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One Day When Women Can Demand Anything
MARCH | 2007 | issue # 03 www.passportmagazine.ru Paradigm Shift for doing buSiness in russia iStanbul through russian eyeS one day when women can demand anything contents. Publisher’s Letter 2 reaL esTaTe wine & dine The bottom Line New international dimension Thomas Koessler 36-37 Foreign Passport holders to Moscow’s leading residential realtor 26 A Very Special 8th of March Recipe should read this! 4 for the Ladies 38 Editor’s Choice 6 Novikov’s latest creation stimulates What’s On in Moscow in February 8-9 palate 39 Moscow Museums and Galleries 10 Kids ‘n’ Culture 11 Venues 11 Cover sTory Serviced Apartments grow in number and variety as an alternative to Moscow Hotels 28-29 feaTure Asian Fusion Match 40-43 Asian Fusion 44 CommuniTy Toys for Nostalgia 50 One day when women Postcard from Belarus 50 can demand anything 12-15 Mac vs PC (Or Soar with the Eagles) 51 business Community listing 52 Leaders & Changes 16 Distribution list 53 Paradigm Shift for doing business ouT & abouT in Russia 17-19 Forum to highlight Russia-Singapore business ties 20 From the primordial religion of the great arT hisTory mother to sacred contemporary The silver age of russian art in the oriental art 30-31 pre-soviet period 21 Fighting Fit 32 TraveL performing arT Johnnie Walker Black Label Black Ball 54 Dancing the night away 54 CERBA & Russo-British joint meeting 55 IWC Evening of Excellence raises cash for charity 55 The LasT word Istanbul through russian eyes 22-25 80 Years Young 34-35 Eric Kraus 56 PASSPORT | MARCH | 2007 | issue # 03 .letter from the -
Culturalism Through Public Art Practices
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2011 Assessing (Multi)culturalism through Public Art Practices Anru Lee CUNY John Jay College of Criminal Justice Perng-juh Peter Shyong How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/49 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 How to Cite: Lee, Anru, and Perng-juh Peter Shyong. 2011. “Assessing (Multi)culturalism through Public Art Practices.” In Tak-Wing Ngo and Hong-zen Wang (eds.) Politics of Difference in Taiwan. Pp. 181-207. London and New York: Routledge. 2 Assessing (Multi)culturalism through Public Art Practices Anru Lee and Perng-juh Peter Shyong This chapter investigates the issue of multiculturalism through public art practices in Taiwan. Specifically, we focus on the public art project of the Mass 14Rapid Transit System in Kaohsiung (hereafter, Kaohsiung MRT), and examine how the discourse of multiculturalism intertwines with the discourse of public art that informs the practice of the latter. Multiculturalism in this case is considered as an ideological embodiment of the politics of difference, wherein our main concern is placed on the ways in which different constituencies in Kaohsiung respond to the political-economic ordering of Kaohsiung in post-Second World War Taiwan and to the challenges Kaohsiung City faces in the recent events engendering global economic change. We see the Kaohsiung MRT public art project as a field of contentions and its public artwork as a ‘device of imagination’ and ‘technique of representation’ (see Ngo and Wang in this volume). -
Y\5$ in History
THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 A thesis submitted to the faculty of San Francisco State University A5 In partial fulfillment of The Requirements for The Degree Mi ST Master of Arts . Y\5$ In History by James Harvey Mitchell, Jr. San Francisco, California May, 2016 Copyright by James Harvey Mitchell, Jr. 2016 CERTIFICATION OF APPROVAL I certify that I have read The Gargoyles of San Francisco: Medievalist Architecture in Northern California 1900-1940 by James Harvey Mitchell, Jr., and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in History at San Francisco State University. <2 . d. rbel Rodriguez, lessor of History Philip Dreyfus Professor of History THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 James Harvey Mitchell, Jr. San Francisco, California 2016 After the fire and earthquake of 1906, the reconstruction of San Francisco initiated a profusion of neo-Gothic churches, public buildings and residential architecture. This thesis examines the development from the novel perspective of medievalism—the study of the Middle Ages as an imaginative construct in western society after their actual demise. It offers a selection of the best known neo-Gothic artifacts in the city, describes the technological innovations which distinguish them from the medievalist architecture of the nineteenth century, and shows the motivation for their creation. The significance of the California Arts and Crafts movement is explained, and profiles are offered of the two leading medievalist architects of the period, Bernard Maybeck and Julia Morgan. -
Enhancing Diversity in Geography S.F. Bay Area Family Activities
Volume 42, Number 4 • April 2007 In This Issue Enhancing Diversity in Geography uring the past five years, the Darden, long a leader in diversity AAG has undertaken a compre- research, mentoring, and actions, as well D hensive survey of the state of as the chair of the AAG’s current Task diversity in geography, and initiated a Force, will be honored as recipient of the focused set of actions to enhance diver- AAG’s 2006 Enhancing Diversity Award. sity within our discipline. From the Meridian ....................2 While these activities have been 2006 AAG Enhancing President’s Column....................3 broad based and included many AAG Diversity Award AAG Washington Monitor ........9 members, the core organizing force Since beginning his career in academe Quarter Century ........................14 behind those efforts has been the AAG as a young assistant professor in 1969, Joe New Appointments ..................14 Diversity Task Force, chaired by Joe Darden Darden has been both a personal and pro- Members of Note ......................15 Darden. It is fitting that two significant fessional role model for African-American Call for Papers..............................15 milestones relating to these diversity initiatives will geography students, and he has long provided leader- Grants and Competitions ......16 occur at this year’s AAG Annual Meeting. ship for AAG efforts to achieve greater inclusion of Grants and Awards....................19 First, the AAG Diversity Task Force will present its African-Americans, Latinos, and women in our society Books Received ..........................20 “Final Report and Recommendations for the AAG and Award Deadlines........................20 for Departments as Agents of Change.” Second, Joe Continued on page 2 Jobs in Geography....................22 New Members ............................30 Events ............................................31 S.F. -
LINER NOTES Print
LONG NOTES GEORGE WINSTON LINUS AND LUCY – THE MUSIC OF VINCE GUARALDI – VOL. 1: George Winston on Vince Guaraldi (Vince’s name is pronounced “Gurr-al-dee”, beginning with a hard “G) “Vince Guaraldi once said that he wanted to write standards, not just hits, and that he did,” says George Winston. “His music is very much a part of the fabric of American culture, but not many people know the man behind the music, and it is unusual for someone’s music to be better known than their name (some other composers who have also been in this situation are Allen Toussaint, Randy Newman (in the early and mid 1960s), Joni Mitchell (in the mid 1960s), Leonard Cohen (in the mid-1960s), Laura Nyro, Percy Mayfield, Otis Blackwell, and Wendy Waldman). If I play Linus & Lucy and other Vince Guaraldi Peanuts pieces for most kids they will usually say right away, ‘That’s Charlie Brown music’. Vince’s soundtracks for the first 16 of the Peanuts animations from the 1960s & 1970s continue to delight millions of people around the world, and many of his albums remain in print. I like to help make the connection for people that Vince Guaraldi was a great jazz pianist, and that he was the composer of the soundtracks for the first 16 of the Peanuts animation, as well as of many other great jazz pieces. Vince’s best known standards are Cast Your Fate to the Wind, Linus and Lucy, Christmas Time is Here, as well as Skating, and Christmas is Coming. A lot of Vince’s music is seasonal, and it reminds me very much of my upbringing in Montana. -
Incarnational Training Framework
Incarnational Training Framework A TRAINING GUIDE FOR DEVELOPING INCARNATIONAL LEADERS ENGAGED IN CITY TRANSFORMATION Second Edition WRITTEN BY KRIS ROCKE & JOEL VAN DYKE Incarnational Training Framework © 2017 by Street Psalms. All rights reserved. Urban Training Collaborative Hub Map And the Word became flesh and lived among us, and we have seen his glory, the glory as of a father’s only son, full of grace and truth… From his fullness we have all received, grace upon grace. JOHN 1:14-16 Table of Contents Acknowledgments ....................................................................................6 Incarnational Training Framework Overview .......................................8 Introduction .............................................................................................9 SECTION 1 Prolegomena CHAPTER 1 Urban Context .........................................................................19 CHAPTER 2 Incarnation .............................................................................31 CHAPTER 3 Transforming Assumptions ....................................................42 SECTION 2 Incarnational Framework CHAPTER 4 Message: A Way of Seeing ......................................................56 CHAPTER 5 Method: A Way of Doing .........................................................67 CHAPTER 6 Manner: A Way of Being .........................................................77 CHAPTER 7 Messengers: Called Out of Fear Into Freedom ......................91 SECTION 3 Postlegomena CHAPTER 8 A Great Beauty ........................................................................99 -
Conventioneers Converged on San Francisco in a Drizzly Summer Down
Conventioneers converged on San pinned on their badges and started Francisco in a drizzly summer down renewing old friendships and be pour on Tuesday, July 15, to sign in ginning some new ones. The badge at the Hilton Hotel. As always, the bearers all had at least one thing in lobby was a mass of humanity, many common - sufficient regard for the of them ATOSers, looking for the theatre instrument to travel, often club registration desk. This vital of great distances, to be with those who fice was located at the farthest cor share their enthusiasm. ner of the lobby and as soon as Stu At 5 p.m., the fast-moving express Green and Lloyd Klos doctored the elevators had started rocketing loads direction signs (the arrows were at of conventioneers to the observation the wrong ends) and taped them to tower, 45 floors above, for a look at the walls, registration started. Regis the San Francisco skyline just before trants were pleasantly surprised to the twilight of a rainy afternoon. learn that, instead of the usual pic It was a scene of wall-to-wall people, ture-studded brochure of artists and some holding glasses of tinkling ice organs, the convention packet of cubes, others just talking. Multiplied goodies included a recording of 500-fold, the noise level was heavy in music played on a number of Bay decibels. Then, it was out to supper. Area organs by well-known organists The rain stopped and window-shop (including one played by Jesse Craw ping in the ''city by the bay" was in ford!) Convention registrar Ida order - if one is disposed toward James reported a total of 875 were signed in. -
University of California Santa Cruz
UNIVERSITY OF CALIFORNIA SANTA CRUZ PRECARIOUS CITY: MARGINAL WORKERS, THE STATE, AND WORKING-CLASS ACTIVISM IN POST-INDUSTRIAL SAN FRANCISCO, 1964-1979 A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY by Laura Renata Martin March 2014 The dissertation of Laura Renata Martin is approved: ------------------------------------------------------- Professor Dana Frank, chair ------------------------------------------------------- Professor David Brundage ------------------------------------------------------- Professor Alice Yang ------------------------------------------------------- Professor Eileen Boris ------------------------------------------------------- Tyrus Miller, Vice Provost and Dean of Graduate Studies Table of Contents Introduction. 1 Chapter One. The War Over the War on Poverty: Civil Rights Groups, the War on Poverty, and the “Democratization” of the Great Society 53 Chapter Two. Crisis of Social Reproduction: Organizing Around Public Housing and Welfare Rights 107 Chapter Three. Policing and Black Power: The Hunters Point Riot, The San Francisco Police Department, and The Black Panther Party 171 Chapter Four. Labor Against the Working Class: The International Longshore Workers’ Union, Organized Labor, and Downtown Redevelopment 236 Chapter Five. Contesting Sexual Labor in the Post-Industrial City: Prostitution, Policing, and Sex Worker Organizing in the Tenderloin 296 Conclusion. 364 Bibliography. 372 iii Abstract Precarious City: Marginal Workers, the State, and Working-Class Activism in Post- Industrial San Francisco, 1964-1979 Laura Renata Martin This project investigates the effects of San Francisco’s transition from an industrial to a post-industrial economy on the city’s social movements between 1964 and 1979. I re-contextualize the city’s Black freedom, feminist, and gay and transgender liberation movements as struggles over the changing nature of urban working-class life and labor in the postwar period. -
Coalition for San Francisco
Executive Summary Conditional Use HEARING DATE: JANUARY 19, 2012 Date: January 12, 2012 Case No.: 2011.0471C Project Address: 1111 California Street Zoning: RM‐4 (Residential Mixed, High Density) District 65‐A Height and Bulk District Nob Hill Special Use District Block/Lot: 0253/020 Project Sponsor: Allan Casalou 1111 California Street San Francisco, CA 94108 Staff Contact: Kevin Guy – (415) 558‐6163 [email protected] Recommendation: Approval with Conditions PROJECT DESCRIPTION The Nob Hill Masonic Center (ʺCenterʺ) has operated since 1958, hosting activities associated with the Freemasons, as well as a variety of events that include music, comedy, and cultural performances, civic events (such as graduations and naturalization ceremonies), exhibitions, and corporate meetings. The assembly and entertainment functions of the Center became nonconforming in 1978, when the subject property was rezoned to the RM‐4 District, which does not permit such activities. The proposal is to continue the operation of the nonconforming entertainment and assembly uses, as well as the existing food and beverage service uses, which are conditionally permitted within the Nob Hill Special Use District. No enlargement or intensification of the existing nonconforming use, and no change to the physical configuration of the Center is proposed as part of the request for Conditional Use authorization. The maximum capacity of the auditorium would remain at 3,282 persons. SITE DESCRIPTION AND PRESENT USE The Project Site is located on the south side of California Street between Jones and Taylor Streets, Block 0253, Lot 020. The subject property is located within the RM‐4 (Residential Mixed, High Density) District, the 65‐A Height and Bulk District, and the Nob Hill Special Use District. -
RESHAPING COMMUITY BUILDING in APPLE's VISION a Thesis Submitted to the Faculty of San Francisco State
OUR SOUL IS OUR PEOPLE: RESHAPING COMMUITY BUILDING IN APPLE’S VISION A Thesis submitted to the faculty of San Francisco State University 54 In partial fulfillment of Z -0)$ the requirements for 1 the Degree Master of Arts In Women and Gender Studies by Connie Guzman San Francisco, California May 2018 Copyright by Connie Guzman 2018 CERTIFICATION OF APPROVAL I certify that I have read “Our Soul is Our People: Reshaping Community Building in Apple’s Vision” by Connie Guzman, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the Master of Arts in Women and Gender Studies at San Francisco State University. Professor, Women and Gender Studies ^Jillian Sandel/LPh.D. Professor, Women and Gender Studies OUR SOUL IS OUR PEOPLE: RESHAPING COMMUNITY BUILDING IN APPLE’S VISION Connie Guzman San Francisco, California 2018 Apple’s recent store rebranding to a community gathering space is examined through a critique of the companies’ lopsided community engagement in San Francisco and its labor practices in both retail and corporate spheres. This project focuses on Miranda Joseph’s critique of capitalist branded communities in Against the Romance of Community and Sara Ahmed’s concept of “conditional happiness” in The Promise of Happiness. Both works demonstrate how for a community to succeed in capitalism, it must produce happiness that corresponds with the empire. In the case of San Francisco, much of the happiness involves pleasing the tech companies and start-ups that produce revenue in the city’s economy, the reasoning being that “empire becomes a gift that cannot be refused”. -
Arts and the Economy
March 2021 Arts and the Economy The Economic and Social Impact of the Arts in San Francisco Acknowledgments This report was prepared by Sean Randolph, Senior Wayne Hazzard, Executive Director, Dancers’ Group Director at the Bay Area Council Economic Institute, Roberto Y. Hernandez, Executive Director, Carnaval Research Analyst Estevan Lopez, and Executive Director San Francisco Jeff Bellisario. The Economic Institute wishes to thank Grace Horikiri, Executive Director, Nihonmachi Street Fair its sponsors: Grants for the Arts, the San Francisco Arts Commission, the San Francisco War Memorial & Anne Huang, Executive Director, World Arts West Performing Arts Center, and SF Travel for supporting Eva Lee, San Francisco Autumn Moon Festival and the project and the following individuals at those Chinatown Merchants Association organizations for their support and guidance. Jenny Leung, Executive Director, Chinese Culture Matthew Goudeau, Director, Grants for the Arts Center of San Francisco John Caldon, Managing Director, San Francisco War Rhiannon Lewis, Director of Institutional Giving and Memorial & Performing Arts Center Direct Response, San Francisco Conservatory of Music Mariebelle Hansen, Green Room Manager, San Fred Lopez, Executive Director, San Francisco LGBT Francisco War Memorial & Performing Arts Center Pride Parade and Celebration Khan Wong, Senior Program Manager, Grants for the Arts Patrick Makuakane, Director, Na Lei Hulu I Ka Wekiu Sandra Panopio, Senior Racial Equity & Data Analyst, Andrea Morgan, Director of Institutional Giving, -
Atop Salesforce Tower, One of the World's Highest
'The big experiment in the sky' Atop Salesforce Tower, one of the world’s highest works of public art comes to light with grand ambitions By Sam Whiting Electronic artist Jim Campbell sat in Blooms Saloon on Potrero Hill, looking out the window and across town at Salesforce Tower. As day turned to dusk, he pressed a button on his laptop and the top 130 feet of the tower came ablaze in yellow LED light. Then the dark figure of a ballerina came dancing across the yellow light 61 stories up, and one of the world’s highest works of public art was alive for the first time. The brief ballet was only a test, but on Tuesday, at nautical twilight, the new tower’s nose cone will be lighted permanently and “Day for Night,” will instantly become the most prominent installation produced under the city’s “1 percent for art” development tax. “A million people are going to see it every night whether they want to or not,” Campbell said during an interview in his Dogpatch studio, which features a 6-foot lighted scale model of “Day for Night.” “I see this as the big experiment in the sky.” And he is the big experimenter, manipulating his laptop like the Wizard of Oz. The laptop connects to a dozen cameras set up around San Francisco, from the top of the Ferry Building to the Cliff House to capture the full urban panoply. During daylight hours, visual information will be fed into a central computer, which will transmit it back out to 11,000 LED lights affixed to the crown of the tower, —1,070 feet above Mission Street, and visible for up to 30 miles.