DOCSLIB.ORG

Paranoize43.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Paranoize43.Pdf Paranoize is a non-profit independent 11/25/17 publication based in New Orleans, What a crazy year it’s been! I originally Louisiana covering metal, punk, planned for this issue to come out in May hardcore, sludge, doom, stoner rock and with a completely different collection of pretty much anything loud and noisy. interviews (aside from the Curtis Cottrell interview that Bill Heintz sent me back in Bands/labels are encouraged to send their April). One morning I woke up with severe abdominal pains passed it off as a stomach music in to review, but if we don’t like it, bug and was just going to ride it out over you can bet that we’ll make fun of you. the weekend . Conditions didn’t get any better a day later, so my girlfriend, Micki, Advertisements and donations are what told me to stop being an idiot and go to the keep this publication FREE. Go to emergency room. It turns out my appendix www.paranoizenola.com or email had ruptured and my insides were filled [email protected] to find out with all sorts of nastiness. They couldn’t go how to donate or advertise. in laproscopically and remove it because I had waited too long so they had to cut me You may send all comments, questions, open and clean me out. The surgeon said letters, music for review (vinyl, cassette, that I should have been dead. cd), ‘zines for trade, money, various I was to be out of work for 6 weeks, so to household items, etc. to: Paranoize P.O. help ease my mind on how I would get my Box 2334 Marrero, LA 70073-2334 bills paid, Kelley Quigley set up a GoFundMe and Jenn Attaway organized a Visit Paranoize on the internet at: benefit show and I was able to stay afloat www.paranoizenola.com while I healed up. Thanks to all of you who contributed and paranoizenola.bandcamp.com helped out. I’d be in a world of shit without www.facebook.com/paranoizenola you! www.twitter.com/paranoize Anyway, on to this issue! Bill Heintz is on Several staff members have shows on board as a guest contributor (and I’ll Core Of Destruction Radio: probably be hitting him up more often!) (www.coreofdestructionradio.com) interviewing long-time New Orleans scene Bobby hosts Out Of Bounds, M.Bevis fixture Curtis Cottrell. The interview turned hosts Sonic Relay, Lizard hosts Stoned out to be an essay, so we just went with Insanity. Visit the site for schedules. that! Tune in 24/7 for the best of the Jenn interviewed Dom Jones about his underground! cassette label, A Necessary Evil, and the upcoming Gulf Coast Slaughterfest (the ad Paranoize #43 credits: for it is on the back page of this issue) Bobby Bergeron: Raise The Death Toll Lizard interviewed Todd Zilla of Bloodsick interview, reviews, layout, and I hit up Brawla, who has been in a few bands over the years (AggroFate, The Unwilling Commencement) about his latest Bill Heintz: Curtis Cottrell interview project, Raise The Death Toll, and the Bands In Your Backyard compilation series Jenn Attaway: Dom Jones interview he’s doing. Lizard: Bloodsick interview Thanks for reading all this! Enjoy the ‘zine! Bobby Ali Amarena: cover photo (Raise The Death Toll) NEW ORLEANS SCENE REPORT Alright, since nobody really gave me Eat The Witch much to publish here, I’m just going (sludge/doom/instrumental) to publish a list of New Orleans area eatthewitch.bandcamp.com bands and where you can listen to their music. I don’t want to kill this Ekumen section off! If I left your band out, it (punk/hardcore) wasn’t intentional. This was thrown ekumen.bandcamp.com together very last minute. Fat Stupid Ugly People Abysmal Lord (hardcore/powerviolence) (black metal) fatstupiduglypeople.bandcamp.com abysmal-lord.bandcamp.com Gristnam A Hanging (grind/hardcore/sludge) (thrash/hardcore/crossover) gristnam.bandcamp.com ahanging504.bandcamp.com Mehenet AR-15 (black metal) (thrash/hardcore) mehenet.bandcamp.com ar-15.bandcamp.com/ Mountain Of Wizard Bloodsick (metal/rock/instrumental) (death/black/doom metal) mountainofwizard.bandcamp.com bloodsick.bandcamp.com Mule Skinner Big Pig (grindcore) (metal/prog) themuleskinner.bandcamp.com bigpignola.bandcamp.com Mystic Inane Capsizer (punk) (doom/stoner metal) mysticinane.bandcamp.com Capsizer.bandcamp.com The NoShows Cauche Mar (ska/punk) (metal/punk/classical/latin/etc.) thenoshows.bandcamp.com cauchemarnola.bandcamp.com Out Of Reach Cikada (hardcore) (sludge/doom) Outofreachla.bandcamp.com cikadadoom.bandcamp.com The Pallbearers (punk) Classhole thepallbearers.bandcamp.com (punk/hardcore) classhole.bandcamp.com Patsy (punk) itspatsy.bandcamp.com Donkey Puncher (punk/hardcore) Raise The Death Toll reverbnation.com/donkeypuncher (death metal/deathcore) raisethedeathtoll.bandcamp.com NEW ORLEANS SCENE REPORT Recluse Checkpoint Charlie (grind/hardcore/powerviolence) 501 Esplanade Ave. New Orleans reclusenola.bandcamp.com Twist Of Lime Romasa 2820 Lime St. Metairie (post-sludge) romasa.bandcamp.com Babylon 2917 Harvard Ave. Metairie Six Pack (thrash!) Record Stores: sixpack1.bandcamp.com Skullyz 907 Bourbon St. New Orleans Space Cadaver (sludge/doom/crust) Euclid spacecadaver.bandcamp.com 3301 Chartres St. New Orleans SS Boombox Sisters In Christ (punk/garage) 5206 Magazine St. New Orleans ussboombox.bandcamp.com The Mushroom Tomb Of Nick Cage 1037 Broadway St. New Orleans (horror punk) thetombofnickcage.com Press: Sonic Boom Magazine Torture Garden https://issuu.com/kevinp.johnson (punk/hardcore) torturegarden504.bandcamp.com Antigravity Magazine www.antigravitymagazine.com Totally Possessed Paranoize (thrash/hardcore/crossover) www.paranoizenola.com totallypossessed.bandcamp.com Witch Burial (black metal) witchburial.bandcamp.com For info on upcoming shows go to www.noladiy.org VENUES: Santos 1135 Decatur St. New Orleans Poor Boy’s 1328 St. Bernard Ave. New Orleans Circle Bar 1032 St. Charles Ave. New Orleans Gasa Gasa 4920 Freret St. New Orleans WHY I LIVE IN NEW ORLEANS by Curtis Cottrell as told to Bill Heintz stations, too. I liked Chipmunks, Coasters and “Alley Oop” produced by I first met Curtis at The Abstract Cafe Kim Fowley. When I was in third during a Quincy Punx/FYP show grade, I met Bobby Charles when he back in the mid 90's. He was wearing performed at a company picnic and an orange prison jump suit and I hung out with him for the whole questioned whether or not to pass him afternoon. I asked him why the radio the joint. My brother said "Yea man, played Bill Haley’s version of “See that's Curtis". At first I thought he You Later, Alligator” instead of his was crazy. Then, I got to know him original. Bobby was the regional and realized that he really is crazy. promoter for Chess Records and made Kidding, he's actually one of the sure that their blues records were on coolest people you'll ever meet and our local jukeboxes. We liked the possesses the most incredible heavy guitars of Chuck Berry, Howlin’ knowledge about music that I have Wolf, Muddy Waters and Bo Diddley, ever come across. Over the past 20+ but R’n’B songs with sax solos were years he has gotten me into hundreds cool, too. Some big kids threatened us of bands with mix VHS tapes, spindles for playing black music, but we kept of CD's and countless conversations doing it just to irk them. The Beach at gigs. He's a huge Party movies introduced us to surf contributor/supporter of the New bands, but we liked Von Zipper’s Orleans underground scene and has bikers better than Frankie and Annette. done plenty to spread the word of our antics throughout the world. He is I got a stereo for Christmas and began sort of a glue that bonds the local testing my parents. First, I snuck a scene from decade to decade by fuzz guitar into the house on the introducing people that need to meet, Goldfinger soundtrack. Then came preserving and passing on great music The Ventures Play Batman and Wild from the past and boasting a general Angels soundtrack after reading Hunter enthusiasm and drive that is Thompson’s Hell’s Angels. My contagious. brother bought Sgt. Pepper in 1967 and I sent him a list of questions for gave me Absolutely Free by Frank Paranoize regarding his contributions Zappa’s Mothers for my birthday. I and musical highlights from over the gave him Their Satanic Majesties years and he delivered a pretty Request by Rolling Stones. I got the incredible history of his musical single of “I Can See for Miles” by The upbringing! "Curtis is on the case." - Who and The Crazy World of Arthur Bill Heintz Brown, produced by Pete Townshend. BFF Jeff Smith gave me albums by I have always loved New Orleans The Who, Seeds, and Grateful Dead—I music. From ages six to ten, I watched emulated Pigpen’s blend of biker and American Bandstand daily with our bohemian styles. Big Brother had the maid, a Fats Domino fan. She listened Hells’ Angels seal of approval, too. I to the 50s R’n’B DJs on the local AM got Jefferson Airplane’s Crown of WHY I LIVE IN NEW ORLEANS Creation and The Family That Plays Wall and The Gentrys at proms. Jeff Together by Spirit. A girlfriend loaned Smith and I did the light show for me Love, Quicksilver and White Light A440 from Houston at the 1968 Sock White Heat by Velvet Underground. Hop with opaque, overhead, slide and Jeff drove me all over town looking for 16mm projectors. The crowd liked it Jimi Hendrix Experience. A music when I superimposed slides of flowers store redneck wisecracked, over crash test dummy films while Jeff “Psychedelic soul brother? What will mixed oil, water and food colors on the they think of next?” overhead.
Load more

Recommended publications
  • SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011
    SPRAYNARD Street Date: FUNTITLED CD/LP 05/10/2011 INFORMATION: Artist Hometown: WESTCHESTER, PA Key Markets: NEW YORK LONDON PHILADELPHIA WESTCHESTER BOSTON For Fans Of: -HARD GIRLS -OSKER -PLOW UNITED ARTIST: SPRAYNARD TITLE: FUNTITLED Spraynard started in the summer of 2008 when three friends CAT#: AM 215 (Patrick Graham, Patrick Ware, and Mark Dickinson) felt the need FORMAT: CD, LP for a resurgence of DIY music in their hometown. They combine GENRE: PUNK passionate & urgent vocals with infectious pop punk in the vein of BOX LOT: 50 PLOW UNITED and OSKER. This is their Asian Man debut called SRLP: CD $10.98, LP $13.98 “funtitled”. They have a released a slew of 7 inches and an LP on UPC: CD: 612851021525 Runner Up Records called “Cut and Paste” They continue to tour LP: 612851021518 EXPORT: NO RESTRICTIONS constantly and passionate about punk as a philosophy as much as a sound. TRACKLIST: Marketing Points: 1. I Care Not -Constant touring 2. The Denver Broncos -Produced by Mike Bardzik (EVERYONE EVERYWHERE, LIGHTEN UP) vs. The Denver Broncos -Played FEST 3. O.R. They? 4. Little Green Ghouls 5. We’re Pretty Nice Guys Any special scenes/markets this might appeal to: 6. Ah Gun That house show punk community 7. Damn You, A Box 8. Spooky, Scary 9. Homies Where the Heart Is 10. Quite Exciting, This Computer Magic 11. Not Good Enough, Gary 12. Joe Gallgher’s Fantasy Fun Camp Exclusively ilcdistro.com Distributed by [email protected] INDEPENDENT LABEL 804.592.1452 PH COLLECTIVE 866.382.2431 FX MISS DERRINGER Street Date: KING JAMES AND A COLT 45 CD 05/10/2011 INFORMATION: Artist Hometown: LOS ANGELES, CA Key Markets: LOS ANGELES NASHVILLE DETROIT LONDON SAN FRANCISCO For Fans Of: ???? Description needed.
    [Show full text]
  • Rhythm, Dance, and Resistance in the New Orleans Second Line
    UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy.
    [Show full text]
  • From Crass to Thrash, to Squeakers: the Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by De Montfort University Open Research Archive From Crass to Thrash, to Squeakers: The Suspicious Turn to Metal in UK Punk and Hardcore Post ‘85. Otto Sompank I always loved the simplicity and visceral feel of all forms of punk. From the Pistols take on the New York Dolls rock, or the UK Subs aggressive punk take on rhythm and blues. The stark reality Crass and the anarchist-punk scene was informed with aspects of obscure seventies rock too, for example Pete Wright’s prog bass lines in places. Granted. Perhaps the most famous and intense link to rock and punk was Motorhead. While their early output and LP’s definitely had a clear nod to punk (Lemmy playing for the Damned), they appealed to most punks back then with their sheer aggression and intensity. It’s clear Motorhead and Black Sabbath influenced a lot of street-punk and the ferocious tones of Discharge and their Scandinavian counterparts such as Riistetyt, Kaaos and Anti Cimex. The early links were there but the influence of late 1970s early 80s NWOBM (New Wave of British Heavy Metal) and street punk, Discharge etc. in turn influenced Metallica, Anthrax and Exodus in the early eighties. Most of them can occasionally be seen sporting Discharge, Broken Bones and GBH shirts on their early record-sleeve pictures. Not only that, Newcastle band Venom were equally influential in the mix of new genre forms germinating in the early 1980s. One of the early examples of the incorporation of rock and metal into the UK punk scene came from Discharge.
    [Show full text]
  • The Long History of Indigenous Rock, Metal, and Punk
    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
    [Show full text]
  • Radovi Na Sceni
    SAMO(IZ)GRADNJA: SRBIJA NA PRAŠKOM KVADRIJENALU SCENSKOG DIZAJNA I SCENSKOG PROSTORA 2019. SELF(UP)BRINGING: SERBIA AT THE PRAGUE QUADRENNIAL OF PERFORMANCE DESIGN AND SPACE 2019 Samo(iz)gradnja: Republika Srbija na Praškom kvadrijenalu scenskog dizajna i scenskog prostora 2019. Katalog Self(up)bringing: Republic of Serbia at the Prague Quadrennial of Performance Design and Space 2019 Exhibition Catalogue Urednici / Editors: Ljiljana Miletić Abramović i/and Tatjana Dadić Dinulović Izdavači / Publishers: Muzej primenjene umetnosti, Beograd / Museum of Applied Art, Belgrade Scen – Centar za scenski dizajn, arhitekturu i tehnologiju (Oistat Centar za Srbiju) Fakulteta tehničkih nauka Univerziteta u Novom Sadu, Novi Sad / Scen – Centre for Scene Design, Architecture and Technology (OISTAT Centre for Serbia), Faculty of Technical Sciences, University of Novi Sad Za izdavača / For the publisher: mr Ljiljana Miletić Abramović, direktor Muzeja primenjene umetnosti / Ljiljana Miletić Abramović (MSc), Director, Museum of Applied Art prof. dr Rade Doroslovački, dekan Fakulteta tehničkih nauka / Prof. Rade Doroslovački (PhD), Dean, Faculty of Technical Sciences Grafičko oblikovanje i tehnička obrada / Graphic design and pre-press: Mia David Prevod na engleski / Translation into English: Dragana Rašić Vuković Lektura i korektura za srpski jezik / Proofreading for the Serbian language: Milica Ševkušić Recenzije / Reviews: dr Jelena Atanacković Jeličić i dr Slađana Milićević / Jelena Atanacković Jeličić, PhD and Slađana Milićević, PhD Stručna redakcija Pojmovne mape i hronologije na srpskom jeziku / Expert’s review of the Conceptual Map and Chronology in the Serbian language: SCEN tim / SCEN team Štampa / Printing: Grafički centar „Grid“ Fakulteta tehničkih nauka u Novom Sadu / Graphic centre “Grid”, Faculty of Technical Sciences, Novi Sad septembar 2019 / September 2019 Tiraž / Circulation: 300 ISBN 978-86-6022-205-5 Štampanje kataloga omogućilo je Ministarstvo kulture i informisanja Republike Srbije.
    [Show full text]
  • Capítulo 2. Marco Teórico
    2. MARCO TEÓRICO Para entender el por qué del surgimiento de los movimientos alternativos o subculturas es indispensable conocer en un principio el término general de cultura, para que de ésta forma, de lo general a lo particular, pueda llegarse a conocer a profundidad algunos de los aspectos que los conforman. Por ello, a través de éste marco teórico se plantearán los diversos términos, definiciones y conceptos que diferentes autores han dado a conocer acerca de la sociedad, la cultura, la subcultura, el cine de terror, y la música; para obtener una mejor comprensión de lo que éste proyecto de investigación plantea. 2.1 Sociedad Todos los seres humanos somos parte de un gran conjunto social que forma un sistema compuesto por diversas partes; somos miembros o individuos que crean un compuesto macro que forma a la sociedad, ya que como lo mencionan Morales y Olza (1996) los individuos somos animales sociales que viven en sociedades, grupos y culturas; mismos que crean de forma natural su vida en relación con otros humanos. Este organismo que llamamos sociedad en el cual las partes (los humanos) funcionan en conjunto para hacerlo “trabajar” deben según las leyes sociales seguir un orden o lineamiento específico para mantenerlo en armonía. Por ende, en tal supuesto, las partes que conforman a la sociedad deben de trabajar en forma conjunta para su buen funcionamiento, el análisis e interés sobre dichas partes que la conforman son también un punto de partida para la comprensión total de ese conjunto formado por individuos que es la sociedad. Tal como lo explican Picó y Sanchos (1996), ciencias como la sociología se encargan del estudio de la conducta y comportamiento humano en grupo y la sociedad como conjunto de los diversos grupos humanos en que se constituye, de sus relaciones sociales, su cambio y evolución.
    [Show full text]
  • June 2004 Dcblues Calendar.Indd
    June 2004 © 2004 D.C. Blues Society www.dcblues.org — Hotline - (202) 962-0112 Next Blues Society Jam is Sunday June 6 - 4PM at Taliano’s The D.C. Blues Society where every year is a Year for the Blues Barbara Lynn has not lost her good thing four decades since her big hit. Seen at New Orleans’ Rock’n’Bowl during the Ponderosa Stomp Photo © Ron Weinstock THE DC BLUES SOCIETY P.O. BOX 77315 WASHINGTON DC 20013-7315 202-962-0112 http://www.dcblues.org President: Sam’i Nuriddin Vice-President - Felix McClairin Secretary/Treasuer: Nick Dale Directors: Herman Bell, Howard Bernstein, David Cole, Kelly, Chris Kirsch, Steve Levine, Reid Lohr, Will Smith, Clarence Turner, Clyde Woods, Celina Wood, Counsel- Tom Gorman Honorary Directors: John Cephas, Barry Lee Pearson, Joseph Wilson. Webpage -Sam’i Nurriden, Steve O’Brien Projects Committee Chair: Chet Hines Editors - Music: Ron Weinstock Events: Steve Levine Contributors: Sam’i Nuriddin The D.C. Blues Society is a non-profit section 501(c)(3) organization. Annual membership: Individual $15, Family $25, Canada $25 (US), other countries $40 (US). Members receive the D.C. Blues Calendar, discounts at Society events and some clubs, and other benefits. Contributions (not dues) to the D.C. Blues Society are tax-deductible. To join, send a check & address to the P.O. box above. The DC Blues Calendar is usually published monthly (except during the summer and the end of the year. It includes information on Society events, blues listings and other items of interest. Recent issues of the DC Blues Calendar are downloadable as PDF files from the Society’s website, www.dcblues.org.
    [Show full text]
  • The Local 518 Music (And More) Report 2018 – Quarter 1
    The Local 518 Music (and More) Report 2018 – Quarter 1 This report covers the time period of January 1st to Rock / Pop March 31st, 2017. We inadvertently missed a few before Ampevene - "Valencia (Radio Edit)" (single track) | that time period, which were brought to our attention "Ephemagoria" [progressive rock] Albany by fans, bands & others. The missing is listed at the end. Balcony - "Canvas" | "Blind" (single tracks) [pop rock] RECORDINGS: Saratoga Springs Hard Rock / Metal / Punk Boo Fookin' Radley (BFR) - "Freedom of Thought" (EP) Arch Fiends - "Love Is Like a Homicide" | "Prisoners" [alt pop rock] Saratoga Springs/Stony Brook (single tracks) [horror punk] Glens Falls Brad Whiting and The Cadillac Souls - "Six-Wire" | "No Blind Threat - "Everyone's a Killer" [hardcore metal] 2nd Chances" (single tracks) [blues rock] Glenmont Albany Caramel Snow - "Are You Unreal?" (EP) | "Happy Candy Ambulance - "Spray" [alt grunge rock] Saratoga Birthday (Happy New Year" to "Are You Unreal?" (single tracks) [shoegaze dreampop] Delmar Cats Don’t Have Souls - "Twenty four days of scaring the neighbors with devil music" | "Cats Don't Have Souls" David Tyo - "Oh, Life" (single) [acoustic pop] Saratoga [alt post punk prog rock] Albany Springs Che Guevara T-Shirt - "Seven Out, Pay the Don'ts" [post- Girl Blue - "Lolita" (single) [alt soul pop] Albany punk rock] Albany Great Mutations - "Live at the Tang" | "Already Dead" Kardia - "Metamorphosis" (single track) [melodic hard (single track) [psych pop baroque rock] Troy rock] Pittsfield, MA Julia Gargano
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Everett Rock Band/Musician List "GH"
    Everett Rock Band/Musician List "G-H" Last Update: 6/28/2020 "G-H" List for Bands/Musicians Genre* From & Genre a Gamble in the Litter F I Mukilteo Minimalist / Folk / Indie G2 RB S H IL R&B/Soul / rap / hip hop Gabe Mintz I R A Seattle Indie / Rock / Acoustic Gabe Rozzell/Decency F C Gabe Rozzell and The Decency Portland Folk / Country Gabriel Kahane P Brooklyn, NY Pop Gabriel Mintz I Seattle Indie Gabriel Teodros H Rp S S Seattle/Brooklyn NY Hip Hop / Rap / Soul Gabriel The marine I Long Island Indie Gabriel WolfChild SS F A Olympia Singer Songwriter / folk / Acoustic Gaby Moreno Al S A North Hollywood, CA Alternative / Soul / Acoustic Gackstatter R Fk Seattle Rock / Funk Gadjo Gypsies J Sw A Bellingham Jazz / Swing / Acoustic GadZooks P Pk Seattle Pop Pk Gaelic Storm W Ce A R Nashville, TN World / Celtic / Acoustic Rock Gail Pettis J Sw Seattle Jazz / Swing Galapagos Band Pr R Ex Bellingham progressive/experimental rock Galaxy R Seattle Rock Gallery of Souls CR Lake Stevens Rock / Powerpop / Classic Rock Gallowglass Ce F A Bellingham traditional folk and Irish tunes Gallowmaker DM Pk Bellingham Deathrock/Surf Punk Gallows Hymn Pr F M Bellingham Progressive Folk Metal Gallus Brothers C B Bellingham's Country / Blues / Death Metal Galperin R New York City bossa nova rock GAMBLERS MARK Sf Ry El Monte CA Psychobilly / Rockabilly / Surf Games Of Slaughter M Shelton Death Metal / Metal GammaJet Al R Seattle Alternative / Rock gannGGreen H RB Kent Hip Hop / R&B Garage Heroes B G R Poulsbo Blues / Garage / Rock Garage Voice I R Seattle's Indie
    [Show full text]
  • Hawaii Stories of Change Kokua Hawaii Oral History Project
    Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project Gary T. Kubota Hawaii Stories of Change Kokua Hawaii Oral History Project by Gary T. Kubota Copyright © 2018, Stories of Change – Kokua Hawaii Oral History Project The Kokua Hawaii Oral History interviews are the property of the Kokua Hawaii Oral History Project, and are published with the permission of the interviewees for scholarly and educational purposes as determined by Kokua Hawaii Oral History Project. This material shall not be used for commercial purposes without the express written consent of the Kokua Hawaii Oral History Project. With brief quotations and proper attribution, and other uses as permitted under U.S. copyright law are allowed. Otherwise, all rights are reserved. For permission to reproduce any content, please contact Gary T. Kubota at [email protected] or Lawrence Kamakawiwoole at [email protected]. Cover photo: The cover photograph was taken by Ed Greevy at the Hawaii State Capitol in 1971. ISBN 978-0-9799467-2-1 Table of Contents Foreword by Larry Kamakawiwoole ................................... 3 George Cooper. 5 Gov. John Waihee. 9 Edwina Moanikeala Akaka ......................................... 18 Raymond Catania ................................................ 29 Lori Treschuk. 46 Mary Whang Choy ............................................... 52 Clyde Maurice Kalani Ohelo ........................................ 67 Wallace Fukunaga ..............................................
    [Show full text]
  • Something's Rotten in the State of Denmark, and It's Called the HITCHCOCKS. in Just 4 Years the Band Has Proven to Be the Da
    SCREAMING RECORDS presents: Something’s rotten in the state of Denmark, and it’s called THE HITCHCOCKS THE HITCHCOCKS. In just 4 years the band has proven to be “BLOOD WILL FOLLOW” the Danish punk rock entity to follow closely. Format: 12” vinyl album The 4 band members emerge from very different musical backgrounds and seemingly that serves the band just right. With past and present bands in Catalogue no.: REASON-002 (regular edition of 475 copies) various scenes such as death metal, crust punk, pop-punk and hardcore the REASON-002-X (limited edition of 25 copies) band is capable of producing both a unique sound and imagery by combining their somewhat different musical influences. Release date: Friday the 18 th of June 2010 THE HITCHCOCKS started out in early 2006 as a trio having a more punkabilly take on the horror punk genre; at this stage using a double bass. But Track list : within a little over a year the band wisely settled for the line-up known today 01: Werewolf and with a strict focus on the genre they master and perfect – tight melodic 02: The Fallen Ones punk rock with obvious references to horror punk, old school punk and street 03: Lust For Blood 04: Cold Blooded Killers punk. 05: Renegade As a live band THE HITCHCOCKS were soon a force to be reckoned with. 06: Rise From The Dead Highly successful local shows around Denmark reassured the possibility of 07: House Of The Dead taking these activities far beyond the Danish borders was as good as any.
    [Show full text]