Visual Codifications of the Qur'an Between 1000 and 1700
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A Study of Kufic Script in Islamic Calligraphy and Its Relevance To
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1999 A study of Kufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century Enis Timuçin Tan University of Wollongong Recommended Citation Tan, Enis Timuçin, A study of Kufic crs ipt in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1999. http://ro.uow.edu.au/ theses/1749 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. A Study ofKufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century. DOCTORATE OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ENiS TIMUgiN TAN, GRAD DIP, MCA FACULTY OF CREATIVE ARTS 1999 CERTIFICATION I certify that this work has not been submitted for a degree to any university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, expect where due reference has been made in the text. Enis Timucin Tan December 1999 ACKNOWLEDGEMENTS I acknowledge with appreciation Dr. Diana Wood Conroy, who acted not only as my supervisor, but was also a good friend to me. I acknowledge all staff of the Faculty of Creative Arts, specially Olena Cullen, Liz Jeneid and Associate Professor Stephen Ingham for the variety of help they have given to me. -
Arabic Language
THE ARABIC LANGUAGE KEES VERSTEEGH 'u COLUMBIA UNIVERSITY PRESS New York 11 The Emergence of Modern Standard Arabic I I. I INTRODUCTION In 1798, Napoleon Bonaparte's brief expedition to Egypt brought this province of the Ottoman empire into direct contact with Western Europe. This marked the beginning of a period in which European culture, at first primarily from France, but later from England as well, began to infiltrate the Arab world. At first, the reception of new ideas was promoted by the government: Mul:t.ammad (All, who governed Egypt from 1805 until 1848, stimulated the translation of books and articles from French,' mostly on technical subjects, but political and cultural topics were also included. In this way, the concepts of the French Enlighten ment became part of the intellectual atmosphere of the country. The introduc tion of new political ideas stimulated the rise of Arab nationalism, which in the second half of the nineteenth century centred around the position of Arabic as the language of the Arab world. At the same time, the confrontation with West ern ideas led to a debate about the compatibility of these ideas with the tradition of Islam, and, on a linguistic level, about the capacity of the Arabic language to express the new notions. In this chapter, we shall deal with four topics: the position of Arabic in the nineteenth century; the adaptation of Arabic vocabu lary to the modem period; the reform of grammar; and the changes in the struc ture and phraseology of the language. I I .2 THE REBIRTH OF ARABIC When the French conquered Egypt, the Egyptian writer al-Gabartr (d. -
Jihadism: Online Discourses and Representations
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Studying Jihadism 2 3 4 5 6 Volume 2 7 8 9 10 11 Edited by Rüdiger Lohlker 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 The volumes of this series are peer-reviewed. 37 38 Editorial Board: Farhad Khosrokhavar (Paris), Hans Kippenberg 39 (Erfurt), Alex P. Schmid (Vienna), Roberto Tottoli (Naples) 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 Rüdiger Lohlker (ed.) 2 3 4 5 6 7 Jihadism: Online Discourses and 8 9 Representations 10 11 12 13 14 15 16 17 With many figures 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 & 37 V R unipress 38 39 Vienna University Press 40 41 Open-Access-Publikation im Sinne der CC-Lizenz BY-NC-ND 4.0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; 24 detailed bibliographic data are available online: http://dnb.d-nb.de. -
The Qur'anic Manuscripts
The Qur'anic Manuscripts Introduction 1. The Qur'anic Script & Palaeography On The Origins Of The Kufic Script 1. Introduction 2. The Origins Of The Kufic Script 3. Martin Lings & Yasin Safadi On The Kufic Script 4. Kufic Qur'anic Manuscripts From First & Second Centuries Of Hijra 5. Kufic Inscriptions From 1st Century Of Hijra 6. Dated Manuscripts & Dating Of The Manuscripts: The Difference 7. Conclusions 8. References & Notes The Dotting Of A Script And The Dating Of An Era: The Strange Neglect Of PERF 558 Radiocarbon (Carbon-14) Dating And The Qur'anic Manuscripts 1. Introduction 2. Principles And Practice 3. Carbon-14 Dating Of Qur'anic Manuscripts 4. Conclusions 5. References & Notes From Alphonse Mingana To Christoph Luxenberg: Arabic Script & The Alleged Syriac Origins Of The Qur'an 1. Introduction 2. Origins Of The Arabic Script 3. Diacritical & Vowel Marks In Arabic From Syriac? 4. The Cover Story 5. Now The Evidence! 6. Syriac In The Early Islamic Centuries 7. Conclusions 8. Acknowledgements 9. References & Notes Dated Texts Containing The Qur’an From 1-100 AH / 622-719 CE 1. Introduction 2. List Of Dated Qur’anic Texts From 1-100 AH / 622-719 CE 3. Codification Of The Qur’an - Early Or Late? 4. Conclusions 5. References 2. Examples Of The Qur'anic Manuscripts THE ‘UTHMANIC MANUSCRIPTS 1. The Tashkent Manuscript 2. The Al-Hussein Mosque Manuscript FIRST CENTURY HIJRA 1. Surah al-‘Imran. Verses number : End Of Verse 45 To 54 And Part Of 55. 2. A Qur'anic Manuscript From 1st Century Hijra: Part Of Surah al-Sajda And Surah al-Ahzab 3. -
The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques
The Transformation of Calligraphy from Spirituality to Materialism in Contemporary Saudi Arabian Mosques A dissertation submitted to Birmingham City University in fulfilment of the requirement for the degree of Doctor of Philosophy in Art and Design By: Ahmad Saleh A. Almontasheri Director of the study: Professor Mohsen Aboutorabi 2017 1 Dedication My great mother, your constant wishes and prayers were accepted. Sadly, you will not hear of this success. Happily, you are always in the scene; in the depth of my heart. May Allah have mercy on your soul. Your faithful son: Ahmad 2 Acknowledgments I especially would like to express my appreciation of my supervisors, the director of this study, Professor Mohsen Aboutorabi, and the second supervisor Dr. Mohsen Keiany. As mentors, you have been invaluable to me. I would like to extend my gratitude to you all for encouraging me to conduct this research and give your valuable time, recommendations and support. The advice you have given me, both in my research and personal life, has been priceless. I am also thankful to the external and internal examiners for their acceptance and for their feedback, which made my defence a truly enjoyable moment, and also for their comments and suggestions. Prayers and wishes would go to the soul of my great mother, Fatimah Almontasheri, and my brother, Abdul Rahman, who were the first supporters from the outset of my study. May Allah have mercy on them. I would like to extend my thanks to my teachers Saad Saleh Almontasheri and Sulaiman Yahya Alhifdhi who supported me financially and emotionally during the research. -
Bulletin of the School of Oriental and African Studies When Did The
Bulletin of the School of Oriental and African Studies http://journals.cambridge.org/BSO Additional services for Bulletin of the School of Oriental and African Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here When did the consonantal skeleton of the Quran reach closure? Part II Nicolai Sinai Bulletin of the School of Oriental and African Studies / FirstView Article / May 2014, pp 1 - 13 DOI: 10.1017/S0041977X14000111, Published online: 22 May 2014 Link to this article: http://journals.cambridge.org/abstract_S0041977X14000111 How to cite this article: Nicolai Sinai When did the consonantal skeleton of the Quran reach closure? Part II . Bulletin of the School of Oriental and African Studies, Available on CJO 2014 doi:10.1017/S0041977X14000111 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BSO, IP address: 128.250.144.144 on 27 May 2014 Bulletin of SOAS, Page 1 of 13. © SOAS, University of London, 2014. doi:10.1017/S0041977X14000111 When did the consonantal skeleton of the Quran reach closure? Part II1 Nicolai Sinai Oriental Institute, University of Oxford [email protected] Abstract The Islamic tradition credits the promulgation of a uniform consonantal skeleton (rasm) of the Quran to the third caliph ʿUthmān (r. 644–656). However, in recent years various scholars have espoused a conjectural dat- ing of the Quran’s codification to the time of ʿAbd al-Malik, or have at least taken the view that the Islamic scripture was open to significant revi- sion up until c. 700 CE. The second instalment of this two-part article sur- veys arguments against this hypothesis. -
Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence. -
Towards a Reconstruction of the Muʿtazili Tradition of Qurʾanic
________4 ________ Aims, Methods and Towards a Reconstruction of the Muctazi II Tradition of Contexts of Qur'anic Exegesis: Reading the Qur'anic Exegesis Introduction to the TahdhTb of al-tJakim ai-JishumT (d. 494/1101) (2nd/8th-9th/15th c.) and Its Application· EDITED BY SULEIMAN A. MOURAD Karen Bauer HE Tahdhib fi taftirai-Qur'an (The Refinement in the Interpretation Tof the Qur'an), by the Mu'tazili scholar and theologian al-l:lakim al-Jishumi (d. 494/1101), represents, to date, our best source for under standing the Mu'tazili tradition ofQur'anic exegesis.' Yet, this massive work that comprises nine volumes2 is only available in manuscript form, and is therefore inaccessible to most scholars ofQur'anic Studies. The only published Mu'tazili tafsir is Tafsir al-kashshiif by Jar Allah MaQ.mud b. •u mar al·Zamakhshari (d 538/1144), who does not furnish in his introduction the hermeneutical approach and methodology he adopts for interpreting the Qur'an, although in the main body of the Kashshiif the reader can identify some elements that belong to a hermeneutical approach and methodology.3 In contrast, Jishumi lays • This essay is based on a monograph in preparation on Jishumi and his exegesis of the Qur'an entitled The Mu'tazila at1d Qur'anic Henuctleutics: A Study ofal-J:(iikirn al-Jisi1Uml's Exegesis: al-Tahdhib fltafsir al-Qur'nn, facilitated by a fellowship from OXFORD the National Endowment for the Humanities and a Franklin Research Grant from the UNrvJIUITY l'IJIII American Philosophical Society. An earlier version of this paper, entitled 'The in association with Revealed Text and the Intended Subtext: Notes on the Hermeneutics ofthe Qur'an in Mu'tazila Discourse as Reflected in the Tahdhibof al-l:faldm ai-Jishumi (d.494/1101)', THE INSTITUTE OF ISMAfLI STUDIES appeared in Felicitas Opwis and David Reisman, eds., Islamic Philosophy, Scic11cc, LONDON Culture, arrd Religiorr: Studies in Horror ofDimitri Gulas (Leiden, 2011), pp. -
You May View It Or Download a .Pdf Here
“I put my trust in God” (“Tawakkaltu ‘ala ’illah”) Word 2012 —Arabic calligraphy in nasta’liq script on an ivy leaf 42976araD1R1.indd 1 11/1/11 11:37 PM Geometry of the Spirit WRITTEN BY DAVID JAMES alligraphy is without doubt the most original con- As well, there were regional varieties. From Kufic, Islamic few are the buildings that lack Hijazi tribution of Islam to the visual arts. For Muslim cal- Spain and North Africa developed andalusi and maghribi, calligraphy as ornament. Usu- Cligraphers, the act of writing—particularly the act of respectively. Iran and Ottoman Turkey both produced varie- ally these inscriptions were writing the Qur’an—is primarily a religious experience. Most ties of scripts, and these gained acceptance far beyond their first written on paper and then western non-Muslims, on the other hand, appreciate the line, places of origin. Perhaps the most important was nasta‘liq, transferred to ceramic tiles for Kufic form, flow and shape of the Arabic words. Many recognize which was developed in 15th-century Iran and reached a firing and glazing, or they were that what they see is more than a display of skill: Calligraphy zenith of perfection in the 16th century. Unlike all earlier copied onto stone and carved is a geometry of the spirit. hands, nasta‘liq was devised to write Persian, not Arabic. by masons. In Turkey and Per- The sacred nature of the Qur’an as the revealed word of In the 19th century, during the Qajar Dynasty, Iranian sia they were often signed by Maghribıi God gave initial impetus to the great creative outburst of cal- calligraphers developed from nasta‘liq the highly ornamental the master, but in most other ligraphy that began at the start of the Islamic era in the sev- shikastah, in which the script became incredibly complex, con- places we rarely know who enth century CE and has continued to the present. -
An Analytical Study of Women-Related Verses of S¯Ura An-Nisa
Gunawan Adnan Women and The Glorious QurÞÁn: An Analytical Study of Women-RelatedVerses of SÙra An-NisaÞ erschienen in der Reihe der Universitätsdrucke des Universitätsverlages Göttingen 2004 Gunawan Adnan Women and The Glorious QurÞÁn: An Analytical Study of Women- RelatedVerses of SÙra An-NisaÞ Universitätsdrucke Göttingen 2004 Die Deutsche Bibliothek – CIP-Einheitsaufnahme Ein Titelsatz für diese Publikation ist bei der Deutschen Bibliothek erhältlich. © Alle Rechte vorbehalten, Universitätsverlag Göttingen 2004 ISBN 3-930457-50-4 Respectfully dedicated to My honorable parents ...who gave me a wonderful world. To my beloved wife, son and daughter ...who make my world beautiful and meaningful as well. i Acknowledgements All praises be to AllÁh for His blessing and granting me the health, strength, ability and time to finish the Doctoral Program leading to this book on the right time. I am indebted to several persons and institutions that made it possible for this study to be undertaken. My greatest intellectual debt goes to my academic supervisor, Doktorvater, Prof. Tilman Nagel for his invaluable advice, guidance, patience and constructive criticism throughout the various stages in the preparation of this dissertation. My special thanks go to Prof. Brigitta Benzing and Prof. Heide Inhetveen whose interests, comments and guidance were of invaluable assistance. The Seminar for Arabic of Georg-August University of Göttingen with its international reputation has enabled me to enjoy a very favorable environment to expand my insights and experiences especially in the themes of Islamic studies, literature, phylosophy, philology and other oriental studies. My thanks are due to Dr. Abdul RazzÁq Weiss who provided substantial advice and constructive criticism for the perfection of this dissertation. -
Nota Ringkasan Asas Tajwid Al-Qur'an
FATEHAH LEARNING CENTRE ILMU . AMAL . AMAN . NOTA RINGKASAN ASAS TAJWID AL-QUR’AN RASM ‘UTHMANI RIWAYAT HAFS IMAM ‘ASIM ‘ Kuasai Ilmu Tajwid Dengan Mudah ’ ‘ Seronoknya Cinta Al-Qur’an ’ Disusun oleh: Ahmad Fitri Bin Mat Rusop Disemak oleh: Mohd Izwan Bin Ahmad FATEHAH LEARNING CENTRE 27-2, Jalan Wangsa Delima 2A, Syeksen 5 Wangsa Maju, 53300 Kuala Lumpur WhatsApp: 011 - 1621 7797 Tel: 03 - 4131 9057 FATEHAH LEARNING CENTRE Seronoknya Cinta Al-Quran KANDUNGAN BIL PERKARA MUKA SURAT 1 Pengenalan 3 2 Makhraj Huruf 5 3 Alif Lam Ma’rifah 10 4 Hukum Bacaan Nun Mati Dan Tanwin 11 5 Hukum Bacaan Mim Mati 14 6 Bacaan Mim Dan Nun Syaddah 15 7 Jenis-jenis Idgham 16 8 Jenis-jenis Mad 17 9 Hukum Bacaan Ra 24 10 Hukum Bacaan Lam Pada Lafaz Al-Jalalah 25 11 Qalqalah 25 12 Tanda-tanda Waqaf 26 13 Cara Bacaan Hamzah Wasal 27 14 Iltiqa’ Sakinain / Nun Al-Wiqayah 28 15 Bacaan-bacaan Gharib dalam Al-Qur’an 29 2 FATEHAH LEARNING CENTRE Seronoknya Cinta Al-Quran PENGENALAN PENGERTIAN TAJWID Tajwid dari sudut bahasa bermaksud memperelokkan atau memperindahkan. Dari sudut istilah pula, Tajwid bererti megeluarkan huruf dari tempatnya dengan memberikan hak sifat-sifat yang dimilikinya. Ringkasnya, ilmu tajwid adalah ilmu tentang cara membaca Al-Quran dengan baik dan betul. TUJUAN MEMPELAJARI ILMU TAJWID Supaya dapat membaca ayat suci Al-Qur’an secara fasih (betul/benar), lancar, serta dapat memelihara lidah dari kesalahan-kesalahan ketika membaca al-Qur'an. HUKUM MEMPELAJARI ILMU TAJWID Hukum mempelajari Ilmu Tajwid adalah Fardhu Kifayah. Akan tetapi, hukum mengamalkan tajwid di ketika membaca Al-Qu’an adalah Fardhu ‘Ain, atau wajib ke atas setiap lelaki dan perempuan yang mukallaf. -
Abstracts Electronic Edition
Societas Iranologica Europaea Institute of Oriental Manuscripts of the State Hermitage Museum Russian Academy of Sciences Abstracts Electronic Edition Saint-Petersburg 2015 http://ecis8.orientalstudies.ru/ Eighth European Conference of Iranian Studies. Abstracts CONTENTS 1. Abstracts alphabeticized by author(s) 3 A 3 B 12 C 20 D 26 E 28 F 30 G 33 H 40 I 45 J 48 K 50 L 64 M 68 N 84 O 87 P 89 R 95 S 103 T 115 V 120 W 125 Y 126 Z 130 2. Descriptions of special panels 134 3. Grouping according to timeframe, field, geographical region and special panels 138 Old Iranian 138 Middle Iranian 139 Classical Middle Ages 141 Pre-modern and Modern Periods 144 Contemporary Studies 146 Special panels 147 4. List of participants of the conference 150 2 Eighth European Conference of Iranian Studies. Abstracts Javad Abbasi Saint-Petersburg from the Perspective of Iranian Itineraries in 19th century Iran and Russia had critical and challenging relations in 19th century, well known by war, occupation and interfere from Russian side. Meantime 19th century was the era of Iranian’s involvement in European modernism and their curiosity for exploring new world. Consequently many Iranians, as official agents or explorers, traveled to Europe and Russia, including San Petersburg. Writing their itineraries, these travelers left behind a wealthy literature about their observations and considerations. San Petersburg, as the capital city of Russian Empire and also as a desirable station for travelers, was one of the most important destination for these itinerary writers. The focus of present paper is on the descriptions of these travelers about the features of San Petersburg in a comparative perspective.