1066. It begins with Harold of Wessex’s visit to Normandy and his meeting with Duke William in 1064, and culminates with the flight of the English army at Hastings. Check-in at your 4 star hotel. Dinner at leisure Day 2 – Sunday, May 17, 2015 (B) Breakfast at the hotel. Full day visiting the Normandy beaches. Start the day in Arromanches: Realizing the difficulties of capturing intact an enemy held port, the British, under Churchill, opted for the mammoth task of building two artificial harbors, one for the American 1st Army at Omaha, the other for the British 2nd Army at Gold. Visit the D-Day Landing Museum, built on the site of the artificial harbor constructed during the Second World War. Lunch at leisure. Continue to Omaha Beach and its American cemetery, the largest World War II-era American cemetery in France. Here, far too many men—9,386—rest in graves laid in perfect symmetry.
    [Show full text]
  • Burgundian Gothic Architecture
    BURGUNDIAN GOTHIC ARCHITECTURE ROBERT BRANNER DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY COLUMBIA UNIVERSITY, NEW YORK A. ZWEMMER LTD LONDON tjj V1 © 1960 A. ZWEMMER LTD, 76-80 CHARING CROSS ROAD, LONDON WC2 MADE AND PRINTED IN GREAT BRITAIN BLOCKS ETCHED BY W. F. SEDGWICK LTD, LONDON SEI TEXT AND ILL USTRATIONS PRINTED BY PERCY LUND, HUMPHRIES AND CO. LTD, BRADFORD BOUND BY KEY AND WHITING LTD, LONDON NI Contents List of Plates I. Auxerre Cathedral, the interior of the chevet 2a. Anzy Ie Due, the nave 2b. Paray Ie Monial, the nave 3a. Fontenay, the nave 3b. Pontigny, the nave 4a. Fontenay, the chapter house 4b. Vermenton, detail of the nave sa. Bar sur Aube, St Pierre, the exterior of the chevet sb. Bar sur Aube, St Maclou, detail of the nave 6a. Chablis, St Pierre, the nave 6b. Montreal, the crossing and apse 7a. Langres Cathedral, the interior 7b. Bar sur Aube, St Maclou, the nave Sa. Sens Cathedral, the interior of the chevet sb. Chablis, St Martin, the hemicycle 9a. Auxerre, St Eusebe, the nave 9b. Vezelay, the interior of the chevet 10. Pontigny, the interior of the chevet lIa. Canterbury, a detail of Trinity Chapel IIb. Geneva, former Cathedral, a detail of the choir 12a. Troyes, Madeleine, a detail of the choir I2b. Sens Cathedral, a detail of the north tower wall 13a. Auxerre Cathedral, the north aisle of the chevet 13b. Clamecy, St Martin, the ambulatory wall 14. Auxerre Cathedral, an exterior detail of the hemicycle clerestory IS. Auxerre Cathedral, a detail of the clerestory and triforium 16a.
    [Show full text]
  • The Bayeux Tapestry: Norman and English Perspectives Intertwined
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2004 The Bayeux Tapestry: Norman and English Perspectives Intertwined Maria Dajcar University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the European History Commons Recommended Citation Dajcar, Maria, "The Bayeux Tapestry: Norman and English Perspectives Intertwined. " Master's Thesis, University of Tennessee, 2004. https://trace.tennessee.edu/utk_gradthes/4652 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Maria Dajcar entitled "The Bayeux Tapestry: Norman and English Perspectives Intertwined." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in History. Robert Bast, Major Professor We have read this thesis and recommend its acceptance: ARRAY(0x7f6ff822e9e0) Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Maria Dajcar entitled "The Bayeux Tapestry: Norman and English Perspectives Intertwined". I have examined the final paper copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in History.
    [Show full text]
  • Bayeux Style Initials
    ©Ava, 2014 Bayeux style initials Drachenwald Crown Tourney 2014 workshop by Ava van Allecmere [email protected] Introduction: The Bayeux Tapestry is an embroidered cloth—not an actual tapestry—nearly 70 metres (230 ft) long, which depicts the events leading up to the Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings. The word tapestry comes from French tapisser, which means ‘to cover the wall’, thus wall covering. The tapestry consists of some fifty scenes with Latin tituli (captions), embroidered on linen with coloured woollen yarns. It is likely that it was commissioned by Bishop Odo, William's half- brother, and made in England—not Bayeux—in the 1070s. In 1729 the hanging was rediscovered by scholars at a time when it was being displayed annually in Bayeux Cathedral. The tapestry is now exhibited at Musée de la Tapisserie de Bayeux in Bayeux, Normandy, France. In a series of pictures supported by a written commentary the tapestry tells the story of the events of 1064–1066 culminating in the Battle of Hastings. The two main protagonists are Harold Godwinson, recently crowned King of England, leading the Anglo-Saxon English, and William, Duke of Normandy, leading a mainly Norman army, sometimes called the companions of William the Conqueror. Construction, design and technique: The Bayeux tapestry is embroidered in wool yarn on a tabby-woven linen ground 68.38 metres long and 0.5 metres wide (224.3 ft × 1.6 ft) and using two methods of stitching: outline or stem stitch for lettering and the outlines of figures, and couching or laid work for filling in figures.
    [Show full text]