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Catalog 11 Mare Booksellers | Email: [email protected] Phone: (603)742-1229
Catalog 11 Mare Booksellers www.marebooksellers.com | email: [email protected] phone: (603)742-1229 Catalog 11… Featuring punk fanzines: Gun Rubber, London’s Burning, Trash ’77 and others new to us. New acquisitions of old favorites such as: All the Young Dudes, The Armagideon Times, Gabba Gabba Gazette, and others. What do punks think of sex and birth control? See entry #43 In the Underground Press: Make paint bombs and knock over lamp posts: entries #54 and #56 Several issues of The Black Panther and Muhammad Speaks: entries #46-49 www.marebooksellers.com | email: [email protected] phone: (603)742-1229 1. Slit Your Wrists if You Can’t Rock and Roll. Philly’s New Wave. No. 2 Various authors. Jack Off, Publisher. Philadelphia: no date, perhaps late 1977, early 1978. Side stapled format. 8 ½ by 11 inches. 18 pp., including covers. Black and white photos throughout. A punk and new wave zine from the Philadelphia area, presenting straight up coverage of various acts. With contributions by Jack Off, Jay Schwartz, Roid Kafka and others. This issue with news/commentary/interviews on The Stranglers, the Cramps, The Reds, The A’s, Elvis Costello and others. GOOD condition. Moderate browning to the piece, a bit heavier along the extremities. Minor wrinkling and edgewear. $125.00 www.marebooksellers.com | email: [email protected] phone: (603)742-1229 2. The Gun Rubber. Summer 1977. Issue #6. Bower, Paul (editor) Paul Bower, Publisher. Sheffield, UK: 1977. Single stapled format. 11 ¾ by 8 ¼ inches. 32 pp., including covers. Printed on different colored and stock paper. -
Punk and Counter Culture List
Punk & Counter Culture Short List Lux Mentis, Booksellers 1: Alien Sex Fiend [Concert Handbill]. Philadelphia, PA: Nature Boy Productions, 1989. Lux Mentis specializes in fine press, fine bindings, and First Edition. Bright and clean. Orange paper, black esoterica in all areas, books that have been treasured and ink lettering and pictorial elements. 8vo. np. Illus. (b/ will continue to be treasured. As a primary focus is the building and/or deaccessioning of private collections, our w plates). Fine. Broadside. (#9910) $100.00 selections are diverse and constantly evolving. If we do not have what you are seeking, please contact us and we will "Alive at Last... // First US Tour in Five Years." Held strive to find it. All items are subject to prior sale. Shipping November 14 at Revival in Philly, it was a 'split and handling is calculated on a per order basis. Please do level' show (all ages upstairs and bar down). Held in not hesitate to contact us regarding terms and/or with any conjunction with the release of Too Much Acid? Very questions or concerns. scarce. One of our focus areas revolves around the punk/anarcho sub-culture and counter culture more broadly. Presented 2. Anarchy [does not equal] Chaos // Anarchy here is a small, diverse collection of books, zines, posters, [equals] A Social Order. Australia: [Anarchism etc. all of which are grounded in one or more counter Australia], nd [circa 1977]. First Printing. Minor culture scenes. Please note, while priced separately, the edge wear, tape remains at the four corners [text Australian anarcho/punk posters are available as a small side], else bright and clean. -
Playlists for 2002
THE MENACE’S ATTIC Playlists 2002 PLAYLISTS FOR 2002 THE MENACE’S ATTIC ON KUSF: SHOW #1 JANUARY 4, 2002 SET 1: “I’m Going To New York, I’m Goin’ If I Have To Walk” Loco D’Amour – David Byrne N.Y. Doll – David Johansen From “Fear City) Good Guys Bad Guys/Streets of Your Town – Country Joe and The Fish Rockaway Beach – Ramones SET #2 “Sex, Drugs, Rock and Roll and Did I Mention Sex?” Are You Ready for the Sex Girls? – Gleaming Spires NO INTRO! (Rhythm section of Sparks…one member went on to Devo…on soundtrack of Revenge of the Nerds) All You Ever Think About Is Sex – Sparks Discovering Japan – Graham Parker (From Putting Out Sparks, get it? ) Eugene – Crazy Joe and The Variable Speed Band SET #3 “You Gotta Walk the Walk And Talk the Talk” Mambo Italiano – Rosemary Clooney and the Melloman Orchestra (Married to the Mob) Peter Percival Patterson – Monkees Across 110th Street – Bobby Womack (Jackie Brown) SOPRANO’S DIALOGUE Livin’ On A Thin Line – Kinks SET #4 “It’s Called Love – Punk!” Ca Plan Pour Moi – Plastic Bertrand (MIX EM UP) Jet Boy Jet Girl -Elton Motello Alone Again (Or) – Damned Always See Your Face – Love SHOW # 1 THE MENACE’S ATTIC Playlists 2002 THE MENACE’S ATTIC EPISODE #2 Broadcast 1/11/2002 SET 1: Soundtracks without a Celion Dion Song on ‘Em Lively Set – James Darren Ma Nah Mah Nah – (Sweden Heaven and Hell) Kalasnjikov Soundtrack of Underground My Coo Ca Choo – Alvin Stardust (Love Serenade) SET #2 – Mom Can I Be A Singer When I Grow Up? My Baby’s Crazy ‘Bout Elvis – Mike Sarne Viva Las Vegas – Elvis Lust for Life – Tom Jones RoadRunner – Jonathan Richman SET #3 – Pop and Glam! Everywhere At Once - Plimsouls Metal Guru – T. -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al. -
America's Hardcore.Indd 278-279 5/20/10 9:28:57 PM Our First Show at an Amherst Youth Center
our first show at an Amherst youth center. Scott Helland’s brother Eric’s band Mace played; they became The Outpatients. Our first Boston show was with DYS, The Mighty COs and The AMERICA’S HARDCORE FU’s. It was very intense for us. We were so intimidated. Future generations will fuck up again THE OUTPATIENTS got started in 1982 by Deep Wound bassist Scott Helland At least we can try and change the one we’re in and his older brother Eric “Vis” Helland, guitarist/vocalist of Mace — a 1980-82 — Deep Wound, “Deep Wound” Metal group that played like Motörhead but dug Black Flag (a rare blend back then). The Outpatients opened for bands like EAST COAST Black Flag, Hüsker Dü and SSD. Flipside called ’em “one of the most brutalizing live bands In 1980, over-with small cities and run-down mill towns across the Northeast from the period.” 1983’s gnarly Basement Tape teemed with bored kids with nothing to do. Punk of any kind earned a cultural demo included credits that read: “Play loud in death sentence in the land of stiff upper-lipped Yanks. That cultural isolation math class.” became the impetus for a few notable local Hardcore scenes. CANCEROUS GROWTH started in 1982 in drummer Charlie Infection’s Burlington, WESTERN MASSACHUSETTS MA bedroom, and quickly spread across New had an active early-80s scene of England. They played on a few comps then 100 or so inspired kids. Western made 1985’s Late For The Grave LP in late 1984 Mass bands — Deep Wound, at Boston’s Radiobeat Studios (with producer The Outpatients, Pajama Slave Steve Barry). -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
A Download of the Show Program
Cardboard Brains Paul O’Connell, Paul Young, Richard Miller, Vince Carlucci Special Thanks Duggan’s Brewery (www.DuggansBrewery.com) Joe Fuda, Fudagraphy (www.joefuda.ca) OZ Gallery (www.ozstudios.ca) Reposados (www.reposadobar.com) Joe Fuda (“Studio Manager / Curator”) Maureen Locke (Dead Boys, The Poles, Viletones videos) Catherine Macfadyen (Gallery Space Management) Piper Macfadyen (Music Compilation) Sandy Macfadyen (Audio-Visual Gear) Design by David Waldman Framing: The Picture Frame Factory Ltd. Tufan d Ugur,BBA 416-504-9837 [email protected] Exhibition Printing: QSQ Giclee Boutique Ernesto M Jordan 647-347-6253 www.qsqinc.com Vince Carlucci : Lou Reed - Oct.25. 1976 Massey Hall - $7.70 1976: Cardboard Brains co-founder and guitarist Reed was dismissive of punk and rejected any affiliation with it. Between 1977 and 1981, Cardboard Brains “I’m too literate to be into punk rock... The released the White EP, whole CBGB’s, new Max’s thing that every The Black EP, Contributed 2 songs to the Last Pogo one’s into and what’s going on in London —- LP , appeared in Colin Brunton’s “The Last Pogo” you don’t seriously think I’m responsible for documentary, and released what’s mostly rubbish?” “Live at The Edge” in 1981. The band split in 1983. * * * Vince formed “Station Twang” with Sandy Macfadyen in 1984. Released the “Secret Sides” LP in 1984. This was primarily electro, avant-garde material unsuited to the Brains format, hence the “Secret Sides” title. 1987: Vince contributed three songs to Tibor Takacs, Golden Reel Award winning film, “The Gate”. 1988: Produced local bands “The Lawn” L.P. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Touch and Go…Magazine (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Sex Master…Squeeze (7/78) Surrender…Cheap Trick (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) I Wanna Be Sedated (megamix)…The Ramones (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) I See Red…Split Enz (12/78) Roxanne…The -
His Eyes Looked Like Eggs, with the Yolks Broken Open, With
PO Box 42129, Los Angeles, CA 90042 #18 www.razorcake.com picked off the road, and sewn back on. If he didn’t move with such is eyes looked like eggs, with the yolks broken open, with authority, it’d’ve been easy to mistake him as broken. bits of blood pulsing through them. Before he even opened His voice caught me off guard. It was soft, resonant. “What’re HHup his grease stained tennis bag, I knew that there was you looking for?” nothing I’d want to buy from him. He unzipped the bag. Inside, “Foot pegs.” I didn’t have to give him the make and model. He there were ten or fifteen carburetors. Obviously freshly stolen, the knew from the connecting bolt I held out. rubber fuel lines cut raggedly and gas leaking out. “Got ‘em. Don’t haggle with me. You got the cash?” I placed “No. I’m just looking for foot pegs.” the money in his hand. “Man, you could really help me out. Sure you don’t want an “That’s what I like. Cash can’t bounce. Follow me.” upgrade? There’s some nice ones in here.” We weaved through dusty corridors, the halls strategically There were some very expensive pieces of metal, highly mined with Doberman shit. To the untrained eye, the place looked polished, winking at me. I could almost hear the death threats their in shambles. No care was taken to preserve the carpet. Inside-facing previous owners’ bellowed into empty parking lots. windows were smashed out. He bent down, opened a drawer with a “No. -
The Punk Effect: Art School Bands, Artist Collectives, and the Makings of an Alternative Culture in Downtown Toronto 1976-1978
The Punk Effect: Art School Bands, Artist Collectives, and the Makings of an Alternative Culture in Downtown Toronto 1976-1978 By Jakub Marshall A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements of the degree Master of Arts (MA) in Music and Culture Carleton University Ottawa, Ontario © 2019 Jakub Marshall 2 Abstract This thesis aims to examine the intersections of music, art and politics in late 1970s Toronto, particularly among the artists and musicians of the nascent Queen Street West scene. My research has two intertwined goals. First, to investigate the effect that the nearby Ontario College of Art had on this scene and how local art students’ formal training may have impacted their music. Secondly, the symbiotic connection between established artists and the local punk scene will be explored, through a discussion of how artist collectives General Idea and the Centre for Experimental Arts and Communication appropriated punk aesthetics and enlisted punk groups in order to further their own artistic ends. To address these questions, pertinent theoretical models are applied, including; Birmingham School subcultural theory, theories of the avant-garde, and sociological high culture/mass culture debates. Acknowledgments I would like to thank first, William Echard, my thesis supervisor for the duration of this project, and the Faculty of Music at Carleton University for supporting this work. Special thanks go to Philip Monk and Ian Mackay for their eager willingness to be interviewed, and for their illuminating suggestions of new research avenues. I would like to thank my parents for their unconditional support of me and my strange interests and investments. -
The Mick 52.Pdf
THE MICK 52 UK DECAY December 2009 sane as they ever were Gothic Legends return! - an epic interview - MOMENTO MORI ZEITGEIST PHOENIX MARIE Medical Appeal ZERO Will Dance For Chocolate BLACK Screaming Banshee Aircrew TAPE FOR A Resist + Albums Of 2009 BLUE GIRL The Filth & The EL CLAN Furries EDITORIAL VOMIT Hello. Bizarrely I actually think this is the best issue I have done, so I intriguing comeback of MOMENTO MORI. There’s even a wonderful will be asking you something during this short preamble, before you indie band in WILL DANCE FOR CHOCOLATE, which isn’t like me start ambling on your own. I have been busy this month, creating three at all. You’ll love them. issues to try and catch up on the bands I have wanted to interview, and there’s enough material I am currently organising to see me through So this is what I do and through the combination of actually putting until March on a regular schedule, so things are starting to take shape the work in, having a certain insight, and contacts made through the nicely. years, I believe I’m bringing you a magazine which provides something I just love the content this issue. The UK DECAY piece contains some others don’t. Maybe you’ll agree, fabulous quotes and memories, which will enthral, or should. Spon maybe not, but this month you’ll went to great lengths to ensure I got the piece quickly, and I can’t hopefully notice I have done thank him enough. It’s a fascinating look at what a band remembers, something I haven’t done before – I and what a band experiences. -
The Raw Original DOA
Music Review: D.O.A. Smash The State: The Raw Original D.O.A. 197... http://blogcritics.org/archives/2007/09/22/110821.php Blogcritics is an online magazine, a community of writers and readers from around the globe. Publisher: Eric Olsen REVIEW Music Review: D.O.A. Smash The State: The Raw Original D.O.A. 1978-81 DVD Written by Richard Marcus Published September 22, 2007 It's pretty hard to believe that it's been a little more than 30 years since the Sex Pistols released Never Mind The Bollocks their first and last studio album. In spite of bands like the Ramones, The New York Dolls, and others playing a similar type of high energy rock and roll, it was the Pistols who garnered all the publicity and became the face of Punk Rock for the media and everybody else. England of the mid to late 1970s was in a horrible state with unemployment running rampant among the young. Facing the prospect of a life of poverty and a series of dead end jobs until death, is it any wonder that they were more then a little bit angry and very nihilistic? When Johnny Rotten was singing "no future" the majority of the audience related to the statement personally. If you went to see the Pistols live, you didn't expect to hear many of the lyrics, but the music was another story. It was loud, abrasive, aggressive, and best of all angry, which not only summed up how the audience felt but gave them the means to express it as well by pogoing with wild abandon.