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Liniment a Close Two-Cent Stamp for Repb- Form of Construction Insures the Best Can Have in the House
Effective Costumes home “Two bottles the American Cured My Wm A.RADFORD rngmSKm Rheumatism’’ EDITOR Mr. William A. Radford will answer way on the outside may be considered questions and give advice FREE OF practically fireproof. COST on all subjects pertaining to the There is no combination of subject of building for the readers of mate- this paper. On account of his wide expe- irals more pleasing to the eye than rience as Editor. Author and Manufac- this high grade face brick and the turer, he Is, without doubt, the highest cement plaster In a harmonizing col- authority on all these subjects. Address or. As far as warmth and freedom foundrelief at all Inquiries to William A. Radford. No. person IS4 Fifth Ave.. Chicago, 111., and only en- from dampness are concerned this got two bottles and they cured me. I think it is the best Liniment a close two-cent stamp for repb- form of construction Insures the best can have In the house. Ishall always keep a bottle in my house as long as I possible results, and the expense Is can get it”—Mrs. E. R. Wallace, Morrisons, Va. The well-to-do suburban builder Is getting rather particular about the Another Letter. kind of a house he puts up. It Is not Mrs. James McGraw, of 1216 Mandeville St., New Orleans, La., writes: — enough to simply provide comfortable “ I take pleasure in writing to you that I had a pain in my arm for five years, shelter for his family and have room and I used enough for all; but the general style and appearance of the house has to be given due thought so that it will work In well with Its surroundings and con- form In size and style to what his friends and neighbors consider neces- sary for his home. -
Women's Uniforms 1 Sept/Oct 2005 by Marie Robinette € in the Morris
By Marie Robinette € In the Morris and Company, Inc brochure from 1929 they ask, “Does a smile count? Can it cheer the patient and speed recovery? Then so does the costume of the nurse.” The uniforms of the Model A era reflected style and quality in every line. The nurses of the era who wore the newest styles in uniforms would not lose her personality by wearing a uniform that was unattractive. The styles were a mirror of trends in street dresses. Uniforms were available to the professional nurse, the business women and home service too. When we think of women’s uniforms during the Model A Era we tend to think of a nurse’s sterile white uniform. But, some nurse’s uniforms were offered in blue, pink, green and orchid fast color Chambray. Pin stripe prints were also available. Women’s Uniforms 1 Sept/Oct 2005 #2415 – Made of Ryster 5-Star #2412 – Made of fine weave #1889 – A new model at a low two-ply Poplin. Has Peter Pan 2-ply Dundalk Poplin. Has 8 price. Made of Linatex Nurses’ collar, French turnover cuffs inverted shoulder tucks, four Suiting with a high turn-over and two shaped patch pockets. on either side of long flat collar. scalloped collar. New form-fitting The four narrow inverted tucks Central from opening to waist sleeves.Dutch turned cuffs. Trimmed on either side of the yoke give line. Two bellows patch pockets. with detachable ocean pearl buttons a slight fullness over the bust. French cuffs. Detachable belt and sloped welt pockets Detachable ocean pearl buttons, and detachable ocean pearl and detachable belt. -
Weaving Technology: Advances and Challenges Ii
Volume3, Issue 1, Summer 2003 WEAVING TECHNOLOGY: ADVANCES AND CHALLENGES II Abdelfattah M. Seyam College of Textiles, N. C. State University Raleigh, NC, USA ABSTRACT This paper reviews the recent advances in weaving industry and addresses the challenges that face the weaving industry. The paper sheds the light on how the weaving machine manufacturers and woven fabric producers might strengthen the weaving industry by further advance the technology and taking advantages of the current and new advances in weaving technologies. KEYWORDS: Weaving, Automation, Jacquard, Pattern Change. INTRODUCTION and how the weaving machine manufacturers and woven fabric producers Recently weaving machine producers might strengthen the weaving industry by introduced to the woven fabric further advance the technology and taking manufacturers a sizeable number of advantages of the current and new advances technological advances. Examples of such in weaving technologies and supporting advances are higher speeds than seen before, systems. a higher level of automation, a new Jacquard shedding concept, waste reduction, and on- ADVANCES IN WEAVING line quality monitoring. These advances may enable the developed nations to drastically Weaving Speeds lower the labor cost and may be able to At recent machinery shows (ITMA’ 99, compete in the commodity fabric markets. ATME-I’ 2001), weaving machine Despite these significant development in manufacturers showed a broad range of weaving, weavers in the developed and machines with higher speed and rate of developing nations are faced with serious filling insertion (RFI) than seen before. The competition from other fabric forming fabric quality, which is significantly systems such as needlepunching and impacted by efficiency, is a must for the hydroentanglement nonwoven technologies. -
The Home Economics Department Grows
April, 1927] THE VIRGINIA TEACHER 113 8. Verb Tests C. Determine the necessary additions a. Achievement Test in Verbs—Wil- for nurse's office which is to serve as kins, Lawrence A. the bed-living room; bed, bedding, table and chair, window seat, cur- The use of standardized tests shows the 3 tains, draperies. following : 2. Prepare a set of principles to be follow- 1. Normal growth in ability to read, write, ed in the selection of the equipment: speak, and understand a foreign langu- A. Dining room equipment and acces- age by successive semesters sories ; table service and linen, china, 2. Effect of varying methods on different silver, window shades and draperies, abilities in language study floor and wall covering. 3. Effect on achievement in various abil- B. Bed-living room equipment and deco- ities by age that the study began by vary- rations. ing periods of disuse 3. Purchase the equipment; By the use of these tests the teacher can A. Secure manufacturer's literature to discover where the weakness of each pupil be studied for comparison of prod- lies. With this information it is much ucts and prices. easier to aid the pupil in his language study. B. Make group surveys of local markets Frances Cabell for suitable products and prices. C. Report findings to class, and devise budget. THE HOME ECONOMICS D. Purchase articles agreed upon. DEPARTMENT GROWS 4. Place equipment and decorations : THE senior home economics class in A. Plan arrangement of storage space the Harrisonburg High School con- for linen, china, and silver. sists of sixteen girls. -
Drapes : How to Make Them
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange SDSU Extension Leaflets SDSU Extension 6-1-1951 Drapes : How to Make Them Isabel McGibney Follow this and additional works at: https://openprairie.sdstate.edu/extension_leaflets Recommended Citation McGibney, Isabel, "Drapes : How to Make Them" (1951). SDSU Extension Leaflets. 140. https://openprairie.sdstate.edu/extension_leaflets/140 This Pamphlet is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in SDSU Extension Leaflets yb an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. EXTENSION LEAFLET 137 JUNE 1951 HOW TO MAKE THEM s..~ 0 Lt \\llil\\\\\1\11~~ { . ' ' So87 No. 13 7 C. 2 ' ,_, AGRICULTURAL EXTENSION SE,l,IVICE SOUTM DAKOTA STATE COLLEGE + BROOKINGS U.S. DE.PARTMENT OF AGRICULTURE COOPERATING 6 3~ - 73;). ~ 7 Iv 1 , I31 r:::::x · c ' ;}.._ _/J ltap,ei HOW TO MAKETH EM ISABEL McGrnNEY* SeLeciton a/ Maie1iiait Draperies are hung at the sides of the window with or without glass curtains. Treatment and mate rials used depends upon the character of the room and whether you want them to be part of the back ground or part of the foreground. If your room has a formal or masculine feel you will use brocades, sat ins, moires, plaids, checks, strips and nubby textures; however if your room has an informal or feminine feel you will use ruffied organdy, sheer cotton, cali coes, chintz, cretonne, percale, or novelty cottons. -
California and the Fiber Art Revolution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 California and the Fiber Art Revolution Suzanne Baizerman Oakland Museum of California, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Baizerman, Suzanne, "California and the Fiber Art Revolution" (2004). Textile Society of America Symposium Proceedings. 449. https://digitalcommons.unl.edu/tsaconf/449 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. California and the Fiber Art Revolution Suzanne Baizerman Imogene Gieling Curator of Crafts and Decorative Arts Oakland Museum of California Oakland, CA 510-238-3005 [email protected] In the 1960s and ‘70s, California artists participated in and influenced an international revolution in fiber art. The California Design (CD) exhibitions, a series held at the Pasadena Art Museum from 1955 to 1971 (and at another venue in 1976) captured the form and spirit of the transition from handwoven, designer textiles to two dimensional fiber art and sculpture.1 Initially, the California Design exhibits brought together manufactured and one-of-a kind hand-crafted objects, akin to the Good Design exhibitions at the Museum of Modern Art in New York City. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E. -
Window Treatment
Extension Bulletin No. 451 August 1951 Window Treatment Extension Service. Institute of Agricultural Sciences The State College of Washington. Pullman. Washington Function of Window Treatment Well-planned window treatment Controls the quantity of the light. Gives privacy. Frames a beautiful view or shuts out an unpleasant one. Decoratiue Use of Window Treatment Well-planned window treatment- Adds beauty through color, texture, and pattern. Harmonizes the colors in the furnishings with the background of a room. REFERENCE: How to Make Curtains, Michi gan State College Extension Service. Window Treatment By Lila B. Dickerson. Extension Home Management Specialist* Just as you consider a davenport or rug as an out-of-place piece of furniture, can spoil when refurnishing a room in your home, you the effect of an otherwise well-arranged room. should also plan your curtains or draperies Simple window treatments that are useful as carefully. Poorly used window treatment, just well as decorative are always a good choice. Choose Your Window Treatment The best window treatment for a room de The Size of a Room pends on the size, shape, and arrangement of If the room is small and you want it to ap the windows as well as the general character pear larger, choose draperies that blend with or of the room and its furnishings. match the color of the walls. Too much design In a room with elaborate furnishings you'll or color contrast divides the walls into small want to use more formal window treatment. areas and makes the room seem smaller. Choose lightweight, fine-textured, plain or small-pat For a room with simple furnishings, choose terned fabrics. -
Ieupninn Mpralii MANCHESTER, CONN., MONDAY, OCTOBER 20, 1975- VOL
'< T V < J , ,< 1 The weather ’ ( ! Rain and drizzle gradually ending tonight. High in 50s. Lows overnight, 40 to 50. Tuesday, becoming partly sunny and warmer, high in 60s. iEupninn Mpralii MANCHESTER, CONN., MONDAY, OCTOBER 20, 1975- VOL. XCV, No. 17 Manchester—A City of Village Charm SIXTEEN PAGES PRICE: FIFTEEN CENTS <;Fr HOW NkAI £/vrfiy News Real GNP growth rate ‘■•Ail summary (compiled from fastest in 20 years rnil«*(l Internutionul WASHINGTON (UPI) - The national highest quarterly rise since the 12.4 per cent in the third quarter, down from 5.1 ivM in economy measured by the real Gross cent gain in the first quarter of 1955. per cent in the second quarter and 9 per National Product increased 11.2 per cent Commerce said private investment in cent in the first quarter. State in the third quarter for the fastest growth creased $14.2 billion to $94.9 billion. That When inflation is added, Commerce said ^SERlif rate in more than 20 years, the Commerce was much lower than the $120.5 billion an the GNP increased 16.7 per cent to $1,498 Department said today. nual rate at the end of 1974, but still GROTON — The 16-week strike by trillion. It was the biggest increase since 10,000 workers at the Electric Boat The GNP gains occurred primarily marked the first rise in two years, an in the 8.9 per cent rise in the first quarter of dication that production and job oppor- Division of General Dynamics was because consumers dipped into their 1951 during the Korean War. -
The Wheels of Chance by H. G. Wells
The Wheels of Chance By H. G. Wells 1 I. THE PRINCIPAL CHARACTER IN THE STORY If you (presuming you are of the sex that does such things)--if you had gone into the Drapery Emporium--which is really only magnificent for shop--of Messrs. Antrobus & Co.--a perfectly fictitious "Co.," by the bye--of Putney, on the 14th of August, 1895, had turned to the right-hand side, where the blocks of white linen and piles of blankets rise up to the rail from which the pink and blue prints depend, you might have been served by the central figure of this story that is now beginning. He would have come forward, bowing and swaying, he would have extended two hands with largish knuckles and enormous cuffs over the counter, and he would have asked you, protruding a pointed chin and without the slightest anticipation of pleasure in his manner, what he might have the pleasure of showing you. Under certain circumstances--as, for instance, hats, baby linen, gloves, silks, lace, or curtains--he would simply have bowed politely, and with a drooping expression, and making a kind of circular sweep, invited you to "step this way," and so led you beyond his ken; but under other and happier conditions,--huckaback, blankets, dimity, cretonne, linen, calico, are cases in point,--he would have requested you to take a seat, emphasising the hospitality by leaning over the counter and gripping a chair back in a spasmodic manner, and so proceeded to obtain, unfold, and exhibit his goods for your consideration. -
THE CAPITAL, Black Wrap That She Uses to Conceal Her Too Youth- Ful Figut-E, and It Discloses Her Crimson Robe En- LATEST by TELEGRAPH
VOLUME YI. WASHINGTON CITY, D. C., NOVEMBER 26,1876. THE CAPITAL, black wrap that she uses to conceal her too youth- ful figut-e, and it discloses her crimson robe en- LATEST BY TELEGRAPH. age, sealed with wax. When the seal was broken PUBLISHED WEEKLY tire. " What if I should teach this cold, impas- by a member of the board there were found inside a consolidated statement of the votes and the commis- BY THE LOUISIANA. sive mouth of mine to smile again ! "What if I sioners' statements, and in the tally sheets attached Capital Publishing Company, should say to him—see, it is Fernande, the love Choice Specimens or,(hat ««Fair Count" to the returns were a large number of protests and of your ysuth, the love of your manhood, the Republicans Admit that the Returns affidavits. mother of your children I" 927 D street, Washington, D, 0. have been Tampered with. The secretary of the board said the package had Miss Multon is losing all her control with NEW ORLEANS. November 25,-The returning been received on the 18th instant, and such an entry these conflicting emotions. "When the children board metat 11:30 a.m. Present, for the Republicans, was in his receipt book. The returns, he said, had DONN PIATT and B. G. 10VEJ0Y Editors speak gently of their poor dead mother, who has Messrs. Stoughton, Van Allen, Wilson, Kelly and come by mall. Parker ; for the Democrats, Messrs. Palmer, Trum- In the cou rse of on inspection it was discovered TER31S: $3.50 per year (including postage) In no monument to mark her grave, she gives way; bull, G. -
The Commercial Leader, Friday
T h e C o m m e r c ia l L e a d e r , X .Y All of tko Nom» impartially Told u t t e r . A age* I*. nu. at the r** M ai M Nn Jm q, Mm Am af IMI, t i f i «III ■' - * r ■ i . , » VO L V IIL No. 1» LYM anasr. ri j, ocrom * v ö S i ‘ j Local Bus Co. R S. TALENT IS B0. OF EDUCATION ST. MARY'S GUILD 1REHEARSING FOR AND THE FACULTY CARD PARTY WAS Endeavoring To GIVES FIRE DONTS PLAY “KATHLEEN” OVEN RECEPTION Obtain Hearing Chtef Robert Schrechcaot<*n final plana are bemg rmpidly com A m ai B it « Ite» «Uva* By tht U n i The Mea's Club af St M atti»«. Giva» A Few “DeadV Piar thè pteted for thè high sehool play, “Kath rarcat-TiaiBm Aateateas «a> i ^ k H r. UrfM t Automobtlr hndr Em tin n ii In I _ City-Lyndhurat D m ( t e w Preveattea af Firn Aaaaal ire leen.” Thia play, given under thè di. V.cy WeB Attilli ^ . T i hunt Took PW g Um Friday N i*hi W h t m the lo ta l SU I* IM T te Prspostd exteaded prrventM wtfk «Urto O dtM r Tth. rection of tk Rofvr» Producile Coi- ... Tfavwra llift, nrtU a l o r i l* n rty . Srrrkf WIR liln fw Very Little, | pany, promise» to ba oc* of th» moat MI SK ANI» DAHHNC ENJOYBD ***** <\U*o* IWh fot ma» Rrpuhbcim Turned O ui To A tirad Banner Rm hm If At AIL With Other Bas C m - READ THESE OVUt CARKFUUY pt«uin| production» m r |iw« in — TW plajrm« «Ut bafta ni Ili f II a n d R a l l y .