Checklist for Textiles U.S.A
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Here. the Whispered
Apprentice Writer Vo The Lempuyang Gates of Heaven Chantel Kardous Lincoln, RI l u 38 m e Apprentice Writer www.apprenticewriter.com PRIZES HIGH SCHOOL WRITERS ARE INVITED TO SUBMIT $200 THEIR POETRY, CHOREOPOETRY, SPOKEN WORD to Outstanding Writer POETRY, GRAPHIC FICTION AND NONFICTION, PROSE in fiction, nonfiction, FICTION AND NONFICTION, AND PHOTOGRAPHY and poetry SUBMISSIONS FOR PUBLICATION & PRIZES. CALL FOR SUBMISSIONS: September 15 to March 15 In addition to being published in the 2021 edition, a published author $50 will award selected writers the prize of Outstanding Writer in fiction, to Runners-Up in nonfiction, and poetry as well as Runners-Up in each genre. fiction, nonfiction, and SUBMISSIONS: poetry HTTP://TINYURL.COM/APPRENTICEWRITER2021 Questions? Contact Ashley Houtz at The Writers Institute, Susquehanna University, at [email protected]. Spend a week immersed in writing with Susquehanna’s nationally recognized authors! JULY 18—24, 2021 Live the life of a practicing writer through intensive writing workshops and one-on-one conferences. Concentrate on fiction, poetry, or memoir. The $1025 fee (discount given for early applications submitted by April 15) covers all costs, including room and board. Scholarships are available. APPLY ONLINE AT: WWW.SUSQU.EDU/ WRITERSWORKSHOP The Gates of Heaven been taught better than that), but we didn’t play the be, but I liked the process anyway. game anymore. Instead, I stood on the stump alone, I carried a different name, different are White (Among sometimes with a notebook, sometimes just with the story—a different spoon-fed lie or Other Things) ants. I’d occasionally try to lean back on my own, partial truth, depending on how you Emily Bach but I wouldn’t get very far without falling. -
Selected "Rovana" (Saran), "Verel" (Modacrylic)
AN ABSTRACT OF THE THESIS OF Clothing, Textiles Susan Houston Fortune for the . M. S. in and Related Arts (Name) (Degree) (Major) Date thesis is presented 1174,y, //, j76_1-- Title SELECTED "ROVANA" (SARAN), "VEREL" (MODACRYLIC), AND RAYON BLEND DRAPERY FABRICS EVALUATED BY LABORATORY TESTS FOR RESISTANCE TO LIGHT, LAUN- DERING, ABRASION, STRESS AND FIRE Abstract approved (Major professor Thirteen fabrics containing "Rovana" (saran), "Verel" (mod - acrylic), and rayon were examined for colorfastness to light and laun- dering, shrinkage, tensile strength, elongation, abrasion -resistance and flammability. The fabrics represented three weaves: plain, twill and leno; and three colors: white, eggshell and turquoise. The fiber contents, according to the manufacturers, varied from 20 per- cent "Rovana ", 56 percent "Verel" and 24 percent rayon to 49. 3 "Rovana ", 30. 5 percent "Verel" and 20. 2 percent rayon. Chemical analysis revealed that all of the fabrics varied from the manufacturers' stated fiber contents. A Fade -Ometer was used to test for colorfastness to light. Although no fading was visible to the eye, the plain weave fabrics of high "Rovana" content showed the greatest color change according to a Gardner Color Difference Meter. White fabrics and broken twill weave fabrics were modified also. Washing had little effect on the colors. Shrinkage was most pronounced in the filling direction and was due chiefly to laundering. Fabrics fabricated in a broken twill weave of approximately 30 percent "Rovana" exhibited slightly more shrink- age than the four percent allowance recommended by the American Hotel Association. The remaining fabrics shrank only approximately one percent. Fabrics appeared to be most affected by 63. -
URBN Global Apparel Testing/Labeling Manual
URBN INC. GLOBAL Fabric and Apparel Testing Manual Global URBN Fabric and Apparel Testing Manual 4.19.2019.docx IMPORTANT – PLEASE READ, PRINT AND SEND BACK A SIGNED COPY TO: MILLS – [email protected] VENDORS – [email protected] Or mail to: URBN |Building 543 | 5000 South Broad Street | Philadelphia | PA19112 | USA <ENTER> Supplier or /Mill Company Name <ENTER> Contact Person Name: I represent and agree that I read and fully understand the processes and regulations outlined in this document as required by URBN. On behalf of the <ENTER supplier or mill company name>, I agree that the Supplier/Mill will follow these processes and regulations, and that the Supplier/Mill will be responsible for any damages, including lost sales, related to the Supplier/Mill’s failure to comply with any of these requirements. Signed: Date: 2 Global URBN Fabric and Apparel Testing Manual 4.19.2019.docx Contents Section Subject Section 1 Care Symbols Section 2 Labelling Section 3 Fabric Manual and Testing Requirements Section 4 Garment Testing Requirements and Assessment Criteria Section 5 Regulatory Requirements Section 6 China Importing Requirements APPENDIX A CARE INSTRUCTIONS AND SYMBOLS APPENDIX B SGS GB APPROVED LABS 3 Global URBN Fabric and Apparel Testing Manual 4.19.2019.docx Section 1 Care Symbols 4 Global URBN Fabric and Apparel Testing Manual 4.19.2019.docx Care Symbols GB/T 8685 Standard All 5 symbols must display on the care label and in the below order. Please refer to the Appendix for a comprehensive list of all approved symbols. 5 Global URBN Fabric and Apparel Testing Manual 4.19.2019.docx Section 2 Labelling 6 Global URBN Fabric and Apparel Testing Manual 4.19.2019.docx Labelling Care Labels: • Care label wording and translations are available on the Vendor Website. -
Curtains and Draperies
Extension Bulletin 264 June 1951 BULLErJN HU()fvt liBRARY, Uf\WERC:ITY Fi>.P.M Selecting and Making CURTAINS AND DRAPERIES planning ideas buying guides construction aids Jfelen Jf. )Uatfteis WitcH Vou Select eurtnifiS and Vraperies ODAY'S homemaker has a world of new ideas and new prod T ucts to choose from when she plans window treatments for her home. She finds tremendous stress placed on the number, size, shape, and placement of windows in rooms in order that they may serve a number of purposes. Among these are, of course, the basic functions of windows-light, air, and vision. In addition windows often are the focal point, or gathering place for people in a room. All these points must be considered when planning windows and window decor. Whatever your light, air, vision, or by the store display of suggested room activity problems, remember that good settings. window treatment will be restful, it In addition, successful shopping calls will harmonize with the room, and lend for accurate information about your ·distinction to the furnishings used room requirements. You supply this by there. This means that good window carrying with you a sketch of your treatment will take its place as a sat room, preferably with wall and floor isfying part of the room furnishings and space indicated in %-inch scale. will also allow flowers, books,' works Salespeople count on this when they of art, and hobby interests of the family prepare merchandise for your selec to accent the character of furnishings tion. They must know about the archi in the room. -
All-Time Favorites
S W E A Jersey Cardigan Sweaters T E · Fabric: 100% pill-resistant acrylic R · Dyed-to-match buttons S · Reinforced stress areas All-time favorites · Elasticized rib-trim cuffs and bottom for shape retention 5912 Soft sweaters with staying power · Machine wash and dry 1970 Jersey Crewneck Cardigan (Female) · Full button-down front · No pockets Colors: Black, Brown, Cardinal, Green, Grey Heather, Lipstick, Mayfair, Mulberry, Navy, Spruce Green, White, Wine 1970 Sizes: Youth XXSY-XLY, Adult SA-3XLA 6305 Jersey V-Neck Cardigan · 5 buttons · No pockets 6305 Color: Navy Sizes: Youth XXSY-XLY, Adult SA-3XLA 5912 Two-Pocket Jersey V-Neck Cardigan · 5 buttons · Hemmed bottom Colors: Black, Brown, Cardinal, Charcoal Heather, Green, Grey Heather, Khaki, 5910 Lipstick, Mayfair, Mulberry, Nally Powder Blue, Navy, Purple, Spruce Green, White, Wine, Yellow Sizes: Youth XXSY-XLY, Adult SA-3XLA 5910 Jersey V-Neck Cardigan Vest · 4 buttons · No pockets Color: Navy Sizes: Youth XXSY-XLY, Adult SA-3XLA Our cozy sweaters and vests offer timeless styling and a consistent, dependable fit. Made from wear-tested yarns, Schoolbelles sweaters are Black Brown Cardinal both wonderfully soft and incredibly durable. They pair perfectly with Charcoal Green Grey Heather our polos or button-up shirts. For extra identity, add your school logo. Heather Khaki Lipstick Mayfair Nally Mulberry Navy Powder Blue Purple Spruce Green White Wine Yellow 6 7 schoolbelles.com | 1-888-637-3037 Schoolbelles School Uniforms S Jersey Pullover Sweaters W E 1995 Jersey Crewneck Long-Sleeve -
House Dresses
L'iJA1 HJ - r a ,iwfw; . t. ,. mmmmmmmtms ' i ,1 ""."' . .,1.., j rtriiMn lis .u'.. 77ie Stere C7e5 Mjm .isriwww V7'v.tiiiz T Daily at 5 k M. Extra Trousers, $9.75 CLOTHIER double anniversary price. Smi STRAWBR1DGE & Werth this w will be the first day of our summer Suits of fine-twi- ll serge, with two pairs of roey shopping schedule. Beginning And until further notice the Stere will open at 9.00 M. and will close 6 P. M. dally. Sale A. at Anniversary years special at $1.25. H Incidentally the morning hours are the best Strawbrldee fc Clothier Second Floer, Filbert Street, Eatt K for' shopping, as they are the coolest. Thursday i: Announcements for Tomorrow w MBM m ' ' New Summer Frecks Much Wi These Wonder-Value-s in Women's. Coats and Capes Under Price in the Sale Canten Crepe Frecks, $32.50 Draped, plaited and straight-lin- e models, $15.00 $18.00 beaded and embroidered. Navy blue, black, Serges and wool veleurs. Tan Belivia weaves, wool veleurs beaver, gray, rust and white. and medium blue in Coats; tan, and tan cloaking, in loose-lin- e navy blue and black in Capes. Ceat3.. Capes of wool velour Fine Cotten Frecks, $17.50 Beautifully tailored and lined and twills nearly all lined Embroidered Dotted Swiss in navy blue, throughout. throughout. Copenhagen blue, brown, orchid and green. Im- 3& Strawbrldte Clothier Second Floer. Centre ported ginghams in blue, red, green and orchid trimmed in white. Dimities and Ginghams, $15 Dimity and fine ginghams, in tangerine, black, Misses' Dresses Under Price lavender and green. -
Wavebid > Buyers Guide
Auction Catalog March 2021 Auction Auction Date: Sunday, Feb 28 2021 Bidding Starts: 12:00 PM EST Granny's Auction House Phone: (727) 572-1567 5175 Ulmerton Rd Email: grannysauction@gmail. Ste B com Clearwater, FL 33760 © 2021 Granny's Auction House 02/28/2021 07:36 AM Lot Title & Description Number 12" x 16" Wyland Lucite Limited Edition Orca Family Statue - Free form clear lucite form reminiscent of ice with sun softened edges 1 holding family pod of 3 Orcas/ killer whales, etched Wyland signature lower left, numbered 105/950 lower right - in house shipping available 2 6" x 4" Russian Lacquerware Box Signed and Numbered with Mythic Cavalry Scene - Black Ground, Bright Red Interior - In House Shipping Available Tiffany & Co. Makers Sterling Silver 6 1/2" plate - 16052 A, 7142, 925-1000, beautiful rimmed plate. 5.095 ozt {in house shipping 3 available} 2 Disney Figurines With Original Boxes & COA - My Little Bambi and Mothe # 14976 & Mushroom Dancer Fantasia. {in house shipping 4 available} 2 Art Glass Paperweights incl. Buccaneers Super Bowl Football - Waterford crystal Super Bowl 37 Buccaneers football #1691/2003 & 5 Murano with copper fleck (both in great condition) {in house shipping available} 6 Hard to Find Victor "His Master's Voice" Neon Sign - AAA Sign Company, Coltsville Ohio (completely working) {local pick up or buyer arranges third party shipping} 7 14K Rose Gold Ring With 11ct Smokey Topaz Cut Stone - size 6 {in house shipping available} 8 5 200-D NGC Millennium Set MS 67 PL Sacagawea Dollar Coins - Slabbed and Graded by NGC, in house shipping available Elsa de Bruycker Oil on Canvas Panting of Pink Cadillac Flying in to the distance - Surrealilst image of cadillac floating above the road 9 in bright retro style, included is folio for Elsa's Freedom For All Statue of Liberty Series - 25" x 23" canvas, framed 29" x 28" local pick up and in house shipping available 10 1887 French Gilt Bronze & Enamel Pendent Hanging Lamp - Signed Emile Jaud Et Jeanne Aubert 17 Mai 1887, electrified. -
From Maroons to Mardi Gras
FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr. -
Mermet Technical Fabric Guide
Mermet Technical Fabric Guide © 2017 Mermet Corporation Table of Contents 1. Intro.....................................................3 13. Determining Design Intent: Considerations................................31 2. Yarn and Fabric Properties...............4 14. Determining Design Intent: 3. Manufacturing Process.....................7 Fabric Applications........................33 4. Weaving and Knitting........................10 15. Interior and Exterior.......................36 5. Types of Weaves...............................12 16. Fabric Styles: High Performance..........................38 6. Fabric Orientation.............................15 17. Fabric Styles: 7. Solar Energy Spectrum....................18 Sustainable Fabrics........................42 8. Performance Analysis: 18. Fabric Styles: Thermal Properties...........................20 Decorative Fabrics.........................46 9. Performance Analysis: 19. Fabric Styles: Optical Properties.............................22 Conventional Fabrics.....................51 10. Measuring Brightness Levels........25 20. Fabric Styles: Privacy Fabrics...............................55 11. Glare................................................27 21. Common Certifications..................58 12. Acoustical Performance................29 Disclaimer and Notices Mermet's Technical Fabric Guide is protected by U.S. and International copyright protection laws. Reproduction, distribution, display and use of any content within this document is prohibited without written permission from Mermet. -
Custom Digital Print
Digital Print Custom Capabilities What Will You Design? From digitally printed wallcovering, upholstery, 1. CHOOSE A DESIGN drapery and panel fabrics, our Digital Print Have an original design you want to see come to life? We can Custom Capabilities program has you covered. help make it a reality. Need some inspiration? Many of our KnollTextiles patterns can be translated to digital print designs Create truly one-of-a-kind textiles, combining for different applications or we can create a unique, ground-up modern technology with artful design, with our design for you. simple and cost-effective process. 2. SELECT A BASECLOTH Plus, with lower minimums and shorter lead We have a wide range of basecloths to choose from including times, customization has never been easier. a selection of proprietary textiles from our standard line. If you don’t see something that suits your needs, we can source a Questions? solution for you. Please contact your KnollTextiles Sales Representative for more information about 3. MAKE A STATEMENT Digital Print Custom Capabilities. Digital printing is the perfect solution for adding a touch of original design to your project, while balancing the challenges of budget and time. Let us help realize your vision. Digital Print Custom Capabilities Below are examples of one-of-a-kind digitally printed projects designed in collaboration with the KnollTextiles Customs team. From digitally printed wallcovering, upholstery, drapery and panel fabrics, our Digital Print Custom Capabilities program has you covered. For additional information, please contact your local Sales Representative. April 2021 | ©2021 KnollTextiles, Inc. All rights reserved. knolltextiles.com Digital Print Custom Capabilities Basecloth Options Choose from 16 basecloth options for upholstery, drapery, panel, wallcovering and pillow projects. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
California and the Fiber Art Revolution
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2004 California and the Fiber Art Revolution Suzanne Baizerman Oakland Museum of California, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Baizerman, Suzanne, "California and the Fiber Art Revolution" (2004). Textile Society of America Symposium Proceedings. 449. https://digitalcommons.unl.edu/tsaconf/449 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. California and the Fiber Art Revolution Suzanne Baizerman Imogene Gieling Curator of Crafts and Decorative Arts Oakland Museum of California Oakland, CA 510-238-3005 [email protected] In the 1960s and ‘70s, California artists participated in and influenced an international revolution in fiber art. The California Design (CD) exhibitions, a series held at the Pasadena Art Museum from 1955 to 1971 (and at another venue in 1976) captured the form and spirit of the transition from handwoven, designer textiles to two dimensional fiber art and sculpture.1 Initially, the California Design exhibits brought together manufactured and one-of-a kind hand-crafted objects, akin to the Good Design exhibitions at the Museum of Modern Art in New York City.