This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
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Voices of Feminism Oral History Project: Roma, Catherine
Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA CATHERINE ROMA Interviewed by JOYCE FOLLET June 19 and 20, 2005 Northampton, Massachusetts This interview was made possible with generous support from the Ford Foundation. © Sophia Smith Collection 2006 Sophia Smith Collection Voices of Feminism Oral History Project Narrator Catherine Roma was born in Philadelphia January 29, 1948, the youngest of three children of Italian-born parents. Her mother completed high school and, once married, was a community volunteer. Her father graduated from Princeton University and Temple Law School, but when his own father died young, he left legal practice to run the family’s barbershops in Philadelphia and other East Coast railroad terminals. Practicing Catholics, Catherine’s parents sent her to Germantown Friends School K-12; she remains a Convinced Friend. In the late 1960s and early 1970s, Roma earned a BA in music and an MM in Choral Conducting at the University of Wisconsin-Madison, where she became involved in socialist-feminist politics and began organizing a feminist choral group in 1974. Returning to Philadelphia the following year to teach music at Abington Friends School, she organized and conducted Anna Crusis, the first feminist women’s choir in the US. In 1983 she undertook the doctorate in musical arts at the University of Cincinnati, where she founded MUSE, the community chorus she continues to lead. Under Roma’s leadership, MUSE is a vital group in what has become a national and international grassroots movement of women’s choruses. MUSE is recognized as a model anti-racist community organization and a progressive force in Cincinnati politics. -
Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Compton Music Stage
COMPTON STAGE-Saturday, Sept. 18, FSU Upper Quad 10:20 AM Bear Hill Bluegrass Bear Hill Bluegrass takes pride in performing traditional bluegrass and gospel, while adding just the right mix of classic country and comedy to please the audience and have fun. They play the familiar bluegrass, gospel and a few country songs that everyone will recognize, done in a friendly down-home manner on stage. The audience is involved with the band and the songs throughout the show. 11:00 AM The Jesse Milnes, Emily Miller, and Becky Hill Show This Old-Time Music Trio re-envisions percussive dance as another instrument and arrange traditional old-time tunes using foot percussion as if it was a drum set. All three musicians have spent significant time in West Virginia learning from master elder musicians and dancers and their goal with this project is to respect the tradition the have steeped themselves in while pushing the boundaries of what old-time music is. 11:45 AM Ken & Brad Kolodner Quartet Regarded as one of the most influential hammered dulcimer players, Baltimore’s Ken Kolodner has performed and toured for the last ten years with his son Brad Kolodner, one of the finest practitioners of the clawhammer banjo, to perform tight and musical arrangements of original and traditional old-time music with a “creative curiosity that lets all listeners know that a passion for traditional music yet thrives in every generation (DPN).” The dynamic father-son duo pushes the boundaries of the Appalachian tradition by infusing their own brand of driving, innovative, tasteful and unique interpretations of traditional and original fiddle tunes and songs. -
On Bach's Bottomby Alex Chilton
On Bach’s Bottom by Alex Chilton Elizabeth Barker Not too many years ago, I stole a rock star’s likeness for my novel and then he asked me on a date. He’s the singer for a band I’ve loved since I was 14, one of the most enduring infatuations of my life. The character I based on him was very minor: my protagonist’s most adored ex-boyfriend, who wore beaded necklaces and ate his ice cream from the pint, with a butter knife instead of a spoon. He existed in flashbacks where kids drank Alex Chilton warm beer on back porches in the New England summertime, Rickie Lee Jones on the Bach’s Bottom radio. In one scene he dragged his finger through the melted frosting of a lemon danish, on a front stoop on a Sunday morning when he and his girl had barely slept and both had 1981 exciting hair, unwashed and ocean-salty. Line Records There wasn’t much point in adding that character to the story. I mostly stole the singer’s likeness so that I could infuse some of his goofball aura into my book. His aura was the exact sunny-yellow of the nucleus of a lemon danish, and I wanted to use him like a filmmaker uses pop songs to siphon off the sentiment of the melody. A few months after I wrote that section of my book, the singer moved to Los Angeles, to my side of town. And it unthrills me to get to this part of the story, because no one ever wants to use the word Twitter when they’re talking about love—but I suppose that’s the reality of the world today. -
Download Teacher's Guide
A Celebration of America’s Music From Plymouth Rock to Rock & Roll Teacher’s Guide About the Show Take a journey through time and celebrate the multicultural nature of the music of the United States. Matthew Sabatella and the Rambling String Band perform the songs and tell the story that connects traditional folk music, spirituals, fiddle tunes, Appalachian music, ragtime, blues, rhythm and blues, jazz, country, bluegrass, and rock & roll. Beautiful projected images enhance this fun and unique experience for all ages. You'll sing and clap along as the story unfolds of how songs and musical styles emerged from encounters among diverse people and the American experience itself. Please note: This show addresses sensitive historical realities, including slavery, racism, and segregation. In doing so, it emphasizes the ways in which people, through music, have expressed themselves, survived hardships, and overcome challenges. The show demonstrates how unique forms of American music resulted from the interaction of diverse peoples, despite often unfavorable circumstances. America’s Music The music in America today is part of a continuum that reaches back to Colonial America and stretches across the Atlantic Ocean to the Old World. Music, instruments, and songs tell the story of the ordinary and extraordinary people who have populated the United States and propelled it into the 21st century. Not only do the lyrics directly reflect the hopes, fears, struggles, sorrows, triumphs, and humanity of the real people who lived history, but to follow the path taken by the music itself is to understand the great cultural stew that is the United States of America. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
(Sound Off Live 2013 Winner) Indie Soul Meets Jazzy Blues
Artscape Entertainment Resource Guide 2013 Band Name Genre Website Email Phone Number Allie & The Cats (Sound Off Live 2013 Winner) Indie Soul meets Jazzy Blues http://www.alliemariemusic.com [email protected] 4109916973 Balti Mare Balkan Gypsy Brass http://www.facebook.com/baltimare [email protected] 4109633799 Basement Instinct (Sound Off Live 2013 Winner) Alternative Rock https://www.facebook.com/basementinstinctband [email protected] 4437038941 Bearstronaut pop http://bearstronaut.com [email protected] 8609124857 Big Sur Alternative Melodic Rock http://www.bigsurrock.com [email protected] 3015931778 Billy Wilkins Jazz/Rock https://soundcloud.com/billy-wilkins-1 [email protected] 4103696360 Blizz Hip Hop http://www.hulkshare.com/Blizz [email protected] 4439860731 Boozey R&B and Hip Hop http://Boozeyonline.com [email protected] Braunsy Brooks & Worship Kulture Christian http://www.bbworshipkulture.com [email protected] 8284554010 Brittanie Thomas Music Soul/R&B http://www.brittaniethomas.com [email protected] 4433608985 Brothers Kardell Experimental electronic pop metal hip-hop http://www.soundcloud.com/brotherskardell [email protected] 2022862623 Buddah Bass Hip-Hop/Pop http://Buddahbass.bandcamp.com [email protected] 3365779559 Bumpin Uglies Reggae/Ska http://www.bumpinugliesmusic.com [email protected] 4102793613 Children of a Vivid Eden Alternative rock http://www.facebook.com/c.o.v.e.rock [email protected] 4436324130 Chris Reynolds and -
Defining the Nervous American: Neurasthenia, Religion, And
Defining the Nervous American: Neurasthenia, Religion, and Assimilation 1880-1915 by Clare L. McGuire A thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts with Honors Department of History University of Michigan March 31, 2008 Advised by: Professor Martin Pernick 2 Introduction In the years between 1880 and 1915, the population of the United States changed dramatically: more immigrants than ever before arrived in the United States from all over the globe. Most of them were from places in the world that had previously sent few immigrants to the United States. Americans worried that the new arrivals, many of them from eastern and southern Europe, would not be capable of fully participating in American society, particularly politically, after lifetimes spent under autocratic governments. Americans and their leaders also worried that the new arrivals were staying in the large cities and forming ethnic neighborhoods where English was often a second language. Frederick Jackson Turner’s thesis of 1890, which stated that the American frontier in the West was officially closed, only added to this problem. The propensity of Eastern European Jewish immigrants in particular to stay in the large cities and to settle permanently rather than sojourn caused contemporary Americans to wonder about how these new peoples, with their unusual and old-fashioned customs, were to be assimilated. Over those same decades, the nervous disease neurasthenia- as first invented and described by the American neurologist and electricity enthusiast George Beard- gained popularity first across the United States and then across the Western world. Neurasthenia in its most basic sense was a lack of nerve force which could be cause by a number of factors. -
18-Wheeler Slams Into Bridge the Gathering
Lady Bears’ top point guard is ready for tipoff 4 Baylor’s Niya Johnson, top ranked point guard in the NCAA, will play against the No. 2 guard today. see Sports, page 7 baylorlariat com The Baylor Lariat WE’RE THERE WHEN YOU CAN’T BE David Crowder will perform at the Woodlands this weekend. He took time out of his tour for a Q&A with the Lariat. see A&E, page 5 Friday | March 27, 2015 Gather at the Brazos McLane Stadium to host historic service on Palm Sunday By Kalli Damschen Staff Writer Thousands of worshipers are expected to fill McLane Stadium for the Gathering, a historic Palm Sunday worship service, at 5 p.m. Sunday. The Gathering, named from the hymn “Shall We Gather at the River?” which will be sung at the event. Kevin Harrison, pastor of Victori- ous Life Church and lead administrator of the Gathering, said he hopes the event will provide a sense of unity. “This is not just about having a service,” Har- rison said. “It’s the genesis of a movement of unity. We see the division in our world. How in the world can our world come together and be united if the church isn’t?” The official website describes the Gathering’s ASSOCIATED PRESS goal as building a bridge between the church Authorities investigate a tractor-trailer that crashed into an overpass under construction on Thursday, in Salado. Department of Transportation spokeswoman Becky Ozuna says and the community by bringing people together the truck hit a beam being used to build a bridge across Interstate 35 on Thursday morning. -
Cocorosie Grey Oceans Mp3, Flac, Wma
CocoRosie Grey Oceans mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Grey Oceans Country: Germany Released: 2010 Style: Art Rock MP3 version RAR size: 1332 mb FLAC version RAR size: 1352 mb WMA version RAR size: 1601 mb Rating: 4.7 Votes: 525 Other Formats: AIFF DXD AHX XM MP1 WMA AUD Tracklist Hide Credits A1 Trinity's Crying 4:40 A2 Smokey Taboo 4:48 Hopscotch A3 3:08 Drums – Gustavo "Bolsa" González Undertaker A4 Bass Clarinet, Alto Saxophone – Martin PantirerVocals [Intro And Extra Vocals] – Christina 3:52 Chalmers A5 Grey Oceans 4:32 R.I.P. Burn Face B1 4:38 Voice [Spoken Word] – Neda Sanai The Moon Asked The Crow B2 3:50 Bass Clarinet, Alto Saxophone – Martin Pantirer Lemonade B3 5:14 Trumpet – Todd Simon Gallows B4 4:25 Violin, Backing Vocals – Florence Fritz B5 Fairy Paradise 4:10 B6 Here I Come 3:28 Companies, etc. Phonographic Copyright (p) – CocoRosie Copyright (c) – CocoRosie Licensed To – Souterrain Transmissions Credits Co-producer – David Sitek* (tracks: B1, B3, B5) Engineer [Additional] – Zephyrus Sowers (tracks: B1, B3, B5) Engineer, Mixed By – Nico Kalwill* Layout – David Babbitt Lyrics By, Music By, Producer – CocoRosie Photography By [Cover] – Matt Greene Piano, Keyboards – Gael Rakotondrabe* Written-By [Co-written By] – Gael Rakotondrabe* (tracks: A3, A4, B2, B3, B6) Notes Gatefold sleeve Sticker on sleeve: "180 gram vinyl, including free digital download code". Barcode and Other Identifiers Barcode: 673790 025913 Label Code: LC 20296 Rights Society: GEMA Matrix / Runout (A, Etched):