DOCSLIB.ORG

1 Language Learning Center Video Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 Language Learning Center Video Catalogue Language Learning Center Video Catalogue – Updated July 2016 NO. LANGUAGE TITLE FORMAT DIRECTOR YEAR COMMENTS 4 GERMAN CONGRESS DANCES VHS CHARELL, ERIK 1932 22 GERMAN HARMONISTS, THE DVD VILSMAIER, JOSEPH 1997 54 GERMAN KOLBERG VHS HARLAN, VEIT 1945 71 GERMAN TESTAMENT OF DR. MABUSE, THE VHS LANG, FRITZ 1933 95 GERMAN MALOU VHS MEERAPFELE, JEANINE 1983 96 GERMAN TONIO KROGER VHS THIELE, ROLF 1964 97 GERMAN BARON MUNCHHAUSEN VHS VON BAKY, JOSEF 1943 99 GERMAN LOST HONOR OF KATHARINA BLUM, THE VHS SCHLONDORFF, VOLKER 1975 100 GERMAN THREEPENNY OPERA, THE VHS PABST, G.W. 1931 101 GERMAN JOYLESS STREET VHS PABST, G.W. 1925 102 GERMAN SIEGFRIED VHS LANG, FRITZ 1924 103 GERMAN TIN DRUM, THE DVD SCHLONDORFF, VOLKER 1975 105 GERMAN TIEFLAND VHS RIEFENSTAHL, LENI 1954 111 GERMAN BLICKKONTAKE (TO ACCOMPANY KONTAKE) VHS MCGRAW HILL 2000 127 GERMAN GERMANY AWAKE VHS LEISER, ERWIN 1968 129 GERMAN CAPTAIN FROM KOEPENIK, THE VHS KAUNTER, HELMUT 1956 167 GERMAN GERMANY IN AUTUMN VHS FASSBINDER, RANIER WERNER 1977 199 GERMAN PANDORA'S BOX VHS PABST, G.W. 1928 206 GERMAN ODE TO JOY AND FREEDOM VHS SCHUBERT, BEATE 1990 207 GERMAN ODE TO JOY AND FREEDOM VHS SCHUBERT, BEATE 1990 208 GERMAN ODE TO JOY AND FREEDOM VHS SCHUBERT, BEATE 1990 209 GERMAN ODE TO JOY AND FREEDOM VHS SCHUBERT, BEATE 1990 ROSEN, BOB AND ANDREA 211 GERMAN VIENNA 1900: ART, ARCHITECTURE AND DESIGN VHS SIMON 1986 253 GERMAN CABINET OF DR. CALIGARI, THE VHS WIENE, ROBERT 1919 265 GERMAN DAMALS VHS HANSEN, ROLF 1943 266 GERMAN GOLDENE STADT, DIE VHS HARLAN, VEIT 1942 267 GERMAN ZU NEUEN UFERN VHS SIERCK, DETLEF 1937 284 GERMAN LERNEXPRESS 1-4 VHS BBC 1991 285 GERMAN LERNEXPRESS 5-8 VHS BBC 1991 1 Language Learning Center Video Catalogue – Updated July 2016 286 GERMAN LERNEXPRESS 9-10 VHS BBC 1991 287 GERMAN LERNEXPRESS 11-14 VHS BBC 1991 288 GERMAN LERNEXPRESS 15-18 VHS BBC 1991 289 GERMAN LERNEXPRESS 19-20 VHS BBC 1991 298 GERMAN NEUE WELLE DEUTSCHLAND VHS CAMPEANU, ANDREI 1992 299 GERMAN NEUE WELLE DEUTSCHLAND VHS CAMPEANU, ANDREI 1992 300 GERMAN NEUE WELLE DEUTSCHLAND (MASTER) VHS CAMPEANU, ANDREI 1992 301 GERMAN NEUE WELLE DEUTSCHLAND VHS CAMPEANU, ANDREI 1992 394 GERMAN BERLIN-WIE ES WAR VHS FORGUE, LEO DE LA 1942 395 GERMAN KOLN VHS INTERNATIONAL HISTORIC FILMS 1989 396 GERMAN DRESDEN VHS INTERNATIONAL HISTORIC FILMS 1949 397 GERMAN TAUSENDJAHRIGE POTSDAM, DAS VHS LEOPOLD, HEIKI AND PETER F. 1989 409 GERMAN BERLIN ALEXANDERPLATZ: 1931 VERSION VHS FASSBINDER, RANIER WERNER 1979 410 GERMAN BERLIN ALEXANDERPLATZ 1: PUNISHMENT BEGINS VHS FASSBINDER, RANIER WERNER 1979 411 GERMAN BERLIN ALEXANDERPLATZ 2: A HAMMER BLOW VHS FASSBINDER, RANIER WERNER 1979 411 GERMAN BERLIN ALEXANDERPLATZ 2: HOW IS ONE TO LIVE VHS FASSBINDER, RANIER WERNER 1979 412 GERMAN BERLIN ALEXANDERPLATZ 3: A HANDFUL OF PEOPLE VHS FASSBINDER, RANIER WERNER 1979 412 GERMAN BERLIN ALEXANDERPLATZ 3: A REAPER VHS FASSBINDER, RANIER WERNER 1979 413 GERMAN BERLIN ALEXANDERPLATZ 4: A LOVE ALWAYS COSTS VHS FASSBINDER, RANIER WERNER 1979 413 GERMAN BERLIN ALEXANDERPLATZ 4: REMEMBER AN OATH VHS FASSBINDER, RANIER WERNER 1979 414 GERMAN BERLIN ALEXANDERPLATZ 5: OF THE ETERNITIES VHS FASSBINDER, RANIER WERNER 1979 414 GERMAN BERLIN ALEXANDERPLATZ 5: THE SUN WARMS THE VHS FASSBINDER, RANIER WERNER 1979 BERLIN ALEXANDERPLATZ 6: KNOWLEDGE IS 415 GERMAN POWER VHS FASSBINDER, RANIER WERNER 1979 415 GERMAN BERLIN ALEXANDERPLATZ 6: LONELINESS MAKES VHS FASSBINDER, RANIER WERNER 1979 416 GERMAN BERLIN ALEXANDERPLATZ 7: THE EXTERNAL VHS FASSBINDER, RANIER WERNER 1979 416 GERMAN BERLIN ALEXANDERPLATZ 7: THE SERPENT AND THE VHS FASSBINDER, RANIER WERNER 1979 417 GERMAN BERLIN ALEXANDERPLATZ 8: AN EPILOGUE VHS FASSBINDER, RANIER WERNER 1979 454 GERMAN MINIZIB 1 VHS ANNENBERG MEDIA 1989 455 GERMAN TELESKOP: LANDESKUNDE IM ZDF VHS ANNENBERG MEDIA 1992 456 GERMAN DAME AUS AMSTERDAM, DIE VHS ANNENBERG MEDIA 1987 2 Language Learning Center Video Catalogue – Updated July 2016 472 GERMAN AMERICAN SOLDIER, THE DVD FASSBINDER, RANIER WERNER 1993 479 GERMAN LILI MARLEEN VHS FASSBINDER, RANIER WERNER 1980 486 GERMAN BERLIN ALEXANDERPLATZ: 1931 VERSION VHS FASSBINDER, RANIER WERNER 1979 503 GERMAN IN DEUTSCHLAND VHS DIE GOETHE INSTITUTE 1991 504 GERMAN IN DEUTSCHLAND VHS DIE GOETHE INSTITUTE 1991 528 GERMAN KLEIDER MACHEN LEUTE VHS KAUTNER, HELMUT 1940 540 GERMAN SHONE LUGNERIN, DIE VHS N/A 1959 541 GERMAN SCHON MUSS MAN SEIN VHS RATONY, AKOS VON 1950 542 GERMAN DRITTE VON RECHTS, DIE VHS CZIFFRA, GEZA VON 1950 543 GERMAN FRAU AM DUNKLEN FENSTER, DIE VHS WIRTH, FRANZ PETER 1960 544 GERMAN ENGEL IM ABENDKLEID VHS PLATT, RUDOLF 1951 545 GERMAN CHARLEY'S TANTE VHS KAMPENDONK, GUSTAV 1963 551 GERMAN FEUERZANGENBOWLE, DIE VHS INTERNATIONAL HISTORIC FILMS 1944 555 GERMAN FAUST VHS GRUNDGENS, GUSTAF 1960 570 GERMAN STRAUSS FAMILY: PART I, THE VHS REID, DAVID 1979 571 GERMAN STRAUSS FAMILY: PART II, THE VHS REID, DAVID 1979 572 GERMAN STRAUSS FAMILY: PART III, THE VHS REID, DAVID 1979 573 GERMAN STRAUSS FAMILY: PART IV, THE VHS REID, DAVID 1979 576 GERMAN EFFI BRIEST VHS FASSBINDER, RANIER WERNER 1974 578 GERMAN HAUPTMANN VON KOPENICK, DER VHS RUHMANN, HEINZ 1990 590 GERMAN NASTY GIRL, THE VHS VERHOEVEN, MICHAEL 1990 591 GERMAN ROSA LUXEMBURG VHS TROTTA, MARGARETHE VON 1986 592 GERMAN MEN… VHS DORRIE, DORIS 1985 593 GERMAN HEIMAT 1 VHS REITZ, EDGAR 1996 594 GERMAN HEIMAT 2 VHS REITZ, EDGAR 1996 595 GERMAN HEIMAT 3 VHS REITZ, EDGAR 1996 596 GERMAN HEIMAT 4 VHS REITZ, EDGAR 1996 597 GERMAN HEIMAT 5 VHS REITZ, EDGAR 1996 598 GERMAN HEIMAT 6 VHS REITZ, EDGAR 1996 599 GERMAN HEIMAT 7 VHS REITZ, EDGAR 1996 600 GERMAN HEIMAT 8 VHS REITZ, EDGAR 1996 3 Language Learning Center Video Catalogue – Updated July 2016 601 GERMAN HEIMAT 9 VHS REITZ, EDGAR 1996 605 GERMAN MARRIAGE OF MARIA BROWN, THE VHS FASSBINDER, RANIER WERNER 1978 606 GERMAN CHARLEY'S TANTE VHS RUHMANN, HEINZ 1955 607 GERMAN IN JULY DVD AKIN, FAITH 2004 AMERICAN TELEVISION 629 GERMAN ERINNERUNGEN AN BERLIN VHS NETWORK 1993 636 GERMAN WOYZECK VHS HERZOG, WERNER 1978 646 GERMAN RUN LOLA RUN DVD TYKWER, TOM 1999 649 GERMAN JACOB THE LIAR VHS BEYER, FRANK 1974 730 GERMAN NEUE HORIZONTE VHS HOUGHTON MIFFLIN 2003 731 GERMAN NEUE HORIZONTE VHS HOUGHTON MIFFLIN 2003 873 GERMAN VIDEO IMPULSE VHS HOUGHTON MIFFLIN 1995 883 GERMAN LAST LAUGH, THE VHS MURNAU, FRIEDRICH W. 1925 884 GERMAN BLUE ANGEL, THE DVD STERNBERG, JOSEF VON 1930 894 GERMAN NOSFERATU THE VAMPYRE DVD HERZOG, WERNER 1979 895 GERMAN RUN LOLA RUN VHS TYKWER, TOM 1999 896 GERMAN M DVD LANG, FRITZ 1931 897 GERMAN TRIUMPH OF THE WILL DVD INTERNATIONAL HISTORIC FILMS 1935 899 GERMAN MAEDCHEN IN UNIFORM VHS SAGAN, LEONTINE 1931 906 GERMAN KRIEMHILD'S REVENGE (NIBELUNGEN SAGA II) VHS LANG, FRITZ 1924 907 GERMAN PARACELSUS VHS INTERNATIONAL HISTORIC FILMS 1985 908 GERMAN HITLER YOUTH QUEX VHS STEINHOFF, HANS 1933 916 GERMAN KUHLE WAMPE VHS DUDOW, SLATAN 1932 PAL FORMAT 917 GERMAN AGUIRRE: THE WRATH OF GOD DVD HERZOG, WERNER 1972 919 GERMAN METROPOLIS DVD LANG, FRITZ 1926 920 GERMAN WINGS OF DESIRE VHS WENDERS, WIM 1987 JEW SUSS: THE INDOCTRINATION OF RACIAL 921 GERMAN HATRED VHS HARLAN, VEIT 1940 922 GERMAN GERMANY, PALE MOTHER VHS SANDERS-BRAHMS, HELMA 1979 926 GERMAN MURDERERS ARE AMONG US, THE VHS STAUDTE, WOLFGANG 1946 933 GERMAN JOYLESS STREET, THE VHS PABST, G.W. 1925 4 Language Learning Center Video Catalogue – Updated July 2016 PAL/REGION 935 GERMAN COMMANDERIE, LA DVD LE PECHEUR, DIDIER 2010 2 PAL/REGION 935 GERMAN TEMPLER, DIE DVD LE PECHEUR, DIDIER 2010 2 944 GERMAN RABBIT IS ME, THE VHS MAETZIG, KURT 1965 990 GERMAN BLIND SPOT: HITLER'S SECRETARY DVD HELLER, ANDRE 2002 1020 GERMAN UNTERWEGS! AN INTRO GERMAN VIDEO VHS HOUGHTON MIFFLIN 1997 1021 GERMAN UNTERWEGS! AN INTRO GERMAN VIDEO VHS HOUGHTON MIFFLIN 1997 1022 GERMAN UNTERWEGS! AN INTRO GERMAN VIDEO VHS HOUGHTON MIFFLIN 1997 1023 GERMAN GEBURTIG DVD STEPANIK, LUKAS 2004 1024 GERMAN GOOD BYE LENIN! VHS BECKER, WOLFGANG 2003 HOTEL TERMINUS: THE LIFE AND TIMES OF K. 1026 GERMAN BARBIE VHS OPHULS, MARCEL 1988 HOTEL TERMINUS: THE LIFE AND TIMES OF K. 1027 GERMAN BARBIE VHS OPHULS, MARCEL 1988 1082 GERMAN ROSENTRASSE DVD TROTTA, MARGARETHE VON 2003 1092 GERMAN GEBURTIG DVD STEPANIK, LUKAS 2004 1100 GERMAN ABENTEUER DES BARON MUNCHHAUSEN, DIE DVD GILLIAM, TERRY 1988 1100 GERMAN ADVENTURES OF BARON MUNCHHASEN, THE DVD GILLIAM, TERRY 1988 1101 GERMAN ETERNAL JEW, THE VHS HIPPLER, FRITZ 1940 1108 GERMAN KORCZAK VHS WAJDA, ANDRZEJ 1990 1337 GERMAN BAADER MEINHOF COMPLEX, THE DVD EDEL, ULI 2008 1344 GERMAN STORY OF LITTLE MOOK, THE DVD STAUDTE, WOLFGANG 1953 1349 GERMAN MILCHWALD DVD HOCHHAUSLER, CHRISTOPH 2002 1349 GERMAN THIS VERY MOMENT DVD HOCHHAUSLER, CHRISTOPH 2002 1367 GERMAN ABENTEURLICHER SIMPLIZISSIMUS DVD UMGELTER, FRITZ 2008 5 .
Load more

Recommended publications
  • Alexander Kluge Raw Materials for the Imagination
    FILM CULTURE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press Alexander Kluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Front cover illustration: Alexander Kluge. Photo: Regina Schmeken Back cover illustration: Artists under the Big Top: Perplexed () Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn (paperback) isbn (hardcover) e-isbn nur © T. Forrest / Amsterdam University Press, All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustra- tions reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. For Alexander Kluge …and in memory of Miriam Hansen Table of Contents Introduction Editor’s Introduction Tara Forrest The Stubborn Persistence of Alexander Kluge Thomas Elsaesser Film, Politics and the Public Sphere On Film and the Public Sphere Alexander Kluge Cooperative Auteur Cinema and Oppositional Public Sphere: Alexander Kluge’s Contribution to G I A Miriam Hansen ‘What is Different is Good’: Women and Femininity in the Films of Alexander Kluge Heide
    [Show full text]
  • Course Outline
    Prof. Fatima Naqvi German 01:470:360:01; cross-listed with 01:175:377:01 (Core approval only for 470:360:01!) Fall 2018 Tu 2nd + 3rd Period (9:50-12:30), Scott Hall 114 [email protected] Office hour: Tu 1:10-2:30, New Academic Building or by appointment, Rm. 4130 (4th Floor) Classics of German Cinema: From Haunted Screen to Hyperreality Description: This course introduces students to canonical films of the Weimar, Nazi, post-war and post-wall period. In exploring issues of class, gender, nation, and conflict by means of close analysis, the course seeks to sensitize students to the cultural context of these films and the changing socio-political and historical climates in which they arose. Special attention will be paid to the issue of film style. We will also reflect on what constitutes the “canon” when discussing films, especially those of recent vintage. Directors include Robert Wiene, F.W. Murnau, Fritz Lang, Lotte Reiniger, Leni Riefenstahl, Alexander Kluge, Volker Schlöndorff, Werner Herzog, Wim Wenders, Rainer Werner Fassbinder, Andreas Dresen, Christian Petzold, Jessica Hausner, Michael Haneke, Angela Schanelec, Barbara Albert. The films are available at the Douglass Media Center for viewing. Taught in English. Required Texts: Anton Kaes, M ISBN-13: 978-0851703701 Recommended Texts (on reserve at Alexander Library): Timothy Corrigan, A Short Guide to Writing about Film Rob Burns (ed.), German Cultural Studies Lotte Eisner, The Haunted Screen Sigmund Freud, Writings on Art and Literature Siegfried Kracauer, From Caligari to Hitler Anton Kaes, Shell Shock Cinema: Weimar Cinema and the Wounds of War Noah Isenberg, Weimar Cinema Gerd Gemünden, Continental Strangers Gerd Gemünden, A Foreign Affair: Billy Wilder’s American Films Sabine Hake, German National Cinema Béla Balász, Early Film Theory Siegfried Kracauer, The Mass Ornament Brad Prager, The Cinema of Werner Herzog Eric Ames, Ferocious Reality: Documentary according to Werner Herzog Eric Ames, Werner Herzog: Interviews N.
    [Show full text]
  • The Image of Rebirth in Literature, Media, and Society: 2017 SASSI
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Society for the Academic Study of Social Imagery School of Communication 2017 The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings Thomas G. Endres University of Northern Colorado, [email protected] Follow this and additional works at: http://digscholarship.unco.edu/sassi Part of the Film and Media Studies Commons, History Commons, and the Rhetoric and Composition Commons Recommended Citation Endres, Thomas G., "The mI age of Rebirth in Literature, Media, and Society: 2017 SASSI Conference Proceedings" (2017). Society for the Academic Study of Social Imagery. 1. http://digscholarship.unco.edu/sassi/1 This Conference Proceeding is brought to you for free and open access by the School of Communication at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Society for the Academic Study of Social Imagery by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. THE IMAGE OF REBIRTH in Literature, Media, and Society 2017 Conference Proceedings Society for the Academic Study of Social Imagery Edited by Thomas G. Endres Published by University of Northern Colorado ISSN 2572-4320 (online) THE IMAGE OF REBIRTH in Literature, Media, and Society Proceedings of the 2017 Conference of the Society for the Academic Study of Social Imagery March 2017 Greeley, Colorado Edited by Thomas G. Endres University of Northern Colorado Published
    [Show full text]
  • Warhol and Fassbinder
    ARA OSTERWEIL IN NO HOME MOVIE (2015), Chantal Akerman records the decline of her mother, portraits Warhol ever made. As in many of his films, fiction dissolves into docu- a Polish Jewish Holocaust survivor, in what would turn out to be the last few years mentary, and Warhol’s mother is seen puttering around the kitchen in housecoat of both of their lives. The videography is amateur and the interactions between and babushka, talking incessantly in her nearly unintelligible Ruthenian accent, the two women quotidian: The film includes recordings of Skype sessions in which scrambling eggs for her new “husband” and the film’s crew, and, eventually, trying mother and daughter cannot think of much more to say to each other than “I love to teach Rheem how to properly iron a shirt. In other words, Julia is filmed doing you.” Yet in spite of the time they spend together, the unspeakable remains so, what one assumes were her usual tasks as Andy’s mother and default housekeeper, and the traumas of history resist revelation. For a film in which “nothing hap- here reimagined as matrimonial duties performed for her son’s lover. pens,” the intimacy is staggering. As if this arrangement weren’t Oedipal enough, the film’s title—Mrs. Warhol Akerman wasn’t the only filmmaker to cast her mother in a home movie that rather than Mrs. Warhola—suggests that Julia was essentially her son’s wife rather defies the conventions of both home and movies. Andy Warhol (1928–1987) and than her late husband’s. (Andy’s father, Ondrej Warhola, was a Czechoslovakian the German filmmaker Rainer Werner Fassbinder (1945–1982) both had intimate immigrant who, unlike his son, retained the final a in his name.) Furthermore, in relationships with their mothers that involved artistic collaboration; in Warhol’s her screen debut as a man-eater, Julia is implicitly made responsible for Ondrej’s case, the relationship also involved long periods of cohabitation.
    [Show full text]
  • Storytelling and Survival in the 'Murderer's House'
    Storytelling and Survival in the “Murderer’s House”: Gender, Voice(lessness) and Memory in Helma Sanders-Brahms’ Deutschland, bleiche Mutter by Rebecca Reed B.A., University of Victoria, 2003 A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS in the Department of Germanic and Slavic Studies © Rebecca Reed, 2009 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Storytelling and Survival in the “Murderer’s House”: Gender, Voice(lessness) and Memory in Helma Sanders-Brahms’ Deutschland, bleiche Mutter by Rebecca Reed B.A., University of Victoria, 2003 Supervisory Committee Dr. Helga Thorson, Supervisor (Department of Germanic and Slavic Studies) Dr. Charlotte Schallié, Departmental Member (Department of Germanic and Slavic Studies) Dr. Perry Biddiscombe, Outside Member (Department of History) iii Supervisory Committee Dr. Helga Thorson, Supervisor (Department of Germanic and Slavic Studies) Dr. Charlotte Schallié, Departmental Member (Department of Germanic and Slavic Studies) Dr. Perry Biddiscombe, Outside Member (Department of History) ABSTRACT Helma Sanders-Brahms’ film Deutschland, bleiche Mutter is an important contribution to (West) German cinema and to the discourse of Vergangenheitsbewältigung or “the struggle to come to terms with the Nazi past” and arguably the first film of New German Cinema to take as its central plot a German woman’s gendered experiences of the Second World War and its aftermath. In her film, Deutschland, bleiche Mutter, Helma Sanders-Brahms uses a variety of narrative and cinematic techniques to give voice to the frequently neglected history of non- Jewish German women’s war and post-war experiences.
    [Show full text]
  • Fltc Dvd / German
    Revised 4/1/2013 FLTC German DVD List DVD/GER/1 - TALES FROM EUROPE: LITTLE MOOK 1953 (96 min.) GERMAN w/ ENGLISH DUBBING, FRENCH & SPANISH NARRATION DVD/GER/2 - TALES FROM EUROPE: GOLDEN GOOSE 1964 (64 min.) GERMAN w/ ENGLISH DUBBING, FRENCH & SPANISH NARRATION DVD/GER/3 - TALES FROM EUROPE: SINGING, RINGING TREE 1957 (70 min.) GERMAN w/ ENGLISH DUBBING, FRENCH & SPANISH NARRATION DVD/GER/4 - TALES FROM EUROPE: DEVIL'S 3 GOLDEN HAIRS 1977 (88 min.) GERMAN w/ ENGLISH DUBBING, FRENCH & SPANISH NARRATION DVD/GER/5 - BANDITS Katja von Garnier, 1997 (110 min.) GERMAN w/ ENGLISH SUBTITLES DVD/GER/6 - CABINET OF DR. CALIGARI Robert Wiene, 1920 (72 min.) SILENT w/ ENGLISH SUBTITLES DVD/GER/7 - LOLA Rainer Werner Fassbinder, 1981 (120 min.) GERMAN w/ ENGLISH SUBTITLES DVD/GER/8 - MARRIAGE OF MARIA BRAUN Fassbinder, 1979 (120 min.) GERMAN w/ ENGLISH SUBTITLES DVD/GER/9 - VERONIKA VOSS Fassbinder, 1982 (104 min.) GERMAN w/ ENGLISH SUBTITLES Revised 4/1/2013 DVD/GER/10 - WUNDER VON BERN Sonke Wortmann, 2004 (118 min.) GERMAN w/ ENGLISH SUBTITLES DVD/GER/11 - PRINCESS AND THE WARRIOR Tom Tykwer, 2000 (133 min.) GERMAN w/ ENGLISH, FRENCH, SPANISH, & PORTUGESE SUBTITLES DVD/GER/12 - THE OGRE Volker Schlondorff, 1996 (117 min.) ENGLISH DVD/GER/13 - LEGEND OF RITA Volker Schlondorff 2000 (101 min.) GERMAN w/ ENGLISH SUBTITLES DVD/GER/14 - TITANIC Herbert Selpin & Werner Klingler, 1943 (85 min.) GERMAN w/ ENGLISH SUBTITLES DVD/GER/15 - INTO THE ARMS OF STRANGERS Mark Harris, 2000 (122 min.) ENGLISH DVD/GER/16 - IN JULY Faith Akin, 2004 (96 min.) GERMAN w/ ENGLISH SUBTITLES DVD/GER/17 - THE LAST LAUGH F.W.
    [Show full text]
  • Reviewed Scott Dissertation Final
    MURDEROUS MOTHERS: FEMINIST VIOLENCE IN GERMAN LITERATURE AND FILM (1970-2000) Claire E. Scott A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill and Duke University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Carolina-Duke Graduate Program in German Studies. Chapel Hill 2017 Approved by: Kata Gellen Stefani Engelstein Richard Langston Priscilla Layne Inga Pollmann ©2017 Claire E. Scott ALL RIGHTS RESERVED ii ABSTRACT Claire E. Scott: Murderous Mothers: Feminist Violence in German Literature and Film (1970-2000) (Under the direction of Kata Gellen) This dissertation analyzes literary and filmic representations of violent mothers from late 20th-century Germany. It employs feminist theories of language and theories of the voice and the body in film to enhance close readings of texts in which female protagonists defy gendered expectations by perpetrating acts of aggression. Through an interplay between thematic violence and the transgression of aesthetic conventions, these works generate an imaginary of feminist violence that advances feminist politics. Highlighting this dynamic reveals female bodies and voices as important sites for working through both past and contemporary violence in the German context. In addition, this work has broader theoretical significance as an intermediary between feminist theories of language and materialist feminist theories. Instead of strategies for emancipation, these texts generate female subjectivities that are engaged, not in assertions of individuality, but in collective and collaborative storytelling practices. The first chapter considers Dea Loher’s Manhattan Medea (1999) and Christa Wolf’s Medea. Stimmen (1996). Both of these texts use the story of Medea to come to terms with a historical context in which the voices of outsiders are excluded.
    [Show full text]
  • Comprehensive Exam Reading List: Kristin Hole I. Cultural Theory
    Comprehensive Exam Reading List: Kristin Hole I. Cultural Theory * Freud, Sigmund. Totem and Taboo. (1913) Benjamin, Walter. “Theses on the Philosophy of History”. (1914) * Freud, Sigmund. Civilization and its Discontents. (1929) Lacan, Jacques. The Mirror Stage. Deleuze, Gilles. The Logic of Sense. (1969) Foucault. “Nietzsche, Genealogy, History.” (1971) Mulvey, Laura “Visual Pleasure and Narrative Cinema” (1975) * Deleuze, Gilles and Felix Guattari. Anti-Oedipus: Capitalism and Schizophrenia. (1977) * Foucault, Michel. History of Sexuality Vol. 1. (1978) Williams, Raymond. Marxism and Literature. (1978) Kristeva, Julia. Powers of Horror: An Essay on Abjection. (1982) De Lauretis, Theresa. Alice Doesn’t. (1984) Lyotard, Jean-Francois. The Postmodern Condition: A Report on Knowledge. (1984). Irigaray, Luce. “This Sex Which is Not One” in This Sex Which is Not One (1985) Clement, Catherine, and Helene Cixous. The Newly Born Woman. (1986) Rose, Jacqueline. Sexuality in the Field of Vision. (1986) Riley, Denise. Am I that Name?: Feminism and the Category of ‘Women’ in History (1988) Spivak, Gayatri. “Can the Subaltern Speak?” from Marxism and the Interpretation of Culture (1988) Butler, Judith. “Contingent Foundations: Feminism and the Question of Postmodernism.” (1991) Scott, Joan. “The Evidence of Experience.” (1991) Hall, Stuart. “Cultural Studies and its Theoretical Legacies” in Stuart Hall: A Critical Reader. (1992) Felman, Shoshana. Testimony. (1992) Braidotti, Rosi. Nomadic Subjects. (1994) Copjec, Joan. Read my Desire: Lacan Against the Historicists (1994) * Baudrillard, Jean. Simulacra and Simulations (1995) Caruth, Cathy, ed. Trauma: Explorations in Memory. (1995) Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination. (1996) * Berlant, Lauren. The Queen of American Goes to Washington City: Essays on Sex and Citizenship.
    [Show full text]
  • The Lasting Legacy of the Red Army Faction
    WEST GERMAN TERROR: THE LASTING LEGACY OF THE RED ARMY FACTION Christina L. Stefanik A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2009 Committee: Dr. Kristie Foell, Advisor Dr. Christina Guenther Dr. Jeffrey Peake Dr. Stefan Fritsch ii ABSTRACT Dr. Kristie Foell, Advisor In the 1970s, West Germany experienced a wave of terrorism that was like nothing known there previously. Most of the terror emerged from a small group that called itself the Rote Armee Fraktion, Red Army Faction (RAF). Though many guerrilla groupings formed in West Germany in the 1970s, the RAF was the most influential and had the most staying-power. The group, which officially disbanded in 1998, after five years of inactivity, could claim thirty- four deaths and numerous injuries The death toll and the various kidnappings and robberies are only part of the RAF's story. The group always remained numerically small, but their presence was felt throughout the Federal Republic, as wanted posters and continual public discourse contributed to a strong, almost tangible presence. In this text, I explore the founding of the group in the greater West German context. The RAF members believed that they could dismantle the international systems of imperialism and capitalism, in order for a Marxist-Leninist revolution to take place. The group quickly moved from words to violence, and the young West German state was tested. The longevity of the group, in the minds of Germans, will be explored in this work.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES FILM STUDIES The Films of Peter Lilienthal. Homeless by Choice by Claudia Sandberg, M.A. Thesis for the degree of Doctor of Philosophy June 2011 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES FILM STUDIES Doctor of Philosophy THE FILMS OF PETER LILIENTHAL. HOMELESS BY CHOICE by Claudia Sandberg My thesis focuses on the German-Jewish-Uruguayan filmmaker Peter Lilienthal, whose experience of exile in Latin America during the Nazi period informed his subsequent career. Lilienthal’s films address issues of collective resistance to political oppression in Latin America and elsewhere. In depictions of individuals responding to outside threats, the filmmaker renders the perception of a protective and stable home as arbitrary and volatile. While Lilienthal is usually associated with the New German Cinema of the 1970s and early 1980s, my thesis explores his position as an author who is (dis)-located between national and ethnic borders.
    [Show full text]
  • Rainer Werner Fassbinder Edited By
    Peucker Edited by Brigitte Peucker is the Elias “A welcome reminder of Fassbinder’s astonishing breadth and continued A Companion to Leavenworth Professor of German resonance, this wide-ranging and brilliant collection of essays is an indispensable and a Professor of Film Studies at resource.” Rainer Werner Yale University. She is the author Anton Kaes, University of California, Berkeley of many essays on questions of Fassbinder representation in film and literature. “As varied, replete, and edgy as Fassbinder’s work itself, and as deftly edited, this Earlier books include Lyric Descent in montage of essays takes the measure not just of an oeuvre but of an epoch.” A Companion to Rainer Werner the German Romantic Tradition (1987), Garrett Stewart, author of Framed Time: Toward a Postfilmic Cinema Fassbinder is a groundbreaking Incorporating Images: Film and the collection. The first to engage fully with Rival Arts (1995), and The Material “Few filmmakers in the history of cinema have been as productive, as important, Rainer Werner Fassbinder A Companion to this important figure, whose untimely Image: Art and the Real in Film (2007). and as provocative as R. W. Fassbinder. With this stellar collection of essays, the death in 1982 is said to have marked achievements of his career unfold in all their astonishing range and diversity, the end of New German cinema. across all their beauties and shocks, with all their pleasures and difficulties.” Twenty-nine chapters consider this Timothy Corrigan, University of Pennsylvania controversial director’s contribution to German cinema, German history, gender and queer studies, and auteurship. Riding a wave of renewed interest in Fassbinder as a result of the increasing availability of his work, this collection puts the enigmatic director, actor, and character in context and considers the reach of his influence on a new generation of film makers.
    [Show full text]
  • Prof. Fatima Naqvi [email protected] Fall 2010 16:470:672 (Cross-Listed with 16:195:609) 172 College Avenue
    Prof. Fatima Naqvi [email protected] Fall 2010 16:470:672 (cross-listed with 16:195:609) 172 College Avenue German Film from 1945 to the Present Sessions: Tuesdays 4:30-7:00 Office hours: Thursday 11:00-12:00 or by appointment Description: We will look at a variety of feature films in German after 1945 to focus on issues of guilt, remembrance (and its counterpart: amnesia), gender, Heimat or “homeland,” national self-fashioning, and trauma. How do the Second World War and its legacy inflect these films? What other socio-political and economic factors influence the private and collective identities that these films articulate? How do the predominant concerns shift with the passage of time? How is the category of “nation” constructed and how is it contested within the narratives themselves? Close attention will be paid to aesthetic issues and the concept of “authorship.” Readings and discussions will be in English. Readers of German and French are encouraged to read the texts in the original where possible. The readings are all on reserve. Students should watch the films twice and take notes. The films will be available at the Media Library on Douglass Campus for repeated viewings. Requirements : Active class participation/attendance Oral report (30 minutes: close analysis of film segment) Short outline of proposed final project (1-2 pp. double-spaced) and bibliography (1-2 pp.) Final paper (15-20 pp.) September 1st class (7.9): Introduction to German film before 1939 clips: Robert Wiene, The Cabinet of Dr. Caligari (1920) Fritz Lang, Metropolis (1927) Leni Riefenstahl, Olympia (1938) 2nd class (14.9): The Stunde Null (“Zero Hour”) view: Wolfgang Staudte, Die Mörder sind unter uns (The Murderers Are Among Us ) (1946) read: Karl Jaspers, The Question of German Guilt (on reserve) Hannah Arendt, “Organized Guilt and Universal Responsibility” (on reserve) clip: Roberto Rossellini, Germany Year Zero (Germania Anno Zero ) (1947) suggested further reading: Robert Shandley, “Coming Home through Rubble Canyons” (Ch.
    [Show full text]