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«МИТ-Инфо» № 4 (37) 2016 “ITI-Info” № 4 (37) 2016 Учреждён некоммерческим партнёрством по поддержке EstablishEd by nOn-cOmmErcial partnErship fOr prOmOtiOn театральной деятельности и искУсства «российский Of thEatrE activitity and arts «russian natiOnal cEntrE Of национальный центр междУнародного инститУта театра». thE intErnatiOnal thEatrE institutE» Зарегистрирован Федеральной слУжбой по надЗорУ rEgistErEd by thE fEdEral agEncy в сФере свяЗи и массовых коммУникаций. fOr mass-mEdia and cOmmunicatiOns. свидетельство о регистрации rEgistratiOn licEnsE smi pi № fs77-34893 сми пи № Фс77-34893 от 29 декабря 2008 года Of dEcEmbEr 29th, 2008 главный редактор: альФира арсланова / EditOr-in-chiEf: alfira arslanOva Зам. главного редактора: ольга ФУкс / EditOr-in-chiEf dEputy: Olga fOux диЗайн, вёрстка, препресс: михаил кУренков / dEsign, layOut, prEprint: miKhail KurEnKOv координатор: юлия ардаШникова / cOOrdinatOr: yulia ardashniKOva редактор: ирина калаШникова / EditOr: irina KalashniKOva реклама: андрей данильченко, анна лисименко / advErtising: andrEy danilchEnKO, anna lisimEnKO печать: леонид антонов / printing: lEOnid antOnOv оФициальный партнёр жУрнала Зао «кейджитиси» www.Kgtc.ru / Official translatiOn partnEr Kgtc www.Kgtc.ru Финансы: ирина савенко / accOuntancy: irina savEnKO адрес редакции: 129594, москва, Ул. Шереметьевская, д. 6, стр. 1 EditOrial bOard addrEss: 129594, mOscOw, shErEmEtyEvsKaya str., 6, bld. 1 электронная почта: [email protected] / E-mail: [email protected] на обложке: сцена иЗ спектакля «предметный раЗговор» белорУсского госУдарственного молодёжного театра (режиссер ольга скворцова). Фото оли пипченко cOvEr: “subjEct talK”, bElarusian statE yOuth thEatrE (dirEctOr - Olga sKvOrtsOva). phOtO: Olya pipchEnKO отпечатано в типограФии OOO «райкин плаЗа» printEd by raiKin plaZa ltd. 129594, mOscOw, 129594, г. москва, Ул. Шереметьевская, д. 6, стр. 1. цена shErEmEtyEvsKaya str., 6, bld. 1 OpEn pricE. a numbEr Of свободная. тираж 1000 экЗ. подписано в печать 13.12.16 cOpiEs printEd is 1000. put intO print On 13.12.16 Фото предоставлены пресс-слУжбами театра наций, phOtOs arE prOvidEd by prEss sErvicEs Фестиваля «теарт-2016», Фестиваля «территория», Of thEatrE Of natiOns, tEart-2016 fEstival инклюЗивной театральной Школой «со-единение», and tErritOry fEstival, inclusivE thEatrE schOOl галиной полищУк, сергеем гУтником. sO-EdinEniE, galina pOlischuK, sErgEy gutniK жУрнал «мит-инФо» – иЗдание российского центра iti-infO rEviEw is thE EditiOn Of russian cEntrE, междУнародного инститУта театра. выпУскается на двУх intErnatiOnal thEatrE institutE. яЗыках (рУсском и английском) в целях междУнародного publishEd in twO languagEs (russian and English) сотрУдничества в области театра. fOr purpOsEs Of intErnatiOnal thEatrE cOOpEratiOn. соЗдан в 2010 годУ, выходит раЗ в два месяца, EstablishEd in 2010, issuEd bimOnthly, distributEd рассылается во все национальные центры. tO all natiOnal cEntrEs. rEaliZEd thrOugh реалиЗУется по подписке и в роЗницУ. subscriptiOn and by rEtail. Читайте о нас подробнее rEad abOut us на сайте российского центра Мит at thE wEbsitE Of iti russian cEntrE www.rusiti.ru www.rusiti.ru No 4 2016 МИТ-ИНФО 1 Cодержание 4 НОвОсти NEWS 8 сОбытие лицом к лицу EVENT FACE TO FACE 14 Фестиваль Глаза в Глаза FESTIVAL EYE TO EYE 32 актуальНОеимя между трансом и аксиомой ACTUAL NAME BETWEEN A TRANCE AND AN AXIOM 42 ДругОйтеатр ЧаяЧья судьба DIFFERENT THEATRE THE SEAGULL’S FATE 54 иНОстраНец вот такие мы сентиментальные FOREIGNER WE ARE SUCH SENTIMENTALISTS 64 Х р ОНОграФ отГолоски «прекрасноГо далёка» CHRONOGRAPH 24 Обл Ожка ECHO OF THE FAR Город солнца AND BEAUTIFUL PAST Фестиваль «ТЕАРТ» устроен как длинный марафон с мощной кНижНаялавка международной программой. Наш корреспондент Кристина 68 Матвиенко посмотрела белорусский шоукейс в мировом BOOKSHOP контексте. 72 Юбилеи COVER портретное фойе ANNIVERSARIES A SUN CITY The TEART Festival is set up like a long marathon with a powerful THE PORTRAIT LOBBY international program. Our correspondent Kristina Matvienko viewed the Belarusian showcase in a global context. 76 буДкасуФлёра PROMPT CORNER 2 МИТ-ИНФО No 4 2016 НОВОСТИ Умер Валерий Белякович Окраина Москвы, удалённость от метро, помещение бывшего овощного магазина, где вместо рукавов и кулис у импрови- зированной сцены был один небольшой «ТеаТральНый рОмаН» проём сбоку, – словом, все препятствия С прОдОлжеНИем для успеха налицо. Но Валерий Белякович Премия «Театральный роман», которая сумел сплотить вокруг себя очень силь- присуждается авторам книг о театре, ную команду (Виктор Авилов, Валерий в третий раз была вручена в Бахрушин- Афанасьев, Олег Леушин, Алексей Ванин, ском музее. И снова, как в предыдущие Анатолий Иванов, Вячеслав Гришечкин, годы, количество поданных заявок на- Карина Дымонт, Владимир Коппалов много превышало сотню названий, из ко- и многие другие), создать Театр на Юго- торых были отобраны 27 книг в лонг-лист Западе и сделать его одним из важней- и семь – в шорт-лист. Но впервые члены ших центров притяжения зрительского жюри под председатель- интереса. Он ставил спектакли в МХАТе ством Константина Рай- имени Горького, МТЮЗе, Театре имени Го- кина не смогли выбрать голя, «Новой опере», Пензенском драмати- безусловного лауреата – ческом театре, нижегородской «Комедіи», и все семь номинантов а также в США и Японии. Но в историю удостоились премии. он войдёт прежде всего как создатель Лауреатами «Театрального уникального творческого коллектива, романа» в 2016-м стали демократичного и авторского, открывше- Инна Соловьёва («Первая го для театра множество новых текстов студия. Второй МХАТ. Из практики теа- и новых пластов в текстах классических. тральных идей ХХ века»), Сергей Черкас- ский («Мастерство актёра. Станислав- ский – Болеславский – Страсберг. История. Теория. Практика»), Вик- тор Берёзкин («Искусство сценографии мирового театра. Том 2. Вторая по- ловина ХХ века. В зеркале Пражских Квадриеннале 1967–1999 годов» и «Искус- ство сценографии миро- вого театра. Том 3. Масте- ра XVI–XX веков»), Георгий Товстоногов и Аркадий Кацман («Беседы о профессии: Стенограммы лекций на I–III курсе режиссёров драматического театра, 1982–1985 годы»), Сергей Цимбал «Острова в оке- ане памяти», Владимир Теляковский («Дневники Директора Император- ских театров. 1909–1913) Валерий и Валерий Фокин («Бе- Белякович седы о национальном театре»). СергейФото: Тупталов 4 МИТ-ИНФО No 4 2016 NeWS Bakhrushin Theatre Museum TheaTrical Novel To Be coNTiNued The Theatrical Novel award ceremony for authors of books on theatre for the third time was held in Bakhrushin Theatre Museum. The third time, the number of applications greatly exceeded one hundred titles, among them 27 books were selected for the long-list and 7 ones for the short- list. However, for the first time the jury, chaired by Konstantin Raikin could not choose an absolute leader and all seven nomi- nees have received awards. Valery Belyakovich Winners of the “Theatrical Novel – 2016” – Inna Solovy- ova (The First Studio. Second MAT. From the valery Belyakovich has died Practice of Theatre Ideas of the 20 th Cen- Outskirts of Moscow, a distance from the tuary), Sergei Cherkassky (“Actor’s Skills. metro, premises of a former grocery store, Stanislavsky – Boleslavsky –Strasberg. where instead of wings by an impromptu History. Theory. Practice”), stage was a small opening on the side – in Victor Berezkin (“Art of short, all the obstacles on the way to suc- Scenography of the World cess were on hand. Yet Valery Belyakovich Theatre. Volume 2. The managed to bring together a very strong Second Half of the 20 th team (Victor Avilov, Valery Afanasiev, Oleg Century. In the Mirror of Leushin, Alexei Vanin, Anatoly Ivanov, Vy- the Prague Quadrennial, acheslav Grishechkin, Karina Dymont, 1967–1999” and “The Art of Vladimir Koppalov and many others) and World Theatre. Volume 3. transformed the theatre that he had creat- Masters of XVI-XX Centu- ed in the south-west of Moscow into one of ries”), Sergei Tsymbal “Islands in the Ocean the most important centres of attraction for of Memory”, George Tovstonogov and Arcady theatregoers. He staged performances at Katzman (“Conversations About the Profes- Gorky Moscow Art Theatre, Theatre named sion: Transcripts of Lectures after Gogol, Moscow Theatre of Young Spec- of I-III Course of Drama tators, Novaya Opera, Penza Drama Theatre, Theatre Directors, 1982– Nizhny Novgorod Comedіi, as well as in the 1985”), Vladimir Telyak- USA and Japan. Also he went down to the ovskiy (“Diaries of Theatre history of theatre first of all as a creator of a Manager of Imperial Thea- unique theatre, democratic and author’s, who tres, 1909–1913”) and Valery discovered a multitude of new texts and new Fokin (“Conversations about meaning of classical texts for theatre. National Theatre”). No 4 2016 МИТ-ИНФО 5 НОВОСТИ первые лауреаты «Золотой маски-2017»… …уже объявлены, хотя сам фестиваль пройдёт с февраля по апрель будущего года (председателями жюри драматическо- го и музыкального театров стали соответ- ственно Алексей Бородин и Сергей Стадлер). В номинации «За выдающийся вклад в раз- прОпИСаНа витие театрального искусства» премию «СНежНая кОрОлеВа» получат Олег Табаков, Владимир Этуш, со- Благотворительный фонд «Доктор Клоун», листка Мариинского театра Ирина Богачё- в котором работает немало известных ак- ва, актёр Александринского театра Нико- тёров, объявил о выпуске сказки «Снеж- лай Мартон, солист Омского музыкального ная королева» ради сбора средств для театра Георгий Котов, режиссёр из Якут- организации театральных спектаклей ска Андрей Борисов и певец
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  • Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988

    Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988

    University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2015-07-10 Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988 Khmelnitsky, Michael Khmelnitsky, M. (2015). Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988 (Unpublished doctoral thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/27766 http://hdl.handle.net/11023/2348 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca Allegorie der Übersetzung (2015) Michael G. Khmelnitsky acrylic on canvas (30.4 cm x 30.4 cm) The private collection of Dr. Hollie Adams. M. G. Khmelnitsky ALLEGORY OF TRANSLATION IB №281 A 00276 Sent to typesetting 17.II.15. Signed for printing 20.II.15. Format 12x12. Linen canvas. Order №14. Print run 1. Price 3,119 r. 3 k. Publishing House «Soiuzmedkot» Calgary UNIVERSITY OF CALGARY Sex, Lies, and Red Tape: Ideological and Political Barriers in Soviet Translation of Cold War American Satire, 1964-1988 by Michael Khmelnitsky A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN ENGLISH CALGARY, ALBERTA JULY, 2015 © Michael Khmelnitsky 2015 Abstract My thesis investigates the various ideological and political forces that placed pressures on cultural producers, specifically translators in the U.S.S.R., during the Era of Stagnation (1964- 1988).
  • Buklet 8.Qxd 24.03.2010 15:45 Page 1 Buklet 8.Qxd 24.03.2010 15:45 Page 2

    Buklet 8.Qxd 24.03.2010 15:45 Page 1 Buklet 8.Qxd 24.03.2010 15:45 Page 2

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  • Andrey Moguchiy

    Andrey Moguchiy

    As this catalogue was going to press, we learned of the parting of a dear companion, Franco Quadri, President of the ETP Jury. In loving memory and deep gratitude, we dedicate this edition of the Prize to him. Когда настоящий буклет уже был готов к печати, стало известно, что ушел из жизни наш дорогой друг и коллега Франко Квадри, Председатель жюри Европейской Театральной Премии. С глубочайшей признательностью мы посвящаем эту Премию его светлой памяти. 1 Prix Europe pour le Théâtre Европейская Театральная Премия Europe Theatre Prize Europa-Preis für das Theater High Patronage European Parliament Council of Europe Under the auspices of the Secretary General of the Council of Europe, Mr Thorbjørn Jagland Под особым патронатом Европейского парламента и Совета Европы Под покровительством Генерального секретаря Совета Европы Г-на Турбьерна Ягланда Under the patronage and support Promoting Body of The Ministry of Culture of the Russian Federation and the City of Saint Petersburg Premio Europa per il Teatro In co-operation with Baltic International Учредитель Festival Center Foundation and Baltic House Theatre-Festival Европейская театральная премия Associate Supporting Body Union des Théâtres de l’Europe При поддержке Министерства культуры Российской Федерации При поддержке и Правительства Санкт-Петербурга Союза театров Европы Cовместно с Фондом «Балтийский международный фестивальный центр» Associate Bodies и Театром-фестивалем Балтийский дом» Association Internationale des Critiques de Théâtre Instituto Internacional del Teatro del Mediterraneo International Theatre Institute - UNESCO European Festivals Association Партнеры Международная Ассоциация театральных критиков Международный институт театра Средиземноморья Международный институт театра – ЮНЕСКО Европейская ассоциация фестивалей 3 Ministry of Culture Министерство культуры Europe Theatre Prize Organizing Committee in Russia of the Russian Federation Российской Федерации Alexandr A.
  • Vyacheslav Artyomov (B.1940) Вячеслав Артёмов (1940-)

    Vyacheslav Artyomov (B.1940) Вячеслав Артёмов (1940-)

    Vyacheslav Artyomov (b.1940) Вячеслав Артёмов (1940-) A Symphony of Elegies 43:36 Симфония злегий 43:36 1 I. Elegy I 12:52 1 I. Элегии I 12:52 2 II. Elegy II 10:03 2 II. Элегии II 10:03 3 III. Elegy III 20:40 3 III. Элегии III 20:40 Tatiana Grindenko and Oleh Krysa (violins) Татьяна Гринденко, Олег Крыса – скрипки Mark Pekarsky Percussion Ensemble; Ансамбль ударных инструментов Марка Пекарского Lithuanian Chamber Orchestra; Литовский камерный оркестр, Saulius Sondeckis (conductor) дирижёр Саулюс Сондецкис 4 Awakening 10:59 4 Пробуждение 10:59 Олег Крыса, Татьяна Гринденко – скрипки Oleh Krysa and Tatiana Grindenko (violins) Incantations 19:32 Заклинания 19:32 5 I. Incantation of Fate – of Serpents 3:20 5 I. Заклинание судьбы - змей 3:20 6 II. Incantation of Stars – of Birds 4:18 6 II. Заклинание звёзд – птиц 4:18 7 III. Incantation of Souls – of WInd 4:54 7 III. Заклинание душ – ветра 4:54 8 IV. Incantation of Sounds – of Fire 7:00 8 IV.Заклинание звуков – огня 7:00 Lydia Davydova (soprano) Лидия Давыдова, сопрано Mark Pekarsky Percussion Ensemble Ансамбль ударных инструментов Марка Пекарского Vyacheslav Artyomov (conductor) Дирижёр Вячеслав Артёмов Total playing time 74:19 Общее время звучания 74:19 Introduction The history of music reveals many composers whose originality in terms of language and of emotional expression (often, the two aspects appearing inextricably linked) led them to follow their own creative paths outside of what one might term general public or critical acceptance of their art. Music remains a language, albeit one through which many ideas can be expressed in a variety of ways, yet at heart it is a living organism in time.
  • Russia Sociological En

    Russia Sociological En

    Study on Homophobia, Transphobia and Discrimination on Grounds of Sexual Orientation and Gender Identity Sociological Report: Russian Federation Disclaimer : This report was drafted by independent consultants and is published for information purposes only. Any views or opinions expressed in the report are those of the authors and do not represent or engage the Council of Europe or the Office of the Commissioner for Human Rights. 1 Table of Contents A. EXECUTIVE SUMMARY 3 B. DATA COLLECTION 5 C. FINDINGS 6 C.1. Public opinion and attitudes towards LGBT persons 6 C.2. Freedom of assembly and association 8 C.3. Freedom of expression 17 C.4. Hate crime - hate speech 21 C.5. Family issues 26 C.6. Asylum and refugee issues 28 C.7. Social security, social care and insurance 28 C.8. Education 29 C.9. Employment 31 C.10. Housing 33 C.11. Health care 34 C.12. Access to goods and services 37 C.13. Media 38 C.14. Transgender issues 39 C.15. Other areas of concern 40 C.16. Data availability 40 2 A. Executive summary 1. As this report will show, the general attitudes towards LGBT persons in Russia are reportedly diverse and rather complicated. Generally, when asked, most of the people are neutral towards LGBT persons or have shifting positions depending on the context. However, the level of homophobia is still reported to be high, but it only manifests itself, when the general public is openly confronted with manifestations of homosexuality, for example during Gay Prides. 2. According to the NGOs and academic representatives, the high level of non-acceptance towards LGBT persons is often grounded in the general lack of personal acquaintances with LGBT persons, correlate to the level of income and education, and is stronger in the geographical isolation from the big cities.