erican Craftsmen'

Designer - Craftsmen U.S.A. 19 60

A national competition sponsored by the

American Craftsmen's Council

on the theme "Designed and Handcrafted for Use"

Museum of Contemporary Crafts, New York

May 27 through September 4, 196o

To be circulated by The American Federation of Arts Jury of Selection and Awards

ALEXANDER H. GIRARD, noted architect and designer, Santa Fe, New Mexico, recipient of many outstanding awards.

JOHN A. KOUWENHOVEN, author of "Made in America," Professor of English and member of the Committee in American civilization, Barnard College, Columbia University; keynote speaker, Third Annual Conference of American Craftsmen.

CHARLES H. SAWYER, Director, Museum of Art; Professor of Fine Arts, University of Michigan; keynote speaker, Third Annual Conference of American Craftsmen.

Cover: Detail of casement cloth, by Thelma Becherer, No. 9. 3

Introduction

For several years the American Craftsmen's Council "Designed and Handcrafted for Use" became then has considered a second Designer-Craftsmen Com- the theme of the competition. This became, also, a petition, the first having been held in 1953. Every critical point of judging and it was evident that when approach to such a nation-wide competition was faced with the necessity of stating the intention of an examined and discussed among the staff; trustees and object, relatively few craftsmen were able to do so interested craftsmen. It was found, even with all the with conviction or clarity. The question arises as to reasons offered against competitions, that there were which need comes first, the craftsman's need to make benefits to be derived. It would be the only occasion something, or the need for something to be made by for an open exhibition to complement the necessarily a craftsman. It would appear that too often the ob- constant use of invitational shows; it could project a ject is not preceded by a carefully considered analysis theme and discover what the craftsmen would do of its potential use by the consumer. The question with it as opposed to developing a theme exhibition asked most often by the jury was "why this object?" from material already known. It was the consensus of opinion that technique was Contemporary crafts have provided material for often superior, but that this alone was not enough to more than one debate on fine arts versus crafts; on distinguish a piece from production work by indus- the useful versus the philosophical. While we may try. Also, it would seem that the purely decorative believe that the two may become one in a finely object is better when it is frankly treated as a craft crafted article, having practical use and, at the same article rather than as a substitution for, or competitor time, content and philosophical value representing of painting and sculpture. The problem posed is an the point of view of the artist-craftsman, no exhibi- interesting and challenging one. tion has been provided to explore this point specif- Eleven hundred and nine craftsmen from forty- ically. four states, including Alaska and Hawaii, responded 4

Introduction (continued)

with 1,992 objects. The remarkable fact is that fewer than a dozen suffered damage in transit. Another remarkable fact is that the checking of entries and the incredible amount of paper work involved was accomplished in the last few days before judging since most of the craftsmen sent their work just in time—a few too late. Thomas S. Tibbs Director 5

Statement of the Jury

The judging of a comprehensive national exhibition express. Much of the work in all areas was derivative, is a very different problem from judging a regional including some which, because of its technical excel- exhibition . We in these terms the responsibility lence and coordinated design, we accepted. In some of maintaining the highest standards of excellence. fields, notably , there were many pieces which It was the hope of the jury that if we adhered to these were of excellent technical competence which we standards the exhibition might make a positive con- nevertheless rejected because they both lacked orig- tribution by demonstrating the potentialities of the inality and were more appropriate to the sphere of crafts at their highest level. machine production. In an open show it is inevitable that there will be a The total effect of the work we examined gave us relatively small proportion of work of the finest a feeling that many craftsmen are still not clearly quality in terms of craftsmanship and design as well aware of their goal, perhaps in part because society, as suitability. The three of us agreed that the special as represented by such potential users as architects, function of craftsmanship "for use" was to design designers, and ultimate consumers, are also not com- objects which might serve as pilot models for indus- pletely aware of the contribution which the crafts try or objects which could not be appropriately made can make. by machine. We hope that objects we finally accepted will, We were conscious of a considerable difference in when seen as elements in the projected exhibition, the quality of the work in the different categories. help to clarify the goals of craftsmanship and to in- Textiles and ceramics were the strongest. Furniture crease public awareness of the craftsman's potential was the weakest. contribution to our culture. Although much is said about the crafts as art, we Alexander H. Girard saw disappointingly little work that had the sense of John A. Kouwenhoven directed purpose and conviction which the arts Charles H. Sawyer 6

Awards

Silver Medal

VEDA REED, Memphis, Tennessee Hooked rug, "Flower Garden," Catalogue No. 79

Bronze Medals

RUTH M. ERICKSON, Shaker Heights, Ohio DAVID G. SHANER, Champaign, Illinois Coffee pot and creamer, Catalogue No. 27 Planter, stoneware, Catalogue No. 90

JOYCE BARNETT MC GEE, Bloomfield Hills, Michigan HENRY TAKEMOTO, Los Angeles 57, California Blanket, Catalogue No. 67 Decorated pot, "Papaikou V," Catalogue No. 98

TED HALLMAN, Souderton, Pennsylvania ROSE TREAT, Yorktown Heights, New York Hanging, "Checkerboard," Catalogue No. 37 Hooked rug, "Paper Dolls," Catalogue No. 102

Certificates

MARGARET K. BURLEW, Bryn Mawr, Pennsylvania ANABEL SCHULTZ, Milwaukee, Wisconsin Casement cloth, Catalogue No. 14 Flossa rug, Catalogue No. 88

MARIE TUICCILLO KELLY, Pittsburgh, Pennsylvania FRANCES E. SIMCHES, Rensselaer, New York Embroidered hanging, "Warrior," Catalogue No. 47 Panel, "White on White," Catalogue No. 92 7

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2 Anni Albers. Knitted casement cloth

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5 Marylin Austin. Group offinformsforfiowers

7 Muriel Barnes. Double weave

6 Marylin Austin. Group of storage jars

9

8 Ros Barron. Mosaic wall panel, "Blue Garden" 10 Frances Holmes Boothby. Pendant, "Espalier"

12 Frederick M. Breydert. Sacristy box, "The Last Supper"

9 Thelma Becherer. Casement cloth I 0

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14 Margaret K. Burlew. Casement cloth

13 Anna K. Burgess. Flossa rug

is J. Sheldon Carey. Set of three casseroles 11

18 Margaret DePatta. Pin

19 Andrew B. Dey. Pin, "Riddle" i6 Hans Christensen. Chalice 89 William Seitz. Goblet

20 Robert J. Eckels. Bowl 17 Roger D. Corsaw. Planter 12

21 Patricia H. Eden. Model unit for wall

22 Lyn Egbcrt. Drapery, "Tatty Woo"

24 Gertrude Englander. Flowerholder t.,./yhm$ !Lexuattatittlip

26 Ruth M. Erickson. Flower vase

28 Richard Eshkanian. Rya rug

27 Ruth M. Erickson. Coffee pot and creamer 14

31 William N. Frederick. Model for garden ornament, "Bird Tree"

29 Sophia and John Fenton. Free7form vase

32 William P. Frost, Jr. Bow/

3o Mildred Fischer. Hanging, "Mural No. 1, 196o"

34 Marjorie N. Gehner. Plate, "Bird Fancier"

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Left to right: 87 Christian F. Schmidt. Wedding band 39 & 4o Richard L. Hannawell. Rings

44 Karen Karnes. Pitcher and mugs

45 Karen Karnes. Serving centerpiece

41 Eloise Norstad Harmon Lantern

1 7

46 Glen F. Kaufman. Window hanging

47 Marie Tuiccillo Kelly. Embroidered hanging, "Warrior" 1 8

48 Paul E. Kill:Inger. Bowl

49 Mae Kimura. Casement cloth

51 Ed H. Lasher. Rug,"Mayen"

1 9

54 Ethel Kudrna Lewis. Free7fivm vase

55 Richard M. Lincoln. Casserole

52 Jo Le Mieux. Rya rug, "Squares in Equilibrium"

53 James D. Leslie. Pipkin

56 Harvey K. Littleton. Pitcher 20

57 James Lovera. Bottle

58 Jerry MacDonald. Coating,"Marchwind"

59 Sam Maloof. Chair

6o Sam Maloof. Pedestal table 61 Charlotte Malten. Vase 67 Joyce Barnett McGee. Striped blanket

66 Donna McGary. Rya rug, "Maine Woods" 22

74 Arlene E. Nilsson. Wall hanging

68 Donald L. McKinley. Staved bowl

69 James F. McKinnell, Jr. Casserole

71 Tom H. McMillin. Hanging lantern 23

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48 75 Peter Ostuni. Model for wall panel, "Abstraction"

77 Alice Parrott. Rya rug

78 Irving Potter. Hair ornament 24

8i Colin B. Richmond. Cruet set

79 Veda Reed. Hooked rug, "Flower Garden"

8o Walter Rhodes. Serving spoon 82 Ruth S. Roach. Bracelet, "Lower Manhattan" 85 Ed Rossbach. Floor mat

86 Carter Sassaman. Appliqué hanging, "Cat Dreams"

83 Frances Winifred Robinson. FL 'all hanging, "Birthday Party" 26

92 Frances E. Simches. Mosaic wall panel, "White on White"

88 Anabel Schultz. Flossa rug

91 Nancy Sherwood. Necklace 95 Bernice A. Stevens. with detachable pendant Pendant Cross

90 David G. Shaner. Planter 2 7

98 Henry Takemoto. Decorated pot,"Papaikou V" 102 Rose Treat. Hooked rug, "Paper Dolls"

97 John Szymak. Ring too Marcia Ann Thurston. Casserole 103 Robert Turner. Covered jar )S

104 Robert Turner. Sectional planter io; Philip A. Ward. Family of bottles

1°6 Walker Weed. Dining table 29

Leroy R. Wilce. Hooked rug, "The O► d"

II() Sam Wiener, Jr. Windows in Temple Israel, Columbus, Ohio 30

112 Donald J. Wilkening. Relish fork

miammannimissimim 114 Donald B. Wright. Pendant

113 Ellamarie Woolley. Panel,"Lepidoptera" 3 1

Catalogue

All pieces are illustrated except those marked with asterisk (*). Dimensions are given in inches; height precedes width or diameter.

Richard A. Abell, St. Paul, Minnesota Albert and Maxine Boyd, Andover, New Hampshire *Flossa rug, "Armageddon." and , 72 x 132 *Dossal, "Moline Cross." -screen on wool and

Anni Albers, New Haven, Connecticut Frederick M. Breydert, New York, New York 2 Knitted casement cloth, experiment for industry. Linen 12 Sacristy box, "The Last Supper." Cloisonné enamel on silver, IY8 x 31/4 x 2% J. Anderson, Washington, D. C. 3 Casement cloth. Linen Anna K. Burgess, Flint, Michigan 13 Flossa rug. Wool and linen, 36 x 48 Margery C. Anneberg, Berkeley, California 4 Necklace. Silver and opals Margaret K. Burlew, Bryn Mawr, Pennsylvania 14 Casement cloth. Monofilement with orlon, linen and Marylin Austin, Lawrence, Kansas Celanese 5 Group of five forms for flowers. Stoneware 6 Group of storage jars. Stoneware J. Sheldon Carey, Lawrence, Kansas i 5 Set of three casseroles. Stoneware, each 31/4 x diam. Muriel Barnes, New York, New York 7 Double weave, drapery. , rayon, viscose and Hans Christensen, Rochester, New York i6 Chalice. Silver, 9 x diam. Ros Barron, Brookline, Massachusetts 8 Mosaic wall panel, "Blue Garden." Ceramic tile and Roger D. Corsaw, Norman, Oklahoma concrete, 23 x 26Y2 17 Planter. Stoneware, 7 x 7% diam.

Thelma Becherer, Old Town, Maine Margaret DePatta, Napa, California 9 Casement cloth. Linen, camel's hair, goat hair and nylon 18 Pin. White gold, onyx, jade and coral, 334 x 13/4

Frances Holmes Boothby, Weston, Vermont Andrew B. Dey, DeLand, Florida To Pendant, "Espalier." Gold, silver and antique bead 19 Pin, "Riddle." Silver, I3/4 x 21/4 32

Robert J. Eckels, Ashland, Wisconsin Marjorie N. Gehner, Leona, New 20 Bowl. Stoneware, 5% X 12 diam. 34 Plate, "Bird Fancier." Enamel on copper, 9% diam.

Patricia H. Eden, Winter Haven, Florida M. E. Goslee, Cleveland, Ohio

21 Model unit for wall. Stoneware, 173/4 X 201% x 5 35 *Barrel Owl. Stoneware, 10% x 9 x 7

Lyn Egbert, Chevy Chase, Maryland Florence G. Gray, Detroit, Michigan 22 Drapery, "Tatty Woo." Silk-screen on linen 36 *Wall tiles. Ceramic, 20 x 40

Gertrude Englander, New York, New York Ted Hallman, Souderton, Pennsylvania 23 *Cookie jar. Stoneware, 93/4 x 614 diam. 37 Doubleweave hanging, "Checkerboard." Wool and 24 Flowerholder. Stoneware, 8 x 7 io6 x 24 38 Screen. Acrylic plastics, cotton and linen, 156 x 48 Bruce K. Eppelsheimer, Gossville, New Hampshire Richard L. Hannawell, Anaheim, California 25 *Pair of hanging planters. Stoneware, each 6% x diam. 39 Ring. Silver and Gold 40 Ring. Silver and Gold Ruth M. Erickson, Shaker Heights, Ohio 26 Flower vase. Silver, 9% x 3% diam. Eloise Norstad Harmon, Pleasantville, New York 27 Coffee pot and creamer. Silver, pot 714 diam.; x 3 1/4 41 Lantern. Stoneware, 44% x 10 x 10 creamer 3 x x 33/4 Marjorie Heilman, Lititz, Pennsylvania Richard Eshkanian, Highland Park, Michigan 42 *Applique hanging, "The Twelve Days of Christmas 28 Rya rug. Wool and linen, 44 x 60 Cotton, 6o x 32

Sophia and John Fenton, Mt. Vernon, New York June E. Kapos, Coronado, California 29 Free-form vase. Stoneware, ro x diam. 43 *Bowl. Stoneware, 43/4 x 8 diam.

Mildred Fischer, Cincinnati, Ohio Karen Karnes, Stony Point, New York 30 Hanging, "Mural No. I, 1960." Linen, cotton, rayon, 44 Pitcher and six mugs. Stoneware, pitcher 8% x 5 diam.; WOOL , 53% x 32 mugs 4% x 4 diam. 45 Serving centerpiece. Stoneware, 16 x 13 3/4 diam. William N. Frederick, Chicago, Illinois 31 Model for garden ornament, "Bird Tree." Silver, Glen F. Kaufman, Kalamazoo, Michigan 8%x 2%,x3y, 46 Window hanging. Cotton, linen, plastic and wool, 72 x 36

William P. Frost, Jr., Wilmington, Massachusetts Marie Tuiccillo Kelly, Pittsburgh, Pennsylvania 32 Bowl. Walnut, 23/4 x 193/4 diam. 47 Embroidered hanging, "Warrior." Cotton and jute on 33 *Bowl. Walnut, 4 x 13 diam. WOOL 30 X 24 33

Paul E. Killinger, Bloomington, Indiana Dorathee G. Manbeck, Cleveland, Ohio 48 Bowl. Teakwood, 9 x 8 diam. 62 *Perfume flagon. Stoneware, 3% x 3% 63 *Vase. Stoneware, 7% x diam. Mae Kimura, Honolulu, Hawaii 49 Casement cloth. Linen Juanita May, Miami, Florida 64 *Section of tile Wall, "Urban." Stoneware, 48 x 17 James A. Knecht, Jr., Provo, Utah so *Urn. Earthenware, 16% x 12 diam. Bruce McDougal, Des Moines, Iowa Ed H. Lasher, Belleville, New Jersey 65 *Set of six tie tacks. Silver 51 Rug, "Mayen." Wool, 6o x 66 Donna McGary, Yellow Springs, Ohio Jo Le Mieux, Elm Grove, Wisconsin 66 Rya rug, "Maine Woods." Wool and linen, 36 x 48% 52 Rya rug, "Squares in Equilibrium." Wool and linen, 34% x 56 Joyce Barnett McGee, Bloomfield Hills, Michigan 67 Striped blanket. Wool, 8o x 105 James D. Leslie, Bethlehem, Pennsylvania 53 Pipkin. Silver and ebony, 3% x 3% diam. Donald L. McKinley, Wayland, New York 68 Staved bowl. Oak, 7 x 1938 x Ethel Kudrna Lewis, Ann Arbor, Michigan 54 Free-form vase. Stoneware, 5 x io diam. James F. McKinn.ell, Jr., Deerfield, Massachusetts Richard M. Lincoln, Fort Worth, Texas 69 Casserole. Stoneware, 6 x 111/4 diam. 55 Casserole. Stoneware, 10 x 14 diam. Nan McKinnell, Deerfield, Massachusetts Harvey K. Littleton, Verona, Wisconsin 70 *Set of eight plates. Stoneware, each 51/2 diam. 56 Pitcher. Stoneware, 5% x diam. Tom H. McMillin, San Fernando, California James Lovera, Hayward, California 71 Hanging lantern. Stoneware, 14 x 10% diam. 57 Bottle. Porcelain, io% x To diam. Martha Miller, Great Neck, New York Jerry MacDonald, Tulsa, Oklahoma 72 *Wall hanging, "Garden of Children." Block print on 58 Coating, "Marchwind." Mohair and homespun linen, carved wood, 72 x 48 Sam Maloof, Altaloma, California 59 Chair. -Walnut, 55% Hovak Najarian, New York, New York 534 6o Pedestal Table. Walnut, 26 x 26 x 26 73 *Free-form bowl. Coconut shell, I% x

Charlotte Malten, West Nyack, New York Arlene E. Nilsson, Berlin, Connecticut 61 Vase. Stoneware, 12% x 10 74 Wall hanging. Wool and grass, 19 x 58 34

Peter Ostuni, New York, New York Christian F. Schmidt, Minneapolis, Minnesota 75 Model for wall panel, "Abstraction." Enamel on 87 *Wedding band. Gold copper, 21 x 48 Anabel Schultz, Milwaukee, Wisconsin Kay Pancoast, Miami, Florida 88 Flossa rug. Persian wool and silk, 45 x 51

76 *Hanging lamp. Stoneware, 71, 2 x 81/4 diam. William Seitz, Jackson Heights, New York Alice Parrott, Santa Fe, New Mexico 89 *Goblet. Silver and parcel gilt, 7 x 3 diam. 77 Rya rug. Wool and linen, 4o x 78 David G. Shaner, Champaign, Illinois Irving Potter, Croton-on-Hudson, New York 90 Planter. Stoneware, 5 x 8 diam. 78 Hair ornament. Tropical woods, 71 X 1 7/8 Nancy Sherwood, Milwaukee, Wisconsin Veda Reed, Memphis, Tennessee 91 Necklace with detachable pendant. Silver and enamel, 79 Hooked rug, "Flower Garden." Wool, nylon and pendant 33/4 cotton, 6o x 72 Frances E. Simches, Rensselaer, New York Walter Rhodes, Tappan, New York 92 Mosaic wall panel, "White on White." Ceramic and 8o Serving spoon. Silver and ebony, 91 x 23/4 concrete, 28 x 36

Colin B. Richmond, Newburyport, Massachusetts Dorothy May Small, Washington, D. C. 81 Cruet set. Silver and rosewood, 7 x 63/4 93 *Placemat and napkin. Linen, placemat 14 x 191/2

Ruth S. Roach, Plainfield, Iowa Arthur H. Sprague, Barre, Vermont 82 Bracelet, "Lower Manhattan." Silver, 2 inches wide 94 *Bureau cover. Linen, 17 x 39

Frances Winifred Robinson, Mogadore, Ohio Bernice A. Stevens, Gatlinburg, Tennessee 83 Wall hanging, "Birthday Party." Machine stitched 95 Pendant Cross. Silver, tourmalines, 31/2 x 21/4 linen, 5 1 X 27 Strawberry Bank Craftsmen (John May and Susan Jo H. Roper, Montezuma, New Mexico Norton-Taylor), Portsmouth, New Hampshire 84 *Mobile, "Acrobats." Silver and glass beads, 29 x 17 96 *Igloo heater. Stoneware, 26 x 3o x 33

Ed Rossbach, Berkeley, California John Szymak, Dallas, Texas 85 Floor Mat. Wool and linen, 311/4 x 8o 97 Ring. Champleve enamel on silver

Carter Sassaman, Rochester, New York Henry Takemoto, Los Angeles, California 86 Applique hanging, "Cat Dreams." Cotton, 191/2x 581/4 98 Decorated pot, "Papaikou V." Ceramic, 3o x 3o x 26 35

Louis E. Tarr, Syracuse, New York Amos White, Los Angeles, California 99 Wall hanging, "Copper Fantasy." Jute and metallic, 108 *Group of hanging pots. Stoneware 48 X 25 Barbara Joan White, New York, New York Marcia Ann Thurston, New York, New York 109 *Translucent panel, "Blocks." Laminated plastic and zoo Casserole. Stoneware, 7i/. x 7 diam. painted paper, 72 x 36

Don St. Cyr Toups, Chicago, Illinois Westport, Connecticut 101 *Dress fabric, "Persian Garden." Silk-screen on Sam Wiener, Jr., iio Windows installed in Temple Israel, Columbus, Ohio. Stained glass, each 336 x 72 Rose Treat, Yorktown Heights, New York 102 Hooked rug, "Paper Dolls." Wool, 34 x 38 Leroy R. Wilce, Endicott, New York Robert Turner, Alfred Station, New York III Hooked rug, "The Oud." Wool, nylon and cashmere, 103 Covered jar. Stoneware, '0% x 9% diam. 65 x 65 104 Sectional planter. Stoneware, 24% x 13 diam. Donald J. Wilkening, Madison, Wisconsin Philip A. Ward, Gainesville, Florida II2 Relish fork. Silver and ebony, 6 inches long 105 Family of bottles. Stoneware, 131/2 x 15 x 71/2 San Diego, California Walker Weed, Gilford, New Hampshire Ellamarie Woolley, 106 Dining table. Genisero and cherrywood, 40 x 72 x 29% 113 Panel, "Lepidoptera." Enamel on copper, 12 x 24

George Wells, Glen Head, Long Island Donald B. Wright, Hyde Park, Utah 107 *Hooked hearth rug, "Embers." Wool, 99 long 114 Pendant. Cast silver, 3 x I% Trustees of the American Craftsmen's Council which maintains the Museum

Mrs. Vanderbilt Webb, Chairman of the Board Kenneth Chorley, Vice Chairman David R. Campbell, President William J. Barrett, Treasurer Mary Val Andress, Secretary Mark Ellingson, Chairman of the Finance Committee Alfred Auerbach Reginald Brewer Rene d'Harnoncourt Dorothy Draper Robert W. Gray Marian G. Heard Michael Higgins Walter H. Kilham, Jr. V. Lada-Mocarski Jack Lenor Larsen Dorothy Liebes Dorothy Meredith Meyric Rogers Frank Stanton John B. Stevens Marguerite Wildenhain Jackson Woolley Edward Wormley

Museum of Contemporary Crafts

Printed by Clarke & Way at the Thistle Press in New York Thomas S. Tibbs, Director Ferdinand Boesch, Photographer Robert A. Laurer, Associate Director Designed by Bert Clarke

Museum of Contemporary Crafts of the American Craftsmen's Council 29 West 53rd Street, New York