DOCSLIB.ORG

Music Genre/Form Terms in LCGFT Derivative Works

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music Genre/Form Terms in LCGFT Derivative Works Music Genre/Form Terms in LCGFT Derivative works … Adaptations Arrangements (Music) Intabulations Piano scores Simplified editions (Music) Vocal scores Excerpts Facsimiles … Illustrated works … Fingering charts … Posters Playbills (Posters) Toy and movable books … Sound books … Informational works … Fingering charts … Posters Playbills (Posters) Press releases Programs (Publications) Concert programs Dance programs Film festival programs Memorial service programs Opera programs Theater programs … Reference works Catalogs … Discographies ... Thematic catalogs (Music) … Reviews Book reviews Dance reviews Motion picture reviews Music reviews Television program reviews Theater reviews Instructional and educational works Teaching pieces (Music) Methods (Music) Studies (Music) Music Accompaniments (Music) Recorded accompaniments Karaoke Arrangements (Music) Intabulations Piano scores Simplified editions (Music) Vocal scores Art music Aʼak Aleatory music Open form music Anthems Ballades (Instrumental music) Barcaroles Cadenzas Canons (Music) Rounds (Music) Cantatas Carnatic music Ālāpa Chamber music Part songs Balletti (Part songs) Cacce (Part songs) Canti carnascialeschi Canzonets (Part songs) Ensaladas Madrigals (Music) Motets Rounds (Music) Villotte Chorale preludes Concert etudes Concertos Concerti grossi Dastgāhs Dialogues (Music) Fanfares Finales (Music) Fugues Gagaku Bugaku (Music) Saibara Hát ả đào Hát bội Heike biwa Hindustani music Dādrās Dhrupad Dhuns Gats (Music) Khayāl Honkyoku Interludes (Music) Entremés (Music) Tonadillas Kacapi-suling Malhūn (Music) Ma'lūf Microtonal music Minimal music Musique concrète Nhạ̣c tài tử Nō music Utai Oratorios Sepolcri Overtures Partimenti Pastoral music Phlēng thao Preludes (Music) Quodlibets (Music) Ensaladas Ragas Ālāpa Gats (Music) Rhapsodies (Music) Rondos Scherzos Sicilianas (Music) Sonatas Songs without words (Instrumental music) Soundscapes (Music) Spectral music Stochastic music Suites Symphonies Text-sound compositions Third stream (Music) Toccatas Variations (Music) Chaconnes Folias (Music) Passacaglias Pibrochs Vọng cố Chants Antiphons (Music) Cantillations Gregorian chants Graduals (Chants) Prosulas (Music) Reproaches (Chants) Sequences (Music) Tropes (Music) Offertories (Music) Organa Propers (Music) Alleluias (Chants) Graduals (Chants) Introits (Music) Offertories (Music) Prokeimena Transitoria (Music) Prostopinije Qurʼanic recitations Responses (Music) Shigin Shōmyō Utai Dramatic music Ballad operas Ballets (Music) Chinese operas Congadas (Music) Dialogues (Music) Entremés (Music) Hát bội Hát chèo (Music) Incidental music Kabuki music Nō music Utai Modern dance music Motion picture music Animated film music Silent film music Musicals Operas Radio operas Television operas Tonadillas Oratorios Sepolcri P’ansori Pantomimes (Music) Rappresentazioni sacre (Music) Sepolcri Revues Serenatas Folk music Aleke Blues (Music) Blues-rock music Boogie woogie (Music) Rockabilly music Cajun music Calypso (Music) Celtic music Congadas (Music) Flamenco music Saetas Seguedillas (Music) Sevillanas (Music) Folk dance music Folk songs Alalás Bhāwāiyā Cerdd dant Chastushki Coplas (Music) Corridos (Music) Cumulative songs Dumy (Music) Enumerative songs Fados Gospel music Contemporary Christian music Country gospel music Jarigan Naamyam P’ansori Rune songs Sean nós Spirituals (Songs) Tan singing Vesnianky Vil pāṭṭu Waulking songs Yodels Folk-rock music Guaguancós (Music) Hát chèo (Music) Huaylas (Music) Klezmer music Kolos (Music) Kuyis Maloya (Music) Mariachi (Music) Morris dances (Music) Mouth music Música sertaneja Norteño (Music) Old-time music Polkabilly music Rebetika Sanjo Sones Huapangos (Music) Soukous (Music) Square dance music Tejano music Vallenato Functional music Acclamations (Music) Background music Camp songs Campaign songs Circus music Dance music Aleke Allemandes (Music) Bachata Bailā (Music) Ballets (Music) Bambucos (Music) Beguines (Music) Boleros (Music) Boogaloos (Music) Boogie woogie (Music) Bourrées (Music) Bugaku (Music) Bullerengue (Music) Calypso (Music) Cancans (Music) Candombes (Music) Cha-chas (Music) Chacareras (Music) Chamamé (Music) Champeta (Music) Choros Chutney (Music) Clog dance music Cosaques (Music) Cotillions (Music) Country-dances (Music) Ecossaises (Music) Monferrinas (Music) Courantes (Music) Court dances (Music) Basses danses (Music) Csárdás (Music) Cuarteto (Music) Dance accompaniment music Dancehall (Music) Danzones (Music) Disco (Music) Estampies (Music) Fandangos (Music) Folias (Music) Folk dance music Forró (Music) Foxtrots (Music) Funana (Music) Furiants (Music) Gahu (Music) Galliards (Music) Galops (Music) Gavottes (Music) Guarachas (Music) Gumbé (Music) Habaneras (Music) Highlife (Music) Hornpipes (Music) Huaylas (Music) Hulas (Music) Jigs (Music) Jongos (Music) Joropos (Music) Jotas (Music) Kolos (Music) Kpegisu (Music) Krakowiaks (Music) Ländler (Music) Mambos (Music) Mariachi (Music) Marineras (Music) Mazurkas (Music) Polka-mazurkas (Music) Merengues (Music) Milongas (Music) Minuets (Music) Modern dance music Mornas (Music) Morris dances (Music) Pachangas (Music) Pasillos (Music) Paso dobles (Music) Passamezzos (Music) Passepieds (Music) Pavans (Music) Polkas (Music) Polka-mazurkas (Music) Schottisches (Music) Polonaises (Music) Polskas (Music) Porros (Music) Quadrilles (Music) Quicksteps (Marches) Rachenitsas (Music) Redowas (Music) Reels (Music) Strathspeys (Music) Remixes (Music) Mashups (Music) Rigaudons (Music) Rumbas (Music) Guaguancós (Music) Salsa (Music) Saltarellos (Music) Sambas (Music) Sarabandes (Music) Sardanas (Music) Sevillanas (Music) Soca (Music) Sousedskás (Music) Square dance music Swing (Music) Tamboras (Music) Tangos (Music) Tap dance music Tarantellas (Music) Tsapiky (Music) Tyroliennes (Music) Underground dance music Dubstep (Music) Ghettotech (Music) House music Trance (House music) Intelligent dance music Jungle (Music) Techno (Music) Gabba (Music) Trip-hop (Music) Waila music Waltzes (Music) Western swing (Music) Zamba (Music) Zortzikos (Music) Event music Advent music All Saints’ Day music Ascension Day music Candlemas music Carnival music Canti carnascialeschi Frevos Christmas music Aguinaldos Communion service music Coronation music Corpus Christi Festival music Divine Office (Music) Compline music Lauds (Music) Vespers (Music) Drum circles Easter music Epiphany music Evening service music Vespers (Music) Feast of the Transfiguration music Fight songs Funeral music Dirges (Music) Epicedia (Music) Requiems High Holiday music Yom Kippur music Kpegisu (Music) Lenten music Holy Week music Saetas Sepolcri Reproaches (Chants) Masses Requiems Michaelmas music Morning service music Lauds (Music) Orthros (Music) Passover music Pentecost Festival music Peyote songs Pilgrimage music Propers (Music) Alleluias (Chants) Graduals (Chants) Introits (Music) Offertories (Music) Prokeimena Transitoria (Music) Ramadan music Reformation Festival music Sabbath music Simḥat Torah music Trinity Sunday music Vesnianky Visitation Festival music Wedding music Marches (Music) Quicksteps (Marches) Military music Mission music Motion picture music Animated film music Silent film music Musical games Hand-clapping games Singing games Production music Radio music Radio operas Singing commercials Jingles (Advertising songs) Television music Animated television music Work songs Sea shanties Waulking songs Glitch music Humorous music Humorous songs Bawdy songs Nonsense songs Novelty songs Musical parodies Medleys (Music) Notated music Musical sketches Part books Parts (Music) Scores Chorus scores Fakebooks (Music) Lead sheets Intabulations Piano scores Vocal scores Service books (Music) Antiphonaries (Service books) Graduals (Service books) Hymnals Shape-note hymnals Kyriales Missals (Service books) Processionals (Service books) Sequentiaries (Service books) Songbooks Tune books Popular music Agbadja modern (Music) Arabesk (Popular music) Bachata Bailā (Music) Banda (Music) Beatboxing Bhangra (Music) Bikutsi Blues (Music) Blues-rock music Boogie woogie (Music) Rockabilly music Boogaloos (Music) Bossa nova (Music) Brega (Music) Cajun music Calypso (Music) Campursari Candombes (Music) Cavachas (Music) Celtic music Chaabi Champeta (Music) Chanchona (Music) Chicha Choros Chutney (Music) Country music Alternative country music Bluegrass music Country gospel music Country rock music Cowpunk music Honky-tonk music Polkabilly music Rockabilly music Western swing (Music) Cover versions Cumbia (Music) Dangdut Dansi (Music) Danzones (Music) Disco (Music) Electronica (Music) Ambient music (Electronica) Nu jazz Synthpop (Music) Underground dance music Dubstep (Music) Ghettotech (Music) House music Trance (House music) Intelligent dance music Jungle (Music) Techno (Music) Gabba (music) Trip-hop (Music) Enka Forró (Music) Funana (Music) Funk (Music) Gospel music Contemporary Christian music Country gospel music Gumbé (Music) Habaneras (Music) Highlife (Music) Huaylas (Music) Jazz Bop (Music) Cool jazz Dixieland music Trad jazz Free jazz Jazz-rock (Music) Latin jazz Nu jazz Swing (Music) Third stream (Music) Western swing (Music) Jingles (Advertising songs) Kanto (Popular music) Karaoke Kaskawi (Music) Keroncong Klezmer music Latin pop Lounge music Lundus Makossa (Music) Maloya (Music) Mangue Mariachi (Music) Mbalax Mbaqanga Mchiriku Minstrel music Mornas (Music) Música sertaneja New Age music Norteño (Music) Old-time music Ragtime music Rai (Music) Rap (Music) Bounce (Music) Crunk (Music) Gangsta rap (Music) Go-go (Music) Ragga (Music) Trip-hop (Music) Rapso
Load more

Recommended publications
  • Sexism Across Musical Genres: a Comparison
    Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-24-2014 Sexism Across Musical Genres: A Comparison Sarah Neff Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social Psychology Commons Recommended Citation Neff, Sarah, "Sexism Across Musical Genres: A Comparison" (2014). Honors Theses. 2484. https://scholarworks.wmich.edu/honors_theses/2484 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Running head: SEXISM ACROSS MUSICAL GENRES 1 Sexism Across Musical Genres: A Comparison Sarah E. Neff Western Michigan University SEXISM ACROSS MUSICAL GENRES 2 Abstract Music is a part of daily life for most people, leading the messages within music to permeate people’s consciousness. This is concerning when the messages in music follow discriminatory themes such as sexism or racism. Sexism in music is becoming well documented, but some genres are scrutinized more heavily than others. Rap and hip-hop get much more attention in popular media for being sexist than do genres such as country and rock. My goal was to show whether or not genres such as country and rock are as sexist as rap and hip-hop. In this project, I analyze the top ten songs of 2013 from six genres looking for five themes of sexism. The six genres used are rap, hip-hop, country, rock, alternative, and dance.
    [Show full text]
  • PTSVNWU JS-5 Jam Station Style Listing
    PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06
    [Show full text]
  • For Immediate Release: GREY FOX BLUEGRASS FESTIVAL “A Who’S Who of Bluegrass Music” JULY 15-18, 2010
    For Immediate Release: GREY FOX BLUEGRASS FESTIVAL “A Who’s Who of Bluegrass Music” JULY 15-18, 2010 WINNER of IBMA BLUEGRASS EVENT OF THE YEAR AWARD On the Walsh Farm, Oak Hill, NY 12460 In Greene County NY’s Beautiful Catskill Mountain Region For the die-hard bluegrass fan, the thought of summer means making an annual pilgrimage to Oak Hill, NY where a normally quiet, out-of-the-way farm in rural Greene County is magically transformed into a community of world-class performers, exuberant fans, devoted volunteers, non-stop jamming, funky campsites, scrumptious food and booths filled with crafts, instruments and clothing. For the third week in July, the Walsh Farm is home to a colorful tent city of music, laughter, cooperation and good will! Long-time Grey Fox fans say it is a homecoming: a cherished reunion of friends who may see each other just once a year. Newcomers are struck by how warm and welcoming everyone is as they are quickly befriended by fellow fans, volunteers, vendors and even artists. “There may be several thousand people in attendance, but it feels like a small town where you know everyone,” says Australian, Jason Nicholas, now planning his third year at Grey Fox. The Northeast’s largest bluegrass festival moved to Oak Hill in 2008 after being held for decades in nearby Columbia County. To the new location, organizers brought all the components for which it is famous: multiple stages, hands-on learning workshops, festive foods, rustic camping, round-the-clock jamming and thousands of fans from all over the U.S., Canada, Europe and the Far East.
    [Show full text]
  • 3 & 4 Juillet 2021
    3 & 4 JUILLET 2021 CORBEIL-ESSONNES À L’ENTRÉE DU SITE, UNE FÊTE POPULAIRE POUR D’UNE RIVE À L’AUTRE… RE-ENCHANTER NOTRE TERRITOIRE Pourquoi des « guinguettes » ? à établir une relation de dignité Le 3 juillet Le 4 juillet Parce que Corbeil-Essonnes est une avec les personnes auxquelles nous 12h 11h30 ville de tradition populaire qui veut nous adressons. Rappelons ce que le rester. Parce que les guinguettes le mot culture signifie : « les codes, Parade le long Association des étaient des lieux de loisirs ouvriers les normes et les valeurs, les langues, des guinguettes originaires du Portugal situés en bord de rivière et que nous les arts et traditions par lesquels une avons cette chance incroyable d’être personne ou un groupe exprime SAMBATUC Bombos portugais son humanité et les significations Départ du marché, une ville traversée par la Seine et Batucada Bresilienne l’Essonne. qu’il donne à son existence et à son place du Comte Haymont développement ». Le travail culturel 15h Pourquoi « du Monde » ? vers l’entrée du site consiste d’abord à vouloir « faire Parce qu’à Corbeil-Essonnes, 93 Super Raï Band humanité ensemble ». le monde s’est donné rendez-vous, Maghreb brass band 12h & 13h30 108 nationalités s’y côtoient. Notre République se veut fraternelle. 16h15 Aquarela Nous pensons que cela est On ne peut concevoir une humanité une chance. fraternelle sans des personnes libres, Association des Batucada dignes et reconnues comme telles Alors pourquoi une fête des originaires du Portugal dans leur identité culturelle. 15h « guinguettes du monde » Bombos portugais Association Scène à Corbeil-Essonnes ? À travers cette manifestation, 18h Parce que c’est tellement bon de c’est le combat éthique de Et Sonne faire la fête.
    [Show full text]
  • The Effects of Background Music on Video Game Play Performance, Behavior and Experience in Extraverts and Introverts
    THE EFFECTS OF BACKGROUND MUSIC ON VIDEO GAME PLAY PERFORMANCE, BEHAVIOR AND EXPERIENCE IN EXTRAVERTS AND INTROVERTS A Thesis Presented to The Academic Faculty By Laura Levy In Partial Fulfillment Of the Requirements for the Degree Master of Science in Psychology in the School of Psychology Georgia Institute of Technology December 2015 Copyright © Laura Levy 2015 THE EFFECTS OF BACKGROUND MUSIC ON VIDEO GAME PLAY PERFORMANCE, BEHAVIOR, AND EXPERIENCE IN EXTRAVERTS AND INTROVERTS Approved by: Dr. Richard Catrambone Advisor School of Psychology Georgia Institute of Technology Dr. Bruce Walker School of Psychology Georgia Institute of Technology Dr. Maribeth Coleman Institute for People and Technology Georgia Institute of Technology Date Approved: 17 July 2015 ACKNOWLEDGEMENTS I wish to thank the researchers and students that made Food for Thought possible as the wonderful research tool it is today. Special thanks to Rob Solomon, whose efforts to make the game function specifically for this project made it a success. Additionally, many thanks to Rob Skipworth, whose audio engineering expertise made the soundtrack of this study sound beautifully. I express appreciation to the Interactive Media Technology Center (IMTC) for the support of this research, and to my committee for their guidance in making it possible. Finally, I wish to express gratitude to my family for their constant support and quiet bemusement for my seemingly never-ending tenure in graduate school. iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii LIST OF TABLES vii LIST OF
    [Show full text]
  • The Challenge of African Art Music Le Défi De La Musique Savante Africaine Kofi Agawu
    Document généré le 30 sept. 2021 18:33 Circuit Musiques contemporaines The Challenge of African Art Music Le défi de la musique savante africaine Kofi Agawu Musiciens sans frontières Résumé de l'article Volume 21, numéro 2, 2011 Cet article livre des réflexions générales sur quelques défis auxquels les compositeurs africains de musique de concert sont confrontés. Le point de URI : https://id.erudit.org/iderudit/1005272ar départ spécifique se trouve dans une anthologie qui date de 2009, Piano Music DOI : https://doi.org/10.7202/1005272ar of Africa and the African Diaspora, rassemblée par le pianiste et chercheur ghanéen William Chapman Nyaho et publiée par Oxford University Press. Aller au sommaire du numéro L’anthologie offre une grande panoplie de réalisations artistiques dans un genre qui est moins associé à l’Afrique que la musique « populaire » urbaine ou la musique « traditionnelle » d’origine précoloniale. En notant les avantages méthodologiques d’une approche qui se base sur des compositions Éditeur(s) individuelles plutôt que sur l’ethnographie, l’auteur note l’importance des Les Presses de l’Université de Montréal rencontres de Steve Reich et György Ligeti avec des répertoires africains divers. Puis, se penchant sur un choix de pièces tirées de l’anthologie, l’article rend compte de l’héritage multiple du compositeur africain et la façon dont cet ISSN héritage influence ses choix de sons, rythmes et phraséologie. Des extraits 1183-1693 (imprimé) d’oeuvres de Nketia, Uzoigwe, Euba, Labi et Osman servent d’illustrations à cet 1488-9692 (numérique) article. Découvrir la revue Citer cet article Agawu, K.
    [Show full text]
  • Louisiana Folk [Spring 2014]
    LOUISIANA FOLK OFFICIAL NEWSLETTER OF THE LOUISIANA FOLKLIFE CENTER THE 35th ANNUAL INSIDE THIS ISSUE: NATCHITOCHES-NSU FOLK FESTIVAL 2015 Natchitoches-NSU Folk Festival The 2014 Festival theme is “Tricentennial Natchitoches: Celebrating Louisiana’s Folk Heritage.” The oldest permanent settlement in the Lou- Hall of Master Folk Artists 2 isiana Purchase, Natchitoches was founded in the winter of 1713-14 when French explorer Louis Juchereau de St. Denis set up a trading post Narrative/Informance Sessions on the Red River. The region came to be known for its thriving agricul- Workshops tural economy and as a hub of international trade between the French, Crafts 3 Spanish, and Native American populations. These peoples combined Friday Music Schedule with each other as well as with the region’s black population (both Louisiana State Fiddle slaves and freed people of color) to become families, giving rise in the Championship 4 area to a vibrant Creole people, who made their homes along the Cane Saturday Music Schedule 5 and Red Rivers. Today much of the region’s population self-identifies as Thanks to Supporters 6 Creole, with continued African American, Anglo, and Hispanic popula- tions adding to the cultural mix of Natchitoches. Although its borders General Information are smaller than in the past, Natchitoches Parish today is geographically Fiddle Championship Donation Form the largest parish in Louisiana, and the people of Natchitoches consider KidFest Exhibits 7 their heritage to be deeply tied to who they are. This Festival will cele- brate the ways in which the people of the Natchitoches region in North- western Louisiana have kept their diverse folkways alive through pass- Folk Festival Donation Form 8 ing them down from one to another in person to person contact.
    [Show full text]
  • Colombian Nationalism: Four Musical Perspectives for Violin and Piano
    COLOMBIAN NATIONALISM: FOUR MUSICAL PERSPECTIVES FOR VIOLIN AND PIANO by Ana Maria Trujillo A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Major: Music The University of Memphis December 2011 ABSTRACT Trujillo, Ana Maria. DMA. The University of Memphis. December/2011. Colombian Nationalism: Four Musical Perspectives for Violin and Piano. Dr. Kenneth Kreitner, Ph.D. This paper explores the Colombian nationalistic musical movement, which was born as a search for identity that various composers undertook in order to discover the roots of Colombian musical folklore. These roots, while distinct, have all played a significant part in the formation of the culture that gave birth to a unified national identity. It is this identity that acts as a recurring motif throughout the works of the four composers mentioned in this study, each representing a different stage of the nationalistic movement according to their respective generations, backgrounds, and ideological postures. The idea of universalism and the integration of a national identity into the sphere of the Western musical tradition is a dilemma that has caused internal struggle and strife among generations of musicians and artists in general. This paper strives to open a new path in the research of nationalistic music for violin and piano through the analyses of four works written for this type of chamber ensemble: the third movement of the Sonata Op. 7 No.1 for Violin and Piano by Guillermo Uribe Holguín; Lopeziana, piece for Violin and Piano by Adolfo Mejía; Sonata for Violin and Piano No.3 by Luís Antonio Escobar; and Dúo rapsódico con aires de currulao for Violin and Piano by Andrés Posada.
    [Show full text]
  • Rap and Feng Shui: on Ass Politics, Cultural Studies, and the Timbaland Sound
    Chapter 25 Rap and Feng Shui: On Ass Politics, Cultural Studies, and the Timbaland Sound Jason King ? (body and soul ± a beginning . Buttocks date from remotest antiquity. They appeared when men conceived the idea of standing up on their hind legs and remaining there ± a crucial moment in our evolution since the buttock muscles then underwent considerable development . At the same time their hands were freed and the engagement of the skull on the spinal column was modified, which allowed the brain to develop. Let us remember this interesting idea: man's buttocks were possibly, in some way, responsible for the early emergence of his brain. Jean-Luc Hennig the starting point for this essayis the black ass. (buttocks, behind, rump, arse, derriere ± what you will) like mymother would tell me ± get your black ass in here! The vulgar ass, the sanctified ass. The black ass ± whipped, chained, beaten, punished, set free. territorialized, stolen, sexualized, exercised. the ass ± a marker of racial identity, a stereotype, property, possession. pleasure/terror. liberation/ entrapment.1 the ass ± entrance, exit. revolving door. hottentot venus. abner louima. jiggly, scrawny. protrusion/orifice.2 penetrable/impenetrable. masculine/feminine. waste, shit, excess. the sublime, beautiful. round, circular, (w)hole. The ass (w)hole) ± wholeness, hol(e)y-ness. the seat of the soul. the funky black ass.3 the black ass (is a) (as a) drum. The ass is a highlycontested and deeplyambivalent site/sight . It maybe a nexus, even, for the unfolding of contemporaryculture and politics. It becomes useful to think about the ass in terms of metaphor ± the ass, and the asshole, as the ``dirty'' (open) secret, the entrance and the exit, the back door of cultural and sexual politics.
    [Show full text]
  • Chapter 2 Music in the United States Before the Great Depression
    American Music in the 20th Century 6 Chapter 2 Music in the United States Before the Great Depression Background: The United States in 1900-1929 In 1920 in the US - Average annual income = $1,100 - Average purchase price of a house = $4,000 - A year's tuition at Harvard University = $200 - Average price of a car = $600 - A gallon of gas = 20 cents - A loaf of Bread = 20 cents Between 1900 and the October 1929 stock market crash that triggered the Great Depression, the United States population grew By 47 million citizens (from 76 million to 123 million). Guided by the vision of presidents Theodore Roosevelt1 and William Taft,2 the US 1) began exerting greater political influence in North America and the Caribbean.3 2) completed the Panama Canal4—making it much faster and cheaper to ship its goods around the world. 3) entered its "Progressive Era" by a) passing anti-trust laws to Break up corporate monopolies, b) abolishing child labor in favor of federally-funded puBlic education, and c) initiating the first federal oversight of food and drug quality. 4) grew to 48 states coast-to-coast (1912). 5) ratified the 16th Amendment—estaBlishing a federal income tax (1913). In addition, by 1901, the Lucas brothers had developed a reliaBle process to extract crude oil from underground, which soon massively increased the worldwide supply of oil while significantly lowering its price. This turned the US into the leader of the new energy technology for the next 60 years, and opened the possibility for numerous new oil-reliant inventions.
    [Show full text]
  • Epsiode 20: Happy Birthday, Hybrid Theory!
    Epsiode 20: Happy Birthday, Hybrid Theory! So, we’ve hit another milestone. I’ve rated for 15+ before like 6am, when it made 20 episodes of this podcast – which becomes a Top 50 countdown. When I was is frankly very silly – and I was trying younger, it was the quickest way to find to think about what I could write about new music, and potentially accidentally to reflect such a momentous occasion. see something that would really scar I was trying to think of something that you, music-video wise. Like that time I was released in the year 2000 and accidentally saw Aphex Twin’s Come to was, as such, experiencing a similarly Daddy music video. momentous 20th anniversary. The answer is, unsurprisingly, a lot of things But because I was tiny and my brain – Gladiator, Bring It On and American was a sponge, it turns out a lot of what Psycho all came out in the year 2000. But I consumed has actually just oozed into I wasn’t allowed to watch any of those every recess of my being, to the point things until I was in high school, and they where One Step Closer came on and I didn’t really spur me to action. immediately sang all the words like I was in some sort of trance. And I haven’t done And then I sent a rambling voice memo a musical episode for a while. So, today, to Wes, who you may remember from we’re talking Nu Metal, baby! Hell yeah! such hits as “making this podcast sound any good” and “writing the theme tune I’m Alex.
    [Show full text]
  • (Sound Off Live 2013 Winner) Indie Soul Meets Jazzy Blues
    Artscape Entertainment Resource Guide 2013 Band Name Genre Website Email Phone Number Allie & The Cats (Sound Off Live 2013 Winner) Indie Soul meets Jazzy Blues http://www.alliemariemusic.com [email protected] 4109916973 Balti Mare Balkan Gypsy Brass http://www.facebook.com/baltimare [email protected] 4109633799 Basement Instinct (Sound Off Live 2013 Winner) Alternative Rock https://www.facebook.com/basementinstinctband [email protected] 4437038941 Bearstronaut pop http://bearstronaut.com [email protected] 8609124857 Big Sur Alternative Melodic Rock http://www.bigsurrock.com [email protected] 3015931778 Billy Wilkins Jazz/Rock https://soundcloud.com/billy-wilkins-1 [email protected] 4103696360 Blizz Hip Hop http://www.hulkshare.com/Blizz [email protected] 4439860731 Boozey R&B and Hip Hop http://Boozeyonline.com [email protected] Braunsy Brooks & Worship Kulture Christian http://www.bbworshipkulture.com [email protected] 8284554010 Brittanie Thomas Music Soul/R&B http://www.brittaniethomas.com [email protected] 4433608985 Brothers Kardell Experimental electronic pop metal hip-hop http://www.soundcloud.com/brotherskardell [email protected] 2022862623 Buddah Bass Hip-Hop/Pop http://Buddahbass.bandcamp.com [email protected] 3365779559 Bumpin Uglies Reggae/Ska http://www.bumpinugliesmusic.com [email protected] 4102793613 Children of a Vivid Eden Alternative rock http://www.facebook.com/c.o.v.e.rock [email protected] 4436324130 Chris Reynolds and
    [Show full text]