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California and the Fiber Art Revolution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 California and the Fiber Art Revolution Suzanne Baizerman Oakland Museum of California, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Baizerman, Suzanne, "California and the Fiber Art Revolution" (2004). Textile Society of America Symposium Proceedings. 449. https://digitalcommons.unl.edu/tsaconf/449 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. California and the Fiber Art Revolution Suzanne Baizerman Imogene Gieling Curator of Crafts and Decorative Arts Oakland Museum of California Oakland, CA 510-238-3005 [email protected] In the 1960s and ‘70s, California artists participated in and influenced an international revolution in fiber art. The California Design (CD) exhibitions, a series held at the Pasadena Art Museum from 1955 to 1971 (and at another venue in 1976) captured the form and spirit of the transition from handwoven, designer textiles to two dimensional fiber art and sculpture.1 Initially, the California Design exhibits brought together manufactured and one-of-a kind hand-crafted objects, akin to the Good Design exhibitions at the Museum of Modern Art in New York City. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E. -
Window Treatment
Extension Bulletin No. 451 August 1951 Window Treatment Extension Service. Institute of Agricultural Sciences The State College of Washington. Pullman. Washington Function of Window Treatment Well-planned window treatment Controls the quantity of the light. Gives privacy. Frames a beautiful view or shuts out an unpleasant one. Decoratiue Use of Window Treatment Well-planned window treatment- Adds beauty through color, texture, and pattern. Harmonizes the colors in the furnishings with the background of a room. REFERENCE: How to Make Curtains, Michi gan State College Extension Service. Window Treatment By Lila B. Dickerson. Extension Home Management Specialist* Just as you consider a davenport or rug as an out-of-place piece of furniture, can spoil when refurnishing a room in your home, you the effect of an otherwise well-arranged room. should also plan your curtains or draperies Simple window treatments that are useful as carefully. Poorly used window treatment, just well as decorative are always a good choice. Choose Your Window Treatment The best window treatment for a room de The Size of a Room pends on the size, shape, and arrangement of If the room is small and you want it to ap the windows as well as the general character pear larger, choose draperies that blend with or of the room and its furnishings. match the color of the walls. Too much design In a room with elaborate furnishings you'll or color contrast divides the walls into small want to use more formal window treatment. areas and makes the room seem smaller. Choose lightweight, fine-textured, plain or small-pat For a room with simple furnishings, choose terned fabrics. -
Ieupninn Mpralii MANCHESTER, CONN., MONDAY, OCTOBER 20, 1975- VOL
'< T V < J , ,< 1 The weather ’ ( ! Rain and drizzle gradually ending tonight. High in 50s. Lows overnight, 40 to 50. Tuesday, becoming partly sunny and warmer, high in 60s. iEupninn Mpralii MANCHESTER, CONN., MONDAY, OCTOBER 20, 1975- VOL. XCV, No. 17 Manchester—A City of Village Charm SIXTEEN PAGES PRICE: FIFTEEN CENTS <;Fr HOW NkAI £/vrfiy News Real GNP growth rate ‘■•Ail summary (compiled from fastest in 20 years rnil«*(l Internutionul WASHINGTON (UPI) - The national highest quarterly rise since the 12.4 per cent in the third quarter, down from 5.1 ivM in economy measured by the real Gross cent gain in the first quarter of 1955. per cent in the second quarter and 9 per National Product increased 11.2 per cent Commerce said private investment in cent in the first quarter. State in the third quarter for the fastest growth creased $14.2 billion to $94.9 billion. That When inflation is added, Commerce said ^SERlif rate in more than 20 years, the Commerce was much lower than the $120.5 billion an the GNP increased 16.7 per cent to $1,498 Department said today. nual rate at the end of 1974, but still GROTON — The 16-week strike by trillion. It was the biggest increase since 10,000 workers at the Electric Boat The GNP gains occurred primarily marked the first rise in two years, an in the 8.9 per cent rise in the first quarter of dication that production and job oppor- Division of General Dynamics was because consumers dipped into their 1951 during the Korean War. -
Download Research Documents
Laurie Herrick, Artwork Turquoise with Naturals, c. 1950 Unknown object, 1959 Rayon; Handwoven Handwoven Collection of Ann and Jon Sinclair Awarded ‘Honorable Mention” ribbon for “Hand Arts Division” at 36th Annual Women’s Laurie Coat (Cut and Sew), c. 1950 International Exhibition Silk, rayon, wool, Lurex®; Plain weave 44.5 × 55 inches Original Laurie Coat, c. 1960 Collection of Ann and Jon Sinclair Mohair and wool; Handwoven in plain weave 45.5 × 32 inches Rainforest, c. 1950s Collection of Ann and Jon Sinclair Cotton, Lurex® and wool felt; Plain weave with inlay, 56.5 × 38.5 inches Seascape, c. 1960 Collection of Ann and Jon Sinclair Handwoven Collection of William J. Sheehy Unknown object, 1959 Handwoven Ceres II, c. 1960s Awarded “First Premium” ribbon at the Handwoven Oregon State Fair, Salem, OR Damaged and destroyed in 1970 Casement Cloth, Placemat and Napkins, 1959 Wool Afghan, c. 1960s Handwoven Wool; Twill variation Awarded “Second Premium” ribbon at the Collection of Mr. and Mrs. Philip Eagle Oregon State Fair, Salem, OR High Pockets, c. 1960s Maze, 1959 Wool; Double weave Handwoven 30 × 50 inches Awarded “Third Premium” ribbon at the Collection of Ken Shores Oregon State Fair, Salem, OR Sentinel, c. 1960s Unknown object, 1959 Linen and pine needles; Handwoven Handwoven 29 × 34 inches Awarded “First Premium” ribbon at the Purchased by Ruth Haganstein Multnomah County Fair, Gresham, OR Willow Form IV, c. 1960s Unknown object, 1959 Handwoven Handwoven Awarded “First Premium” ribbon at the Harlequinade, c. 1960s Multnomah County Fair, Gresham, OR Silk and wool; Handwoven 29 × 60 inches Dress, 1959 Given to Carol Smith-Larson Handwoven Awarded “First Premium” ribbon at the Wool Doodle, c. -
IS 2364 (1987): Glossary of Textile Terms - Woven Fabrics [TXD 1: Physical Methods of Tests]
इंटरनेट मानक Disclosure to Promote the Right To Information Whereas the Parliament of India has set out to provide a practical regime of right to information for citizens to secure access to information under the control of public authorities, in order to promote transparency and accountability in the working of every public authority, and whereas the attached publication of the Bureau of Indian Standards is of particular interest to the public, particularly disadvantaged communities and those engaged in the pursuit of education and knowledge, the attached public safety standard is made available to promote the timely dissemination of this information in an accurate manner to the public. “जान का अधकार, जी का अधकार” “परा को छोड न 5 तरफ” Mazdoor Kisan Shakti Sangathan Jawaharlal Nehru “The Right to Information, The Right to Live” “Step Out From the Old to the New” IS 2364 (1987): Glossary of textile terms - Woven fabrics [TXD 1: Physical Methods of Tests] “ान $ एक न भारत का नमण” Satyanarayan Gangaram Pitroda “Invent a New India Using Knowledge” “ान एक ऐसा खजाना > जो कभी चराया नह जा सकताह ै”ै Bhartṛhari—Nītiśatakam “Knowledge is such a treasure which cannot be stolen” IS : 2364 - 1987 Indian Standard GLOSSARY OF TEXTILE TERMS- WOVEN FABRICS ( Second Revision ) ULX 001-4 : 677.074 Q C’ojpright 1988 BUREAU OF INDIAN STANDARDS MANAK BHAVAN, 9 BAHADUR SHAH ZAFAR MARG NEW DELHI 110002 Gr 7 Alay 1988 IS : 2364 - 1987 Indian Standard GLOSSARYOFTEXTILETERMS- WOVENFABRICS (Second Revision ) 0. FOREWORD 0.1 This Indian Standard ( Revised ) was adopted based on the prevalent practices and usage in the by the Bureau of Indian Standards on 10 Novem- Indian textile industry and trade, and are of tech- ber 1987, after the draft finalized by the Physical nical nature and need not necessarily tally with Methods of Test Sectional Committee had been those coined by excise or customs departments for approved by the Textile Division Council. -
Em2071 1960.Pdf (1.205Mb)
/27.5.21 U/:L7/J1i ~ ~ 9 ., ¥ II " I' I \ I" I I I " I I ' I I ''\ I I \ I I I ' I ,. ' \ I '' I I LIB R .A R Y ' I '' I CURRENT SER IAL ~~[CORD '\ ,I I MAY' . 6 1960 . ' I ''\ ,,• \ , '' ,I U.S. DEPARTMENT OF AGr<iCULTURE ' , '' I '' I' I ' '' '' '' I I I / I I , I ,. I I r I I I l II 'l ' . ' - / ' I I .. :. / /' : I .I tI I / I / ./ :; / I I I ' I 1 ' ,' l I ' ; : I ~ I I I I I TABLE OF CONTENTS Page To Help Determine Your Special Needs, Consider • . 3 Cafe and Cottage Type Curtains • . 4 Sheer Glass Curtains • . 4 Draw Curtains and Draperies . 5 Stationar.y Draperies • . • • 5 Fabrics . • • • 5 Shades and Blinds . 6 Cornices and Valances .. 8 ' . Adequate Fullness for Curtains and Draperies . .• 9 Correct Lengths . 9' Hardware • . 10 Ready-Made, Custom-Made or Make at Home 10 Check Points for Curtain and Draper.y Fabric 12 Required Label Information • . 12 Other Desired Label Information 12 Fiber . 13 Durability Factors • . 13 Use of Pattern • . 15 Color . 16 Texture • 16 Will You Be Your Own Decorator • • . 17 When You Go Shopping • • . 17 . ' ' March 1960 E.M. 2071 WINDOW TREA'IMENT By Dorothy M. Clark Extension Home Management Specialist A pleasing window treatment can contribute much to the attractiveness of a roam. For most windows a treatment that enables you to see the view, control air and sunshine, regulate light and privacy, soften the lines of the window frames, provide same insulation, and add a touch of decorative interest are desired. -
Window Treatment Mary A
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Cooperative Extension Circulars: 1917-1950 SDSU Extension 10-1930 Window Treatment Mary A. Covert Follow this and additional works at: http://openprairie.sdstate.edu/extension_circ Recommended Citation Covert, Mary A., "Window Treatment" (1930). Cooperative Extension Circulars: 1917-1950. Paper 299. http://openprairie.sdstate.edu/extension_circ/299 This Circular is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Cooperative Extension Circulars: 1917-1950 by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. Extension Circular 300 October, 1930. ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,.,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,11,,,,,,,,",,.� ( l Window Treatment 11 "Brighten the corner where you are by making the most of what you have" I I . I SOUTH DAKOTA STATE COLLEGE EXTENSION SERVICE A. E. Anderson, Director Brookings, S. D. !��--,�' � =:1r1111111111111111111111111111111111111111111111t111111111111111r11111111111111r111111111111111111111111111111111111111111111111111111111111111111111111111111!111111111111111i111:i1111111111111111111111111111r11111111111r1r111111rt111111r1111111;:;: -
A Comparative Study of Cotton and Rayon Glass Curtain Fabrics
BULLETIN 645 OCTOBER, 1943 A Comparative Study of Cotton and Rayon Glass Curtain Fabrics Florence E. Petzel OHIO AGRICULTURAL EXPERIMENT STATION Wooster, Ohio CONTENTS fntroduction 3 Purpose . .. 3 Need for the Study . 3 Review of Literature 5 Fabrics and Methods 6 Fabrics Studied 6 Methods of Test 7 Results ..... 11 Width and Price per Square Yard . 11 Fiber Content 12 Yarn Characteristics 12 Fabric Characteristics 12 Changes in Breaking Strength Resulting from Various Treatments 14 Colorfastness . 16 Shrinkage in Laundering . 17 Conclusions and Recommendations . 18 Purchasing Fabric . 18 Allowance for Shrinkage . 20 Methods of Laundering . 20 Literature Cited . 30 (1) This page intentionally blank. A COMPARATIVE STUDY OF COTTON AND RAYON GLASS CURTAIN FABRICS FLORENCE E PETZEL INTRODUCTION PURPOSE Through their questions and comments, consumers and other groups inter ested in textiles have evidenced considerable interest in the relative merits of cotton and rayon glass curtains. Therefore, it was the purpose of the present study to compare certain types of staple rayon and cotton glass curtain fabrics in terms of relative durability and serviceability. The cotton fabrics chosen included voile, scrim, marquisette, bobbinet, and :filet net; and the rayon fabrics were voile, ninon, and marquisette. NEED FOR TEE STUDY Difficulties of consumers in selection and eare.-Consumers encounter various problems in buying glass curtains. One difficulty arises from the fact that there are numerous and sometimes conflicting factors to be weighed in making a choice. Glass curtains may be used to give privacy while permitting a view of the out-of-doors, or they may serve to shut out an unpleasant view. -
Good Design, 5Th Anniversary : 100 Museum Selections, Trends in Designer Training, Popular Sellers, Selection Committees, 1950-1954, Directory of Sources
Good design, 5th anniversary : 100 museum selections, trends in designer training, popular sellers, selection committees, 1950-1954, directory of sources Date 1955 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/1718 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art hi • GOOD DESIGN STH ANNIVERSARY AGC-rtIVB "2- c ^ MomA SI a GOOD DESIGN is a series of exhibitions of home furnishings, organized by the Museum of Modern Art, New York, for The Merchandise Mart, Chicago. The Museum has appointed Edgar Kaufmann, Jr., Director of the activity. At the beginning of the program, Rene d'Harnoncourt, Director of the Museum, and Wallace O. Oilman, General Manager of The Mart, issued a joint statement: "It is the first time an art museum and wholesale merchandising center have co-operated to present the best examples of modern design in home furnishings. Now, at the mid-point of the century, these two national institutions, whose very different careers began just 20 years ago, believe and hope that in combining their resources they will stimulate the appreciation and creation of the best design among manufacturers, designers and retailers for good liv ing in the American home. Thus the attention of all America will be focused on the good things being created by the home furnishings industry." New items are selected for Good Design about six weeks before each main home furnishings market — Winter Market (early January) and Summer Market (mid-June). -
Dictionary of Textiles by Harmuth Louis
PICTIONI\RY GIFT OF J DICTIONARY OF TEXTILES B Y LOUIS HARMUTH FASHION EDITOR OF "WOMEN'S WEAR" 1915 FAIRCHILD PUBLISHING COMPANY NEW YORK FAIRCHILD PUBIISHING CO, Copyright 1915. PREFACE The tendency in modern books of a technical character undoubtedly in- clines very strongly toward encyclopedic and dictionary forms. The cry for the saving of lime calls for books in compact form with information handy at a moment's notice. The present DICTIONARY is the result of 7'/2 years of collecting and compiling information, gained to a large extent in connection with my work on the Daily Trade Record and Women's Wear. With over 6,600 terms and definitions contained in it, this DICTIONARY is as nearly com- plete, in number of terms strictly relating to textile fibres and fabrics, as it is possible for a work of this kind to be. It was my desire to present in the DICTIONARY and within as small compass as practical the largest number of terms and definitions possible, re- lating to textiles from the fibres to the finished fabrics and everything which goes into them in the course of the manufacture. An interesting part of the DIC- TIONARY contains names of fabrics, now obsolete, with as complete a de- scription of their character as it was possible to find in various old laws, wills, lists and in the technical literature. Owing to the fact that manufacturers con- stantly have recourse to some obsolete fabric in search of new effects, details of manufacturing and finishing of such materials ought to be interesting. -
Drapes Or As Is
Thursday, February 7, 1957 TORRANCE PRESS Page 13 URTAIN Now is the Time to Replenish Your Linen Closet I .. With Big, Bright Savings from Newberry's Tremendous Assortment of Fine Quality Household Needs! . Hurry In! FINE QUALITY TAILORED * BE-RUFFLED $ a | e Q f DRAPERY & SLIPCOVER MATERIAL Here's true luxury at your windows at amazingly low cost . with amazingly little upkeep! Shimmering Nylon cur tains wash and dry in a flash never MIRACLE FIBRE need the touch of an iron! They're moth and mildew proof, too! Come in early. You won't want to miss these fine qual ity beautiesl EASY WASHING, NO-ftON FIBERGLASS CURTAINS IVORY TAILORED STYLE NINON Shimmeringly lovely finished to give a lovely TAILORED CURTAINS appearance with a mini* SO49 mom of core. 41 * x 81 *. $169 1 ea. WIDE-RUFFLE PR 15C ILL AS Generously side and bottom hemmed Floclctd Ducroit Marquisettes curtains of finest, lasting construction. Perfect beneath drapes or as is. Come EASY UPKEEP, NO IRON select several pairs at our low price! Smart, embossed floral pattern in snowy whit*. Lasting finish assures last 49 ing good looks. 50"x81'. ~*,\ 5 I' 42" EACH PANEL, 84" PAIR Now you con dress up your furniture ond windows at really low cost. Talce advantage of Newberry's thrift FLORAL FLOCKED DACRON price on fine vat-dyed, pre-shrunk fabric. In 4 gorgeous Gold Leaves, Pat. Gold Treasure, Brook- TAILORED CURTAINS patterns. Pat. lide, Castlt. Many decorator colors. 47 & 48-in. widths. hems & With 5* bottom Pr«-f hrunk double-edge side hems. SO19 Vat Dyed Lasting finish.