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Arabic Languages (ARAB) 1
Arabic Languages (ARAB) 1 ARAB 2231 (3) Love, Loss and Longing in Classical Arabic Literature ARABIC LANGUAGES (ARAB) Surveys Arabic literature from the sixth through the eighteenth centuries. It offers an introduction to Arabic literature, namely prose and poetry, Courses through its key texts as well as the range of themes and techniques found in this literature, and it lays the groundwork for contextualizing the ARAB 1010 (5) Beginning Arabic 1 literature in the framework of other literary traditions. Taught in English. Introduces students to speaking, listening, reading, and writing skills in Grading Basis: Letter Grade the standard means of communication in the Arab world. This course is Additional Information: Arts Sci Core Curr: Literature and the Arts proficiency-based. All activities within the course are aimed at placing the Arts Sci Gen Ed: Distribution-Arts Humanities student in the context of the native-speaking environment from the very Departmental Category: Arabic Courses in English beginning. Departmental Category: Asia Content Additional Information: Arts Sci Core Curr: Foreign Language Arts Sci Gen Ed: Distribution-Arts Humanities ARAB 2320 (3) The Muslim World, 600-1250 Arts Sci Gen Ed: Foreign Language Focusing on the history of the Muslim World in the age of the caliphates, Departmental Category: Arabic this course takes an interdisciplinary, comparative approach to the Departmental Category: Asia Content development of Islamicate society, focusing on social structure, politics, economics and religion. Students will use primary and secondary sources ARAB 1011 (3) Introduction to Arab and Islamic Civilizations to write a research paper, and make in-class presentations to cultivate Provides an interdisciplinary overview of the cultures of the Arabic- critical thinking, research and writing skills. -
A Study of Kufic Script in Islamic Calligraphy and Its Relevance To
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1999 A study of Kufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century Enis Timuçin Tan University of Wollongong Recommended Citation Tan, Enis Timuçin, A study of Kufic crs ipt in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century, Doctor of Philosophy thesis, Faculty of Creative Arts, University of Wollongong, 1999. http://ro.uow.edu.au/ theses/1749 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. A Study ofKufic script in Islamic calligraphy and its relevance to Turkish graphic art using Latin fonts in the late twentieth century. DOCTORATE OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by ENiS TIMUgiN TAN, GRAD DIP, MCA FACULTY OF CREATIVE ARTS 1999 CERTIFICATION I certify that this work has not been submitted for a degree to any university or institution and, to the best of my knowledge and belief, contains no material previously published or written by any other person, expect where due reference has been made in the text. Enis Timucin Tan December 1999 ACKNOWLEDGEMENTS I acknowledge with appreciation Dr. Diana Wood Conroy, who acted not only as my supervisor, but was also a good friend to me. I acknowledge all staff of the Faculty of Creative Arts, specially Olena Cullen, Liz Jeneid and Associate Professor Stephen Ingham for the variety of help they have given to me. -
Arabic Language and Literature 1979 - 2018
ARABIC LANGUAGEAND LITERATURE ARABIC LANGUAGE AND LITERATURE 1979 - 2018 ARABIC LANGUAGE AND LITERATURE A Fleeting Glimpse In the name of Allah and praise be unto Him Peace and blessings be upon His Messenger May Allah have mercy on King Faisal He bequeathed a rich humane legacy A great global endeavor An everlasting development enterprise An enlightened guidance He believed that the Ummah advances with knowledge And blossoms by celebrating scholars By appreciating the efforts of achievers In the fields of science and humanities After his passing -May Allah have mercy on his soul- His sons sensed the grand mission They took it upon themselves to embrace the task 6 They established the King Faisal Foundation To serve science and humanity Prince Abdullah Al-Faisal announced The idea of King Faisal Prize They believed in the idea Blessed the move Work started off, serving Islam and Arabic Followed by science and medicine to serve humanity Decades of effort and achievement Getting close to miracles With devotion and dedicated The Prize has been awarded To hundreds of scholars From different parts of the world The Prize has highlighted their works Recognized their achievements Never looking at race or color Nationality or religion This year, here we are Celebrating the Prize›s fortieth anniversary The year of maturity and fulfillment Of an enterprise that has lived on for years Serving humanity, Islam, and Muslims May Allah have mercy on the soul of the leader Al-Faisal The peerless eternal inspirer May Allah save Salman the eminent leader Preserve home of Islam, beacon of guidance. -
The Qur'anic Manuscripts
The Qur'anic Manuscripts Introduction 1. The Qur'anic Script & Palaeography On The Origins Of The Kufic Script 1. Introduction 2. The Origins Of The Kufic Script 3. Martin Lings & Yasin Safadi On The Kufic Script 4. Kufic Qur'anic Manuscripts From First & Second Centuries Of Hijra 5. Kufic Inscriptions From 1st Century Of Hijra 6. Dated Manuscripts & Dating Of The Manuscripts: The Difference 7. Conclusions 8. References & Notes The Dotting Of A Script And The Dating Of An Era: The Strange Neglect Of PERF 558 Radiocarbon (Carbon-14) Dating And The Qur'anic Manuscripts 1. Introduction 2. Principles And Practice 3. Carbon-14 Dating Of Qur'anic Manuscripts 4. Conclusions 5. References & Notes From Alphonse Mingana To Christoph Luxenberg: Arabic Script & The Alleged Syriac Origins Of The Qur'an 1. Introduction 2. Origins Of The Arabic Script 3. Diacritical & Vowel Marks In Arabic From Syriac? 4. The Cover Story 5. Now The Evidence! 6. Syriac In The Early Islamic Centuries 7. Conclusions 8. Acknowledgements 9. References & Notes Dated Texts Containing The Qur’an From 1-100 AH / 622-719 CE 1. Introduction 2. List Of Dated Qur’anic Texts From 1-100 AH / 622-719 CE 3. Codification Of The Qur’an - Early Or Late? 4. Conclusions 5. References 2. Examples Of The Qur'anic Manuscripts THE ‘UTHMANIC MANUSCRIPTS 1. The Tashkent Manuscript 2. The Al-Hussein Mosque Manuscript FIRST CENTURY HIJRA 1. Surah al-‘Imran. Verses number : End Of Verse 45 To 54 And Part Of 55. 2. A Qur'anic Manuscript From 1st Century Hijra: Part Of Surah al-Sajda And Surah al-Ahzab 3. -
Ibn Hamdis." 26-27: Cormo
NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available Medieval Sicilian fyric poetry: Poets at the courts of Roger IT and Frederick II Karla Mdette A thesis submitted in conformity with the requirements for the degree of PhD Graduate Department of Medieval Studies University of Toronto O Copyright by Karla Mdlette 1998 National Library BibIioth&que nationale me1 of-& du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, nre Wellington OttawaON K1AW OttawaON K1AON4 Canada Canada The author has granted a non- L'auteur a accorde me licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distri'bute or sell reproduire, prtter, distnbuer cu copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la forme de nlicrofiche/film, de reprod~ctior~sur papier ou sur format eectronique. The author retains ownership of the L'auteur conserve la propriete du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts from it Ni la these ni des extraits substantiels may be printed or otherwise de celleci ne doivent Stre imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation. Medieval Sicilian Lyric Poetry: Poets at the Courts of Roger lI and Frederick II Submitted in conformity with the requirements for the degree of PhD, 1998 Karla Mallette Centre for Medieval Studies, University of Toronto During the twelfth century, a group of poets at the Norman court in Sicily composed traditional Arabic panegyrics in praise of the kingdom's Christian monarchs. -
PUBLICATIONS Books Looking Back at Al-Andalus: the Poetics of Loss and Nostalgia in Medieval Arabic and Hebrew Literature
PUBLICATIONS Books Looking Back at al-Andalus: The Poetics of Loss and Nostalgia in Medieval Arabic and Hebrew Literature. Leiden; Boston: Brill 2009. ** nominated for the La corónica International Book Award, 2011 cycle Journal Articles “Darija and Changing Writing Practices in Morocco.” International Journal of Middle East Studies 45 (2013), 715-730. “Making Light Work of Serious Praise: a panegyric zajal by Lisan al-Din ibn al-Khatib.” eHumanista: Journal of Iberian Studies 14 (2010), 83-104. “Market Values, Holiday Mayhem, and the Parody of Official Culture in Ibn al-Murabi‘ al-Azdi’s “Maqama of the Feast”.” La corónica: A Journal of Medieval Hispanic Languages, Literatures & Cultures 38.1 (Fall, 2009), 139-162. “Opening the Circle: Storyteller and Audience in Moroccan Prison Literature.” Middle Eastern Literatures 12.3 (2009), 289-303. “Tears Shed Over the Poetic Past: The Prosification of Ritha’ al-Mudun in al-Saraqusti’s Maqama Qayrawaniyya.” Journal of Arabic Literature 36.1 (2005), 1-27. “Contrapuntal Composition in a Muwashshah Family, or Variations on a Panegyric Theme.” Medieval Encounters 7.2 (2001), 174-196. Book Chapters “Writing Oral and Literary Culture: the case of the contemporary Moroccan zajal.” in Writing change: The politics of written language in the Arab world, eds. Jacob Høigilt and Gunvor Mejdell (forthcoming) “Doubling Back: Ibn al-Khatib’s Geographical Writings on al-Andalus and al-Maghrib.” in Grounded Identities, ed. Steve Tamari (forthcoming) “Fes.” In Europe: a Literary History of Europe, 1348-1418. 2 Volumes, ed. David Wallace (Oxford: Oxford University Press, 2016). “Aswaq ‘ala al-hawamish wa-l-tabadul al-adabi fi maqamat al-‘id li-Ibn al-Murabi‘ al-Azdi.” In Nahw muqarabat jadida li-dirasat al-adab al-Andalusi (“Marketplaces on the Margins and Literary Exchange in the ‘Maqama of the Feast’ by Ibn al-Murabi‘ al-Azdi.” In Toward New Approaches for the Study of Andalusi Literature), eds. -
Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler a Dissertati
Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: Sasha Su-Ling Welland, Chair Ann Anagnost Stevan Harrell Danny Hoffman Program Authorized to Offer Degree: Anthropology ©Copyright 2018 Darren T. Byler University of Washington Abstract Spirit Breaking: Uyghur Dispossession, Culture Work and Terror Capitalism in a Chinese Global City Darren T. Byler Chair of the Supervisory Committee: Sasha Su-Ling Welland, Department of Gender, Women, and Sexuality Studies This study argues that Uyghurs, a Turkic-Muslim group in contemporary Northwest China, and the city of Ürümchi have become the object of what the study names “terror capitalism.” This argument is supported by evidence of both the way state-directed economic investment and security infrastructures (pass-book systems, webs of technological surveillance, urban cleansing processes and mass internment camps) have shaped self-representation among Uyghur migrants and Han settlers in the city. It analyzes these human engineering and urban planning projects and the way their effects are contested in new media, film, television, photography and literature. It finds that this form of capitalist production utilizes the discourse of terror to justify state investment in a wide array of policing and social engineering systems that employs millions of state security workers. The project also presents a theoretical model for understanding how Uyghurs use cultural production to both build and refuse the development of this new economic formation and accompanying forms of gendered, ethno-racial violence. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnadon Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A CONTEXTUAL ANALYSIS OF CONTEMPOEU^.RY IRAQI ART USING SIX CASE STUDIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Mohammed Al-Sadoun ***** The Ohio Sate University 1999 Dissertation Committee Approved by Dr. -
University Microfilms, Inc., Ann Arbor, Michigan ARABIC CALLIGRAPHY in CONTEMPORARY EGYPTIAN
This dissertation has been microfilmed exactly as received 66-6296 SIDA, Youssef Mohamed Ali, 1922- ARABIC CALLIGRAPHY IN CONTEMPORARY EGYPTIAN MURALS, WITH AN ESSAY ON ARAB TRADITION AND ART. The Ohio State University, Ph.D., 1965 Fine Arts University Microfilms, Inc., Ann Arbor, Michigan ARABIC CALLIGRAPHY IN CONTEMPORARY EGYPTIAN MURALS .WITH AN ESSAY ON ARAB TRADITION AND ART DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Youssef Mohamed Ali Sida, M. Ed. 4c * * * * * The Ohio State University 1965 / Approved by ) Adviser School of Fine and Applied Arts ACKNOWLEDGMENTS I wish to acknowledge my deepest gratitude to the professors and friends who encouraged and inspired me, who gave their pri vate time willingly, who supported me with their thoughts whenever they felt my need, and especially to all the members of my Graduate Committee, Professor Hoyt Sherman, Professor Franklin Ludden, Professor Francis Utley, Professor Robert King, and Professor Paul Bogatay. ii CONTENTS Page ACKNOWLEDGMENTS.............................. ii ILLUSTRATIONS................................................................................... v INTRODUCTION................................................................................... 1 Chapter I. CONTEMPORARY ART OF THE UNITED ARAB REPUBLIC.............................. 4 The Pioneers of Contemporary Egyptian Art Artists of the School of Fine Arts Artists of the School of Decorative Arts (The School of Applied Arts) The "free artists" The Pioneers of Art Education The Pioneers of Art Criticism The Art Movements Types of Contemporary Art Criticism in the United Arab Republic Summary H. ARA B NA TIONALISM AND ARA B CULTURE................ 21 Definition of nationalism Arab Faith and Culture The Influence of Cultures The Islam Influence on the Arts Summary Chapter Page m. -
You May View It Or Download a .Pdf Here
“I put my trust in God” (“Tawakkaltu ‘ala ’illah”) Word 2012 —Arabic calligraphy in nasta’liq script on an ivy leaf 42976araD1R1.indd 1 11/1/11 11:37 PM Geometry of the Spirit WRITTEN BY DAVID JAMES alligraphy is without doubt the most original con- As well, there were regional varieties. From Kufic, Islamic few are the buildings that lack Hijazi tribution of Islam to the visual arts. For Muslim cal- Spain and North Africa developed andalusi and maghribi, calligraphy as ornament. Usu- Cligraphers, the act of writing—particularly the act of respectively. Iran and Ottoman Turkey both produced varie- ally these inscriptions were writing the Qur’an—is primarily a religious experience. Most ties of scripts, and these gained acceptance far beyond their first written on paper and then western non-Muslims, on the other hand, appreciate the line, places of origin. Perhaps the most important was nasta‘liq, transferred to ceramic tiles for Kufic form, flow and shape of the Arabic words. Many recognize which was developed in 15th-century Iran and reached a firing and glazing, or they were that what they see is more than a display of skill: Calligraphy zenith of perfection in the 16th century. Unlike all earlier copied onto stone and carved is a geometry of the spirit. hands, nasta‘liq was devised to write Persian, not Arabic. by masons. In Turkey and Per- The sacred nature of the Qur’an as the revealed word of In the 19th century, during the Qajar Dynasty, Iranian sia they were often signed by Maghribıi God gave initial impetus to the great creative outburst of cal- calligraphers developed from nasta‘liq the highly ornamental the master, but in most other ligraphy that began at the start of the Islamic era in the sev- shikastah, in which the script became incredibly complex, con- places we rarely know who enth century CE and has continued to the present. -
University Microfilms International 300 N
A CRITICAL TRANSLATION OF THE ARTICLE ON THE HORSE FROM AL-DAMIRI'S "HAYAT AL-HAYAWAN AL-KUBRA.". Item Type text; Thesis-Reproduction (electronic) Authors McNeil, Kimberley Carole. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 08:25:09 Link to Item http://hdl.handle.net/10150/274826 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. -
Karima LAACHIR University of London
25 Beyond Language Determinism: Multilingual Literary Traditions in Morocco Karima LAACHIR University of London Linguistic and cultural diversity in the Maghreb have not been explored adequately in the field of literary and cultural studies. This paper raises the problematic separation of the Moroccan novel written in Arabic and French in literary and critical studies. It provides a critique of the way Moroccan novels in French have been excluded from the literary field of Arabic literature despite their strong affiliation with the cultural history of Arabic literature. In the field of Francophone studies, the focus on Moroccan novel in French has completely excluded Moroccan novels in Arabic which has resulted in a shallow conception of the transmitted cultural heritage and in obscuring the cultural histories from which these texts emerge. It also obscures the “cohabitation” of French with other languages in the region (Dobie 2003: 33). This paper argues against these dominant reading practices that are based on linguistic determinism as they have contributed to the marginalisation of Moroccan literary traditions within dominant literary systems such as the Francophone/French or Arabic traditions and therefore, have obscured the cultural, linguistic and historical entanglement of these multilingual literary traditions. Morocco’s complex multilingual scene predated French and Spanish colonialism (1912- 1956) as languages such as Darija or spoken Moroccan Arabic, Fusha or standard Arabic and various spoken dialects of Amazigh, as well as Judeo-Arabic and Judeo-Spanish shaped the oral and written cultures of Morocco. The arrival of French and Spanish languages further complicated the picture, particularly as the French pursued a colonial policy of imposing French as the sole language of education and administration.