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Influence of Music Genre and Composition on Entertainment Noise Limits

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Influence of Music Genre and Composition on Entertainment Noise Limits Proceedings of ACOUSTICS 2005 9-11 November 2005, Busselton, Western Australia Influence of music genre and composition on entertainment noise limits Michael Hayne (1) , David Mee (2) and Ron Rumble (1) (1) Ron Rumble Pty Ltd, Brisbane, Australia (2) Division of Mechanical Engineering, The University of Queensland, Brisbane, Australia ABSTRACT Liquor licensing authorities across Australia typically require an entertainment noise test to be conducted before a venue can host amplified entertainment. The purpose of this test is to simulate live entertainment in order to determine the maximum permissible noise source limits allowed for the venue. In this paper, several disadvantages of the current method used for entertainment noise testing are identified and discussed. It was found that the choice of music can affect the resulting source noise level limits. An alternative approach has been suggested which involves playing band-limited pink noise across the 63 to 2kHz octave bands. A correction is then applied to determine the source noise level limits associated with different genres of music. The advantages of this method are that it reduces the time required to conduct the test, the nuisance caused to neighbouring premises is reduced and the variance in source noise level limits caused by different choice of test music is eliminated. INTRODUCTION This exposes the nearby noise-sensitive premises to repetitions of the same song for long periods of time. Throughout Australia, licensed venues such as hotels and clubs regularly provide entertainment ranging from stand-up To minimise the costs incurred on the client, background comedy to rock bands. The noise emissions from such venues noise measurements are often taken at the noise sensitive are closely regulated by liquor licensing authorities in each receivers at 10pm before the intruding noise component of state. It is a common practice for authorities to specify a the test is conducted. Background measurements are also noise source limit which can be monitored inside the venue taken after the conclusion of the test at a time appropriate for and if adhered to, achieves an acceptable level of noise the venue in order to define the noise criteria after 10pm. For emissions outside the venue at any noise-sensitive receptor a nightclub or venue open until early morning, this time is such as a residence. usually between 2 and 3am. Noise source limits are specific to an individual The current method of conducting an entertainment noise test entertainment venue and depend on factors such as the noise has several disadvantages. These are: reduction performance of the building envelope and the 1. It is possible to derive different entertainment noise ambient noise environment outside the venue. Most limits for the same premises due to the arbitrary song authorities require the noise source limits to be determined selection. experimentally. This is done by creating simulated 2. The tests cause annoyance for the surrounding premises entertainment using recorded music and a high-powered PA due to the necessity of exceeding the unreasonable noise system. The source noise level inside the venue is limits. deliberately set to a high volume, which facilitates measurements with good signal-to-noise ratio at receptor 3. A test can become quite protracted if multiple noise- premises – the so-called Intrusive Noise Test. The noise limit sensitive receivers exist. This is due to the necessity of is then determined by calculation. measuring the noise intrusion at each receiver for the duration of the song. The amount by which the intrusive noise emission exceeds the acceptable noise limit at the receptor premises is deducted This paper examines the influence of music genre on from the test level inside the venue to establish the source entertainment noise limits. An alternative method to noise limit. The manager of the venue is then charged to conducting an entertainment noise test is proposed which ensure compliance through the regular measurement of the results in consistent noise level limits and a shorter test time source noise level using an inexpensive sound level meter. with less inconvenience to all of the stakeholders. For the Intrusive Noise Test, acoustic consultants are required NOISE EMISSION CRITERIA to use source music which is considered to be representative of the actual (or proposed) music to be played at the In Queensland, the Liquor Licensing Division sets specific premises. The consultant usually selects an arbitrary piece of limits for the noise of entertainment emanating from licensed music which is considered to represent the worst-case premises (LLD 2005). These limits apply at commercial scenario of the type of music to be played. premises and noise-sensitive receptors, which includes private residences, caravan parks, marinas, schools and Because of the temporal variability of music, to obtain a hospitals. statistically relevant result it is necessary to repeat the same music track several times. This would typically result in a test Between the hours of 6am and 10pm, the required method of duration of 10 to 15 minutes at a single receptor location, measurement is the overall, A-weighted noise level (dB(A)). increasing to over an hour for multiple receptor locations. The intrusive noise at the receptor is measured as the ten- percentile statistical level (LA10) and adjusted for tonal and Australian Acoustical Society 217 9-11 November 2005, Busselton, Western Australia Proceedings of ACOUSTICS 2005 impulsive components (LA10 adj). The background level is INFLUENCE OF MUSIC GENRE ON measured as the ninety-percentile level in the absence of ENTERTAINMENT NOISE LIMITS entertainment (LA90). The noise limit for this time period is such that the adjusted intrusive level must not exceed the To demonstrate the influence of music type on entertainment background by more than 10dB(A): noise limits, an experiment was conducted at The University of Queensland. A classroom in the Mechanical Engineering LA10 adj < LA90 + 10dB(A) (1) building was used to represent an entertainment venue. A compact disc player was connected to an amplifier, which in Between 10pm and 6am, the measurement must be conducted turn was connected to two loudspeakers. in octave bands (Loct). The intrusive noise is again measured as the ten-percentile level; this time in octave bands without Entertainment noise tests were simulated using several any penalty adjustment (Loct 10). The background level in the different songs representing different music genres. The room absence of entertainment is measured as the ninety-percentile set-up, sound system set-up and measurement locations were level (Loct 90). The limit is such that the intrusive noise must identical for each test. The source noise levels were measured not exceed the background by more than 8dB in any octave at a distance of 3m from the speakers, along the centreline band from 63Hz to 2kHz inclusive. between the speakers. In each instance, the overall source noise level was set to be 102dB. The background and Loct 10 < Loct 90 + 8dB (2) intruding noise levels were measured at a location 23m from the façade of the building. The intruding noise was clearly MUSIC GENRES audible at this location. In order to determine the influence of music genre and Table 1: Meta-genres and example sub-genres of the music composition on entertainment noise limits, it is necessary to analysed during this investigation be able to categorise a piece of music into an easily Meta Genres Example Sub-Genres recognisable genre. Music is known as a dynamic art, and as Modern Rock Alternative Rock, Experimental Rock, such, new musical genres are being created all of the time. There are thousands of music genres in existence. For Indie Rock, Jam Rock, New Wave, Post example, Amazon.com has over 700 different music genres, Punk, Power Pop while AllMusicGuide has over 500 genres (Pachet and Rock Classic Rock (British Invasion, Glam Cazaly 2000). Of these two sites, approximately 200 genres Rock, Folk Rock), Hard Rock, Prog are common to both. Rock, Southern Rock Metal Funk Metal, Industrial Metal, Thrash Pachet and Cazaly state that a piece of music can be assigned Punk ’77 Style Punk, Hardcore Punk, Pop a genre a number of ways, including: Punk, Ska Punk, Riot Grrrl, Psychobilly • Genealogical – based upon musical evolution. Folk 60s Revival, Anti-Folk, Contemporary Folk, Singer-Songwriter, Traditional Folk • Geographical – based upon geographical location. Electronica Acid Jazz, Ambient, Downbeat, • Aggregation – the combination of two existing genres. Intelligent Dance Music, Techno, For example, “Rhythm” and “Blues”. Industrial, Drum ‘n’ Bass • Repetition – this means that a given term (e.g. Jazz Be Bop, Big Band, Crossover Jazz, “Reggae”) is polysemic, and denotes both a meta-genre Lounge, Vocal Jazz, Cool Jazz, Soul Jazz and an actual genre. Blues Chicago Blues, Electric Blues, Country Blues, Female Vocal Blues • Historical period – based upon the time period the music was composed. For example, the term “Classical” Country Alt Country, Bluegrass, Contemporary can be used to denote the musical period from 1770 to Country, Country Rock, Traditional 1830. Country Oldies Doo Wop, Early Rock & Roll, • Specific dimensions of the sub-genre – for instance, Rockabilly, Surf music can be divided according to the main instruments: Pop Dance Pop, Easy Listening, Euro Pop, “Brass”, “Organ”, etc. Soft Rock, Teen Pop, Vocalists Hip Hop Abstract Hip Hop, Bass, Gangsta Rap, With so many different ways of classifying music and the Pop Rap large number of genres, it could be argued that it is R&B Funk, Disco, Gospel, Soul impossible to maintain consistency when classifying music Reggae Roots Reggae, Ska into its appropriate genre. The noise levels were measured using a Rion NA27 sound However, in this instance, the task is simplified as level meter. The noise levels were measured in 1/1 octave entertainment noise tests are usually concerned with bands using a linear weighting.
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