Grave Gibes Fanzine #3 Table of Contents
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
FAÇADE: ZONE A: Religion/Family
CHECKLIST for Participant Inc. February 14-April 4, 2021 Curated by Amelia Jones Archival and research assistance by Ana Briz, David Frantz, Hannah Grossman, Dominic Johnson, Maddie Phinney *** UNLESS OTHERWISE NOTED ALL ITEMS ARE FROM THE RON ATHEY ARCHIVE*** ***NOTE: photographs are credited where authorship is known*** FAÇADE: Rear projection of “Esoterrorist” text by Genesis P’Orridge, edited and video mapped as a word virus, as projected in the final scene of Ron Athey’s Acephalous Monster, “Cephalophore: Entering the Forest,” 2018-19. Video graphics work by Studio Ouroboros, Berlin. ZONE A: Religion/Family This section of the exhibition features a key work expanding on Ron Athey’s family and religious upbringing as a would-be Pentacostal minister: his 2002 live multimedia performance installation Joyce, which is named after Athey’s mother. It also includes elements from Athey’s archive relating to Joyce—including two costumes from the live performance—and his life within and beyond his fundamentalist origin family (such as unpublished writings from his period of recovery in the 1980s, and the numerous flyers advertising fundamentalist revivals he attended). The section is organized around materials that evoke the mix of religiosity and dysfunctional (sexualized and incestuous) family dynamics Athey experienced as a child and wrote about in some of his autobiographical writings that are included in the catalogue, including Mary Magdalene Footwashing Set (1996), which was included in a group show at Western Project in Los Angeles in 2006 and in the Invisible Exports Gallery “Displaced Person” show in 2012, a former gallery just around the corner from Participant Inc.’s location. -
SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011
SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011 INFORMATION: Artist Hometown: WESTCHESTER, PA Key Markets: NEW YORK LONDON PHILADELPHIA WESTCHESTER BOSTON For Fans Of: -HARD GIRLS -OSKER -PLOW UNITED ARTIST: SPRAYNARD TITLE: FUNTITLED Spraynard started in the summer of 2008 when three friends CAT#: AM 215 (Patrick Graham, Patrick Ware, and Mark Dickinson) felt the need FORMAT: CD, LP for a resurgence of DIY music in their hometown. They combine GENRE: PUNK passionate & urgent vocals with infectious pop punk in the vein of BOX LOT: 50 PLOW UNITED and OSKER. This is their Asian Man debut called SRLP: CD $10.98, LP $13.98 “funtitled”. They have a released a slew of 7 inches and an LP on UPC: CD: 612851021525 Runner Up Records called “Cut and Paste” They continue to tour LP: 612851021518 EXPORT: NO RESTRICTIONS constantly and passionate about punk as a philosophy as much as a sound. TRACKLIST: Marketing Points: 1. I Care Not -Constant touring 2. The Denver Broncos -Produced by Mike Bardzik (EVERYONE EVERYWHERE, LIGHTEN UP) vs. The Denver Broncos -Played FEST 3. O.R. They? 4. Little Green Ghouls 5. We’re Pretty Nice Guys Any special scenes/markets this might appeal to: 6. Ah Gun That house show punk community 7. Damn You, A Box 8. Spooky, Scary 9. Homies Where the Heart Is 10. Quite Exciting, This Computer Magic 11. Not Good Enough, Gary 12. Joe Gallgher’s Fantasy Fun Camp Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX MISS DERRINGER Street Date: KING JAMES AND A COLT 45 CD 05/10/2011 INFORMATION: Artist Hometown: LOS ANGELES, CA Key Markets: LOS ANGELES NASHVILLE DETROIT LONDON SAN FRANCISCO For Fans Of: ???? Description needed. -
Punk and Counter Culture List
Punk & Counter Culture Short List Lux Mentis, Booksellers 1: Alien Sex Fiend [Concert Handbill]. Philadelphia, PA: Nature Boy Productions, 1989. Lux Mentis specializes in fine press, fine bindings, and First Edition. Bright and clean. Orange paper, black esoterica in all areas, books that have been treasured and ink lettering and pictorial elements. 8vo. np. Illus. (b/ will continue to be treasured. As a primary focus is the building and/or deaccessioning of private collections, our w plates). Fine. Broadside. (#9910) $100.00 selections are diverse and constantly evolving. If we do not have what you are seeking, please contact us and we will "Alive at Last... // First US Tour in Five Years." Held strive to find it. All items are subject to prior sale. Shipping November 14 at Revival in Philly, it was a 'split and handling is calculated on a per order basis. Please do level' show (all ages upstairs and bar down). Held in not hesitate to contact us regarding terms and/or with any conjunction with the release of Too Much Acid? Very questions or concerns. scarce. One of our focus areas revolves around the punk/anarcho sub-culture and counter culture more broadly. Presented 2. Anarchy [does not equal] Chaos // Anarchy here is a small, diverse collection of books, zines, posters, [equals] A Social Order. Australia: [Anarchism etc. all of which are grounded in one or more counter Australia], nd [circa 1977]. First Printing. Minor culture scenes. Please note, while priced separately, the edge wear, tape remains at the four corners [text Australian anarcho/punk posters are available as a small side], else bright and clean. -
CHRISTIAN DEATH Street Date: Only Theatre of Pain, LP AVAILABLE NOW!
CHRISTIAN DEATH Street Date: Only Theatre of Pain, LP AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles Key Markets: Los Angeles, Orange County CA, New York, Europe (France, Germany, Belgium in particular), Japan, Mexico For Fans of: ROZZ WILLIAMS, 45 GRAVE, BAUHAUS, XMAL DEUTSCHLAND, SIOUXSIE AND THE BANSHEES, DELERIUM, SWANS The founding fathers of American goth-rock, CHRISTIAN DEATH released their debut, Only Theatre of Pain, on Frontier Records in March 1982, and that landmark album has had an enormous influence on goth, death-rock, ARTIST: CHRISTIAN DEATH dark-wave, metal and even industrial music scenes all over the world, TITLE: Only Theatre of Pain shaping the approach of more bands than can be counted. Led by vocalist LABEL: Frontier Records and founder Rozz Williams, the CHRISTIAN DEATH of Only Theatre of Pain CAT#: 31007-1-W included guitarist Rikk Agnew, fresh out of THE ADOLESCENTS, bassist FORMAT: LP James McGearty, drummer George Belanger and backing vocals from GENRE: Gothic Rock, Goth, Superheroines leader (and Rozz’s future wife), Eva O as well as performance Death Rock, Punk artist Ron Athey. It was this line-up, with its dirgy, effects-laden guitar riffs BOX LOT: 50 and ambient horror-soundtrack synths, that crystalized the ominous post- SRLP: $14.98 punk sound that has established this album as the ultimate archetype of goth UPC: 018663100715 EXPORT: NO RESTRICTIONS sensibility. Genre touchstones include “Romeo’s Distress,” “Spiritual Cramp” and “Mysterium Iniquitatis.” Marketing Points: Tracklist: • This is a one-time only MISS-PRESS of the newly remastered version of 1. Cavity - First Communion the OTOP but with the previous edition’s black and gold LP jacket 2. -
April 2021 New Releases
April 2021 New Releases SEE PAGE 15 what’s featured exclusives inside PAGE 3 RUSH Releases Vinyl Available Immediately 79 Music [MUSIC] Vinyl 3 CD 11 ROY ORBISON - HEMINGWAY, A FILM BY JON ANDERSON - FEATURED RELEASES Video THE CAT CALLED DOMINO KEN BURNSAND LYNN OLIAS OF SUNHILLOW: 48 NOVICK. ORIGINAL 2 DISC EXPANDED & Film MUSIC FROM THE PBS REMASTERED DOCUMENTARY Films & Docs 50 MVD Distribution Independent Releases 78 Order Form 81 Deletions & Price Changes 84 THE FINAL COUNTDOWN DONNIE DARKO (UHD) ACTION U.S.A. 800.888.0486 (3-DISC LIMITED 203 Windsor Rd., Pottstown, PA 19464 EDITION/4K UHD+BLU- www.MVDb2b.com RAY+CD) WO FAT - KIM WILSON - SLY & ROBBIE - PSYCHEDELONAUT TAKE ME BACK RED HILLS ROAD DONNIE DARKO SEES THE LIGHT! The 2001 thriller DONNIE DARKO gets the UHD/4K treatment this month from Arrow Video, a 2-disc presentation that shines a crisp light on this star-studded film. Counting PATRICK SWAYZE and DREW BARRYMORE among its luminous cast, this first time on UHD DONNIE DARKO features the film and enough extras to keep you in the Darko for a long time! A lighter shade of dark is offered in the limited-edition steelbook of ELVIRA: MISTRESS OF THE DARK, a horror/comedy starring the horror hostess. Brand new artwork and an eye-popping Hi-Def presentation. Blue Underground rises again in the 4K department, with a Bluray/UHD/CD special of THE FINAL COUNTDOWN. The U.S.S. Nimitz is hurled back into time and can prevent the attack on Pearl Harbor! With this new UHD version, the KIRK DOUGLAS-led crew can see the enemy with crystal clarity! You will not believe your eyes when you witness the Animal Kingdom unleashed with two ‘Jaws with Claws’ horror movies from Severin Films, GRIZZLY and DAY OF THE ANIMALS. -
Towards a Narrative of Hope and Resilience: a Contemporary Paradigm for Christian Pastoral Ministry in the Face of Mortality
Towards a Narrative of Hope and Resilience: A Contemporary Paradigm for Christian Pastoral Ministry in the Face of Mortality Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor in Philosophy Alexis J. Smith 5-Feb-16 1 2 Table of Contents Abstract …………………………………………………………………………………………………….4 Chapter One: Living with the Reality of Our Mortality……………………………………….…5-44 Chapter Two: A Historical Perspective on a Christian Narrative of Hope…………….…45-106 Chapter Three: The Importance of Story: Possibilities of Healing Metaphors………..107-149 Chapter Four: Theory for a Hermeneutic and Theology of Hope and Resilience…….150-219 Chapter Five: A Critical Understanding of How to Foster Hope in Others…………….220-269 Bibliography…….…………………………………………………………………………………270-312 3 Abstract Towards a Narrative of Hope and Resilience: A Contemporary Paradigm for Christian Pastoral Ministry in the Face of Mortality Alexis J. Smith Analysis of current pastoral care practice, particularly of Christian pastoral care providers and chaplains, reveals a contemporary lacuna in Christian theological frameworks which contributes to North American Christians’ inability to connect a theological understanding of death with the experience of their human finitude despite the presence of considerable literature on death and dying. This gap deprives many Christians of the possibility of finding a unique and specific source of hope and strength within their own faith tradition for facing crisis. This thesis provides a methodology and -
ON PAIN in PERFORMANCE ART by Jareh Das
BEARING WITNESS: ON PAIN IN PERFORMANCE ART by Jareh Das Thesis submitted in fulfilment of the requirements for the degree of PhD Department of Geography Royal Holloway, University of London, 2016 1 Declaration of Authorship I, Jareh Das hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19th December 2016 2 Acknowledgments This thesis is the result of the generosity of the artists, Ron Athey, Martin O’Brien and Ulay. They, who all continue to create genre-bending and deeply moving works that allow for multiple readings of the body as it continues to evolve alongside all sort of cultural, technological, social, and political shifts. I have numerous friends, family (Das and Krys), colleagues and acQuaintances to thank all at different stages but here, I will mention a few who have been instrumental to this process – Deniz Unal, Joanna Reynolds, Adia Sowho, Emmanuel Balogun, Cleo Joseph, Amanprit Sandhu, Irina Stark, Denise Kwan, Kirsty Buchanan, Samantha Astic, Samantha Sweeting, Ali McGlip, Nina Valjarevic, Sara Naim, Grace Morgan Pardo, Ana Francisca Amaral, Anna Maria Pinaka, Kim Cowans, Rebecca Bligh, Sebastian Kozak and Sabrina Grimwood. They helped me through the most difficult parts of this thesis, and some were instrumental in the editing of this text. (Jo, Emmanuel, Anna Maria, Grace, Deniz, Kirsty and Ali) and even encouraged my initial application (Sabrina and Rebecca). I must add that without the supervision and support of Professor Harriet Hawkins, this thesis would not have been completed. -
THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
A Journal of the Radical Gothic
issue #1 gracelessa journal of the radical gothic And the ground we walk is sacred And every object lives And every word we speak Will punish or forgive And the light inside your body Will shine through history Set fire to every prison Set every dead man free “The Sound Of Freedom” Swans cover photograph by Holger Karas GRACELESS Issue one, published in February 2011 Contributors and Editors: Libby Bulloff (www.exoskeletoncabaret. com), Kathleen Chausse, Jenly, Enola Dismay, Johann Elser, Holger Karas (www. seventh-sin.de), Margaret Killjoy (www. birdsbeforethestorm.net). Graceless can be contacted at: www.graceless.info [email protected] This work is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 3.0 Unported License. To view a copy of this license, visit http:// creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to: Creative Commons 171 Second Street, Suite 300 San Francisco, California, 94105 USA What this license means is that you are free (and encouraged) to take any content from Graceless and re-use it in part or whole, or make your own work that incorporates ours, as long as you: attribute the creator of the work, share the work with the same license, and are using the product non-commercially. Note that there is a photograph that is marked as copyright to its creator, which was used with permission and may not be included in derivative works. We have chosen a Creative Commons licensing because we believe in free cultural exchange but intend to limit the power of capitalism to co-opt our work for its twisted ends. -
Rage in Eden Records, Po Box 17, 78-210 Bialogard 2, Poland [email protected]
RAGE IN EDEN RECORDS, PO BOX 17, 78-210 BIALOGARD 2, POLAND [email protected], WWW.RAGEINEDEN.ORG Artist Title Label HAUSCHKA ROOM TO EXPAND 130701/FAT CAT CD RICHTER, MAX BLUE NOTEBOOKS, THE 130701/FAT CAT CD RICHTER, MAX SONGS FROM BEFORE 130701/FAT CAT CD ASCENSION OF THE WAT NUMINOSUM 13TH PLANET RECORDS CD MINISTRY COVER UP 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS CD MINISTRY LAST SUCKER, THE 13TH PLANET RECORDS LTD MINISTRY RIO GRANDE BLOOD 13TH PLANET RECORDS CD MINISTRY RIO GRANDE DUB YA 13TH PLANET RECORDS CD PRONG POWER OF THE DAMAGER 13TH PLANET RECORDS CD REVOLTING COCKS COCKED AND LOADED 13TH PLANET RECORDS CD REVOLTING COCKS COCKTAIL MIXXX 13TH PLANET RECORDS CD BERNOCCHI, ERALDO/FE MANUAL 21ST RECORDS CD BOTTO & BRUNO/THE FA BOTTO & BRUNO/THE FAMILY 21ST RECORDS CD FLOWERS OF NOW INTUITIVE MUSIC LIVE IN COLOGNE 21ST RECORDS CD LOST SIGNAL EVISCERATE 23DB RECORDS CD SEVENDUST ALPHA 7 BROS RECORDS CD SEVENDUST CHAPTER VII: HOPE & SORROW 7 BROS RECORDS CD A BLUE OCEAN DREAM COLD A DIFFERENT DRUM MCD A BLUE OCEAN DREAM ON THE ROAD TO WISDOM A DIFFERENT DRUM CD B!MACHINE ALTERNATES AND REMIXES A DIFFERENT DRUM CD B!MACHINE EVENING BELL, THE A DIFFERENT DRUM CD B!MACHINE FALLING STAR, THE A DIFFERENT DRUM CD B!MACHINE MACHINE BOX A DIFFERENT DRUM BOX BLUE OCTOBER ONE DAY SILVER, ONE DAY GOLD A DIFFERENT DRUM CD BLUE OCTOBER UK INCOMING 10th A DIFFERENT DRUM 2CD CAPSIZE A PERFECT WRECK A DIFFERENT DRUM CD COSMIC ALLY TWIN SUN A DIFFERENT DRUM CD COSMICITY ESCAPE POD FOR TWO A DIFFERENT DRUM CD DIGNITY -
Comic Book Film Genre
Copyright by Matthew David Young 2013 The Dissertation Committee for Matthew David Young Certifies that this is the approved version of the following dissertation: Musical Topics in the Comic Book Superhero Film Genre Committee: James Buhler, Supervisor Byron Almén David Neumeyer Eric Drott Charles Berg Musical Topics in the Comic Book Superhero Film Genre by Matthew David Young, B.A.; M.Music Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2013 Dedication To my wife, for her support, encouragement, and patience. Acknowledgements Foremost, I would like to thank Dr. Buhler for his support and guidance throughout this project. His insight has been invaluable in helping me to expand the depth and increase the quality of this work. I am also deeply grateful to my committee, Byron Almén, David Neumeyer, Eric Drott, and Charles Ramírez Berg for their inspiration and teachings which helped me to grow as an academic. I would also like to thank Sean Johnston, Cari McDonnell, and Emily Kausalik for providing the peer support network every graduate student needs to give feedback and brainstorm new directions to explore in this project. Finally, I would like to thank my wife and parents, for their support, love, encouragement, and guidance not only throughout graduate school, but throughout life. v Musical Topics in the Comic Book Superhero Film Genre Matthew David Young, Ph.D. The University of Texas at Austin, 2013 Supervisor: James Buhler The comic book superhero film has become a mainstay amongst Hollywood blockbuster films. -
Edwards and Monnet 2Nd Pages.Indd
6 “I’ll Be Whatever Gotham Needs Me to Be” Batman, the Gothic and Popular Culture Agnieszka Soltysik Monnet Batman fi rst appeared in 1939, close on the heels of the recently created and hugely successful Superman. The young comic book industry, just emerg- ing as a separate medium from the newspaper comic strip, and hitherto mainly defi ned by men in suits, now demanded more visually appealing (i.e. costumed) characters. Batman was born as a darker and more com- plex variation on the red-caped superhero: he is Superman’s Gothic dou- ble.1 Although many superheroes were created in the 1940s and since then, Batman has remained the darkest and most problematic, not least because his powers come not from a magical source but from the brooding inten- sity of a childhood trauma. Over seventy years later, Batman has grown to become bigger than ever, eclipsing even Superman in recent decades. Why has this been the case? And how did this happen? In addressing these ques- tions, I want to suggest that the main reason for the success of Batman in the twenty-fi rst century—a multi-billion dollar Batman industry—has been Christopher Nolan’s return to the darker roots of the Batman story. Like any enduring Gothic fi gure, Batman’s regenerative cultural power depends on his ambivalence, his ethical complexity and moral ambiguity. On a formal level, this ambivalence plays itself out in the tension between Bat- man’s camp aesthetics and the Gothic characteristics of the fi gure; that is, between the campy smirk of the “Caped Crusader” and the furrowed brow of the brooding “Dark Knight.” Historically, whenever Batman is camped to its limit, the Gothic creeps in, returning the character to a darker and more complicated fi gure within the narrative.