Shore Fire Best Calendar 2018
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Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Od
Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science* Ryan Light University of Oregon Colin Odden Ohio State University Ohio Colleges of Medicine This is a pre-copyedited, author-produced version of an article accepted for publication in Social Forces following peer review. The version of record is available online at: https://doi.org/10.1093/sf/sox055. *Please direct all correspondence to Ryan Light, [email protected]. The authors thank James Moody, Jill Ann Harrison, Matthew Norton, Brandon Stewart, Achim Edelmann, Clare Rosenfeld Evans, Jordan Besek, and Brian Ott for their helpful comments on earlier drafts of this paper. Managing the Boundaries of Taste: Culture, Valuation, and Computational Social Science Abstract The proliferation of cultural objects, such as music, books, film and websites, has created a new problem: How do consumers determine the value of cultural objects in an age of information glut? Crowd-sourcing – paralleling word-of-mouth recommendations – has taken center stage, yet expert opinion has also assumed renewed importance. Prior work on the valuation of artworks and other cultural artifacts identifies ways critics establish and maintain classificatory boundaries, such as genre. We extend this research by offering a theoretical approach emphasizing the dynamics of critics’ valuation and classification. Empirically, this analysis turns to Pitchfork.com, an influential music review website, to examine the relationship between classification and valuation. Using topic models of fourteen years of Pitchfork.com album reviews (n=14,495), we model the dynamics of valuation through genre and additional factors predictive of positive reviews and cultural consecration. We use gold record awards to study the relationship between valuation processes and commercial outcomes. -
Enrique Iglesias' “Duele El Corazon” Reaches Over 1 Billion Cumulative Streams and Over 2 Million Downloads Sold Worldwide
ENRIQUE IGLESIAS’ “DUELE EL CORAZON” REACHES OVER 1 BILLION CUMULATIVE STREAMS AND OVER 2 MILLION DOWNLOADS SOLD WORLDWIDE RECEIVES AMERICAN MUSIC AWARD FOR BEST LATIN ARTIST (New York, New York) – This past Sunday, global superstar Enrique Iglesias wins the American Music Award for Favorite Latin Artist – the eighth in his career and the most by any artist in this category. The award comes on the heels of a whirlwind year for Enrique. His latest single, “DUELE EL CORAZON” has shattered records across the globe. The track (click here to listen) spent 14 weeks at #1 on the Hot Latin Songs chart, held the #1 spot on the Latin Pop Songs chart for 10 weeks and has over 1 billion cumulative streams and over 2 million tracks sold worldwide. The track also marks Enrique’s 14th #1 on the Dance Club Play chart, the most by any male artist. He also holds the record for the most #1 debuts on Billboard’s Latin Airplay chart. In addition to his recent AMA win, Enrique also took home 5 awards at this year’s Latin American Music Awards for Artist of the Year, Favorite Male Pop/Rock Artist and Favorite Song of the Year, Favorite Song Pop/Rock and Favorite Collaboration for “DUELE EL CORAZON” ft. Wisin. Earlier this month, Enrique went to France to receive the NRJ Award of Honor. For the past two years, Enrique has been touring the world on his SEX AND LOVE Tour which will culminate in Prague, Czech Republic on December 18th. Remaining 2016 Tour Dates Nov. -
Roots101art & Writing Activities
Art & Writing Roots101Activities ART & WRITING ACTIVITIES 1 Roots-inspired mural by AIC students Speaker Box by Waring Elementary student "Annie's Tomorrow" by Annie Seng TABLE OF CONTENTS Introduction 2 Roots Trading Cards 3 Warm-ups 6 Activity #1: Also Known As 12 Activity #2: Phrenology Portrait 14 Activity #3: Album Cover Design 16 Activity #4: Musical Invention 18 Activity #5: Speaker Boxes 20 Activity #6: Self-Portrait on Vinyl 22 ART & WRITING ACTIVITIES 1 Through The Roots Mural Project, Mural Arts honors INTRODUCTION homegrown hip hop trailblazers, cultural icons, and GRAMMY® Award winners, The Roots. From founders Tariq “Black Thought” Trotter’s and Ahmir “?uestlove” Thompson’s humble beginnings at the Philadelphia High School for Creative and Performing Arts (CAPA), to their double digit recorded albums and EPs, to an endless overseas touring schedule, and their current position as house band on “Late Night with Jimmy Fallon” on NBC, The Roots have influenced generations of artists locally, nationally, and globally. As Mural Arts continues to redefine muralism in the 21st century, this project was one of its most ambitious and far-reaching yet, including elements such as audio and video, city-wide engagement through paint days, a talkback lecture series, and a pop-up studio. Working alongside SEFG Entertainment LLC and other arts and culture partners, Mural Arts produced a larger-than-life mural to showcase the breadth of The Roots’ musical accomplishments and their place in the pantheon of Philadelphia’s rich musical history. The mural is located at 512 S. Broad Street on the wall of World Communications Charter School, not far from CAPA, where The Roots were founded. -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Davido Announces His Headlining 2020 North American “A Good Time” Tour
DAVIDO ANNOUNCES HIS HEADLINING 2020 NORTH AMERICAN “A GOOD TIME” TOUR KICKING OFF FEBRUARY 28TH IN CANADA HIS NEW ALBUM A GOOD TIME OUT NOW [New York, NY – December 17, 2019] Today, Nigerian superstar Davido announces his upcoming 2020 North American headlining “A Good Time” Tour with his band The Compozers as the opener. Tickets are on-sale this Friday, December 20th at 10 am local time. You can purchase the tickets at https://www.dukeconcept.com/davido and https://www.iamdavido.com/tour. Recently, Davido released his much-anticipated new album, A Good Time (Davido Worldwide Entertainment/Sony Music U.K./ RCA Records) available everywhere now. Pitchfork not only named the album “Best New Music” and gave it a stellar 8.3 rating, but stated, “On his second album, the Nigerian pop artist provides not just an integrated sound all his own but a clear vision for its future. It is a buoyant, unsinkable record, one of the genre’s finest ever.” Listen to it here: https://smarturl.it/DavidoAGT 2019 has already been a phenomenal year for Davido that started off at that legendary arena show in London, seeing his massive global hit “Fall,” dominate Billboard’s Hot R&B chart, going on to be noted as the longest charting Nigerian pop song in Billboard history, as well as being one of America’s most Shazamed songs of this year. The accompanying video broke a further record as the first by a Nigerian artist to break through the 100 million views mark on YouTube, standing now at a staggering 148 million views and counting. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Venues & Series
Ticket Megadeth, fueled by Dave Mustaine’s 7:30 p.m. Saturday, May 2. The concert is a return to the stage following throat cancer, is Venues & series GCRMC Benefit for the building of the new Cont’d from Page 9 on their first North American tour since Cancer Center, and features Las Cruces trib- 2017. Lamb of God released their first new Lowbrow Palace — 111 E. Robinson. Juanes — The Latin rock icon and multiple ute artist Chris Waggoner, backed by his 10- music in five years recently with the single Doors usually open one hour prior to show Grammy award-winning artist’s “Mas Futuro piece “Play Me” Band. Concert tickets: $45. “Checkmate,” to be released from the time. All concerts listed are all ages. Que Pasado” Tour is 8 p.m. Friday, Oct. 2, A private reception with hors d’oeuvres, band’s self-titled eighth studio album. Surcharge for ages under 21. Available in at the Plaza Theatre. The performance is a cash bar, and live auction begins at 5:30 p.m. advance at The Headstand or journey through all the greatest hits of his — The Mexican come- Combo reception/concert tickets are $65. Franco Escamilla past, combined with the guitar interpreta- eventbrite.com. Information: lowbrow- dian, musician and radio announcer returns Inn of the Mountain Gods Resort tions of Latin America’s most beloved to El Paso for his brand new “Payaso” Tour palace.com. See separate listing for outdoor and Casino — Mescalero, N.M. Most rhythms found on his new album. Tickets: at 7 p.m. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Illinois Wesleyan University IWU Student Senate Names New President
January 16, 2009 Athergus VOLUME 115 | ISSUE 12 Illinois Wesleyan University IWU Student Senate names new president NICOLE TRAVIS Afolabi, Jedrzejczak or junior STAFF REPORTER presidential candidate Emily Vock earned a majority of votes as After four elections and a three- required by the election code. week lag in notifying the student Because Afolabi and Vock had body, Student Senate named jun- received the most votes, ior Babawande Afolabi the 2009- Jedrzejczak was removed from the 2010 president. race and a run-off election ended “I was humbled,” Afolabi said in Afolabi’s favor. Sophomore of his win. “Looking back three or Matt Hastings, who ran uncontest- four years ago, I was back in ed, won the title of vice president. Nigeria, and then to be named the “After we had the second run- Student Senate president of a fine ning of the election and it went institution like this? It’s unbeliev- into the run-off, I felt a little bit able.” happy because that showed that But for Afolabi, the victory fol- there was nothing like a name MIKE WHITFIELD/THE ARGUS lowed several complications. advantage [from the large publici- Above: Babwande Afolabi, the recent Student Senate President-elect, speaks at the Student Senate During the initial election peri- ty materials],” Afolabi said. “If debates last November. Afolabi won the position after four elections were held. od, Student Senate received an there were a name advantage, I anonymous complaint against probably should have won out- Afolabi and junior presidential right.” candidate Casey Jedrzejczak for The counts for all election votes Normal Police apprehend Shepard publicity materials exceeding the were withheld due to Student size limit defined in the Senate Senate policy. -
Dear Friends of the Kelly Writers House, Summertime at KWH Is Typically Dreamy
Dear Friends of the Kelly Writers House, Summertime at KWH is typically dreamy. We renovation of Writers House in 1997, has On pages 12–13 you’ll read about the mull over the coming year and lovingly plan guided the KWH House Committee in an sixteenth year of the Kelly Writers House programs to fill our calendar. Interns settle into organic planning process to develop the Fellows Program, with a focus on the work research and writing projects that sprawl across Kelly Family Annex. Through Harris, we of the Fellows Seminar, a unique course that the summer months. We clean up mailing lists, connected with architects Michael Schade and enables young writers and writer-critics to tidy the Kane-Wallace Kitchen, and restock all Olivia Tarricone, who designed the Annex have sustained contact with authors of great supplies with an eye toward fall. The pace is to integrate seamlessly into the old Tudor- accomplishment. On pages 14–15, you’ll learn leisurely, the projects long and slow. style cottage (no small feat!). A crackerjack about our unparalleled RealArts@Penn project, Summer 2014 is radically different. On May tech team including Zach Carduner (C’13), which connects undergraduates to the business 20, 2014, just after Penn’s graduation (when we Chris Martin, and Steve McLaughlin (C’08) of art and culture beyond the university. Pages celebrated a record number of students at our helped envision the Wexler Studio as a 16–17 detail our outreach efforts, the work we Senior Capstone event), we broke ground on student-friendly digital recording playground, do to find talented young writers and bring the Kelly Family Annex, a two-story addition chock-full of equipment ready for innovative them to Penn. -
Anexo:Premios Y Nominaciones De Madonna 1 Anexo:Premios Y Nominaciones De Madonna
Anexo:Premios y nominaciones de Madonna 1 Anexo:Premios y nominaciones de Madonna Premios y nominaciones de Madonna interpretando «Ray of Light» durante la gira Sticky & Sweet en 2008. La canción ganó un MTV Video Music Awards por Video del año y un Grammy a mejor grabación dance. Premios y nominaciones Premio Ganados Nominaciones Total Premios 215 Nominaciones 407 Pendientes Las referencias y notas al pie Madonna es una cantante, compositora y actriz. Nació en Bay City, Michigan, el 16 de agosto de 1958, y creció en Rochester Hills, Michigan, se mudó a Nueva York en 1977 para lanzar su carrera en la danza moderna.[1] Después haber sido miembro de los grupos musicales pop Breakfast Club y Emmy, lanzó su auto-titulado álbum debut, Madonna en 1983 por Sire Records.[2] Recibió la nominación a Mejor artista nuevo en el MTV Video Music Awards (VMA) de 1984 por la canción «Borderline». Madonna fue seguido por una serie de éxitosos sencillos, de sus álbumes de estudio Like a Virgin de 1984 y True Blue en 1986, que le dieron reconocimiento mundial.[3] Madonna, se convirtió en un icono pop, empujando los límites de contenido lírico de la música popular y las imágenes de sus videos musicales, que se convirtió en un fijo en MTV.[4] En 1985, recibió una serie de nominaciones VMA por sus videos musicales y dos nominaciones en a la mejor interpretación vocal pop femenina de los premios Grammy. La revista Billboard la clasificó en lista Top Pop Artist para 1985, así como en el Top Pop Singles Artist en los próximos dos años.