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Digital Print Custom Capabilities What Will You Design? From digitally printed wallcovering, upholstery, 1. CHOOSE A DESIGN drapery and panel fabrics, our Digital Print Have an original design you want to see come to life? We can Custom Capabilities program has you covered. help make it a reality. Need some inspiration? Many of our KnollTextiles patterns can be translated to digital print designs Create truly one-of-a-kind textiles, combining for different applications or we can create a unique, ground-up modern technology with artful design, with our design for you. simple and cost-effective process. 2. SELECT A BASECLOTH Plus, with lower minimums and shorter lead We have a wide range of basecloths to choose from including times, customization has never been easier. a selection of proprietary textiles from our standard line. If you don’t see something that suits your needs, we can source a Questions? solution for you. Please contact your KnollTextiles Sales Representative for more information about 3. MAKE A STATEMENT Digital Print Custom Capabilities. Digital printing is the perfect solution for adding a touch of original design to your project, while balancing the challenges of budget and time. Let us help realize your vision. Digital Print Custom Capabilities Below are examples of one-of-a-kind digitally printed projects designed in collaboration with the KnollTextiles Customs team. From digitally printed wallcovering, upholstery, drapery and panel fabrics, our Digital Print Custom Capabilities program has you covered. For additional information, please contact your local Sales Representative. April 2021 | ©2021 KnollTextiles, Inc. All rights reserved. knolltextiles.com Digital Print Custom Capabilities Basecloth Options Choose from 16 basecloth options for upholstery, drapery, panel, wallcovering and pillow projects. PRIMARY USE BASECLOTH USABLE WIDTH MINIMUM UPHOLSTERY Matte Plush 55 inches 50 yards Lavish Velvet 56 inches 50 yards Cord 55 inches 50 yards Hourglass 55 inches 50 yards DRAPERY Batiste Sheer 118 inches 50 yards Voile Sheer 59 inches 50 yards Dusk Blackout 57 inches 50 yards Bedrock Blackout 57 inches 50 yards PANEL Annex 64 inches 50 yards Beacon 64 inches 50 yards WALLCOVERING Type II Sand Texture 52 inches 30 yards Type II Linen Texture 52 inches 30 yards Acme Backed 52 inches 30 yards Bollywood Backed 52 inches 30 yards PILLOW FABRIC Linenette 58 inches 50 yards Vienna 53 inches 50 yards * Minimums are based on a pattern in repeat; requests for murals or engineered prints will be quoted separately. For additional information, please contact your local Sales Representative. April 2021 | ©2021 KnollTextiles, Inc. All rights reserved. knolltextiles.com.

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House Dresses
L'iJA1 HJ - r a ,iwfw; . t. ,. mmmmmmmtms ' i ,1 ""."' . .,1.., j rtriiMn lis .u'.. 77ie Stere C7e5 Mjm .isriwww V7'v.tiiiz T Daily at 5 k M. Extra Trousers, $9.75 CLOTHIER double anniversary price. Smi STRAWBR1DGE & Werth this w will be the first day of our summer Suits of fine-twi- ll serge, with two pairs of roey shopping schedule. Beginning And until further notice the Stere will open at 9.00 M. and will close 6 P. M. dally. Sale A. at Anniversary years special at $1.25. H Incidentally the morning hours are the best Strawbrldee fc Clothier Second Floer, Filbert Street, Eatt K for' shopping, as they are the coolest. Thursday i: Announcements for Tomorrow w MBM m ' ' New Summer Frecks Much Wi These Wonder-Value-s in Women's. Coats and Capes Under Price in the Sale Canten Crepe Frecks, $32.50 Draped, plaited and straight-lin- e models, $15.00 $18.00 beaded and embroidered. Navy blue, black, Serges and wool veleurs. Tan Belivia weaves, wool veleurs beaver, gray, rust and white. and medium blue in Coats; tan, and tan cloaking, in loose-lin- e navy blue and black in Capes. Ceat3.. Capes of wool velour Fine Cotten Frecks, $17.50 Beautifully tailored and lined and twills nearly all lined Embroidered Dotted Swiss in navy blue, throughout. throughout. Copenhagen blue, brown, orchid and green. Im- 3& Strawbrldte Clothier Second Floer. Centre ported ginghams in blue, red, green and orchid trimmed in white. Dimities and Ginghams, $15 Dimity and fine ginghams, in tangerine, black, Misses' Dresses Under Price lavender and green.
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YOUNIQUE TOUCH Pressed Powder Foundation
Fact Sheet YOUNIQUE TOUCH Pressed Powder Foundation New shades. New formula. Meet your match. We’ve got you covered with YOUNIQUE TOUCH pressed powder foundation. Our new formula goes on silky smooth to create a flawless, airbrushed finish with buildable, medium-to-full coverage. With brand-new shade options (in addition to our classic shades of TOUCH MINERAL pressed powder foundation), we’re sure you’ll be able to find your perfect match. TELL ME MORE APPLICATION TIPS USE WITH • Smooth and easy application with 1. Swirl the YOUNIQUE™ powder • Included foundation sponge a velvety soft feel puff brush or YOUNIQUE™ • YOUNIQUE™ • Shine control with matte finish powder/concealer brush in powder/concealer brush or • New skin-flattering shades: product, tapping away excess. YOUNIQUE™ powder • Crepe • Damask You can also swipe foundation puff brush • Camlet • Dupioni onto the included • TOUCH MINERAL skin • Poplin • Twill foundation sponge. perfecting concealer • Jacquard • Sable 2. Apply from center of face • Tweed • Percale towards outer edges. • Gingham • Brocade 3. Continue to build for • Voile desired coverage. Price for 8 g / 0.28 oz: $32 USD | $39 CAD | $46 AUD | $45 NZD | £25 GBP | $560 MXN | 34,50 € EUR | HK$248 ABOUT YOUNIQUE Nature + Love + Science. Since its inception in 2012, Younique has been committed to developing beauty products that combine innovative science with the best ingredients nature has to offer. Younique, famous for its best-selling MOODSTRUCK 3D FIBER LASHES+™ lash enhancer, is the first direct-selling company to pioneer the social media-based business model. Founded by a brother-sister team—Derek Maxfield and Melanie Huscroft—Younique offers women the opportunity to look and feel great while helping advance the brand’s mission to uplift, empower, and validate women around the world.
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Ifbanefield & Co.
WEW-YORK DAILY TRIBUNE, SUNDAY, FEBRUARY 19. 1005. 9 NOT WASH SALKS THEY SAY s.lir.l) LIFE WITH TEETH. TO SAVE CITY $1,000,000. BY MUXROBS. Women on hunaway Airship Bit Six Cent Verdict for Man Whose I & CO. STATEMENT\u25a0 FBANEFIELD :.r__ Hole in Balloon. Property Was Damaged by Rain. IMPORTERS. JEWELERS. IBV TKLKGRAPH ' - Bought TO THE TBIBL'N'E.] Tlie Corporation 'oun \u25a0< i are now I'>i"atr<l $c (la, to •Ssn Francisco. Offset the Loxcmoh Scare, Feb. IS.—With broken cables days' trial, obtained .1 vprdicl ywsterdaj which will 1. Altmatt dans;";;;i(: and r.ith Mis. <;r Helton, in ilnirbuilding, 1 v Oi8 W. wife save tho city ov«»r The was Ks Inventor, f1.W0.000. actioo They Declare. of as Its freisht. the airship California brought by Henry Bundhelmer to recover dfti Messenger suddenly sprang upward f,,, 1 ST., two thousand from tlip.i|;v InjuricK Ii \u25a0 it 38 34TU Tr« f'ft done nn.ii.ru WEST stn-k brokerage firm of klunroe & Uunroe ovft- Idord Turk- 'iMs'-aftornbbn;' There M«med i»;Ptli-st.. in the rainstorm Augu I 19 I. when who came Into \v*]| no hop. of between lii'th Aye. an<l Herald Square Street promlnet-Cce about' two for its .K-rnpsnt. >but the woman Hi-- In 'I'h. Bninx wo I" , the gas Millbrook sewer unable months as<r when !»r>*ciilatlve movement in bit a bole in the bag and the machine plunged carry orf thr- water, and Bundhfimer'f pr< >Tc»r.tr-*l an.l Boston Ptock collapsed, and whore earthward, to hud lightly in Host Berkley.
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Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½
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Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E.
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Window Treatment
Extension Bulletin No. 451 August 1951 Window Treatment Extension Service. Institute of Agricultural Sciences The State College of Washington. Pullman. Washington Function of Window Treatment Well-planned window treatment Controls the quantity of the light. Gives privacy. Frames a beautiful view or shuts out an unpleasant one. Decoratiue Use of Window Treatment Well-planned window treatment- Adds beauty through color, texture, and pattern. Harmonizes the colors in the furnishings with the background of a room. REFERENCE: How to Make Curtains, Michi gan State College Extension Service. Window Treatment By Lila B. Dickerson. Extension Home Management Specialist* Just as you consider a davenport or rug as an out-of-place piece of furniture, can spoil when refurnishing a room in your home, you the effect of an otherwise well-arranged room. should also plan your curtains or draperies Simple window treatments that are useful as carefully. Poorly used window treatment, just well as decorative are always a good choice. Choose Your Window Treatment The best window treatment for a room de The Size of a Room pends on the size, shape, and arrangement of If the room is small and you want it to ap the windows as well as the general character pear larger, choose draperies that blend with or of the room and its furnishings. match the color of the walls. Too much design In a room with elaborate furnishings you'll or color contrast divides the walls into small want to use more formal window treatment. areas and makes the room seem smaller. Choose lightweight, fine-textured, plain or small-pat For a room with simple furnishings, choose terned fabrics.
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African Lace
Introduction Does changing an original material destroy its traditional context? If a material assumes new meaning or significance in a new context, is this inherently an appropriation of the object? What loss does this cause, and is it a positive change, a negative one, or neither? This lexicon revolves around African Lace. Through an analysis of this particular material, I broadly explain, craftsmanship, authenticity and reasons behind an object’s creation, including why and how it is made, from which materials, and how the object translates into a specific environment. Various kinds of objects are created in and relate to specific places and time periods. If situated in an environment in which it did not originate, the meaning of an object changes. In fact, the object is used from a new perspective. Although it is possible to reuse an object as a source of inspiration or research, it cannot be used as it was in its previous context. Thus, it is necessary to rethink the authenticity of an object when it is removed from its past context. History is important and can explain a materials origin, and it therefore warrants further attention. A lack of knowledge results in a loss of authenticity and originality of a historical material. In view of this, I develop this Lexicon to elaborate on the importance of this historical attention. It is interesting to consider how an object can influence a user in relation to emotional or even material value. The extent of this influence is uncertain, but it is a crucial aspect since any situation could diminish the value and the meaning of an object.
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Swiss Textile News
Swiss textile news Autor(en): [s.n.] Objekttyp: Article Zeitschrift: Textiles suisses [Édition multilingue] Band (Jahr): - (1968) Heft 3 PDF erstellt am: 27.09.2021 Persistenter Link: http://doi.org/10.5169/seals-796705 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch 9th European Fashion Schools Contest in Pratica-Orlon Club in Switzerland St. Gall The St. Gall embroidery and fine cotton fabrics On the initiative of Schappe Co. Ltd., in Basle, manufacturers have realised that to keep and with the backing of Du Pont de Nemours youthful, one has to mix with youth. And each in Geneva, three Swiss sock manufacturers year they give a practical demonstration of this F.
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B.Des. (Fashion Design)
Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B.
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Price Per Meter for Total Purchase of the Same Type
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Successi J5jll
THE WASHINGTON TIMES MONDAY OCTOBER 8 1906 3 I l 25c Curtain Armours 25c 25c 50c and n Rogers Carpet Knives 1 Toilet Soaps Jewelry lOc Poles 12 c 111 1 Lot of manufactur- ¬ SpoonsS- SweepersT- and Forks Five foot Curtain 12 < c box ers sample Pins Hat ul r- Extra quality Steel Poles oak or cheery and Brooches In a va of six Rogers Table Armours Highgrade Includ- ¬ D et Bissell make Knives and finished Com plate of styles Tea Spoons In Plain Carpethe Sweeper made Forks with rosewood Toilet Soaps the well ing enameled pearl designs with brace knobs anti nown Venetian series jeweled and fancy and fancy extra handles doublecapped Choice of heliotrope or fully warranted Reg ¬ brush Regular price and bolstered R i fixture Regular price Rhine stone effects ¬ mae S cakes In box ular price ale Anni- UW each Anniver- ¬ price 514 tor set of 25r a Amhreraary a Vftlues void regularly- versary price sary gale price six each eat price X5c An- ¬ at sic and 50e Anniversary Sale price t niversary Sale price Anniversary Sale price Sale price each box I Choice It Pays to Deal at Goldenb- ° 1 C l C 39c 98c 12 12 2 10C ergstThe Dependable Store Seventh and K Streets 5c Our Eleventh Sale a S Success I I The Dependable Store is eleven years old this weekand we are holding a rousing sale of seasonable merchandise in all departments- 50c Table DamasK 39c as a fitting celebration of the wonderful success that has come to us in this limited time Fairy Soap 2 for 5c 25 pieces of first quality Mer- Great throngs of visitors crowd every aisle at the present writingand
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Ew Voile and Gingham Frocks
Will Open Times Square *Don't Specialize!" Advises Theater Bert Film Star, Who Lytell, Fulton Street, Livingston St. Practices His Preachings Bond Street, Elm Place, Youni. man, here's a a tip! requires, without causing 'slowing - Also, young woman! uj^in his or her work. "1 think that la to hold.true BROOKLYN NEW YORK If you wish some to look back going day in all lines of industry. The success¬ upon your life with a smile instead of ful young man or woman of the future Business Hours, 9 to 5:30 a frown don't specialize in your work. is going to be the one who can handle Don't let your eyes rest upon one ob¬ his own chosen work and then branch as Of Don't of out into other things well. jective^ spend every' day course, in pictures, it is more neces¬ your time wishing1 you could do a cer¬ sary. There are very few specialists tain thin«r. Don't be content with a in my profession to-day, and they are "one way" mind. getting more scarce as time goes past. branch ¦'The producer to-day wants men and ew Instead, out. Choose a half women who can ride a bronco or look Voile and doren or more ideals. 'Wuri. to ü du/m Frocks ¡ well in full dress, and one must be Gingham able to do those two things, and many 34 Metro 'Film Star others just as much in contrast, if he Women's Sizes to 44 Misses' Sizes 14y 16 and 18 Years would please his company." lie said he saw no reason why the change from the legitimate stage to motion pictures should cause any to depreciation in the clfect of the work ¡8.50 $20 Grades, j an his two $4.90.$5.90.$9.90.$10.90 of actor, and declared that years In the West Coast in pictures had MANUFACTURER wished to move this large stock of new and checks in a wonderful color assortment.
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