International Journal of Arts and Commerce ISSN 1929-7106 www.ijac.org.uk VISUAL CAPACITY OF SIAH-MASHQ NASTALIQ CALLIGRAPHY, IN CONTEMPORARY TYPOGRAPHY POSTERS OF IRAN Bahram Hamidi1* and Zainab Rashvand2 *1Department of Graphic Communication, Faculty of Arts and Architecture, University of Guilan, Rasht, Iran 2Department of Painting, Faculty of Arts and Architecture, University of Guilan, Rasht, Iran *Corresponding Author:
[email protected] ABSTRACT Siah-Mashq in calligraphy of Iran, is a method of training to improve skills nastaliq calligraphy for writing beautiful letters and its literary concepts are not considered to be in writing and repetition of letters and words which according to its aesthetic feature, it comes independent of traditional calligraphy and as a result, it creates several Visual capabilities to create a variety of configurations. The importance of Siah- Mashq, in respect of contemporary Iranian artists, it is only because of its aesthetic value which creates a very rich background to create works of art. Find original values is one of the achievements of designers of Siah-Mashq nastaliq contemporary Iranian posters, typography posters that were created by this method, widely with awareness of the variety of Visual features of this style of calligraphy and developed a language and expressed the Visual concepts of contemporary Iranian typography posters. The possibility of adaptability Siah-Mashq, with contemporary typography is important concepts in Siah-Mashq, which has created the possibility of creating unusual and novel combinations of them, because of the flexible structural features, in various shapes of letters and it has created a new face of typographic poster design with an independent identity in the international arena.