APOCALYPSE NOW Psychobilly Band Get

Total Page:16

File Type:pdf, Size:1020Kb

APOCALYPSE NOW Psychobilly Band Get may 15, 2013 issue 15 | volume 23 nexusnewspaper.com camosun’s student voice since 1990 APOCALYPSE NOW New play tackles end of days with a side dose of fun Page Seven unmasked psychobilly band get natural page eight VIEWS May 15, 2013 editor’s letter open space April showers, May sunny, get over it Election ad restrictions limit camosun’s student voice since 1990 So, we’ve managed to stop squinting in confusion at that huge bright democracy Next publication: June 12, 2013 yellow thing floating above us (and subsequently complaining/being con- Ryan BRezzi founded that it’s there in May) for long enough to put out this issue, the can have an impact on a candidate Deadline: noon June 5, 2013 Contributing writer first of our spring semester editions. This year we’re putting out regular who’s running in the election. Address: 3100 Foul Bay Rd., Victoria, BC, issues of the newspaper throughout the spring and summer semesters, The BC government has im- This reinforces little repercus- V8P 5J2 which is a change from how we did things in the past. We had such a posed a number of advertisement sion to corporations that engage in Location: Lansdowne Richmond House 201 successful and positive year, why not keep the fun going? restrictions on the activities of third- environmentally harmful activities, Phone: 250-370-3591 So we did. And there’s tons of fun to be found here. In this issue there’s party conservation groups and other and it negates BC residents’ voices Email: [email protected] stories about a Camosun College Student Society representative’s new organizations during the election on critical issues that they are con- Website: nexusnewspaper.com provincial position, a profile on a Camosun instructor, and a look at a period. This has essentially acted to cerned about. It’s sickening to see Publisher: Nexus Publishing Society psychobilly rock band who decided to take off their stage makeup once support partisan politics and reduce another situation where the public NEXUS PUBLISHING SOCIETY and for all. There’s a look at hostelling life, a feature story on a “don’t the voice of the people. And what isn’t endowed with the influence call it a contest” film contest (oops), an opinion piece about advertising type of democracy is that? they should be entitled to in a dem- STUDENT BOARD MEMBERS Ryan Brezzi restrictions in provincial election campaigns, and a story about the ever- ocracy. Having these voices that are Juliana Cooper popular UNO Fest. speaking out is crucial so that when Nickolas Joy Our columns get a bit streamlined this time of year, as regular colum- we elect a leader, the leader actually Insu Kim nists leave Camosun and we search for new ones for September (interested? it’s sickening to see represents the public and fights for Marielle Moodley Let us know!), but our food column Noms! remains. (As an aside, our the public. Stacey Young popular 20 years ago in Nexus column will return in September.) another situation Yep, up on a soapbox sounding There’s more, so keep this issue by your side for when you’re relax- where the public isn’t preachy. But who else will do it? EDITOR-IN-CHIEF ing in the sun between classes or unwinding after a long day of studying. Our politicians? Ha! Private organ- Greg Pratt Surely you’ll find something in here to enjoy. endowed with the izations? They would if they could, MANAGING EDITOR While we’ve got you, don’t forget to check out our website (nexusnews- influence they should but not now with the new rules. Jason Schreurs paper.com), where you’ll find web-only stories going up in the downtime Anything that influences the vote in ADVERTISING SALES be entitled to in a Jason Schreurs between our issues. a “negative” way, or, in other words, 250-370-3593 And, while we’ve still got you, I hope, we’re always looking for new democracy. in a way that would reveal some FREE Media volunteers. It’s easy and obligation-free, and we train you every step of slimy facts, is unacceptable. What [email protected] the way. Looking to write about something important to you? Want to type of government could ever run 780-421-1000 talk to a cool artist, director, or musician? Want to draw a regular comic a train without checking for breaks DISTRIBUTION or write a recurring column? Get in touch. In the Elections Act it reads before running down the tracks? It’s Sid Mehra And, as always, we welcome your feedback on anything you read in the that “an advertising message that akin to running on faith. CONTRIBUTORS Pedro Banman paper. We hope you enjoy this issue as much as we did putting it together. takes a position on an issue with Politicians rarely believe in run- Adrian Behennah And we hope you enjoy the sunny weather as much as we are too. which a registered political party ning on faith, and yet these rules Ryan Brezzi -Greg Pratt, editor-in-chief or candidate is associated” can’t certainly promote practices based Juliana Cooper [email protected] be shared on the internet by any on short-sighted values. Stop hiding Patrick Hallihan Insu Kim environmental organization. So, for the underbelly already and bring Marielle Moodley example, the many environmental things out into the open so that they Jordan Sandwith organizations out there that have can be worked with. Let everyone Daphne Shaed been researching and documenting have a voice and run a real democ- Call, email, stop by. oil spills and oil tankers for who racy where everyone influences the We want to hear your story tips. knows how many years cannot vote. Give people more benefit of share facts or information about the doubt and let them make their 250-370-3591 [email protected] spills during the election period if it own decisions. Richmond House 201, Lansdowne Something on your mind? Send Open Space submissions (up to 400 words) to [email protected]. Include your student number. Thanks! All editorial content appearing in Nexus is property of the nexus Publishing Society. Stories, photographs, and artwork contained herein cannot be reproduced without written permis- sion of the nexus Publishing Society. the views and opinions camosun’s student voice since 1990 expressed herein are those of the authors, not of Nexus. Nexus has no official ties to the administration of Camosun College. one copy of Nexus is available per issue, per person. SUMMER FUN IN THE SUN! Nexus is a member of Associated Collegiate Press. camosun’s student voice since 1990 By that, we mean writing for us over the spring and summer Send a letter Nexus prints letters that are 250 words or less. Nexus reserves the right to refuse publication of let- semesters! Get great experience, talk to fun people, write cool stories. ters. Letters must include full name and student num- ber (not printed). Nexus accepts all letters by email to A perfect way to unwind after those multi-hour classes, if you ask us. [email protected]. we reserve the right to edit all letters. oVERHeArD At NEXUS: “(incomprehensible mumbling to self.)” Email [email protected], call 250-370-3591, or swing by our office at Richmond House 201, Lansdowne Campus. Get involved in your student newspaper today! CoVER PHOTOS: Apocalypse now: Al Smith Do you like or dislike the spring semester at Camosun? by Insu KIm Stella Jun amy WalteR Jessica ReWers Kyle PetRuniK lane chevRieR JeFF chou “i like it because the “i like it. there are less “i dislike it because one of “i like it because the “i like it because it is “i dislike it. because weather is great. i especially course weeks and there’s my classes is overcrowded.” length of courses is only quiet and not busy. what i classes are longer than like studying outside.” sunshine.” seven weeks. Also, school dislike about it is that the regular classes, i end is not busy, the weather is spring semester is intense up paying the long-term great, and pretty girls walk and stressful.” parking fees.” around on the campus.” nexusnewspaper.com NEWS student groups NEWS BRIEFS CCSS rep named provincial women’s liaison camosun energy plan kicks ass “Achieving equality is There’s no other way to put it: a personal issue for the college’s five-year energy man- agement plan recently ended, and it me and i’m very exceeded its greenhouse gas targets passionate about it.” by a whopping 400 percent. The plan also resulted in a $2.7 million madeline KelleR- savings in avoided costs and new macleod infrastructure. CAnadiAn FeDerAtion oF StuDentS new brews is good news Here’s another news brief we can get behind. The fine folks over at Vancouver Island Brewery are greg PrAtt/nexus unleashing a couple of new con- Madeline Keller-MacLeod coctions for locals this summer: the Vicfest Festival Ale and the JaSon SchReurs secondary institutions across the and that enriches campus culture not enough safe spaces where those MAnAging eDitor Vancouver Island Musicfest Festival country. Camosun, also known as and directly addresses issues that students can speak out and receive Ale. Okay, those are super awkward One of Camosun’s own has CFS Local 75, traditionally has one impact students,” says Marocchi. support,” she says. “If I could pro- names to say out loud and impos- been elected provincial women’s seat on the CFS board, but this year “It’s pretty cool, because not a vide support for women who have sible to remember, yes, but we bet liaison for the Canadian Federation they have three: Keller-MacLeod lot of locals have that amount of experienced sexism and want to they’re going to be delicious.
Recommended publications
  • Psychobilly Psychosis and the Garage Disease in Athens
    IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p.
    [Show full text]
  • The Evolution of Emo and Its Theoretical Implications 175
    The Evolution of Emo and Its Theoretical Implications 175 Mirosław Aleksander Miernik The Evolution of Emo and Its Theoretical Implications The purpose of this article is to analyze how emo, a youth subculture, evolved in the United States during a period of approximately twenty five years, since the mid-1980s, particularly focusing on how it changed in regard to the zeitgeist of the time period, as well as how it appropriated various elements of past subcultures into itself in order to create its own subcultural identity. Special attention will be paid to the third incarnation, which emerged at the beginning of the twenty-first century and proved to be the most widespread variation of the subculture. It is also interesting how this incarnation was affected by historical events such as the Columbine High School Massacre and 9/11. The theoretical implications of emo are the second issue that this article at- tempts to tackle. In particular, when viewed from the perspective of post-subculture studies, it allows one to revisit certain theories of the Centre for Contemporary Cultural Studies at the University of Birmingham (CCCS), which pioneered sub- culture studies in the 1960s and 70s. The relationship between post-subculture studies and the CCCS’s approach has always been very complex. Even though many representatives of post-subculture studies criticized the CCCS for various shortcomings, most significantly for an a priori approach that ignores empirical evidence and limits the concept of authenticity within subcultures (Muggleton 19–30). At the same time, the work of the CCCS has been always treated with respect and considered a milestone.
    [Show full text]
  • Everett Rock Band/Musician List "GH"
    Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie
    [Show full text]
  • Atom and His Package Possibly the Smallest Band on the List, Atom & His
    Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to.
    [Show full text]
  • This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
    THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina.
    [Show full text]
  • Drink Tank Heart! the Thirty Eighth Issue
    Take Care, Gentle This issue is not for Readers. There The the weak of constitu- are Strange Things tion nor the faint of Afoot! Drink Tank heart! The Thirty Eighth Issue Looking at the Hugos I was hoping that World Con this would be the year of I got most of my my man Donato Giancola, predictions right, with but no, Jim Burns took the a couple of notable (i.e.. Best Pro Artist instead. Donato’s been de- GIANT) mistakes. This year’s crop of Hugo serving of one for years, and he’s a Chesley winners was one thing above all else. fave, but he’s never won himself a Hugo. He English. really needs one. That’s right, the hometown crowd The big winner had to be Dave Lang- won almost everything. It’s not surpris- ford. He won the Best Fan Writer, beating ing, I fully expect Mike Glyer and folks to BASFAn and fellow producer of The Pork Au- do better than he has in recent years when thority Cheryl Morgan. This was expected. WorldCon comes to you live from LA, but Ansible beat another former fanzine turned this was even surprising by those stand- Semi-Prozine Locus to win its fi rst best ards. The All-Brit best novel was won by Semi-Pro Hugo. That shocked me. Frankly, Susanna Clarke and her fi ne work Jonath- there were better choices, including the New an Strange and Mr.. Norrell. I liked it a lot, York Review of Science Fiction, and I even but I really thought that China Mieville’s preferred the IRoSF last year to either Locus Iron Council was gonna take it, instead, or Ansible.
    [Show full text]
  • Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
    UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker.
    [Show full text]
  • Excerpt • Temple University Press
    Introduction Subcultural Participation as a Survival Strategy I was jumping to those rocking tunes, bopping on my feet Then I heard those jungle rhythms, those crazy beats Whey hey, well what can I say? I got 1-2-3-4 psychobilly DNA The only drug I needed was this music through my brain Voodoo rhythms pump me up, drive me insane Whey hey, well what can I say? I got 1-2-3-4 psychobilly DNA Now all these years later I’m changed beyond repair Because I’m a psychobilly and I don’t care Whey hey, well what can I say? I got 1-2-3-4 psychobilly DNA — NORM AND THE NIGHTMAREZ, “Psychobilly DNA,” Psychobilly D.N.A., 2016 s my eyes adjusted to the dim light in the small club in Austin, Texas, I took in unfamiliar sights and sounds. This, I was told by my friend Awho had invited me, was the psychobilly subculture. I saw that par- ticipants had fused a 1950s aesthetic with punk elements. Men’s heads were shaved on the sides, as with Mohawk haircuts, but rather than sticking up into pointed liberty spikes, their hair had been combed forward into one flat-topped, triangular wedge that jutted out and up from their foreheads. 2 Introduction Some women had the same haircut, while others had their hair styled in curls and bangs like those seen on vintage pinup illustrations. Leather jackets, cuffed blue jeans, tight-fitting capris, polka-dot dresses, animal prints, kitten heels, and pompadours reminded me of the movie Grease, but the patches, buttons, metal studs, Dr.
    [Show full text]
  • Queer Youth and the Importance of Punk Rock
    QUEERING PUNK: QUEER YOUTH AND THE IMPORTANCE OF PUNK ROCK DENISE SCOTT A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN INTERDISCIPLINARY STUDIES YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2011 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-90087-1 Our file Notre reference ISBN: 978-0-494-90087-1 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Goth Subculture Sabrina Newman Johnson & Wales University - Providence, [email protected]
    Johnson & Wales University ScholarsArchive@JWU Honors Theses - Providence Campus College of Arts & Sciences 4-26-2018 The volutE ion of the Perceptions of the Goth Subculture Sabrina Newman Johnson & Wales University - Providence, [email protected] Follow this and additional works at: https://scholarsarchive.jwu.edu/student_scholarship Part of the Arts and Humanities Commons Repository Citation Newman, Sabrina, "The vE olution of the Perceptions of the Goth Subculture" (2018). Honors Theses - Providence Campus. 27. https://scholarsarchive.jwu.edu/student_scholarship/27 This Honors Thesis is brought to you for free and open access by the College of Arts & Sciences at ScholarsArchive@JWU. It has been accepted for inclusion in Honors Theses - Providence Campus by an authorized administrator of ScholarsArchive@JWU. For more information, please contact [email protected]. The Evolution of the Perceptions of the Goth Subculture 1 The Evolution of the Perceptions of the Goth Subculture By Sabrina Newman A Thesis Submitted to the Honors Department of Johnson & Wales University School of Engineering and Design May 2018 The Evolution of the Perceptions of the Goth Subculture 2 Table of Contents Table of Contents 2 Introduction 3 Chapter 1 – The History of the Music 12 Chapter 2 – Subcultures Within the Subculture 17 Chapter 3 – Impressions of Goth Throughout the Years 24 Chapter 4 – Survey Results 35 Conclusion 37 Appendix A 39 Works Cited 42 The Evolution of the Perceptions of the Goth Subculture 3 Introduction The Gothic subculture has a rich and interesting history, despite being only approximately 40 years old (Gonzalez). From its origin in the late 1970s to today, the subculture has evolved significantly, and with it the perceptions of said culture.
    [Show full text]
  • Mudhoney's Mark Arm and the Derelicts' Duane Bodenheimer Bring the '90S to the 21St Century | Music News | Spokane | the Pacific Northwest Inland…
    6/11/2019 Mudhoney's Mark Arm and the Derelicts' Duane Bodenheimer bring the '90s to the 21st century | Music News | Spokane | The Pacific Northwest Inland… Music » Music News May 09, 2019 Mudhoney's Mark Arm and the Derelicts' Duane Bodenheimer bring the '90s to the 21st century By C. A. Coyle Mark Arm (left) and Mudhoney. |Emily Rieman photo ve been a fan of the Derelicts since the first time around," says Mark Arm, frontman of mainstay Seattle "I'punk outfit Mudhoney. Fellow Seattle combo the Derelicts will share the bill with Mudhoney at the new Lucky You Lounge on May 11, as well as the Dacres Winery in Walla Walla the night before. "I imagine people [will be] sipping their merlot and chardonnay while the Derelicts [are going] 'WAAAAHHHHHH,'" Arm chuckles. https://www.inlander.com/spokane/mudhoneys-mark-arm-and-the-derelicts-duane-bodenheimer-are-bringing-the-90s-to-the-21st-century/Content?oid=17585151 1/9 B6/1ot1/2019h bands stMudhoney'sarted ro Markugh Armly w andit hthein Derelicts' six m Duaneonth Bodenheimers of each bring ot hthee '90sr in to S thee a21stttl centurye, in t| Musiche e Newsra k n| Spokaneown a | sThe th Pacifice ca Northwestlm bef oInlandre t…he grunge storm. Duane Bodenheimer, voice of the Derelicts, recalls getting into what turned out to be a playful rumble with Arm at a house party in 1987. "I think I called him a hippie," says Bodenheimer. "Or, 'Get a haircut,' or something like that. He made a snide remark back at me, we kinda wrestled on the ground for a while, and then just ended up laughing.
    [Show full text]
  • Everett Rock's Bands
    Everett Rock Band/Musician List "D" Last Update: 6/28/2020 "D" List for Bands/Musicians Genre* From & Genre "D" CR Bellingham Classic Rock D Campbell Al R Denver Alternative Rock D. DWELLER Fk Rp Seattle Funk / R&B / Rap D. HU$TAL P H RB Seattle Pop / Hip Hop / R & B D.evolution.Aires R Seattle Rock D.O.A. Pk Burnaby, British Columbia, CA Punk D.O.G.S. R Gn Al Tokyo, JP Rock / Grunge / Alternative Rock D.Y.A. G Pk Ra Bellingham Garage / Punk / Reggae Da Beckoning Band Al Mountlake Terrace Alternative DA27 M T Hc Seattle Metal / Thrash Metal / Post Hardcore Daana String Quartet Cl A Seattle Classical Acoustic Dabouge E Seattle Electronica / Down-tempo / Drum & Bass DaCoda R Everett Rock DaCoda Dacoda CR Seattle Classic Rock Dada Fructose R? From? Rock? Daddy Treetops C B Edison Blues / Folk / Country DaddyLok Tha Boss HADEZ CLICK 6GUNZMUZIK Tacoma DaddyLok H Hip Hop Daddy's Gotta Girlfriend R Lynnwood Rock DAGOBAH M Pk UK Metal / Punk / Rock Daikaiju R Ps Sf Huntsville, Alabama Rock / Psychedelic / Surf Dain Norman R Kennesaw, Ga/Gainesville, FL Rock Dain Norman and The Chrysalis Effect R B Pk Tacoma Rock / Blues / Proto-Punk Daisy Chain B S R Seattle Blues / Neo-soul / Rock Daisy O'Connor I F Bellingham, Austin, TX Indie Folk DAKOTA M Santa Rosa, CA Metal / Metalcore Dakota Neuman C P R Monroe Country / Pop / Rock Dakota Poorman Band C R Am Seattle Country / Southern Rock / Americana Dakota Reese Ex P Seattle Experimental Pop Dale Ann Bradley BG Kentucky Blue Grass Dale James Pratt R A Seattle Rock / Acoustic Damanshen Rp Hc H St.
    [Show full text]