Call for Papers on Subcultures for Popcaanz (Popular Culture Association of Australia and New Zealand), July 3 - 5, 2019, Melbourne, Australia

Total Page:16

File Type:pdf, Size:1020Kb

Call for Papers on Subcultures for Popcaanz (Popular Culture Association of Australia and New Zealand), July 3 - 5, 2019, Melbourne, Australia H-PCAACA Call for Papers on Subcultures for PopCAANZ (Popular Culture Association of Australia and New Zealand), July 3 - 5, 2019, Melbourne, Australia Discussion published by Kathryn A. Hardy Bernal on Tuesday, September 25, 2018 Call for papers for presentation on subcultures at the 10th Anniversary of the Annual International PopCAANZ Conference to be held at RMIT University, Melbourne, Australia, July 3 - 5, 2019. Submission deadline for abstract proposal submissions: March 31, 2019. The Popular Culture Association of Australia and New Zealand (PopCAANZ) is devoted to the scholarly understanding of everyday cultures. It is concerned with the study of the social practices and the cultural meanings that are produced and are circulated through the processes and practices of everyday life, as a product of consumption, an intellectual object of inquiry, and as an integral component of the dynamic forces that shape societies. Academics, professionals, cultural practitioners and those with a scholarly interest in subcultures are invited to send a 150 word abstract and 100 word bio to the area chair, Kathryn A. Hardy Bernal, at [email protected] by March 31, 2019. Examples of Fields of Interest: Subcultural Theory, Post-subcultural Theory, Subcultures and Gender Studies, Subcultures and Girls’ Studies, Subcultures and Queer Studies, Subcultures and Cultural Studies, Subcultures and Asian Studies, Fashion Subcultures, Music Subcultures, Street Fashions and Subcultures, Alternative Cultures, Youth Cultures, Counter Cultures (and more), including literature, film, and television, etc., which analyse subcultural studies. Examples of Subcultural Genres: Anarcho-Punk, Beatniks, Bikers, Black Metal, Bohemians, Bōsōzōku, Cosplay, Crusty Punk, Cybergoth, Cyberpunk, Emo, Ganguro, Glam, Goth, Gothic Lolita, Grunge, Hardcore Punk, Hip Hop, Hippies, Hipsters, Lolita, Metal, Mods, Mori Girls, New Romanticism, Pin-up, Psychobilly, Punk, Riot Grrrls, Rockabilly, Rockers, Rude Boys, Shironuri, Skaters, Skinheads, Steampunk, Straight Edge, Surfers, Teddies (and more). PopCAANZ will publish peer-reviewed conference proceedings online following the conference, and presenters will be invited to submit suitable articles to the Journal of Asia-Pacific Pop Culture (Pennsylvania State University Press). For conference information and more on Citation: Kathryn A. Hardy Bernal. Call for Papers on Subcultures for PopCAANZ (Popular Culture Association of Australia and New Zealand), July 3 - 5, 2019, Melbourne, Australia. H-PCAACA. 09-25-2018. https://networks.h-net.org/node/13784/discussions/2408689/call-papers-subcultures-popcaanz-popular-culture-association Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-PCAACA PopCAANZ see www.popcaanz.com Citation: Kathryn A. Hardy Bernal. Call for Papers on Subcultures for PopCAANZ (Popular Culture Association of Australia and New Zealand), July 3 - 5, 2019, Melbourne, Australia. H-PCAACA. 09-25-2018. https://networks.h-net.org/node/13784/discussions/2408689/call-papers-subcultures-popcaanz-popular-culture-association Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 2.
Recommended publications
  • Zfwtvol. 9 No. 3 (2017) 269-288
    ZfWT Vol. 9 No. 3 (2017) 269-288 FEMINIST READING OF GOTHIC SUBCULTURE: EMPOWERMENT, LIBERATION, REAPPROPRIATION Mikhail PUSHKIN∗ Abstract: Shifting in and out of public eye ever since its original appearance in the 1980ies, Gothic subculture, music and aesthetics in their impressive variety have become a prominent established element in global media, art and culture. However, understanding of their relation to female gender and expression of femininity remains ambiguous, strongly influenced by stereotypes. Current research critically analyses various distinct types of Gothic subculture from feminist angle, and positively identifies its environment as female-friendly and empowering despite and even with the help of its strongly sexualized aesthetics. Although visually geared towards the male gaze, Gothic subcultural environment enables women to harness, rather than repress the power of attraction generated by such aesthetics. Key words: Subculture, Feminism, Gothic. INTRODUCTION Without a doubt, Gothic subculture is a much-tattered subject, being at the centre of both popular mass media with its gossip, consumerism and commercialization, as well as academia with diverse papers debasing, pigeonholing and even defending the subculture. Furthermore, even within the defined, feminist, angle, a thorough analysis of Gothic subculture would require a volume of doctoral dissertation to give the topic justice. This leaves one in a position of either summarizing and reiterating earlier research (a useful endeavour, however, bringing no fresh insight), or striving for a kind of fresh look made possible by the ever-changing eclectic ambivalent nature of the subculture. Current research takes the middle ground approach: touching upon earlier research only where relevant, providing a very general, yet necessary outlook on the contemporary Gothic subculture in its diversity, so as to elucidate its more relevant elements whilst focusing on the ways in which it empowers women.
    [Show full text]
  • DP025A - Fasion Design the Brief
    DP025A - Fasion Design The Brief Brief Details For a haute couture house, produce a full colour advertisement poster, sticker set, swing tag etc that promotes a fashion brand. The promo material is to include a female and male figure rendered in an appropriate style, using appropriate colour illustration materials and techniques. The finished package should be thorough, wide ranging and professional. Additional Considerations The primary purpose of the male/female illustration is to drawn people in (fashion) proportion and realistically apply clothing. Typography on the poster should support the fashion range and the tags/stickers should also do this. Paul Yeatman - Student Number 00043916T DP025A - Fasion Design Client Summary Company Overview Givenchy was chosen as a client as their Fall 2012 range featured designs that incorporated a lot of black and reds. Target Market Wearers of Haute Coutier fashion. People who like to wear stylish clothing. The Autumn 2013 ready to wear range has a gothic bent - lots of capes, black jackets and leggings/pants, boots and shirts. A splash of red has been added to selected styles to break up the black and to add additional interest to the designs. Paul Yeatman - Student Number 00043916T DP025A - Fasion Design Mood Board Researching The Competition/Gothic Clothing Vendors Gothic fashion typically falls into two categories. Day to day clothing which includes t shirt and variations on the cargo pant and more styles clothing such as frock coats, jackets, pants and heavy boots. The more fashionable pieces look much better than the main streamed gothic clothing, though they may not be every day wear.
    [Show full text]
  • Psychobilly Psychosis and the Garage Disease in Athens
    IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p.
    [Show full text]
  • The Evolution of Emo and Its Theoretical Implications 175
    The Evolution of Emo and Its Theoretical Implications 175 Mirosław Aleksander Miernik The Evolution of Emo and Its Theoretical Implications The purpose of this article is to analyze how emo, a youth subculture, evolved in the United States during a period of approximately twenty five years, since the mid-1980s, particularly focusing on how it changed in regard to the zeitgeist of the time period, as well as how it appropriated various elements of past subcultures into itself in order to create its own subcultural identity. Special attention will be paid to the third incarnation, which emerged at the beginning of the twenty-first century and proved to be the most widespread variation of the subculture. It is also interesting how this incarnation was affected by historical events such as the Columbine High School Massacre and 9/11. The theoretical implications of emo are the second issue that this article at- tempts to tackle. In particular, when viewed from the perspective of post-subculture studies, it allows one to revisit certain theories of the Centre for Contemporary Cultural Studies at the University of Birmingham (CCCS), which pioneered sub- culture studies in the 1960s and 70s. The relationship between post-subculture studies and the CCCS’s approach has always been very complex. Even though many representatives of post-subculture studies criticized the CCCS for various shortcomings, most significantly for an a priori approach that ignores empirical evidence and limits the concept of authenticity within subcultures (Muggleton 19–30). At the same time, the work of the CCCS has been always treated with respect and considered a milestone.
    [Show full text]
  • Everett Rock Band/Musician List "GH"
    Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie
    [Show full text]
  • Lavoce's Directory
    July 31, 2015 To Whom It May Concern: Promote Your Business with Lavoce’s Directory! Welcome to the preliminary edition of Lavoce’s Directory! Lavoce: We Are People Too, Inc. (Lavoce) is proud to present the first international directory for Goths, tattoo artists, sKateboarders, and others who live alternative lifestyles, or anyone whose clothing is outside the norm. This directory has more categories than any other online Goth directory. This is the most comprehensive directory available because being Goth affects all aspects of life. Our commitment is driven by the need to help Goths, and others who looK outside the norm, to feel safe to be themselves in their day-to-day jobs. This directory is the first and only directory of employers who hire people from alternative lifestyles. It has the potential to connect those who feel alone in this world to established organizations and areas of the world where Goths feel more accepted. It will build sustaining partnerships with existing organizations and revitalize the community by helping new organizations grow. Lavoce will also support Goth jobseeKers to promote job sKills training and worKplace etiquette. If you are seeing this, then you are an employer that seems open to hiring people from alternative lifestyles. I am writing to encourage your company to come forward as an openminded employer. The entries in this directory are gray because they have only been proposed but have not yet been confirmed or paid. I have included your company’s link in the first edition of this directory, but will need further information from you going forward.
    [Show full text]
  • Goth Beauty, Style and Sexuality: Neo-Traditional Femininity in Twenty-First Century Subcultural Magazines
    Citation: Nally, Claire (2018) Goth Beauty, Style and Sexuality: Neo-Traditional Femininity in Twenty-First Century Subcultural Magazines. Gothic Studies, 20 (1-2). pp. 1-28. ISSN 1362- 7937 Published by: Manchester University Press URL: https://doi.org/10.7227/GS.0024 <https://doi.org/10.7227/GS.0024> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/28540/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Gothic Studies For Review
    [Show full text]
  • Atom and His Package Possibly the Smallest Band on the List, Atom & His
    Atom and His Package Possibly the smallest band on the list, Atom & his Package consists of Adam Goren (Atom) and his package (a Yamaha music sequencer) make funny punk songs utilising many of of the package's hundreds of instruments about the metric system, the lead singer of Judas Priest and what Jewish people do on Christmas. Now moved on to other projects, Atom will remain the person who told the world Anarchy Means That I Litter, The Palestinians Are Not the Same Thing as the Rebel Alliance Jackass, and If You Own The Washington Redskins, You're a ****. Ghost Mice With only two members in this folk/punk band their voices and their music can be heard along with such pride. This band is one of the greatest to come out of the scene because of their abrasive acoustic style. The band consists of a male guitarist (I don't know his name) and Hannah who plays the violin. They are successful and very well should be because it's hard to 99 when you have such little to work with. This band is off Plan It X records and they put on a fantastic show. Not only is the band one of the leaders of the new genre called folk/punk but I'm sure there is going to be very big things to come from them and it will always be from the heart. Defiance, Ohio Defiance, Ohio are perhaps one of the most compassionate and energetic leaders of the "folk/punk" movement. Their clever lyrics accompanied by fast, melodic, acoustic guitars make them very enjoyable to listen to.
    [Show full text]
  • This Is How We Do: Living and Learning in an Appalachian Experimental Music Scene
    THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS MAY 2011 Center for Appalachian Studies THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE A Thesis by SHANNON A.B. PERRY May 2011 APPROVED BY: ________________________________ Fred J. Hay Chairperson, Thesis Committee ________________________________ Susan E. Keefe Member, Thesis Committee ________________________________ Patricia D. Beaver Member, Thesis Committee ________________________________ Patricia D. Beaver Director, Center for Appalachian Studies ________________________________ Edelma D. Huntley Dean, Research and Graduate Studies Copyright by Shannon A.B. Perry 2011 All Rights Reserved ABSTRACT THIS IS HOW WE DO: LIVING AND LEARNING IN AN APPALACHIAN EXPERIMENTAL MUSIC SCENE (2011) Shannon A.B. Perry, A.B. & B.S.Ed., University of Georgia M.A., Appalachian State University Chairperson: Fred J. Hay At the grassroots, Appalachian music encompasses much more than traditional music genres, like old-time and bluegrass. While these prevailing musics continue to inform most popular and scholarly understandings of the region’s musical heritage, many contemporary scholars dismiss such narrow definitions of “Appalachian music” as exclusionary and inaccurate. Many researchers have, thus, sought to broaden current understandings of Appalachia’s diverse contemporary and historical cultural landscape as well as explore connections between Appalachian and other regional, national, and global cultural phenomena. In April 2009, I began participant observation and interviewing in an experimental music scene unfolding in downtown Boone, North Carolina.
    [Show full text]
  • APOCALYPSE NOW Psychobilly Band Get
    may 15, 2013 issue 15 | volume 23 nexusnewspaper.com camosun’s student voice since 1990 APOCALYPSE NOW New play tackles end of days with a side dose of fun Page Seven unmasked psychobilly band get natural page eight VIEWS May 15, 2013 editor’s letter open space April showers, May sunny, get over it Election ad restrictions limit camosun’s student voice since 1990 So, we’ve managed to stop squinting in confusion at that huge bright democracy Next publication: June 12, 2013 yellow thing floating above us (and subsequently complaining/being con- Ryan BRezzi founded that it’s there in May) for long enough to put out this issue, the can have an impact on a candidate Deadline: noon June 5, 2013 Contributing writer first of our spring semester editions. This year we’re putting out regular who’s running in the election. Address: 3100 Foul Bay Rd., Victoria, BC, issues of the newspaper throughout the spring and summer semesters, The BC government has im- This reinforces little repercus- V8P 5J2 which is a change from how we did things in the past. We had such a posed a number of advertisement sion to corporations that engage in Location: Lansdowne Richmond House 201 successful and positive year, why not keep the fun going? restrictions on the activities of third- environmentally harmful activities, Phone: 250-370-3591 So we did. And there’s tons of fun to be found here. In this issue there’s party conservation groups and other and it negates BC residents’ voices Email: [email protected] stories about a Camosun College Student Society representative’s new organizations during the election on critical issues that they are con- Website: nexusnewspaper.com provincial position, a profile on a Camosun instructor, and a look at a period.
    [Show full text]
  • Explorações Iniciais Das Práticas Comunicacionais Electro -Goth Na Internet Revista FAMECOS: Mídia, Cultura E Tecnologia, Núm
    Revista FAMECOS: mídia, cultura e tecnologia ISSN: 1415-0549 [email protected] Pontifícia Universidade Católica do Rio Grande do Sul Brasil Amaral, Adriana Cybersubculturas e cybercenas: explorações iniciais das práticas comunicacionais electro -goth na Internet Revista FAMECOS: mídia, cultura e tecnologia, núm. 33, agosto, 2007, pp. 21-28 Pontifícia Universidade Católica do Rio Grande do Sul Porto Alegre, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=495550189003 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto CULTURA VIRTUAL Cybersubculturas e cybercenas: explorações iniciais das práticas comunicacionais electro-goth na Internet RESUMO análise das práticas sociais e de consumo em O presente artigo problematiza os conceitos de cena torno da música tem sido objeto de pesquisas (Straw, 1997, 2006) e de cybersubcultura (Bell, 2000 A no campo dos estudos culturais, da antropolo- e Caspary & Manzenreiter, 2003) em sua pertinência gia, sociologia, e da comunicação desde o século XX. para o estudo dos processos e práticas sociais de A partir da disseminação das tecnologias de comu- comunicação, produção e divulgação/distribuição nicação é notória a problematização de conceitos de informações no contexto da cibercultura. A partir como subcultura, cena, movimento e mesmo de co- das teorias da cibercultura e dos estudos pós-sub- munidade1 em um contexto diferente do qual eles culturais britânicos propusemos a discussão dos con- foram originalmente formulados, uma vez que tais ceitos em relação a algumas práticas concretas de práticas necessitam ser compreendidas no âmbito comunicação e sociabilidade da subcultura “electro- das formações sociais fluidas e complexas que se goth/industrial” na Internet.
    [Show full text]
  • Newfolk Ndif: the Cybergoth in Science Fiction Culture
    Newfolk NDiF: The Cybergoth in Science Fiction Culture New Directions in Folklore 3 (formerly the Impromptu Journal) May-July 1999 Newfolk :: NDF :: Archive :: Issue 3 :: Page 1 :: Page 2 The Goth Explosion in Science Fiction Culture Camille Bacon-Smith, Ph.D. This is an excerpt from the book Science Fiction Culture, Philadelphia, University of Pennsylvania Press, 2000. When people want to know why I would write a book about science fiction culture (fandom), the first question they usually ask is, "What makes fandom different from any other group?" As if difference was the only criterion for interesting. My answer, by contrast, is, "Nothing makes it different. That is the point." The larger mechanics of mainstream American culture play out in a relatively small, defined setting. So we can let go of the fantasy we used to hold that studying small villages in low- technology settings give us insights into a computer-driven, high speed, population dense techno-culture. We can find groups of ourselves small enough to study right here. And the mechanics of power and status, of change and conflict, will often play themselves out in speeded-up time that we can watch; we can figure out the dynamics in small. And it turns out those observations in small apply well to the larger society. Like the rest of the culture in which it resides, fandom has experience the women's movement and the backlash, and the rise of lesbian and gay self determination. And, in the late eighties and early nineties, fandom experienced the invasion of the goths.
    [Show full text]