Punk and Counter Culture List
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Key Title Information LOUD FLASH
Key title information LOUD FLASH Product Details British Punk on Paper £20.00 Artist(s) Roberta Bayley, Adrian Boot, Suzan Carson, Barry Jones, David More than any movement before or since, Punk was defined by the King, Jamie Reid, Kate Simon, poster. Linder Sterling Author(s) Simon Ford, Susanna Greeves, Excluded from TV and daytime radio, struggling to be heard in the Toby Mott, Matthew Worsley mainstream press, posters provided an effective – and virtually free – Publisher Haunch of Venison means for bands to reach the public. ISBN 9781905620548 Format softback LOUD FLASH is a unique exhibition of posters curated by the artist and Pages 128 designer Toby Mott. His collection, which also incorporates fanzines, Illustrations 118 colour flyers and other ephemera, delivers a gripping snapshot of the Britain of that time, a country rife with divisions which was slowly Dimensions 210mm x 250mm awakening to the reality of its reduced status in the post-war world. Weight 530 As well as iconic works by Jamie Reid (for the Sex Pistols) and Linder Sterling (for the Buzzcocks), the exhibition features a wealth of material produced by anonymous artists of the era and so offers a complete survey of the punk aesthetic. It also includes political material. The rise of the National Front is charted through its incendiary propaganda, while the posters advertising ‘Rock Against Racism’ events show how this was opposed and how the designers adopted punk as stark graphical styles to entice young supporters. Alongside this, Mott, who has collected more than 1000 punk-related artefacts over a period of 30 years, has also included patriotic memorabilia from the Queen’s Silver Jubilee, which collided with the height of the punk explosion in 1977. -
Ccy^EN Cat For
I Parrott loan plan under fire see page 5 Vo1.8> No .2 spats 0ally CMndna Luncheon Special! Entertainment Vol. 7. No. 2 MmmAupmMMv^mt EVERY FRIDAY Jan 16. 1978 All you can ccy^EN cat for $1.00 MM Humber College of Applied Arts & Technology -• ^ NO 1 Covea, MoMlay. Jan 16, 1978. Page Z Job forms 'discriminatory'— committee by Chris Van Krieken Revealing the age could also upset to find the present applica- married, they 11 leave to have tions. feel many people overlook result in discnmination, she said, tion applicants il Humber s Equal Opportunities asked to state children the fine print ^plaining ii. people be opposed to they Committee believes application because may were engaged. Even though the present applica- He views the deletion of the someone loo young or too forms m the personnel department hiring Ms Krakauer explained: If tion forms state applicants do not Items as "a positive move because old is are discriminatory. someone sees a person engaged, have to fill in this information. Bill there would be-little possibility for meniDers were The committee voted Jan 9 to Other committee the assumption is when they get Moore, director of personnel rela- abuse. recommend the college delete According to Mr. Moore, the col- from future applications such lege was brought before the items as marital status, date of Human Rights Commisssion birth, sex and number of depen- ponders changes several months ago because an ap- dent children Lakeshore SU plicant felt the college showed pre- According to Renate Krakauer, judicies. Number's senior program consul- Although Mr Moore refused to by Ann Kerr puses. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
Catalog 11 Mare Booksellers | Email: [email protected] Phone: (603)742-1229
Catalog 11 Mare Booksellers www.marebooksellers.com | email: [email protected] phone: (603)742-1229 Catalog 11… Featuring punk fanzines: Gun Rubber, London’s Burning, Trash ’77 and others new to us. New acquisitions of old favorites such as: All the Young Dudes, The Armagideon Times, Gabba Gabba Gazette, and others. What do punks think of sex and birth control? See entry #43 In the Underground Press: Make paint bombs and knock over lamp posts: entries #54 and #56 Several issues of The Black Panther and Muhammad Speaks: entries #46-49 www.marebooksellers.com | email: [email protected] phone: (603)742-1229 1. Slit Your Wrists if You Can’t Rock and Roll. Philly’s New Wave. No. 2 Various authors. Jack Off, Publisher. Philadelphia: no date, perhaps late 1977, early 1978. Side stapled format. 8 ½ by 11 inches. 18 pp., including covers. Black and white photos throughout. A punk and new wave zine from the Philadelphia area, presenting straight up coverage of various acts. With contributions by Jack Off, Jay Schwartz, Roid Kafka and others. This issue with news/commentary/interviews on The Stranglers, the Cramps, The Reds, The A’s, Elvis Costello and others. GOOD condition. Moderate browning to the piece, a bit heavier along the extremities. Minor wrinkling and edgewear. $125.00 www.marebooksellers.com | email: [email protected] phone: (603)742-1229 2. The Gun Rubber. Summer 1977. Issue #6. Bower, Paul (editor) Paul Bower, Publisher. Sheffield, UK: 1977. Single stapled format. 11 ¾ by 8 ¼ inches. 32 pp., including covers. Printed on different colored and stock paper. -
Playlists for 2002
THE MENACE’S ATTIC Playlists 2002 PLAYLISTS FOR 2002 THE MENACE’S ATTIC ON KUSF: SHOW #1 JANUARY 4, 2002 SET 1: “I’m Going To New York, I’m Goin’ If I Have To Walk” Loco D’Amour – David Byrne N.Y. Doll – David Johansen From “Fear City) Good Guys Bad Guys/Streets of Your Town – Country Joe and The Fish Rockaway Beach – Ramones SET #2 “Sex, Drugs, Rock and Roll and Did I Mention Sex?” Are You Ready for the Sex Girls? – Gleaming Spires NO INTRO! (Rhythm section of Sparks…one member went on to Devo…on soundtrack of Revenge of the Nerds) All You Ever Think About Is Sex – Sparks Discovering Japan – Graham Parker (From Putting Out Sparks, get it? ) Eugene – Crazy Joe and The Variable Speed Band SET #3 “You Gotta Walk the Walk And Talk the Talk” Mambo Italiano – Rosemary Clooney and the Melloman Orchestra (Married to the Mob) Peter Percival Patterson – Monkees Across 110th Street – Bobby Womack (Jackie Brown) SOPRANO’S DIALOGUE Livin’ On A Thin Line – Kinks SET #4 “It’s Called Love – Punk!” Ca Plan Pour Moi – Plastic Bertrand (MIX EM UP) Jet Boy Jet Girl -Elton Motello Alone Again (Or) – Damned Always See Your Face – Love SHOW # 1 THE MENACE’S ATTIC Playlists 2002 THE MENACE’S ATTIC EPISODE #2 Broadcast 1/11/2002 SET 1: Soundtracks without a Celion Dion Song on ‘Em Lively Set – James Darren Ma Nah Mah Nah – (Sweden Heaven and Hell) Kalasnjikov Soundtrack of Underground My Coo Ca Choo – Alvin Stardust (Love Serenade) SET #2 – Mom Can I Be A Singer When I Grow Up? My Baby’s Crazy ‘Bout Elvis – Mike Sarne Viva Las Vegas – Elvis Lust for Life – Tom Jones RoadRunner – Jonathan Richman SET #3 – Pop and Glam! Everywhere At Once - Plimsouls Metal Guru – T. -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al. -
Phaidon Winter/Spring 2017 Phaidon Winter & Spring 2017
Phaidon Winter/Spring 2017 Phaidon Winter & Spring 2017 phaidon.com Phaidon Winter & Spring 2017 Food & Cooking General Interest The Gardener's Garden 64 Vegan: The Cookbook 6 On Vegetables 8 The Great Dixter Cookbook 10 Travel Naples and the Amalfi Coast 12 Brae: Recipes and Stories from the Restaurant 14 Wallpaper* City Guides 66 On Eating Insects 16 Where Bartenders Drink 18 Greece: The Cookbook 20 Children’s Books Quick and Easy Thai Recipes 22 The World is Your Burger 24 Before & After 68 Where to Drink Coffee 26 Birds & Other Animals with Pablo Picasso 70 Circle, Triangle, Elephant! 72 Pizza! An Interactive Recipe Book 74 Art Are You a Monkey? 76 Animals Hide and Sneak 78 Chromaphilia: The Story of Colour in Art 28 What does Baby Want? 80 Willem de Kooning: A Way of Living 30 Co-Art: Artists on Creative Collaboration 32 Raymond Pettibon: A Pen of All Work 34 Recently Published Honar: The Afkhami Collection of Modern and Contemporary Iranian Art 36 Fall 2016 84 Kerry James Marshall 38 Jimmie Durham 40 Winslow Homer: An American Vision 42 How to Order How to Order 92 Photography Lauren Greenfield: Generation Wealth 44 Fashion London Uprising: Fifty Fashion Designers, One City 46 Design The Red Thread: Nordic Design 48 Graphic: 500 Designs that Matter 50 How to See 52 Designed in California 54 Architecture Ornament is Crime: Modernist Architecture 56 Wood 58 Mobitecture: Architecture on the Move 60 Carlo Scarpa 62 phaidon.com Celebrating the Best of 2016 1 Evolution: A Visual Record 2 Factory: Andy Warhol 3 Plant: Exploring the 1 3 Stephen Shore Botanical World 254 × 190 mm 354 × 260 mm 290 × 250 mm 2 7 ½ × 10 inches 10 ¼ × 14 inches 9 ⅞ × 11 ⅜ inches 240 pp 192 pp 352 pp 200 col illus. -
A Journal of the Radical Gothic
issue #1 gracelessa journal of the radical gothic And the ground we walk is sacred And every object lives And every word we speak Will punish or forgive And the light inside your body Will shine through history Set fire to every prison Set every dead man free “The Sound Of Freedom” Swans cover photograph by Holger Karas GRACELESS Issue one, published in February 2011 Contributors and Editors: Libby Bulloff (www.exoskeletoncabaret. com), Kathleen Chausse, Jenly, Enola Dismay, Johann Elser, Holger Karas (www. seventh-sin.de), Margaret Killjoy (www. birdsbeforethestorm.net). Graceless can be contacted at: www.graceless.info [email protected] This work is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to: Creative Commons 171 Second Street, Suite 300 San Francisco, California, 94105 USA What this license means is that you are free (and encouraged) to take any content from Graceless and re-use it in part or whole, or make your own work that incorporates ours, as long as you: attribute the creator of the work, share the work with the same license, and are using the product non-commercially. Note that there is a photograph that is marked as copyright to its creator, which was used with permission and may not be included in derivative works. We have chosen a Creative Commons licensing because we believe in free cultural exchange but intend to limit the power of capitalism to co-opt our work for its twisted ends. -
Grave Gibes Fanzine #3 Table of Contents
Grave Gibes Fanzine #3 Table of contents Interview with ‘The Last Days of Jesus’ 3 Interview with Acid Bats. 6 Interview with Bloody, Dead & Sexy (Rosa Iahn) 10 Emmanuel ‘Manu/Zorch’ Ninet 14 Interview with ‘The Spiritual Bat’. 19 The Spiritual Bat – Through the Shadows review 23 Interview with Sasha Skvortsov (Durnoe Vlijanie) 25 Interview with Loren (Chants of Maldoror). 30 2 Interview with ‘The Last Days of Jesus’ http://www.myspace.com/thelastdaysofjesus/ http://www.thelastdaysofjesus.sk/ TLDOJ, Cartoon by Stefan Andrejco TLDOJ, 2003, Photo by Jozef Barinka Nattsol: As I know, you took a part in the foundation of the ‘goth’ scene in Slovakia. How did it grow up? Tell me more about your activity there. And how did you face ‘goth’ music? Mary0: Well, I don’t know what to say… I work for the scene here in Slvakia more than 15 years. In the beginning there were the parties, then the fanzine/magazine called Stigma, radio show in the local radio station, concerts and so on. It’s a long time and a lot of work was done inbetween. Nattsol: Tell me more about Batcave.sk. What is it actually? Mary0: Actually it’s more or less just the monthly party including Live acts. However, we’re working on new visual of the webzine at the moment. Well, it’s always a question of time to work on the projects like tis. Especially when one has a family and regular job. Then the priorities change a bit… 3 Nattsol: The next question is just to Mary0. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
Record Store Day 2017
RECORD STORE DAY 2017 - Offizielle Veröffentlichungen Interpret Titel Info The first weapon drawn in a conflict is language, but the first (Inspectah weapon drawn for Czarface is the music.Wu-Tang Clan's First Weapon Drawn: A Deck&7L&Esoter Inspectah Deck & Esoteric carved a niche for Czarface with Narrated Adventure ic) venomous vocals, but themusical production is their super power. 999 kicked off in 1977 with I’m Alive and Nasty, Nasty, two notoriously riotous singles that would establish them alongside a handful of others in the shadow of the Pistols, Clash and The Damned. Nick Cash and Guy Days had unknowingly already made it into the history books, but there was much more to come in Homicide, Me and My Desire, Emergency and Biggest LIVE & LOUD (LIM. 180 999 Prize In Sport. The live recordings within are assured reminders GR. YELLOW VINYL) of a vitally important British punk band in their early prime with explosive versions of tracks from their first three albums from 1978-1979. Singles such as Feelin’ Alright With The Crew and Hollywood clash perfectly with selected album tracks that collectively recall a halcyon period for British youth culture and its soundtrack. (Goldene 10" + CD) ABAY, die gemeinsame Band von Ex- Blackmail-Sänger Aydo Abay und Jonas Pfetzing (Juli) schaffen es ABAY Conversions Vol.1 meisterhaft, ihren Trademark-Sound auch durch Coverversionen von The xx, Massive Attack, Thrice und sogar Abba und Scooter schimmern zu lassen. Neue EP des fünfköpfigen Südlondoner Livekollektivs Afriqoui, das traditionelle Afro-Rhythmen mit moderner Elektronik Can I Know You / Afriquoi kombiniert. -
Comic Book Film Genre
Copyright by Matthew David Young 2013 The Dissertation Committee for Matthew David Young Certifies that this is the approved version of the following dissertation: Musical Topics in the Comic Book Superhero Film Genre Committee: James Buhler, Supervisor Byron Almén David Neumeyer Eric Drott Charles Berg Musical Topics in the Comic Book Superhero Film Genre by Matthew David Young, B.A.; M.Music Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2013 Dedication To my wife, for her support, encouragement, and patience. Acknowledgements Foremost, I would like to thank Dr. Buhler for his support and guidance throughout this project. His insight has been invaluable in helping me to expand the depth and increase the quality of this work. I am also deeply grateful to my committee, Byron Almén, David Neumeyer, Eric Drott, and Charles Ramírez Berg for their inspiration and teachings which helped me to grow as an academic. I would also like to thank Sean Johnston, Cari McDonnell, and Emily Kausalik for providing the peer support network every graduate student needs to give feedback and brainstorm new directions to explore in this project. Finally, I would like to thank my wife and parents, for their support, love, encouragement, and guidance not only throughout graduate school, but throughout life. v Musical Topics in the Comic Book Superhero Film Genre Matthew David Young, Ph.D. The University of Texas at Austin, 2013 Supervisor: James Buhler The comic book superhero film has become a mainstay amongst Hollywood blockbuster films.