DOCSLIB.ORG

Drink Tank Heart! the Thirty Eighth Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Take Care, Gentle This issue is not for Readers. There The the weak of constitu- are Strange Things tion nor the faint of Afoot! Drink Tank heart! The Thirty Eighth Issue Looking at the Hugos I was hoping that World Con this would be the year of I got most of my my man Donato Giancola, predictions right, with but no, Jim Burns took the a couple of notable (i.e.. Best Pro Artist instead. Donato’s been de- GIANT) mistakes. This year’s crop of Hugo serving of one for years, and he’s a Chesley winners was one thing above all else. fave, but he’s never won himself a Hugo. He English. really needs one. That’s right, the hometown crowd The big winner had to be Dave Lang- won almost everything. It’s not surpris- ford. He won the Best Fan Writer, beating ing, I fully expect Mike Glyer and folks to BASFAn and fellow producer of The Pork Au- do better than he has in recent years when thority Cheryl Morgan. This was expected. WorldCon comes to you live from LA, but Ansible beat another former fanzine turned this was even surprising by those stand- Semi-Prozine Locus to win its fi rst best ards. The All-Brit best novel was won by Semi-Pro Hugo. That shocked me. Frankly, Susanna Clarke and her fi ne work Jonath- there were better choices, including the New an Strange and Mr.. Norrell. I liked it a lot, York Review of Science Fiction, and I even but I really thought that China Mieville’s preferred the IRoSF last year to either Locus Iron Council was gonna take it, instead, or Ansible. it ended up running fi fth! What the hell? The Best Fan Writer held no surprises Iron Sunrise even topped it! Iron Freakin’ either. Cheryl Morgan took second, Claire Sunrise! Brialey third. I can’t argue much with the short The Best Fan Artist went as I’ve been stuff, though there are choices that would saying for a while now: Sue Mason won, have more suited my tastes. Charlie Stross Frank took second. Frank Wu was close won one, which I think was my favourite of again, running second to Sue for the second his stuff. I was sad to see Ben Rosenbaum time in three years. Steve Stiles was third, not take it for the original story that ap- which I think was his best fi nish in a while. peared in Wheatland’s Zeppelin Adventure No way anything other than Plokta anthology. was going to win the Best Fanzine award. The big win in my eyes was Ellen Still, it was closer than I thought with Cher- Datlow. Long and well-deserved her win yl’s Emerald City grabbing second before was, that’s for sure. She’s had such a great she heads over to the Semi-Pro category with run that I hope we get to see her name on a Charlie Browne and Dave Langford. couple of more rockets (and if the split hap- The shocker for me came from a lit- pens, I’m sure we will). tle award called Best Dramatic Presenta- The Drink Tank Issue 38 was written by Christopher J. Garcia, M Lloyd, Frank Wu, Liz Batty, and a few others whose names all appear where they were used. Got a comment? [email protected]. Wanna write something, I’m looking for an article on 1960s fandom. That is all. tion. The long form was a given to The In- topless. This would never fl y in a children’s credibles, which shocked no one, though I museum in the U.S. still wanted Eternal Sunshine of a Spotless Not only that, but there was a TV ad Mind. The Short Form was given to the Bat- for a Mazda 5, wherein mannequins taken tlestar Galactica episode 33. I’m not really a for a ride are so excited by this bit of ma- fan, but I certainly think that Angel should chinery that their nipples become tumes- have won for Smile Time, but the votes were cent. split with Not Fade Away, the series closer. Yet again, oh my. I really don’t much I asked some care for BSG, es- UK fans about all pecially since it this, and they said doesn’t have Dirk that folks here Benedict or Lorne simply laugh about Green. these things and All in all, this then move on, with- was the year of the out getting their Brits and good on knickers in a wad. them. They put out But the question great stuff every remains: Are Ameri- year and a lot of it cans simply too gets over-looked by prudish, or do the US voting World- British have too cons. much of a childish, Benny Hill-like fascination with bums? How Frank Wu’s Random Observation About the much butt is too much butt is in the eye of UK #17: the beholder. Yet, I shudder to wonder what Here in Europe you can buy, if so in- someone might think who’s coming from a clined, an ugly little car with a big posterior country where women are covered from head called the Renault Megane. To celebrate the to toe. No wonder we hate and misunder- vehicle’s anatomical distinctiveness are TV stand each other. ads which show various nubile females wav- ing their derrieres like fl ags, while the song Feeling crappy about not winning a “I See You, Baby, Shakin’ That Ass” plays over and over and over again. One quick Hugo this past weekend? Think about shot even shows peaches bouncing around, this. Approximately 210 people have displaying their butt cracks. Oh my. I un- won Hugos (not counting Dramatic derstand that standards vary from country Presentations). A total of about 538 to country, but, um... Hugos have been given (counting When I went across the river Clyde to Dramatic Presentations and ties, but the science museum, I was amused to see a strange little puppet show - apparently counting Hugos split between multiple inspired by “The Thunderbirds” and other authors only once). programmes from Gerry Anderson. This The total world’s population is now puppet show told us about Dolly the cloned about 6,450,000,000, with about 1/ sheep, organ transplants, and Laika, the 5 of everyone born in the last 6,000 dog the Russkies shot into space. The organ years being alive today. recipient was wearing a hospital gown with a breezeway in the back, and you could see Thus, the average number of Hugo all his posterior wares. Again, oh my. And awards won per person who has ever the Barbie doll used as the heart donor was lived is: 0.00000002. You Want Candy by Jay Lake Art by J. Andrew World Taking a brief break from the your spit runs red across the pillowcase. WorldCon stuff, I used to run a Or maybe sneaking a bag of M&Ms into Semi-Pro called As Of Yet Untitled. church and slipping them into your Sadly, I sold the company that mouth through folded hands as the owned the rights to As Of Yet Unti- cripples toss their crutches across the tled before the fi rst issue came out fl oor only to collapse once the cameras and realised that I was no longer turn away. Well, the candyman’s got the real allowed to use the stories I had deal now. The goodie train stops at bought. One of them was by an up- my loading dock fi rst. This here blows and-comer name of Jay Lake. every sugar rush or caffeine buzz or This year at BayCon, I paid raw, nerve-jangling smack high right off him his kill fee for the story and the tracks. Knock your dad’s block off, then asked him if it would be OK if make momma sorry for everything she I were to use it in The Drink Tank. didn’t do, stake that sophomore bitch He said Yes and now, I am proud to Sue Anne Rawlins over a slow fi re -- present, Jay Lake’s You Want Can- ain’t none of that going to make you half dy! so happy as this shit. Here it is. See for yourself. The You Want Candy biggest blue pill ever made. This, my By friend, is happiness in a gelcap. You Jay Lake can’t do any better. Hell, it’s even sweet. All it costs is everything. Every What does candy really mean? A last thin dime -- your car title, your treat, right? That rush of fats, maybe kids’ college fund, grandma’s silver starches, fl ooding across your tongue, service. Just load it all on the truck for the brief high from the sugar, the sense me, won’t you? of satisfaction from scoring one off old Tell you what, I’ll even throw in a Mother Nature. Back when we fi rst money-back guarantee. If you’re not a dropped out of the trees to pick lice off hundred percent satisfi ed, I’ll unload each other’s scalps, joy like that was the truck for you. All you have to do is scarce as dog feathers. Now we got it, ask. all the damned time. Here you go. Enjoy. Me? Oh, friend, I’m the # candyman. I can get anything you Honest, offi cer, he just took off his want, tell you exactly how it will kill clothes and ran off howling.
Recommended publications
  • Nightshift@Oxfordmusic.Net Website: Nightshift.Oxfordmusic.Net Free Every Month

    [email protected] Website: Nightshift.Oxfordmusic.Net Free Every Month

    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 122 September Oxford’s Music Magazine 2005 SupergrassSupergrassSupergrass on a road less travelled plus 4-Page Truck Festival Review - inside NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] THE YOUNG KNIVES won You Now’, ‘Water and Wine’ and themselves a coveted slot at V ‘Gravity Flow’. In addition, the CD Festival last month after being comes with a bonus DVD which picked by Channel 4 and Virgin features a documentary following Mobile from over 1,000 new bands Mark over the past two years as he to open the festival on the Channel recorded the album, plus alternative 4 stage, alongside The Chemical versions of some tracks. Brothers, Doves, Kaiser Chiefs and The Magic Numbers. Their set was THE DOWNLOAD appears to have then broadcast by Channel 4. been given an indefinite extended Meanwhile, the band are currently in run by the BBC. The local music the studio with producer Andy Gill, show, which is broadcast on BBC recording their new single, ‘The Radio Oxford 95.2fm every Saturday THE MAGIC NUMBERS return to Oxford in November, leading an Decision’, due for release on from 6-7pm, has had a rolling impressive list of big name acts coming to town in the next few months. Transgressive in November. The monthly extension running through After their triumphant Truck Festival headline set last month, The Magic th Knives have also signed a publishing the summer, and with the positive Numbers (pictured) play at Brookes University on Tuesday 11 October.
  • Psychobilly Psychosis and the Garage Disease in Athens

    Psychobilly Psychosis and the Garage Disease in Athens

    IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p.
  • The Evolution of Emo and Its Theoretical Implications 175

    The Evolution of Emo and Its Theoretical Implications 175

    The Evolution of Emo and Its Theoretical Implications 175 Mirosław Aleksander Miernik The Evolution of Emo and Its Theoretical Implications The purpose of this article is to analyze how emo, a youth subculture, evolved in the United States during a period of approximately twenty five years, since the mid-1980s, particularly focusing on how it changed in regard to the zeitgeist of the time period, as well as how it appropriated various elements of past subcultures into itself in order to create its own subcultural identity. Special attention will be paid to the third incarnation, which emerged at the beginning of the twenty-first century and proved to be the most widespread variation of the subculture. It is also interesting how this incarnation was affected by historical events such as the Columbine High School Massacre and 9/11. The theoretical implications of emo are the second issue that this article at- tempts to tackle. In particular, when viewed from the perspective of post-subculture studies, it allows one to revisit certain theories of the Centre for Contemporary Cultural Studies at the University of Birmingham (CCCS), which pioneered sub- culture studies in the 1960s and 70s. The relationship between post-subculture studies and the CCCS’s approach has always been very complex. Even though many representatives of post-subculture studies criticized the CCCS for various shortcomings, most significantly for an a priori approach that ignores empirical evidence and limits the concept of authenticity within subcultures (Muggleton 19–30). At the same time, the work of the CCCS has been always treated with respect and considered a milestone.
  • Everett Rock Band/Musician List "GH"

    Everett Rock Band/Musician List "GH"

    Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie
  • Lavoce's Directory

    Lavoce's Directory

    July 31, 2015 To Whom It May Concern: Promote Your Business with Lavoce’s Directory! Welcome to the preliminary edition of Lavoce’s Directory! Lavoce: We Are People Too, Inc. (Lavoce) is proud to present the first international directory for Goths, tattoo artists, sKateboarders, and others who live alternative lifestyles, or anyone whose clothing is outside the norm. This directory has more categories than any other online Goth directory. This is the most comprehensive directory available because being Goth affects all aspects of life. Our commitment is driven by the need to help Goths, and others who looK outside the norm, to feel safe to be themselves in their day-to-day jobs. This directory is the first and only directory of employers who hire people from alternative lifestyles. It has the potential to connect those who feel alone in this world to established organizations and areas of the world where Goths feel more accepted. It will build sustaining partnerships with existing organizations and revitalize the community by helping new organizations grow. Lavoce will also support Goth jobseeKers to promote job sKills training and worKplace etiquette. If you are seeing this, then you are an employer that seems open to hiring people from alternative lifestyles. I am writing to encourage your company to come forward as an openminded employer. The entries in this directory are gray because they have only been proposed but have not yet been confirmed or paid. I have included your company’s link in the first edition of this directory, but will need further information from you going forward.
  • Punk's Not Dead in East La: Exploring the East Los

    Punk's Not Dead in East La: Exploring the East Los

    Revista de Estudios Globales y Arte Contemporáneo, Vol. 3, Núm. 1, 2015, 198-219 Alicia Vanessa Nuñez Rafaela Fiore Urízar PUNK’S NOT DEAD IN EAST LA: EXPLORING THE EAST LOS SERIES AND IT’S USE OF LOCALITY AND CULTURAL HYBRIDITY FOR EASTSIDE CATHARSIS Introduction Depictions of Los Angeles emphasize an obsession with beauty, wealth, and fame; a media fueled superficiality that gives a myopic view of the city itself. For its inhabitants, the realities of this City of Lights seem unrecognizable from the fairytales its own neighborhood of Hollywood tries to disperse to the world. Sure, the rich and famous reside amongst luxury and comfort, but take a few steps outside of this glimmering bubble, and the disparities of millions of Angelinos become apparent. Such marginalization is experienced throughout the county, but the current Punk scene of East Los Angeles may be one of the biggest indicators of the existence of such urban problems. Some may ask, “hasn’t Punk been dead since the early 80’s?” Much like its unending fervor against conformity and uniformity, Punk continues to live; offering teens of the Eastside an escape against the Revista de Estudios Globales y Arte Contemporáneo ISSN: 2013-8652 online http://revistes.ub.edu/index.php/REGAC/index http://creativecommons.org/licenses/by/3.0/es/ Alicia Vanessa Nuñez & Dr. Rafaela Fiore Urízar, “Punk’s Not Dead in East LA: Exploring the East Los Series and It’s Use of Locality and Cultural Hybridity for Eastside Catharsis” harsh realities that comes with living in the city of luminous yet scathing lights.
  • New Hazlett Theater Presents Slim Cessna's Auto Club

    New Hazlett Theater Presents Slim Cessna's Auto Club

    New Hazlett Theater presents Slim Cessna’s Auto Club Pittsburgh, PA – August 6, 2012—New Hazlett Theater brings a different kind of country band to Pittsburgh when it presents alternative country and gothabilly rock band Slim Cessna’s Auto Club in concert on Wednesday, August 29 at 8 p.m. Appropriate for all ages, advance tickets are $12 and $18 at the door. Tickets can be purchased online through ShowClix. Slim Cessna's Auto Club is an American rock band originally formed in Denver, Colo. in 1992. Their genre-bending music includes elements of country blues, Southern gospel, gothabilly and other forms loosely grouped as Americana or alternative country. Gothabilly is one of several music subgenres of rockabilly. The name combines gothic and rockabilly. The Auto Club is sometimes labeled "country gothic" due to the juxtaposition of apocalyptic religious imagery with stories of alcohol, violence and relationships gone awry. “This is the country band that plays the bar at the end of the world,” writes Jello Biafra, a musician and founder of underground record label Alternative Tentacles. The band is made up of Slim Cessna, formerly a member of The Denver Gentlemen, Jay Munly (often credited as "Munly Munly"), Lord Dwight Pentacost, Daniel Grandbois (Danny Pants), Robert Ferbrache and Todd Moore. This show is particularly special with the addition of Baltimore's The Sterling Sisters, formed by Slim Cessna’s son George. The group’s music features ornate, immaculate gothic folk lit up by vocal duels between George Cessna’s rasp and Scout Paré-Phillips' operatic voice, moving along in a doomsday march crossed with western swing.
  • Atom and His Package Possibly the Smallest Band on the List, Atom & His

    Atom and His Package Possibly the Smallest Band on the List, Atom & His

    Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to.
  • This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene

    This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene

    THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina.
  • APOCALYPSE NOW Psychobilly Band Get

    APOCALYPSE NOW Psychobilly Band Get

    may 15, 2013 issue 15 | volume 23 nexusnewspaper.com camosun’s student voice since 1990 APOCALYPSE NOW New play tackles end of days with a side dose of fun Page Seven unmasked psychobilly band get natural page eight VIEWS May 15, 2013 editor’s letter open space April showers, May sunny, get over it Election ad restrictions limit camosun’s student voice since 1990 So, we’ve managed to stop squinting in confusion at that huge bright democracy Next publication: June 12, 2013 yellow thing floating above us (and subsequently complaining/being con- Ryan BRezzi founded that it’s there in May) for long enough to put out this issue, the can have an impact on a candidate Deadline: noon June 5, 2013 Contributing writer first of our spring semester editions. This year we’re putting out regular who’s running in the election. Address: 3100 Foul Bay Rd., Victoria, BC, issues of the newspaper throughout the spring and summer semesters, The BC government has im- This reinforces little repercus- V8P 5J2 which is a change from how we did things in the past. We had such a posed a number of advertisement sion to corporations that engage in Location: Lansdowne Richmond House 201 successful and positive year, why not keep the fun going? restrictions on the activities of third- environmentally harmful activities, Phone: 250-370-3591 So we did. And there’s tons of fun to be found here. In this issue there’s party conservation groups and other and it negates BC residents’ voices Email: [email protected] stories about a Camosun College Student Society representative’s new organizations during the election on critical issues that they are con- Website: nexusnewspaper.com provincial position, a profile on a Camosun instructor, and a look at a period.
  • IGGY POP - PARA a BANDA SIOUXSIE TRANSMISSION Um Gênio (Indomável) Do and the BANSHEES: RÁDIO P.03 P.08 Rock and Roll

    IGGY POP - PARA a BANDA SIOUXSIE TRANSMISSION Um Gênio (Indomável) Do and the BANSHEES: RÁDIO P.03 P.08 Rock and Roll

    CONFIRA OS BASTIDORES DO TRIBUTO BRASILEIRO FEITO Conheça a IGGY POP - PARA A BANDA SIOUXSIE TRANSMISSION Um gênio (indomável) do AND THE BANSHEES: RÁDIO p.03 p.08 Rock And Roll: P.09 WOODGOTHIC 2017: Biografia de todas as bandas que participarão da edição 2017: p.11 EM PAUTA: P. 04 SPLEEN and IDEAL DEAD CAN DANCE p. 34 PUNK E MAIS: ESPECIAL: MULHERES QUE MUDARAM OS RUMOS DO 77! “TOP 5”: álbuns do IRON ROCK AND ROLL Listamos quinze álbuns MAIDEN: p.28 de Punk Rock p.24 que marcaram o ano de 1977: “Indicação de BANDA”: SIGUR RÓS p.30 p. 28. 1 NESTA EDIÇÃO: Underground: Tributo Siouxsie And The Banshees - 03 Em pauta: Em pauta: Spleen And Ideal – 04 - 07 Dead Can Dance Extra! Extra! Transmission Radio/Indicação – 08 Resenha: Iggy Pop: gênio (indomável) do Rock And Roll – 09-10 Especial: 1. Conheça as bandas que participarão do Woodgothic 2017 – 11 - 23 2. Dia da Mulher: as feras do Rock And Roll - 24 - 27 Análise: Discografia comentada do Iron Mainden – 28 – 29 Lista: 18 álbuns clássicos do PUNK77 – 30 - 33 Mais: Cinema e Rock And Roll – 34 – 35 O Que Rola na Minha PLAYLIST – 36 Caro leitor, seja muito bem-vindo. Esta é a edição 00 da revista virtual Fanzine Brasil. O intuito deste projeto é reunir textos diversificados sobre música, com ênfase no Rock And Roll e suas várias vertentes. Os editores-chefes do projeto, sentem-se imensamente honrados em finalmente poder disponibilizar a revista. Nossa maior inspiração foram as revistas undergrounds produzidas nos EUA e na Inglaterra durante a eclosão do movimento Punk.
  • Issue 135.Pmd

    Issue 135.Pmd

    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 135 October Oxford’s Music Magazine 2006 Photo:Ben Freeman ivy’sivy’s itchitch InterviewInterview insideinside Also in this issue: County’s venues in crisis! plus: Six pages of local gigs NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] bands wanting to play at the new-look Ex should send a demo to Al, c/o The Exeter Hall, Oxford Road, Cowley. LAB4 have decided to split. The local hardcore THE WHEATSHEAF looks set to continue trance duo, based in Abingdon, issued a hosting live music until Christmas at least after statement on their website confirming that they a proposed buy-out of the pub was put on hold are calling it a day after twelve years together. last month. The Wheatsheaf’s owners, Greene “At the beginning of this year we discussed King, had expected the sale to go through by our intentions of taking 2007 off to be able to now, with rumours suggesting that the current recuperate physically and mentally, as well as owners of Freud’s were to be the new to take stock of the past 15 years of our lives. proprietors and that the upstairs venue was to We also felt that if we were to continue be turned into a wine bar or restaurant. While onwards with our music, that we need to be the future of the Wheatsheaf is still uncertain able to focus for longer without every studio THE EXETER HALL re-opened its doors to and the current management are unsure of plans session being disrupted by our gig schedule.