One Day When Women Can Demand Anything
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Program Booklet At
22nd Annual Interfaith Thanksgiving Prayer Breakfast The San Francisco Interfaith Council Celebrating 30 Years of Interfaith Collaboration in San Francisco Tuesday, November 26, 2019 7:00 am – 9:00 am Hotel Kabuki, San Francisco Honoring Rita R. Semel with the San Francisco Interfaith Council’s Lifetime Achievement Award Welcome to the 22nd Annual Interfaith Thanksgiving Prayer Breakfast The San Francisco Interfaith Council welcomes you to the 22nd Annual Interfaith Thanksgiving Prayer Breakfast. The Council exists to serve and give voice to our City’s 800 congregations, their respective judicatories, and the faith-based social service agencies that provide the safety net for San Francisco’s most vulnerable residents. The Annual Interfaith Thanksgiving Prayer Breakfast is our major event of the year, when representatives of the faith community, civic leaders and residents come together to give thanks for the gifts bestowed on our City and to pray for the well being of all of our residents. Each year at this breakfast, we shine the spotlight on the important contributions the religious community makes to the life of San Francisco. This year we celebrate the 30th anniversary of the San Francisco Interfaith Council (SFIC). A little known fact is that the SFIC was born as a result of the Loma Prieta earthquake. Just a year earlier, at the behest of Mayor Art Agnos, religious leaders responded to the burgeoning homeless crisis by initiating the Interfaith Winter Shelter, which just commenced its 31st year of feeding and sheltering 60-100 homeless people from November 24th through the end of March. Those same religious leaders were invited to a meeting at Calvary Presbyterian Church in the aftermath of the Loma Prieta earthquake to assist the humanitarian aid organization, Church World Service, in distributing vital funds to the most vulnerable residents displaced by the earthquake. -
FASHION MARKET in RUSSIA and SAINT PETERSBURG FLANDERS INVESTMENT & TRADE MARKET SURVEY Market Study
FASHION MARKET IN RUSSIA AND SAINT PETERSBURG FLANDERS INVESTMENT & TRADE MARKET SURVEY Market study //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// FASHION MARKET IN RUSSIA AND SAINT PETERSBURG //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// www.flandersinvestmentandtrade.com TABLE OF CONTENT 1. Industry profile ....................................................................................................................................................3 2. State of Russian fashion industry ............................................................................................................. 4 3. Market segmentation and consumer profiles .................................................................................. 10 4. Fashion market in Saint Petersburg ....................................................................................................... 11 5. Fashiontech sector in Russia ...................................................................................................................... 14 6. Export opportunities for Belgian companies ................................................................................... 16 7. Sources .................................................................................................................................................................... 17 8. Contact information ....................................................................................................................................... -
The Information Bulletin of the PIR Center Highly Professional Collective Which It Is Today
"I hope the PIR Center maintains its tradition of cooperation with authors, continuous attention to its readers' interests, and success 2004 in mastering new issues in the dynamically developing field of interna tional security, WMD nonproliferation, and arms control." Yuri Gorlinskiy, Director, "Systems Analysis" ScientificTechnological Complex Kurchatov Research Institute PPIIRROOGGUUEE "I hope the PIR Center remains the same wellorganized, effective, and The Information Bulletin of the PIR Center highly professional collective which it is today. I'm confident that the authority of the PIR Center will continue to grow." Victor Yesin, Advisor to the Commander of the Russian Strategic Missile Forces Department Head, Russian Security Council, 19962002 "I would like to express my gratitude to the PIR Center staff for what it is doing and to wish it to keep its high reputation in the future." Viktor Koltunov, Deputy Director, Institute for Strategic Stability "I hope that PIR Center will further strengthen its creative capacities, integrating academic and practical recommendations, and providing international political and intellectual context for nuclear security issues." Mikhail Margelov, Chairman of the Russian Federation Council Foreign Relations Committee "Congratulating the PIR Center collective on its anniversary, I wish them interesting creative work, satisfaction in their accomplishments, and understanding and support in the realization of their concepts and initiatives." Igor Sergeev, Assistant to the Russian President for Strategic Stability, 20012004 Russian Defense Minister, 19972001 ON THE ROLE OF NONGOVERNMENTAL ORGANIZATIONS IN THE SPHERE OF WMD NONPROLIFERATION The PIR Center's first decade coincided with a time of turbulent and anxious public inter est within Russia as well as in the rest of the world, focused on the looming threat of the proliferation of nuclear and other weapons of mass destruction, means of their delivery, and on the entire problem of disarmament. -
The Birth of the Municipality of Ramallah, Which Is Now Celebrating Its Centennial Anniversary, Was in the Year 1908
The birth of the Municipality of Ramallah, which is now celebrating its centennial anniversary, was in the year 1908. The Centennial Celebration will not only be limited to the Municipality but will extend to include the whole of the city, whose age is much greater. The Ramallah Municipality Centennial Project 2008-2010 The birth of the Municipality of Ramallah, which is now celebrating its centennial anniversary, was in the year 1908. The centennial celebration will not only be limited to the municipality but will extend to include the whole of the city, whose age is much greater. The municipal council recognised that its centennial could be an opportunity to highlight the city of Ramallah as a distinct Palestinian city – politically, economically, and culturally – and to invite tourism and investors. Work on the Municipality of Ramallah Centennial Project began with efforts to put the city on the world map. To achieve the goal of transforming Ramallah into a model city in the region, and a city of international calibre, it was imperative that Ramallah experiences a comprehensive renaissance. This renaissance intersects with the overall development plan of the Palestinian National Authority and serves to revive a city that has been deteriorating due to the effects of more than forty years of occupation. To achieve the dream, the municipality created a vision that addresses several tracks and covers all aspects of life. Each track includes ambitious projects and Programs that aim to transform Ramallah into a world-class city with distinction. This effort is closely linked to the municipality’s three- year strategic plan (2008–2010). -
МИТ-Инфо» № 4 (37) 2016 “ITI-Info” № 4 (37) 2016
«МИТ-Инфо» № 4 (37) 2016 “ITI-Info” № 4 (37) 2016 Учреждён некоммерческим партнёрством по поддержке EstablishEd by nOn-cOmmErcial partnErship fOr prOmOtiOn театральной деятельности и искУсства «российский Of thEatrE activitity and arts «russian natiOnal cEntrE Of национальный центр междУнародного инститУта театра». thE intErnatiOnal thEatrE institutE» Зарегистрирован Федеральной слУжбой по надЗорУ rEgistErEd by thE fEdEral agEncy в сФере свяЗи и массовых коммУникаций. fOr mass-mEdia and cOmmunicatiOns. свидетельство о регистрации rEgistratiOn licEnsE smi pi № fs77-34893 сми пи № Фс77-34893 от 29 декабря 2008 года Of dEcEmbEr 29th, 2008 главный редактор: альФира арсланова / EditOr-in-chiEf: alfira arslanOva Зам. главного редактора: ольга ФУкс / EditOr-in-chiEf dEputy: Olga fOux диЗайн, вёрстка, препресс: михаил кУренков / dEsign, layOut, prEprint: miKhail KurEnKOv координатор: юлия ардаШникова / cOOrdinatOr: yulia ardashniKOva редактор: ирина калаШникова / EditOr: irina KalashniKOva реклама: андрей данильченко, анна лисименко / advErtising: andrEy danilchEnKO, anna lisimEnKO печать: леонид антонов / printing: lEOnid antOnOv оФициальный партнёр жУрнала Зао «кейджитиси» www.Kgtc.ru / Official translatiOn partnEr Kgtc www.Kgtc.ru Финансы: ирина савенко / accOuntancy: irina savEnKO адрес редакции: 129594, москва, Ул. Шереметьевская, д. 6, стр. 1 EditOrial bOard addrEss: 129594, mOscOw, shErEmEtyEvsKaya str., 6, bld. 1 электронная почта: [email protected] / E-mail: [email protected] на обложке: сцена иЗ спектакля «предметный раЗговор» белорУсского госУдарственного молодёжного театра (режиссер ольга скворцова). Фото оли пипченко cOvEr: “subjEct talK”, bElarusian statE yOuth thEatrE (dirEctOr - Olga sKvOrtsOva). phOtO: Olya pipchEnKO отпечатано в типограФии OOO «райкин плаЗа» printEd by raiKin plaZa ltd. 129594, mOscOw, 129594, г. москва, Ул. Шереметьевская, д. 6, стр. 1. цена shErEmEtyEvsKaya str., 6, bld. 1 OpEn pricE. a numbEr Of свободная. -
Palacio De Bellas Artes
INSTITUTO NACIONAL DE BELLAS ARTES DANZA SECRETARÍA DE CULTURA María Cristina García Cepeda Secretaria Saúl Juárez Vega Subsecretario de Desarrollo Cultural Jorge Gutiérrez Vázquez Subsecretario de Diversidad Cultural y Fomento a la Lectura Francisco Cornejo Rodríguez Oficial Mayor INSTITUTO NACIONAL DE BELLAS ARTES Lidia Camacho Camacho Directora general Roberto Vázquez Díaz Subdirector general Silvia Carreño y Figueras Gerente del Palacio de Bellas Artes Cuauhtémoc Nájera Ruiz Coordinador Nacional de Danza Roberto Perea Cortés Director de Difusión y Relaciones Públicas Foto: Carlos Quezada PALACIO DE BELLAS ARTES GALA ELISA Y AMIGOS 2017 PROGRAMA Diamantes Pas de deux del ballet Joyas Coreografía: George Balanchine Música: Piotr Ilich Chaikovski Ballet Bolshói Intérpretes: Evgenia Obraztsova y Semyon Chudin Onegin Pas des deux. 1.° acto Coreografía: John Cranko Música: Piotr Ilich Chaikovski Staatsballett Berlin Intérpretes: Elisa Carrillo y Mikhail Kaniskin El cascanueces Pas de deux Coreógrafo: Lev Ivanov / Marius Petipa Música: Piotr Ilich Chaikovski New York City Ballet Intérpretes: Ashley Bouder y Joseph Gatti Simple Things Pas de deux Coreografía: Radu Poklitaru Música: Chavela Vargas Staatsballett Ucrania Intérpretes: Ekaterina Kukhar y Alexander Stoianov La danza del venado Coreografía: Amalia Hernández Música: Yaqui (D.P.) Ballet Folklórico de México de Amalia Hernández Intérpretes: Fausto - venado y Tonatiuh, Yair - pascolas El corsario Pas de deux Coreografía: Marius Petipa Música: Adolph Adam Ballet de Múnich / Ballet Mariinski -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Culturalism Through Public Art Practices
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2011 Assessing (Multi)culturalism through Public Art Practices Anru Lee CUNY John Jay College of Criminal Justice Perng-juh Peter Shyong How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/49 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 How to Cite: Lee, Anru, and Perng-juh Peter Shyong. 2011. “Assessing (Multi)culturalism through Public Art Practices.” In Tak-Wing Ngo and Hong-zen Wang (eds.) Politics of Difference in Taiwan. Pp. 181-207. London and New York: Routledge. 2 Assessing (Multi)culturalism through Public Art Practices Anru Lee and Perng-juh Peter Shyong This chapter investigates the issue of multiculturalism through public art practices in Taiwan. Specifically, we focus on the public art project of the Mass 14Rapid Transit System in Kaohsiung (hereafter, Kaohsiung MRT), and examine how the discourse of multiculturalism intertwines with the discourse of public art that informs the practice of the latter. Multiculturalism in this case is considered as an ideological embodiment of the politics of difference, wherein our main concern is placed on the ways in which different constituencies in Kaohsiung respond to the political-economic ordering of Kaohsiung in post-Second World War Taiwan and to the challenges Kaohsiung City faces in the recent events engendering global economic change. We see the Kaohsiung MRT public art project as a field of contentions and its public artwork as a ‘device of imagination’ and ‘technique of representation’ (see Ngo and Wang in this volume). -
Tezfiatipnal "
tezfiatipnal" THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Borodin Quartet MIKHAIL KOPELMAN, Violinist DMITRI SHEBALIN, Violist ANDREI ABRAMENKOV, Violinist VALENTIN BERLINSKY, Cellist SUNDAY AFTERNOON, FEBRUARY 25, 1990, AT 4:00 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Quartet No. 2 in F major, Op. 92 .............................. PROKOFIEV Allegro sostenuto Adagio, poco piu animate, tempo 1 Allegro, andante molto, tempo 1 Quartet No. 3 (1984) .......................................... SCHNITTKE Andante Agitato Pesante INTERMISSION Quartet in B-flat major, Op. 130, with Grosse Fuge, Op. 133 ...... BEETHOVEN Adagio, ma non troppo; allegro Presto Andante con moto, ma non troppo Alia danza tedesca: allegro assai Cavatina: adagio molto espressivo Finale: Grosse Fuge The Borodin Quartet is represented exclusively in North America by Mariedi Anders Artists Management, Inc., San Francisco. Cameras and recording devices are not allowed in the auditorium. Halls Cough Tablets, courtesy of Warner Lambert Company, are available in the lobby. Twenty-eighth Concert of the lllth Season Twenty-seventh Annual Chamber Arts Series PROGRAM NOTES Quartet No. 2 in F major, Op. 92 ........................ SERGEI PROKOFIEV (1891-1953) Sergei Prokofiev, born in Sontsovka, in the Ekaterinoslav district of the Ukraine, began piano lessons at age three with his mother, who also encouraged him to compose. It soon became clear that the child was musically precocious, writing his first piano piece at age five and playing the easier Beethoven sonatas at age nine. He continued training in Moscow, studying piano with Reinhold Gliere, and in 1904, entered the St. Petersburg Conservatory where he studied harmony and counterpoint with Anatoly Lyadov, orchestration with Rimsky- Korsakov, and conducting with Alexander Tcherepnin. -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Contestations, Conflicts and Music-Power: Mevlevi Sufism in the 21St Century Turkey
CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY NEVİN ŞAHİN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF SOCIOLOGY FEBRUARY 2016 Approval of the Graduate School of Social Sciences _____________________________ Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. _____________________________ Prof. Dr. Sibel Kalaycıoğlu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. _____________________________ Assoc. Prof. Dr. Mustafa Şen Supervisor Examining Committee Members Assoc. Prof. Dr. Zana Çıtak (METU, IR) _____________________________ Assoc. Prof. Dr. Mustafa Şen (METU, SOC) _____________________________ Assoc. Prof. Dr. Cenk Güray (YBU, MUS) _____________________________ Assist. Prof. Dr. Yelda Özen (YBU, SOC) _____________________________ Assist. Prof. Dr. Çağatay Topal (METU, SOC) _____________________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Nevin Şahin Signature: iii ABSTRACT CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY Şahin, Nevin PhD. Department of Sociology Supervisor: Assoc. Prof. Dr. Mustafa Şen February 2016, 232 pages Established as a Sufi order in central Anatolia following the death of Rumi, Mevlevi Sufism has influenced the spirituality of people for over 8 centuries.