Grave Jibes Fanzine Collection Issue
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Set-List Karaokay Live
SET-LIST KARAOKAY LIVE ALINE BASKET CASE Christophe Green Day ALL I WANT FOR XMAS IS YOU BE MY BABY Mariah Carey The Ronettes ALL THAT SHE WANTS BILLIE JEAN Ace Of Base Michael Jackson ALL THE SMALL THINGS BLEU COMME TOI Blink 182 Etienne Daho ALRIGHT BLITZKRIEG BOP Supergrass Ramones AMOUREUX SOLITAIRES BOYS DON'T CRY Lio The Cure ANGIE BUDDY HOLLY The Rolling Stones Weezer ARCHIE, MARRY ME C'EST COMME CA Alvvays Rita Mitsouko ARE YOU GONNA BE MY GIRL? CA C'EST VRAIMENT TOI Jet Téléphone BABY ONE MORE TIME CA PLANE POUR MOI Britney Spears Plastic Bertrand BACK IN THE USSR CENDRILLON The Beatles Téléphone BANANA SPLIT CHANSON SUR MA DRÔLE DE VIE Lio Véronique Sanson CHARMLESS MAN DESENCHANTEE Blur Mylène Farmer CHERCHEZ LE GARÇON DÉSIR DÉSIR Taxi Girl Laurent Voulzy et Véronique Jeannot CHOP SUEY DISCO 2000 System Of a Down Pulp COME TOGETHER DON'T LOOK BACK IN ANGER The Beatles Oasis COMME D’HABITUDE DON’T SPEAK Claude François No Doubt COMMENT TE DIRE ADIEU DON'T STOP ME NOW Françoise Hardy Queen COULEUR MENTHE A L’EAU ELLA ELLE L’A Eddy Mitchell France Gall CREEP ELLE A LES YEUX REVOLVER Radiohead Marc Lavoine CRYIN ENCORE ET ENCORE Aerosmith Francis Cabrel DANCING QUEEN ET TU DANSES AVEC LUI Abba C Jerome DANS MON HLM EVERLONG Renaud Foo Fighters DEJEUNER EN PAIX EVERY ME EVERY YOU Stephan Eicher Placebo FALLAIT PAS COMMENCER HERE COMES YOUR MAN Lio Pixies FIGHT FOR YOUR RIGHT TO PARTY HEY YA Beastie Boys Outkast FRIDAY I’M IN LOVE HIGHWAY TO HELL The Cure AC/DC GABRIELLE I CAN’T HELP FALLING IN LOVE Johnny Hallyday Elvis Presley -
Video Disco Klip Lista 10Cc
VIDEO DISCO KLIP LISTA 10CC - Dreadlock Holiday 2 Brothers On The 4th Floor - Dreams (Will Come Alive) 2 Brothers On The 4th Floor - Fly 2 in a room - Wiggle It 2 Unlimited - Get Ready For This k 2 Unlimited - No Limit 2 unlimited - Twilight Zone 20 Fingers - Lick It 20 Fingers Feat. Gillette - Short Short Man 4 Non Blondes - What's Up 50 cent feat. Justin timberlake - Ayo technology A Flock Of Seagulls - Wishing A flock of seagullsa - I Ran A1 - Take On Me Abba - Chiquitita ABBA - Dancing Queen Abba - Dancing Queen2 Abba - Does Your Mother Know Abba - Gimme! Gimme! Gimme! (A Man After Midnight) Abba - Knowing Me Knowing You Abba - Mamma Mia Abba - Money Money Money Abba - S.O.S. Abba - Super Trouper Abba - Take A Chance On Me Abba - Thank You For The Music Abba - The Winner Takes It All Abba - Waterloo ABC - Poison Arrow ABC - When Smokey Sings ACDC-Highway To Hell (Live Version) Ace Of Base - All That She Wants Ace Of Base - Beautiful Life (Vission Lorimer Club Mix) Ace Of Base - Cruel Summer Ace Of Base - Don't Turn Around Ace Of Base - Happy Nation Ace Of Base - Living In Danger Ace Of Base - The Sign Adam Ant - Puss 'n' Boots Adele - Rolling In The Deep Afric Simone - Haffananah Afrojack Feat. Eva Simons - Take Over Control A-Ha - Stay On These Roads A-Ha - Take On Me A-Ha - The Sun Always Shines On TV Air Suooly - All Out of Love Akcent - Love Stoned Akcent - That's My Name Alanis Morissette - You Oughta Know Alannah Myles - Black Velvet Alb Negru - Charisma Alex Velea-Don't say It's Over Alexandra Stan - Get Back Alexandra Stan - Lollipop Alexandra Stan - Mr Saxobeat Alexunderbase - Privacy Alice Cooper-Poison Alice Deejay - Back In MY Life Alice Deejay - Better Of Alone Alphaville - Big In Japan Alphaville - Forever Young Amanda Lear - Queen Of Chinatown Amber - This Is Your Night Amii Stewart - Knock On Wood Andre Rieu - Kalinka Andre Rieu - Poliushko Polie Andre Rieu - Sirtaki Animotion - Obsession Ann Lee - 2 Times Aqua – Barbie Girl Arcadia - Election Day Arman Van Helden - My My My Armin van Buuren feat. -
Charley Pride
Charley Pride 2 32 The Ultimate Hits Collection CDs Tracks A value-priced, 2 CD retrospective that surveys the biggest hits and essential fan favorites by this living Country Music legend. Charley Pride possesses one of the quintessential Country Music voices and remains well-loved as Country Music’s first and only African-American superstar with an amazing legacy of #1 hits and over 70 million records sold internationally. THE ULTIMATE HITS COLLECTION compiles recordings that represent all four decades of Pride’s legendary career-to-date, ranging from Just Between You and Me, his first Top-10 and Grammy-nominated hit from 1966, to his 2006 studio album, PRIDE AND JOY: A GOSPEL MUSIC COLLECTION. Twenty-four (24) of Pride’s Top-10 hits are represented in this amazing, 2 CD set, including Kiss An Angel Good Mornin’, the #1 crossover hit that sold over a million singles and helped Pride land the Country Music Association’s Entertainer of the Year award in 1971 and the Top Male Vocalist awards of 1971 and 1972. Track Listing Disc One Disc Two Artist Charley Pride • Just Between You And Me • Mountain Of Love Title The Ultimate Hits Collection • I Know One • Someone Loves You Honey Selection # MC05297 • Does My Ring Hurt Your Finger • I Don't Think She’s In Love Anymore UPC 826309052973 Prebook 12-16-08 • Kaw-Liga • Burgers And Fries Street Date 01-20-09 • All I Have To Offer You (Is Me) • Where Do I Put Her Memory Retail $18.98 • (I’m So) Afraid Of Losing You Again • Never Been So Loved (In All My Life) Genre Country • Is Anybody Goin’ To -
Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1St Edition)
R O C K i n t h e R E S E R V A T I O N Songs from the Leningrad Rock Club 1981-86 Yngvar Bordewich Steinholt Rock in the Reservation: Songs from the Leningrad Rock Club 1981-86 (1st edition). (text, 2004) Yngvar B. Steinholt. New York and Bergen, Mass Media Music Scholars’ Press, Inc. viii + 230 pages + 14 photo pages. Delivered in pdf format for printing in March 2005. ISBN 0-9701684-3-8 Yngvar Bordewich Steinholt (b. 1969) currently teaches Russian Cultural History at the Department of Russian Studies, Bergen University (http://www.hf.uib.no/i/russisk/steinholt). The text is a revised and corrected version of the identically entitled doctoral thesis, publicly defended on 12. November 2004 at the Humanistics Faculty, Bergen University, in partial fulfilment of the Doctor Artium degree. Opponents were Associate Professor Finn Sivert Nielsen, Institute of Anthropology, Copenhagen University, and Professor Stan Hawkins, Institute of Musicology, Oslo University. The pagination, numbering, format, size, and page layout of the original thesis do not correspond to the present edition. Photographs by Andrei ‘Villi’ Usov ( A. Usov) are used with kind permission. Cover illustrations by Nikolai Kopeikin were made exclusively for RiR. Published by Mass Media Music Scholars’ Press, Inc. 401 West End Avenue # 3B New York, NY 10024 USA Preface i Acknowledgements This study has been completed with the generous financial support of The Research Council of Norway (Norges Forskningsråd). It was conducted at the Department of Russian Studies in the friendly atmosphere of the Institute of Classical Philology, Religion and Russian Studies (IKRR), Bergen University. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011
SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011 INFORMATION: Artist Hometown: WESTCHESTER, PA Key Markets: NEW YORK LONDON PHILADELPHIA WESTCHESTER BOSTON For Fans Of: -HARD GIRLS -OSKER -PLOW UNITED ARTIST: SPRAYNARD TITLE: FUNTITLED Spraynard started in the summer of 2008 when three friends CAT#: AM 215 (Patrick Graham, Patrick Ware, and Mark Dickinson) felt the need FORMAT: CD, LP for a resurgence of DIY music in their hometown. They combine GENRE: PUNK passionate & urgent vocals with infectious pop punk in the vein of BOX LOT: 50 PLOW UNITED and OSKER. This is their Asian Man debut called SRLP: CD $10.98, LP $13.98 “funtitled”. They have a released a slew of 7 inches and an LP on UPC: CD: 612851021525 Runner Up Records called “Cut and Paste” They continue to tour LP: 612851021518 EXPORT: NO RESTRICTIONS constantly and passionate about punk as a philosophy as much as a sound. TRACKLIST: Marketing Points: 1. I Care Not -Constant touring 2. The Denver Broncos -Produced by Mike Bardzik (EVERYONE EVERYWHERE, LIGHTEN UP) vs. The Denver Broncos -Played FEST 3. O.R. They? 4. Little Green Ghouls 5. We’re Pretty Nice Guys Any special scenes/markets this might appeal to: 6. Ah Gun That house show punk community 7. Damn You, A Box 8. Spooky, Scary 9. Homies Where the Heart Is 10. Quite Exciting, This Computer Magic 11. Not Good Enough, Gary 12. Joe Gallgher’s Fantasy Fun Camp Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX MISS DERRINGER Street Date: KING JAMES AND A COLT 45 CD 05/10/2011 INFORMATION: Artist Hometown: LOS ANGELES, CA Key Markets: LOS ANGELES NASHVILLE DETROIT LONDON SAN FRANCISCO For Fans Of: ???? Description needed. -
HMF 2018 Survival Guide V3
!1 Hamtramck Music Festival 2018 Sponsors Hamtramck Music Festival HSCREYENP PREINT Survival Guide 2018 !2 Thursday - March 1 — Kickoff Party creation, molding heavy trance-rock grooves into a fluid and melodic sonic landscape, has Warhorses redefining what a rock group can be. Ant Hall/Ghost Light (1) "Hypnotic. Alluring. Captivating. Warhorses embellish a sense of wonder with their music; they drag you in and intoxicate you.” 8:00 Funkwagon – A vocally-driven, over-the-top dance band that has been touring the northeast for the past decade. Opening for such acts as 10:30 The My Ways – Travis Harrett toured and recorded for seven years Morris Day and the Time and Parliament. Recently settled in the Detroit with Bloodshot Records artists the Deadstring Brothers and labelmates area they are breaking down doors with their stunning live performances. Whitey Morgan and the 78s. In 2014, the My Ways released their self- titled debut record and a follow up in 2016. In 2017, the live show hit the 8:30 Abul on Fire – Bangladesh-American Abul Hossain performs his road with gigs around Michigan. original Bangali pop songs and ballads about peace and mankind backed by psychedelic and progressive rock. 11:00 Nadir Omowale – "To 9:00 Fizzbang – Proggy without being pretentious, poppy without being label Nadir as a obnoxious, this loud, exciting rock group seeks to get booties movin and neo-soul artist hearts singin. would be neglecting his rock roots; to call him a rock artist would be overlooking his hip- hop and jazz influences. Fully encompassing all the talents that Nadir possesses would be comparable to expanding the mathematical term Pi to its last digit." - Michigan Chronicle 11:30 Cye Pie and Ya Homies – A sound that is equal parts R&B, funk and soul. -
Here to Be Objectively Apprehended
UMCSEET UNEARTHING THE MUSIC Creative Sound and Experimentation under European Totalitarianism 1957-1989 Foreword: “Did somebody say totalitarianism?” /// Pág. 04 “No Right Turn: Eastern Europe Revisited” Chris Bohn /// Pág. 10 “Looking back” by Chris Cutler /// Pág. 16 Russian electronic music: László Hortobágyi People and Instruments interview by Alexei Borisov Lucia Udvardyova /// Pág. 22 /// Pág. 32 Martin Machovec interview Anna Kukatova /// Pág. 46 “New tribalism against the new Man” by Daniel Muzyczuk /// Pág. 56 UMCSEET Creative Sound and Experimentation UNEARTHING THE MUSIC under European Totalitarianism 1957-1989 “Did 4 somebody say total- itarian- ism?” Foreword by Rui Pedro Dâmaso*1 Did somebody say “Totalitarianism”* Nietzsche famously (well, not that famously...) intuited the mechanisms of simplification and falsification that are operative at all our levels of dealing with reality – from the simplification and metaphorization through our senses in response to an excess of stimuli (visual, tactile, auditive, etc), to the flattening normalisation processes effected by language and reason through words and concepts which are not really much more than metaphors of metaphors. Words and concepts are common denominators and not – as we'd wish and believe to – precise representations of something that's there to be objectively apprehended. Did We do live through and with words though, and even if we realize their subjectivity and 5 relativity it is only just that we should pay the closest attention to them and try to use them knowingly – as we can reasonably acknowledge that the world at large does not adhere to Nietzsche’s insight - we do relate words to facts and to expressions of reality. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
Punk and Counter Culture List
Punk & Counter Culture Short List Lux Mentis, Booksellers 1: Alien Sex Fiend [Concert Handbill]. Philadelphia, PA: Nature Boy Productions, 1989. Lux Mentis specializes in fine press, fine bindings, and First Edition. Bright and clean. Orange paper, black esoterica in all areas, books that have been treasured and ink lettering and pictorial elements. 8vo. np. Illus. (b/ will continue to be treasured. As a primary focus is the building and/or deaccessioning of private collections, our w plates). Fine. Broadside. (#9910) $100.00 selections are diverse and constantly evolving. If we do not have what you are seeking, please contact us and we will "Alive at Last... // First US Tour in Five Years." Held strive to find it. All items are subject to prior sale. Shipping November 14 at Revival in Philly, it was a 'split and handling is calculated on a per order basis. Please do level' show (all ages upstairs and bar down). Held in not hesitate to contact us regarding terms and/or with any conjunction with the release of Too Much Acid? Very questions or concerns. scarce. One of our focus areas revolves around the punk/anarcho sub-culture and counter culture more broadly. Presented 2. Anarchy [does not equal] Chaos // Anarchy here is a small, diverse collection of books, zines, posters, [equals] A Social Order. Australia: [Anarchism etc. all of which are grounded in one or more counter Australia], nd [circa 1977]. First Printing. Minor culture scenes. Please note, while priced separately, the edge wear, tape remains at the four corners [text Australian anarcho/punk posters are available as a small side], else bright and clean. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,