Buklet 8.Qxd 24.03.2010 15:45 Page 1 Buklet 8.Qxd 24.03.2010 15:45 Page 2

Total Page:16

File Type:pdf, Size:1020Kb

Buklet 8.Qxd 24.03.2010 15:45 Page 1 Buklet 8.Qxd 24.03.2010 15:45 Page 2 Buklet_8.qxd 24.03.2010 15:45 Page 1 Buklet_8.qxd 24.03.2010 15:45 Page 2 ОРГАНІЗАТОРИ КОНКУРСУ / ORGANIZERS OF THE COMPETITION Організатори конкурсу Organizers of the Competition Міністерство культури і туризму України Ministry of Culture and Tourism of Ukraine Київська міська державна адміністрація Kyiv City State Administration Київський інститут музики ім. Р. М. Глієра R. M. Glier Kyiv Institute of Music Державна дирекція міжнародних конкурсів та мистецьких програм «Арт$Україна» State board of international contests and artistic programs «Art$Ukraine» Міжнародний благодійний фонд конкурсу Володимира Горовиця International Charitable Fund of Vladimir Horowitz Competition Асоціація академічних музичних конкурсів (Україна) Association of Academical Musical Competitions (Ukraine) VIII МІЖНАРОДНИЙ КОНКУРС МОЛОДИХ ПІАНІСТІВ ПАМ’ЯТІ ВОЛОДИМИРА ГОРОВИЦЯ VIII INTERNATIONAL COMPETITION FOR YOUNG PIANISTS IN MEMORY OF VLADIMIR HOROWITZ Buklet_8.qxd 24.03.2010 15:45 Page 3 ВІТАННЯ КОНКУРСУ / COMPETITION GREETINGS Учасникам і гостям VIII Міжнародного конкурсу Dear participants and guests of VIII International com( молодих піаністів пам`яті Володимира Горовиця petition for young pianists in memory of Vladimir Horowitz, Прийміть щирі вітання з нагоди відкриття Accept my sincere greetings on occasion of opening the VIII Міжнародного конкурсу молодих піаністів пам`яті VIII International competition for young pianists in memory Володимира Горовиця. of Vladimir Horowitz! Сьогодні до столицці України, рідного міста нашого славетного співвітчизника, зібралися 82 обдарованих Today the capital of Ukraine, hometown of our famous музиканта з 18 країн світу. Вони представляють різні compatriot hosts 82 gifted musicians from 18 countries of культури, виконавські школи, релігії, громадські устрої the world. They represent different cultures, performing schools, religions, social orders. Despite these differences, та, незважаючи на ці відмінності, участь у конкурсі 3 надає їм унікальну можливість не тільки виявити свій the participation in the competition is a unique opportunity артистичний потенціал, перевірити відповідність not only to show their artistic potential, check their per( свого виконавського рівня світовим конкурсним стан( forming level correspondence to the world competition stan( дартам, але і об'єднатися для отримання особистого, dards, but also to come together to enjoy personal, music музичного та громадського досвіду. and social experience. За 15 років існування конкурс Горовиця перетворив( For the 15 years Horowitz competition has become a ся у своєрідний мистецький мегаполіс, до якого увійшли peculiar art megapolis which includes such recognized in такі визнані в Україні та за її межами культурно( Ukraine and abroad cultural and educative projects, as просвітницькі проекти як: Міжнародний фестиваль International festival «Kyiv Summer Music Evenings», «Київські літні музичні вечори», Міжнародна «Літня International Summer Music Academy, International festi( музична академія», Міжнародний фестиваль «Віртуо( val «Virtuosos of the Planet». The successful implementation зи планети». Успішне втілення в культурне життя of these projects into the cultural life of Ukraine has largely України цих проектів в значній мірі сформувало пози( formed the positive attitude of the international community to тивне ставлення міжнародної спільноти до України й Ukraine and boosted the active development and strengthen( сприяло активному розвитку та зміцненню культурних ing of the cultural ties between different countries. зв'язків між різними країнами. I am sure that participation in the competition of such a Переконаний, що участь у конкурсі такого рівня level will become the beginning of professional career for стане для багатьох молодих виконавців початком many young performers. I hope that those bright personali( професійної кар'єри і маю надію, що ті яскраві ties, who will be opened by VIII International competition особистості, яких відкриє VIII Міжнародний конкурс for young pianists in memory of Vladimir Horowitz, will fea( молодих піаністів пам`яті Володимира Горовиця, сфор( ture our cultural life in future. мують наше культурне життя в майбутньому. I wish all participants successful performances, creative Бажаю всім учасникам вдалих виступів, творчого spirits and constant aspiration to the victory! настрою і невпинного прагнення до перемоги! Михайло Кулиняк Mykhailo Kulyniak Міністр культури і туризму України Minister for culture and tourism of Ukraine VIII МІЖНАРОДНИЙ КОНКУРС МОЛОДИХ ПІАНІСТІВ ПАМ’ЯТІ ВОЛОДИМИРА ГОРОВИЦЯ VIII INTERNATIONAL COMPETITION FOR YOUNG PIANISTS IN MEMORY OF VLADIMIR HOROWITZ Buklet_8.qxd 24.03.2010 15:45 Page 4 ВІТАННЯ КОНКУРСУ / COMPETITION GREETINGS Шановні пані та панове! Дорогі друзі! Dear ladies and gentlemen! Dear friends! Сердечно вітаю учасників і гостей VIII Міжнарод( I heartfully welcome participants and guests of the ного конкурсу молодих піаністів пам`яті Володимира VIII International competition for young pianists in memo( Горовиця. ry of Vladimir Horowitz. 15 років тому, у квітні 1995 року, у рідному місті на( 15 years ago for the first time in April 1995 in the native шого славетного земляка, великого піаніста Володими( city of our famous compatriot, great pianist Vladimir ра Горовиця, талановиті музиканти з різних країн світу Horowitz gifted musicians from all over the world compet( вперше змагались за право називатись нащадками генія ed to be called the descendants of the genius of piano art. 4 фортепіанного мистецтва. За ці роки конкурс Горовиця Since then the Horowitz competition has become a respect( став поважним урочистим форумом академічного мис( ed solemn forum of academic art that is widely known in тецтва, що широко відомий у світі як одна з найважли( the world as one of the most essential events for young tal( віших подій для молодих талановитих піаністів. ented pianists. Представницьке журі, до складу якого в різні роки Thanks to the honoured jury, the members of which незмінно входили видатні українські та зарубіжні were renowned Ukrainian and foreign musicians, high музиканти, високий виконавський рівень багатьох кон( performing level of many contestants, who began their курсантів, чиє стрімке сходження на музичний Олімп rapid advancement to the musical Olympus upon the vic( почалось саме з перемоги на конкурсі в Києві – все це tory in the competition in Kyiv, the most famous зумовило величезний авторитет найбільш відомого Ukrainian international competition has gained a great міжнародного конкурсу, що відбувається в Україні. authority. Музична громадськість нашого міста завжди з Music community of our city watches with great interest великим інтересом слідкує за конкурсними прослухову( the competition's auditions, frankly supports every partici( ваннями, щиро вболіває за кожного з учасників та з pant, looks forward to new prize winners. нетерпінням чекає на нових переможців. I am convinced that the competition’ s promising partic( Переконаний, що талановиті учасники конкурсу ipants will present with dignity their mastery to the hon( гідно презентують свою майстерність шановному журі oured jury and sensitive Kyiv audience and in the upcom( та чутливій київській аудиторії, а найбільш обдарова( ing future the most gifted and persistent contestants will be ні й наполегливі з них в недалекому майбутньому recognized on the concert venues in different countries of отримають широке визнання на концертних сценах the world. різних країн світу. I wish participants successful performances and victo( Бажаю учасникам – вдалих виступів і перемог, чле( ries, members of jury – interesting discoveries and new tal( нам журі – цікавих відкриттів і нових талантів, а ents, admirers of piano music – bright impressions and sat( шанувальникам фортепіанної музики – яскравих isfaction! вражень і задоволення! Віталій Журавський Vitaliy Zhuravskyy Заступник голови Deputy Head Київської міської Kyiv City State державної адміністрації Administration VIII МІЖНАРОДНИЙ КОНКУРС МОЛОДИХ ПІАНІСТІВ ПАМ’ЯТІ ВОЛОДИМИРА ГОРОВИЦЯ VIII INTERNATIONAL COMPETITION FOR YOUNG PIANISTS IN MEMORY OF VLADIMIR HOROWITZ Buklet_8.qxd 24.03.2010 15:45 Page 5 Buklet_8.qxd 24.03.2010 15:45 Page 6 Buklet_8.qxd 24.03.2010 15:45 Page 7 Регламент проведення VІІI Міжнародного конкурсу молодих піаністів пам`яті Володимира Горовиця Regulation of events of the VIІІ International Copmetition for Young Pianists in Memory of Vladimir Horowitz РЕГЛАМЕНТ ПРОВЕДЕННЯ КОНКУРСУ TIMETABLE OF THE COMPETITION Київський інститут музики ім. Р. М. Глієра R. M. Glier Kyiv Institute of Music (вул. Толстого, 31) (Tolstogo Str., 31) 12.04.2010р., понеділок April 12, 2010, Monday 8.00 – 13.00 Реєстрація та жеребкування 8.00 a.m. – 1.00 p.m. Registration and casting of lots 17.30 Прес<конференція 5.30 p.m. (вул. Грушевського, 10) Press conference (Grushevskogo, 10) Національна філармонія України (Володимирський узвіз, 2) National Philharmonic of Ukraine 19.00 (2, Volodymyrskyi Uzviz) Урочисте відкриття конкурсу та концерт 7.00 p.m. За участю Національного заслуженого Solemn Opening of the Competition and a concert академічного симфонічного оркестру України with the National Honoured Academic Диригент – заслужений діяч мистецтв України Symphony Orchestra of Ukraine Наталія Пономарчук Conductor – Honoured Figure of Arts of Ukraine Nataliya Ponomarchuk, І тур Колонний зал ім. М. В. Лисенка Національної філармонії України 1st Round 13 – 18.04.2010 р., вівторок – неділя M. Lysenko Column Hall of the National Philharmonic of Ukraine 10.00 – прослуховування учасників середньої
Recommended publications
  • Séd 51 Hartmann Péter Veszprémi Kritikai Lap Bernstein Bőröndjével a Hangvillába 2016
    s é d 2016. ősz séd 51 Hartmann Péter Veszprémi kritikai lap Bernstein bőröndjével a Hangvillába 2016. ősz Glenn Dicterow hangversenye. Auer Fesztivál, Veszprém, Hang- Megjelenik évente négyszer villa, Nagyterem, 2016. augusztus 4. Glenn Dicterow – hegedű, Szerkesztik: Mendelssohn Kamarazenekar, Amadinda Együtt es, Madaras Demel Eszter, Géczi János, Gopcsa Gergely – karmester Katalin, Ladányi István, Perlaki Claudia Tartalom 52 Borbásné Gazdag Gabriella E szám szerkesztői: Díjazott vonósnégyesek Demel Eszter, Géczi János, Ladányi István 2 Palágyi Sylvia Pikkelydíszes üvegpohár A Kruppa Vonósnégyes és az Att itude Vonósnégyes hangversenye. A Szerkesztőségi titkár: Az inotai pikkelydíszes üvegpohár, Laczkó Dezső Múzeum, Weiner Leó Országos Kamarazenei verseny győztes vonósnégyeseinek Pintér Viktória Veszprém, leltári szám: 77.2.21. gálahangversenye. Auer Fesztivál, Veszprém, 2016. augusztus 5. Lapterv: Somody Péter 4 Bartuc Gabriella 53 Borbás Károly Tördelés: Dénes Tamás K und K Fotó: Gáspár Gábor A testet öltött szöveg A Tánc Fesztiválja – XVIII. Országos Kortárs Összművészeti Talál- Kelemen Barnabás és Kocsis Zoltán hangversenye, Auer Fesztivál, Felelős kiadó: Horváth Géza dékán Veszprém, Hangvilla, 2016. augusztus 5. Kiadja a Pannon Egyetem Modern kozó, 2016. május 23–29. Filológiai és Társadalomtudományi Kara 6 Balcsik Tamás Kinga 54 Hartmann Péter Levelezési cím: Séd folyóirat, Pannon Te nem vagy Erős akarattal alkotva, avagy a húrok és billentyűk Egyetem MFTK, Sziveri János Intézet, -a. A Tánc Fesztiválja, Veszprém, költészete Egyetem u. 10., 8200 Veszprém Szombathy Bálint performance Latinovits–Bujtor Játékszín, 2016. május 25. Sergey és Lusine Khachatryan hangversenye. Sergey Khachatryan E-mail: [email protected] – hegedű, Lusine Khachatryan – zongora, Mendelssohn Kama- http://sziveriintezet.mft k.uni-pannon.hu 7 Éltető Erzsébet razenekar, Madaras Gergely – karmester.
    [Show full text]
  • One Day When Women Can Demand Anything
    MARCH | 2007 | issue # 03 www.passportmagazine.ru Paradigm Shift for doing buSiness in russia iStanbul through russian eyeS one day when women can demand anything contents. Publisher’s Letter 2 reaL esTaTe wine & dine The bottom Line New international dimension Thomas Koessler 36-37 Foreign Passport holders to Moscow’s leading residential realtor 26 A Very Special 8th of March Recipe should read this! 4 for the Ladies 38 Editor’s Choice 6 Novikov’s latest creation stimulates What’s On in Moscow in February 8-9 palate 39 Moscow Museums and Galleries 10 Kids ‘n’ Culture 11 Venues 11 Cover sTory Serviced Apartments grow in number and variety as an alternative to Moscow Hotels 28-29 feaTure Asian Fusion Match 40-43 Asian Fusion 44 CommuniTy Toys for Nostalgia 50 One day when women Postcard from Belarus 50 can demand anything 12-15 Mac vs PC (Or Soar with the Eagles) 51 business Community listing 52 Leaders & Changes 16 Distribution list 53 Paradigm Shift for doing business ouT & abouT in Russia 17-19 Forum to highlight Russia-Singapore business ties 20 From the primordial religion of the great arT hisTory mother to sacred contemporary The silver age of russian art in the oriental art 30-31 pre-soviet period 21 Fighting Fit 32 TraveL performing arT Johnnie Walker Black Label Black Ball 54 Dancing the night away 54 CERBA & Russo-British joint meeting 55 IWC Evening of Excellence raises cash for charity 55 The LasT word Istanbul through russian eyes 22-25 80 Years Young 34-35 Eric Kraus 56 PASSPORT | MARCH | 2007 | issue # 03 .letter from the
    [Show full text]
  • МИТ-Инфо» № 4 (37) 2016 “ITI-Info” № 4 (37) 2016
    «МИТ-Инфо» № 4 (37) 2016 “ITI-Info” № 4 (37) 2016 Учреждён некоммерческим партнёрством по поддержке EstablishEd by nOn-cOmmErcial partnErship fOr prOmOtiOn театральной деятельности и искУсства «российский Of thEatrE activitity and arts «russian natiOnal cEntrE Of национальный центр междУнародного инститУта театра». thE intErnatiOnal thEatrE institutE» Зарегистрирован Федеральной слУжбой по надЗорУ rEgistErEd by thE fEdEral agEncy в сФере свяЗи и массовых коммУникаций. fOr mass-mEdia and cOmmunicatiOns. свидетельство о регистрации rEgistratiOn licEnsE smi pi № fs77-34893 сми пи № Фс77-34893 от 29 декабря 2008 года Of dEcEmbEr 29th, 2008 главный редактор: альФира арсланова / EditOr-in-chiEf: alfira arslanOva Зам. главного редактора: ольга ФУкс / EditOr-in-chiEf dEputy: Olga fOux диЗайн, вёрстка, препресс: михаил кУренков / dEsign, layOut, prEprint: miKhail KurEnKOv координатор: юлия ардаШникова / cOOrdinatOr: yulia ardashniKOva редактор: ирина калаШникова / EditOr: irina KalashniKOva реклама: андрей данильченко, анна лисименко / advErtising: andrEy danilchEnKO, anna lisimEnKO печать: леонид антонов / printing: lEOnid antOnOv оФициальный партнёр жУрнала Зао «кейджитиси» www.Kgtc.ru / Official translatiOn partnEr Kgtc www.Kgtc.ru Финансы: ирина савенко / accOuntancy: irina savEnKO адрес редакции: 129594, москва, Ул. Шереметьевская, д. 6, стр. 1 EditOrial bOard addrEss: 129594, mOscOw, shErEmEtyEvsKaya str., 6, bld. 1 электронная почта: [email protected] / E-mail: [email protected] на обложке: сцена иЗ спектакля «предметный раЗговор» белорУсского госУдарственного молодёжного театра (режиссер ольга скворцова). Фото оли пипченко cOvEr: “subjEct talK”, bElarusian statE yOuth thEatrE (dirEctOr - Olga sKvOrtsOva). phOtO: Olya pipchEnKO отпечатано в типограФии OOO «райкин плаЗа» printEd by raiKin plaZa ltd. 129594, mOscOw, 129594, г. москва, Ул. Шереметьевская, д. 6, стр. 1. цена shErEmEtyEvsKaya str., 6, bld. 1 OpEn pricE. a numbEr Of свободная.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • Music Center Announces New Home, Upcoming Performances
    Music center announces new home, upcoming performances Park International Center for Music Announces 2018-2019 Season and Performance Home of the 1900 Building KANSAS CITY, MO Stanislav Ioudenitch, Artistic Director of Park International Center for Music (Park ICM), announced today that their 2018-2019 season would kick off in September with a new performance home, the 1900 Building in Mission Woods, Kansas. “For the first time, we will perform our entire season at the 1900 Building as we adore performing in their wonderful spaces,” said Ioudenitch. “Now between their two fabulous concert halls and their delicious restaurant, classical music lovers can have a full evening of fine wines and food, and cap it off with our world-class musicians! We are two hidden jewels just now being discovered in the Kansas City arts public.” High res photos can be found here. Park ICM has six different offerings this coming year for classical music lovers, all of which have incredible musicians coming to Kansas City from the world stage. As a part of the season and for the first time, three-selected guest artists, Vladimir Viardo (piano), Shmuel Ashkenasi (violin), and Dang Thai Son (piano) will be presenting an “educational” component as part of the concert. Those in attendance will get to observe and listen to the interaction between a master artist and a gifted ICM student in the preparation and performance of repertoire performed as part of the evening’s program. It’s an exclusive and rare opportunity to hear these world-class musicians in performance as well as coaching students in a concert format before an audience.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia.
    [Show full text]
  • The David Oistrakh Quartet Features Four Of
    The David Oistrakh Quartet features four of today's most outstanding Russian musicians, all soloists in their own right, united in their artistry and their passion for the art of quartet playing. In 2012 the family of the legendary 20th century violinist honored the quartet with his name. The David Oistrakh Quartet frequently performs across Europe in France, Belgium, Switzerland, Sweden, Norway, Denmark and at the most recognized venues in Russia, including all of the country's famous philharmonics halls. They have had the honor to play at various renowned festivals both in Europe and in Georgia where they have collaborated with such celebrated artists as Eliso Virsaladze, Eduard Brunner and Liana Isakadze. Following the recent success of their debut in Japan and the release of their first CD, featuring the works of Tchaikovsky and Shostakovich, the next season takes the Quartet to South America and Hong Kong. 75 years after David Oistrakh’s triumph at the Queen Elisabeth International Violin Competition, the First Violinist of the Quartet, Andrey Baranov, won the first prize in [email protected] 2012. Baranov is also laureate of more than a dozen international competitions including the David Oistrakh, Benjamin Britten, Henri Marteau and Liana Isakadze competitions. His international career has led him to perform as a soloist with the London Philharmonic, Sendai Philharmonic, St-Petersburg Philharmonic, Brussels Philharmonic, National Orchestra of Belgium, Tchaikovsky Symphony Orchestra, Luxembourg Philharmonic, Montreal Symphony Orchestra, Mariinsky Theatre Orchestra, Mahler Chamber Orchestra Artists Management and MusicAeterna Orchestra. The Second Violinist of the David Oistrakh Quartet is Rodion Petrov, a graduate of the MUSIC Reina Sofia Music Academy in Madrid and the Moscow State Conservatory.
    [Show full text]
  • Cello Concerto (1990)
    RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-G RUSTAM ABDULLAYEV (b. 1947, UZBEKISTAN) Born in Khorezm. He studied composition at the Tashkent Conservatory with Rumil Vildanov and Boris Zeidman. He later became a professor of composition and orchestration of the State Conservatory of Uzbekistan as well as chairman of the Composers' Union of Uzbekistan. He has composed prolifically in most genres including opera, orchestral, chamber and vocal works. He has completed 4 additional Concertos for Piano (1991, 1993, 1994, 1995) as well as a Violin Concerto (2009). Piano Concerto No. 1 (1972) Adiba Sharipova (piano)/Z. Khaknazirov/Uzbekistan State Symphony Orchestra ( + Zakirov: Piano Concerto and Yanov-Yanovsky: Piano Concertino) MELODIYA S10 20999 001 (LP) (1984) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where his composition teacher was Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. Piano Concerto in E minor (1976) Alexander Tutunov (piano)/ Marlan Carlson/Corvallis-Oregon State University Symphony Orchestra ( + Piano Trio, Aria for Viola and Piano and 10 Romances) ALTARUS 9058 (2003) Aria for Violin and Chamber Orchestra (1973) Mikhail Shtein (violin)/Alexander Polyanko/Minsk Chamber Orchestra ( + Vagner: Clarinet Concerto and Alkhimovich: Concerto Grosso No. 2) MELODIYA S10 27829 003 (LP) (1988) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Concertos A-G ISIDOR ACHRON (1891-1948) Piano Concerto No.
    [Show full text]
  • Nikoloz Rachveli the Rest Is Silence Requiem for Holocaust and Violence Victims for Mezzo-Soprano, Mixed Choir and Orchestra *40 Min
    Nikoloz Rachveli The Rest is Silence Requiem for Holocaust and violence victims for mezzo-soprano, mixed choir and orchestra *40 min World premiere - 19.12 2016 at the Teatro alla Scala Georgian Premiere - 27.12.2017 at the Tbilisi Opera and Ballet Theatre This composition, which was specially created for Anita Rachvelishvili's concert at the Teatro alla Scala, is dedicated to the memory of people who have been tortured and killed unjustly. The final words from Shakespeare's Hamlet are used for a title. The work is based on a poem "Death Fugue”, written by an outstanding poet Paul Celan (1920-1970) about his experience in the Nazi concentration camps. Five-piece vocal cycle consists of Georgian poet Vazha Pshavela’s (1861-1915) poem “I could not save anyone” and poem about Jewish boy - 1st part, 2nd part - The Fest of the Tortured Souls, 3rd - Hebrew lullaby by Emanuel Harussi (1903- 1979), 4th - "Death Fugue" by Paul Celan, and 5th part - Postludium, where Paul Celan reads his own poem written in the concentration camp. After the premiere on December 27, 2017 the mesmerized public was silent for a long time before a standing ovation. "Although defending human rights is the supreme value of humanity, injustice and brutality remains an irreparable problem of nowadays. If we consider the Earth as a whole, we find that the largest percentage of its population is still sacrificed to dictatorship, repression, the death penalty, political and religious confrontations, terrorist acts and territorial conflicts. Mental and technological progress has failed to protect the most vulnerable people until today; the world is still full of displaced refugees, innocent prisoners fighting for the freedom of speech.
    [Show full text]
  • 1St Time Charm! Master’S Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano
    Fall 2008 1st Time Charm! Master’s Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano Exciting Acquisition— a First for the College of Music rriving in spring 2007 from the McNulty workshop in the Czech Republic, this gorgeous fortepiano, an 1805 Walter und Sohn copy, Ahas already become an important educational and performance tool within the College of Music. Many, many thanks are due to Professor Emeritus Michael Collins, philanthropist Paul Voertman and the National Endowment for the Arts for their generosity that enabled us to purchase this instrument. One of its most interesting uses has been the recording project planned in conjunction with an upcoming book by UNT musicology alumnus James “Chip” Parsons, Professor of Music at Missouri State University and a former student of Professor Collins. A-R Editions will publish Dr. Parsons’ book on early alternate settings of Schiller’s poem “An die Freude” (heard in the famous last movement of Beethoven’s 9th Symphony). The accompanying CD, coordinated by UNT faculty Elvia Puccinelli, will include selections based on the facsimile scores included in the book. (For more about the fortepiano and its impact, go to page 17.) Contents Dean’s Message ......................................................4 William W. “Bill” Winspear Transitions ................................................................6 1933-2007 Welcome to New Faculty ..........................................8 International Relationships .......................................11 illiam W. “Bill”
    [Show full text]
  • Building a Library
    BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 .............................................................................................................................................................................
    [Show full text]