DOCSLIB.ORG

SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011 SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011 INFORMATION: Artist Hometown: WESTCHESTER, PA Key Markets: NEW YORK LONDON PHILADELPHIA WESTCHESTER BOSTON For Fans Of: -HARD GIRLS -OSKER -PLOW UNITED ARTIST: SPRAYNARD TITLE: FUNTITLED Spraynard started in the summer of 2008 when three friends CAT#: AM 215 (Patrick Graham, Patrick Ware, and Mark Dickinson) felt the need FORMAT: CD, LP for a resurgence of DIY music in their hometown. They combine GENRE: PUNK passionate & urgent vocals with infectious pop punk in the vein of BOX LOT: 50 PLOW UNITED and OSKER. This is their Asian Man debut called SRLP: CD $10.98, LP $13.98 “funtitled”. They have a released a slew of 7 inches and an LP on UPC: CD: 612851021525 Runner Up Records called “Cut and Paste” They continue to tour LP: 612851021518 EXPORT: NO RESTRICTIONS constantly and passionate about punk as a philosophy as much as a sound. TRACKLIST: Marketing Points: 1. I Care Not -Constant touring 2. The Denver Broncos -Produced by Mike Bardzik (EVERYONE EVERYWHERE, LIGHTEN UP) vs. The Denver Broncos -Played FEST 3. O.R. They? 4. Little Green Ghouls 5. We’re Pretty Nice Guys Any special scenes/markets this might appeal to: 6. Ah Gun That house show punk community 7. Damn You, A Box 8. Spooky, Scary 9. Homies Where the Heart Is 10. Quite Exciting, This Computer Magic 11. Not Good Enough, Gary 12. Joe Gallgher’s Fantasy Fun Camp Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX MISS DERRINGER Street Date: KING JAMES AND A COLT 45 CD 05/10/2011 INFORMATION: Artist Hometown: LOS ANGELES, CA Key Markets: LOS ANGELES NASHVILLE DETROIT LONDON SAN FRANCISCO For Fans Of: ???? Description needed. ARTIST: MISS DERRINGER TITLE: KING JAMES AND Marketing Points: A COLT 45 - The bands last Album, Winter Hill was released in 2009 CAT#: SFTRI730 on Triple X Records. FORMAT: CD GENRE: ROCK - King James has been out of print for almost four years. BOX LOT: 30 SRLP: $10.98 - Since the release of Winter Hill the band has seen lots of high UPC: 790276073029 EXPORT: NO RESTRICTIONS profile press from Alt Press, Spin, AMP Magazine and many more. - Miss Derringer have hit the road with Blondie, Bad Religion, Tiger Army and many more. TRACKLIST: - Lead singer Liz McGrath is also know for her art which has been 1. The Letter published all over the world. 2. Dear Johnny 3. Devil In The Windy City 4. Lordy Any special scenes/markets this might appeal to: 5. Texas Nope 6. Corpus Christi 7. Twelve-Oh-Six 8. Long Way From Home 9. Open Casket Funeral 10. Confession Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX CHRISTIAN DEATH Street Date: ONLY THEATRE OF PAIN CD/LP 05/10/2011 INFORMATION: Artist Hometown: LOS ANGELES Key Markets: World, USA, France, Italy, Mexico, Germany For Fans Of: Rozz Williams, 45 Grave, Bauhaus, Siouxsie & The Banshees The founding fathers of American goth-rock, CHRISTIAN DEATH released their debut, Only Theatre of Pain, on Frontier Records in March 1982, and that landmark album has had an enormous influence on goth, death-rock, ARTIST: CHRISTIAN DEATH dark-wave, metal and even industrial music scenes all over the world, TITLE: ONLY THEATRE shaping the approach of more bands than can be counted. Led by vocalist OF PAIN and founder Rozz Williams, the CHRISTIAN DEATH of Only Theatre of CAT#: CD 31009-2 LP 31009-1 Pain included guitarist Rikk Agnew, fresh out of The ADOLESCENTS, FORMAT: CD, LP bassist James McGearty, drummer George Belanger and backing vocals GENRE: GOTHIC PUNK from SUPERHEROINES leader (and Rozz’s future wife), Eva O. as well as BOX LOT: CD 30, LP 50 performance artist Ron Athey. It was this line-up, with its dirgy, effects- SRLP: CD $10.98, LP $11.98 laden guitar riffs and ambient horror-soundtrack synths, that crystalized the UPC: CD: 018663100722 ominous post-punk sound that has established this album as the ultimate LP: 018663100715 archetype of goth sensibility. Genre touchstones include “Romeo’s Distress,” EXPORT: NO RESTRICTIONS “Spiritual Cramp” and “Mysterium Iniquitatis.” This reissue features Rozz Williams’s original hand-drawn art and calligraphy, and additional TRACKLIST: period photos by Ed Colver, all set against a parchment-like background. 1. Cavity - First Communion Frontier has digitally remastered the audio for both the LP and CD, the 2. Figurative Theatre latter containing the Deathwish EP as a bonus. The first pressing of the LP, 3. Burnt Offerings itself on violet-colored vinyl, will include a 7” single in a white paper sleeve. 4. Mysterium Iniquitatis 5. Dream For Mother 6. Stairs - Uncertain Journey Marketing Points: 7. Spiritual Cramp - Resurrection of the most iconic goth album of all time. 8. Romeo’s Distress - New “parchment” packaging features Rozz Williams’s original art 9. Resurrection - Sixth Communion and calligraphy, and additional period photographs of band taken 10. Prayer by the legendary Edward Colver. CD version only (from the Deathwish EP) - First pressing of LP (on violet-colored vinyl) includes free 7” single in a white paper sleeve. 11. Deathwish - All audio digitally remastered. 12. Romeo’s Distress (version) - Anticipates 30th anniversary of album’s release. 13. Dogs 14. Desperate Hell 15. Spiritual Cramp (version) Any special scenes/markets this might appeal to: 16. Cavity (version) Gothic Rock, Death Rock, Punk Rock, Horror Punk, Post Punk Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX MISS DERRINGER Street Date: LULLABIES CD 05/10/2011 INFORMATION: Artist Hometown: LOS ANGELES, CA Key Markets: LOS ANGELES NASHVILLE LAS VEGAS LONDON For Fans Of: You Make It Up Description needed. ARTIST: MISS DERRINGER Marketing Points: TITLE: LULLABIES - The bands last Album, Winter Hill was released in 2009 CAT#: SFTRI766 on Triple X Records. FORMAT: CD GENRE: ROCK - King James has been out of print for almost four years. BOX LOT: 30 SRLP: $10.98 - Since the release of Winter Hill the band has seen lots of high UPC: 790276076624 profile press from Alt Press, Spin, AMP Magazine and many more. EXPORT: NO RESTRICTIONS - Miss Derringer have hit the road with Blondie, Bad Religion, Tiger Army and many more. TRACKLIST: - Lead singer Liz McGrath is also know for her art which has been published all over the world. 1. The Letter 2. Dear Johnny 3. Devil In The Windy City Any special scenes/markets this might appeal to: 4. Lordy Nope 5. Texas 6. Corpus Christi 7. Twelve-Oh-Six 8. Long Way From Home 9. Open Casket Funeral 10. Confession Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX TIM BARRY Street Date: RIVANNA JUNCTION CD/LP 05/10/2011 INFORMATION: Artist Hometown: RICHMOND, VA Key Markets: Richmond, VA - New Jersey - New York - Philadelphia Denver - Louisville, KY For Fans Of: Avail, Woody Guthrie, Hank Williams, Chuck Ragan With his first full length album, “Rivanna Junction,” Tim Barry arrived with such presence and confidence in his craft it was clear he was a man steeped in the tradition of folk and country music. Tim would joke that he’s “just another old guy that used to be in a punk band ARTIST: TIM BARRY that now plays an acoustic guitar,” but those of us that have heard the TITLE: RIVANNA JUNCTION records he’s made, or seen one of the many shows he’s played over CAT#: CAR 047 the years know there’s a lot more to the story than that. This record FORMAT: CD, LP is ten honest portraits of melancholy, anger, joy, redemption and GENRE: ACOUSTIC/PUNK FOLK more than anything, the pursuit of a life worth living. All of the vigor BOX LOT: cd 25 / lp 15 and vitriol of his days as the singer in hardcore/punk band Avail are SRLP: CD 11.98/ LP 12.98 evident here, but this isn’t your average “folk punk” record, because, UPC: lp 809796 004717 well, Tim Barry isn’t the kind of guy that writes your average song. cd 809796 004724 EXPORT: NO RESTRICTIONS Marketing Points: - Reissued with re-vamped artwork on digi-pak cd or TRACKLIST: LP on embossed reverse-board with colored vinyl - The seminal release from Tim in this genre he was an early 1. Trash Inspirations pioneer of 2. Avoiding Catatonic Surrender - Recorded in Richmond, VA with his friend Lance Koehler 3. Dog Bumped - Inspired contributions from brother James Barry (piano) and sister 4. Church Of Level Track Caitlin Barry (violin), local Richmond bluegrass musician 5. Exit Wounds Billy Lux (bass), as well friends Josh Small (vocals, acoustic and 6. Cardinal In Red Bed electric guitar and dobro) and Lance Koehler (drums) 7. Shoulda Oughta 8. Steel Road 9. C’Mon Quinn Any special scenes/markets this might appeal to: 10. Wait At Milano Fest Crowd Revival Crowd Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX TIM BARRY Street Date: MANCHESTER CD/LP 05/10/2011 INFORMATION: Artist Hometown: RICHMOND, VA Key Markets: Richmond, VA - New Jersey - New York - Philadelphia Denver - Gainesville, FL For Fans Of: Avail - William Eliot Whitmore - Lucero - Crooked Fingers When Tim Barry’s second album “Manchester” arrived just a year after his strong first album, there was no doubt in anyone’s mind that this was the work of a man inspired. On this album Tim takes all the strange and difficult experiences of the year prior and distills ARTIST: TIM BARRY them through his trademark brutal honesty and penchant for great TITLE: MANCHESTER storytelling to come up with 12 tales of the mean cops, missed CAT#: CAR 048 trains, wounded soldiers, joyful memories, passed friends, lost days, FORMAT: CD, LP overdeveloped places, changed people, new beginnings and the GENRE: ACOUSTIC/PUNK FOLK constant struggle to make tomorrow better than today.
Load more

Recommended publications
  • FAÇADE: ZONE A: Religion/Family
    CHECKLIST for Participant Inc. February 14-April 4, 2021 Curated by Amelia Jones Archival and research assistance by Ana Briz, David Frantz, Hannah Grossman, Dominic Johnson, Maddie Phinney *** UNLESS OTHERWISE NOTED ALL ITEMS ARE FROM THE RON ATHEY ARCHIVE*** ***NOTE: photographs are credited where authorship is known*** FAÇADE: Rear projection of “Esoterrorist” text by Genesis P’Orridge, edited and video mapped as a word virus, as projected in the final scene of Ron Athey’s Acephalous Monster, “Cephalophore: Entering the Forest,” 2018-19. Video graphics work by Studio Ouroboros, Berlin. ZONE A: Religion/Family This section of the exhibition features a key work expanding on Ron Athey’s family and religious upbringing as a would-be Pentacostal minister: his 2002 live multimedia performance installation Joyce, which is named after Athey’s mother. It also includes elements from Athey’s archive relating to Joyce—including two costumes from the live performance—and his life within and beyond his fundamentalist origin family (such as unpublished writings from his period of recovery in the 1980s, and the numerous flyers advertising fundamentalist revivals he attended). The section is organized around materials that evoke the mix of religiosity and dysfunctional (sexualized and incestuous) family dynamics Athey experienced as a child and wrote about in some of his autobiographical writings that are included in the catalogue, including Mary Magdalene Footwashing Set (1996), which was included in a group show at Western Project in Los Angeles in 2006 and in the Invisible Exports Gallery “Displaced Person” show in 2012, a former gallery just around the corner from Participant Inc.’s location.
    [Show full text]
  • HMF 2018 Survival Guide V3
    !1 Hamtramck Music Festival 2018 Sponsors Hamtramck Music Festival HSCREYENP PREINT Survival Guide 2018 !2 Thursday - March 1 — Kickoff Party creation, molding heavy trance-rock grooves into a fluid and melodic sonic landscape, has Warhorses redefining what a rock group can be. Ant Hall/Ghost Light (1) "Hypnotic. Alluring. Captivating. Warhorses embellish a sense of wonder with their music; they drag you in and intoxicate you.” 8:00 Funkwagon – A vocally-driven, over-the-top dance band that has been touring the northeast for the past decade. Opening for such acts as 10:30 The My Ways – Travis Harrett toured and recorded for seven years Morris Day and the Time and Parliament. Recently settled in the Detroit with Bloodshot Records artists the Deadstring Brothers and labelmates area they are breaking down doors with their stunning live performances. Whitey Morgan and the 78s. In 2014, the My Ways released their self- titled debut record and a follow up in 2016. In 2017, the live show hit the 8:30 Abul on Fire – Bangladesh-American Abul Hossain performs his road with gigs around Michigan. original Bangali pop songs and ballads about peace and mankind backed by psychedelic and progressive rock. 11:00 Nadir Omowale – "To 9:00 Fizzbang – Proggy without being pretentious, poppy without being label Nadir as a obnoxious, this loud, exciting rock group seeks to get booties movin and neo-soul artist hearts singin. would be neglecting his rock roots; to call him a rock artist would be overlooking his hip- hop and jazz influences. Fully encompassing all the talents that Nadir possesses would be comparable to expanding the mathematical term Pi to its last digit." - Michigan Chronicle 11:30 Cye Pie and Ya Homies – A sound that is equal parts R&B, funk and soul.
    [Show full text]
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
    [Show full text]
  • From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge.
    [Show full text]
  • CHRISTIAN DEATH Street Date: Only Theatre of Pain, LP AVAILABLE NOW!
    CHRISTIAN DEATH Street Date: Only Theatre of Pain, LP AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles Key Markets: Los Angeles, Orange County CA, New York, Europe (France, Germany, Belgium in particular), Japan, Mexico For Fans of: ROZZ WILLIAMS, 45 GRAVE, BAUHAUS, XMAL DEUTSCHLAND, SIOUXSIE AND THE BANSHEES, DELERIUM, SWANS The founding fathers of American goth-rock, CHRISTIAN DEATH released their debut, Only Theatre of Pain, on Frontier Records in March 1982, and that landmark album has had an enormous influence on goth, death-rock, ARTIST: CHRISTIAN DEATH dark-wave, metal and even industrial music scenes all over the world, TITLE: Only Theatre of Pain shaping the approach of more bands than can be counted. Led by vocalist LABEL: Frontier Records and founder Rozz Williams, the CHRISTIAN DEATH of Only Theatre of Pain CAT#: 31007-1-W included guitarist Rikk Agnew, fresh out of THE ADOLESCENTS, bassist FORMAT: LP James McGearty, drummer George Belanger and backing vocals from GENRE: Gothic Rock, Goth, Superheroines leader (and Rozz’s future wife), Eva O as well as performance Death Rock, Punk artist Ron Athey. It was this line-up, with its dirgy, effects-laden guitar riffs BOX LOT: 50 and ambient horror-soundtrack synths, that crystalized the ominous post- SRLP: $14.98 punk sound that has established this album as the ultimate archetype of goth UPC: 018663100715 EXPORT: NO RESTRICTIONS sensibility. Genre touchstones include “Romeo’s Distress,” “Spiritual Cramp” and “Mysterium Iniquitatis.” Marketing Points: Tracklist: • This is a one-time only MISS-PRESS of the newly remastered version of 1. Cavity - First Communion the OTOP but with the previous edition’s black and gold LP jacket 2.
    [Show full text]
  • The Long History of Indigenous Rock, Metal, and Punk
    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
    [Show full text]
  • ON PAIN in PERFORMANCE ART by Jareh Das
    BEARING WITNESS: ON PAIN IN PERFORMANCE ART by Jareh Das Thesis submitted in fulfilment of the requirements for the degree of PhD Department of Geography Royal Holloway, University of London, 2016 1 Declaration of Authorship I, Jareh Das hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19th December 2016 2 Acknowledgments This thesis is the result of the generosity of the artists, Ron Athey, Martin O’Brien and Ulay. They, who all continue to create genre-bending and deeply moving works that allow for multiple readings of the body as it continues to evolve alongside all sort of cultural, technological, social, and political shifts. I have numerous friends, family (Das and Krys), colleagues and acQuaintances to thank all at different stages but here, I will mention a few who have been instrumental to this process – Deniz Unal, Joanna Reynolds, Adia Sowho, Emmanuel Balogun, Cleo Joseph, Amanprit Sandhu, Irina Stark, Denise Kwan, Kirsty Buchanan, Samantha Astic, Samantha Sweeting, Ali McGlip, Nina Valjarevic, Sara Naim, Grace Morgan Pardo, Ana Francisca Amaral, Anna Maria Pinaka, Kim Cowans, Rebecca Bligh, Sebastian Kozak and Sabrina Grimwood. They helped me through the most difficult parts of this thesis, and some were instrumental in the editing of this text. (Jo, Emmanuel, Anna Maria, Grace, Deniz, Kirsty and Ali) and even encouraged my initial application (Sabrina and Rebecca). I must add that without the supervision and support of Professor Harriet Hawkins, this thesis would not have been completed.
    [Show full text]
  • THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
    Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission.
    [Show full text]
  • Capítulo 2. Marco Teórico
    2. MARCO TEÓRICO Para entender el por qué del surgimiento de los movimientos alternativos o subculturas es indispensable conocer en un principio el término general de cultura, para que de ésta forma, de lo general a lo particular, pueda llegarse a conocer a profundidad algunos de los aspectos que los conforman. Por ello, a través de éste marco teórico se plantearán los diversos términos, definiciones y conceptos que diferentes autores han dado a conocer acerca de la sociedad, la cultura, la subcultura, el cine de terror, y la música; para obtener una mejor comprensión de lo que éste proyecto de investigación plantea. 2.1 Sociedad Todos los seres humanos somos parte de un gran conjunto social que forma un sistema compuesto por diversas partes; somos miembros o individuos que crean un compuesto macro que forma a la sociedad, ya que como lo mencionan Morales y Olza (1996) los individuos somos animales sociales que viven en sociedades, grupos y culturas; mismos que crean de forma natural su vida en relación con otros humanos. Este organismo que llamamos sociedad en el cual las partes (los humanos) funcionan en conjunto para hacerlo “trabajar” deben según las leyes sociales seguir un orden o lineamiento específico para mantenerlo en armonía. Por ende, en tal supuesto, las partes que conforman a la sociedad deben de trabajar en forma conjunta para su buen funcionamiento, el análisis e interés sobre dichas partes que la conforman son también un punto de partida para la comprensión total de ese conjunto formado por individuos que es la sociedad. Tal como lo explican Picó y Sanchos (1996), ciencias como la sociología se encargan del estudio de la conducta y comportamiento humano en grupo y la sociedad como conjunto de los diversos grupos humanos en que se constituye, de sus relaciones sociales, su cambio y evolución.
    [Show full text]
  • The Local 518 Music (And More) Report 2018 – Quarter 1
    The Local 518 Music (and More) Report 2018 – Quarter 1 This report covers the time period of January 1st to Rock / Pop March 31st, 2017. We inadvertently missed a few before Ampevene - "Valencia (Radio Edit)" (single track) | that time period, which were brought to our attention "Ephemagoria" [progressive rock] Albany by fans, bands & others. The missing is listed at the end. Balcony - "Canvas" | "Blind" (single tracks) [pop rock] RECORDINGS: Saratoga Springs Hard Rock / Metal / Punk Boo Fookin' Radley (BFR) - "Freedom of Thought" (EP) Arch Fiends - "Love Is Like a Homicide" | "Prisoners" [alt pop rock] Saratoga Springs/Stony Brook (single tracks) [horror punk] Glens Falls Brad Whiting and The Cadillac Souls - "Six-Wire" | "No Blind Threat - "Everyone's a Killer" [hardcore metal] 2nd Chances" (single tracks) [blues rock] Glenmont Albany Caramel Snow - "Are You Unreal?" (EP) | "Happy Candy Ambulance - "Spray" [alt grunge rock] Saratoga Birthday (Happy New Year" to "Are You Unreal?" (single tracks) [shoegaze dreampop] Delmar Cats Don’t Have Souls - "Twenty four days of scaring the neighbors with devil music" | "Cats Don't Have Souls" David Tyo - "Oh, Life" (single) [acoustic pop] Saratoga [alt post punk prog rock] Albany Springs Che Guevara T-Shirt - "Seven Out, Pay the Don'ts" [post- Girl Blue - "Lolita" (single) [alt soul pop] Albany punk rock] Albany Great Mutations - "Live at the Tang" | "Already Dead" Kardia - "Metamorphosis" (single track) [melodic hard (single track) [psych pop baroque rock] Troy rock] Pittsfield, MA Julia Gargano
    [Show full text]
  • Everett Rock Band/Musician List "GH"
    Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie
    [Show full text]
  • Grave Gibes Fanzine #3 Table of Contents
    Grave Gibes Fanzine #3 Table of contents Interview with ‘The Last Days of Jesus’ 3 Interview with Acid Bats. 6 Interview with Bloody, Dead & Sexy (Rosa Iahn) 10 Emmanuel ‘Manu/Zorch’ Ninet 14 Interview with ‘The Spiritual Bat’. 19 The Spiritual Bat – Through the Shadows review 23 Interview with Sasha Skvortsov (Durnoe Vlijanie) 25 Interview with Loren (Chants of Maldoror). 30 2 Interview with ‘The Last Days of Jesus’ http://www.myspace.com/thelastdaysofjesus/ http://www.thelastdaysofjesus.sk/ TLDOJ, Cartoon by Stefan Andrejco TLDOJ, 2003, Photo by Jozef Barinka Nattsol: As I know, you took a part in the foundation of the ‘goth’ scene in Slovakia. How did it grow up? Tell me more about your activity there. And how did you face ‘goth’ music? Mary0: Well, I don’t know what to say… I work for the scene here in Slvakia more than 15 years. In the beginning there were the parties, then the fanzine/magazine called Stigma, radio show in the local radio station, concerts and so on. It’s a long time and a lot of work was done inbetween. Nattsol: Tell me more about Batcave.sk. What is it actually? Mary0: Actually it’s more or less just the monthly party including Live acts. However, we’re working on new visual of the webzine at the moment. Well, it’s always a question of time to work on the projects like tis. Especially when one has a family and regular job. Then the priorities change a bit… 3 Nattsol: The next question is just to Mary0.
    [Show full text]