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GLENEAGLE.Pdf
Fabric : 802752 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Design : Hairline Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802751 Colour :Grey Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Houndstooth Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 1/11 Fabric : 802750 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802749 Colour :Brown Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Sharkskin Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 2/11 Fabric : 802748 Colour :Other Green Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Prince of Wales Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802747 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 3/11 Fabric : 802746 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802745 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 4/11 Fabric : 802744 Colour :Brown Light Bunch : GLENEAGLE -
Liniment a Close Two-Cent Stamp for Repb- Form of Construction Insures the Best Can Have in the House
Effective Costumes home “Two bottles the American Cured My Wm A.RADFORD rngmSKm Rheumatism’’ EDITOR Mr. William A. Radford will answer way on the outside may be considered questions and give advice FREE OF practically fireproof. COST on all subjects pertaining to the There is no combination of subject of building for the readers of mate- this paper. On account of his wide expe- irals more pleasing to the eye than rience as Editor. Author and Manufac- this high grade face brick and the turer, he Is, without doubt, the highest cement plaster In a harmonizing col- authority on all these subjects. Address or. As far as warmth and freedom foundrelief at all Inquiries to William A. Radford. No. person IS4 Fifth Ave.. Chicago, 111., and only en- from dampness are concerned this got two bottles and they cured me. I think it is the best Liniment a close two-cent stamp for repb- form of construction Insures the best can have In the house. Ishall always keep a bottle in my house as long as I possible results, and the expense Is can get it”—Mrs. E. R. Wallace, Morrisons, Va. The well-to-do suburban builder Is getting rather particular about the Another Letter. kind of a house he puts up. It Is not Mrs. James McGraw, of 1216 Mandeville St., New Orleans, La., writes: — enough to simply provide comfortable “ I take pleasure in writing to you that I had a pain in my arm for five years, shelter for his family and have room and I used enough for all; but the general style and appearance of the house has to be given due thought so that it will work In well with Its surroundings and con- form In size and style to what his friends and neighbors consider neces- sary for his home. -
Women's Uniforms 1 Sept/Oct 2005 by Marie Robinette € in the Morris
By Marie Robinette € In the Morris and Company, Inc brochure from 1929 they ask, “Does a smile count? Can it cheer the patient and speed recovery? Then so does the costume of the nurse.” The uniforms of the Model A era reflected style and quality in every line. The nurses of the era who wore the newest styles in uniforms would not lose her personality by wearing a uniform that was unattractive. The styles were a mirror of trends in street dresses. Uniforms were available to the professional nurse, the business women and home service too. When we think of women’s uniforms during the Model A Era we tend to think of a nurse’s sterile white uniform. But, some nurse’s uniforms were offered in blue, pink, green and orchid fast color Chambray. Pin stripe prints were also available. Women’s Uniforms 1 Sept/Oct 2005 #2415 – Made of Ryster 5-Star #2412 – Made of fine weave #1889 – A new model at a low two-ply Poplin. Has Peter Pan 2-ply Dundalk Poplin. Has 8 price. Made of Linatex Nurses’ collar, French turnover cuffs inverted shoulder tucks, four Suiting with a high turn-over and two shaped patch pockets. on either side of long flat collar. scalloped collar. New form-fitting The four narrow inverted tucks Central from opening to waist sleeves.Dutch turned cuffs. Trimmed on either side of the yoke give line. Two bellows patch pockets. with detachable ocean pearl buttons a slight fullness over the bust. French cuffs. Detachable belt and sloped welt pockets Detachable ocean pearl buttons, and detachable ocean pearl and detachable belt. -
Autumn Winter 19 Guide
DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER I $3,000 - $5,000 ~ Example black tie ensemble ~ Ceremonial 2-piece suit in black wool barathea, self covered buttons, peak lapels faced in black silk satin. - Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !1 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER II $5,000 - $7,000 ~ Example black tie ensemble ~ Ceremonial jacket in black cotton & silk velvet, self covered buttons, self faced peak lapels. - Ceremonial trouser in black wool & silk twill. Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. ~ Evening dress change ~ Evening dress shirt in black cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Evening 6cm hand finished pointed butterfly bow tie in black silk faille. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !2 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER III $7,000 - $9,000 ~ Example black tie ensemble ~ Ceremonial jacket in black wool & silk jacquard, self covered buttons, self faced peak lapels. -
Rolled Edge Napkins Created By: Melinda Stephenson
Beginning Serging: Rolled Edge Napkins Created by: Melinda Stephenson One of the most often used stitches on your serger, apart from the four thread overlock, is the rolled edge. This works beautifully on napkins, as well as for hemming difficult to hem, slippery chiffon. To learn how to serge a rolled hem, start with either 100% cotton, 100% linen or a cotton/linen blend. These natural fabrics work best for napkins as they absorb moisture. Polyester or any synthetic fabric blends are not recommended for making napkins— they just don’t absorb as well. Supplies: • Cotton or linen squares cut to 18 or 20” • Scrap fabric cut from the same linen or cotton • 2 cones serger thread • 1 cone Wooly Nylon • Seam sealant (Fray-Check) 3. Set Tension: • Instruction manual a. Right needle: Normal • Optional: clear wash-away stabilizer b. Upper Looper: 2-3 (check your owner’s manual) Machine Set-up c. Lower Looper: 5-7 (check your owner’s manual) 3-thread Rolled Hem 4. Set Stitch Length: 1.0-2.0 (check your owner’s 1. Remove your left needle. manual) 2. Thread your machine: Wooly Nylon in Upper 5. Set Differential Feed: 1.0 or N (if edges draw in Looper and serger thread in right needle and and pucker, try .5) lower looper. 6. Set Stitch Finger: disengaged 7. Set knife: engaged elnaUSA.com Page 1 Beginning Serging: Rolled Edge Napkins Practice: 5. Stitch a few stitches until your napkin is about halfway beneath the presser foot, right up to, Using a piece of scrap fabric that is the same but not beneath, the needle. -
Skinny Scarves by SUSAN BECK
This article originally appeared in Through the Needle ONLINE Issue 9 Skinny Scarves by SUSAN BECK These long, narrow scarves made of t-shirt knit or sheer fabric are fast to make and fun to wear – one, two, or even three at a time! They’re a great item to make for craft fairs and bazaars – and they also make great gifts! Directions Cut a rectangle of fabric 10” wide and 3 yards long. Note: The more lightweight the fabric, the wider the scarf can be (12”-14”). If the fabric has more bulk, you can cut it very narrow (6”-8”). Thread the serger for a 3-thread rolled hem, adjusting the tensions as directed in your user manual. Generally, the needle tension will be normal, the upper looper tension will be loose, and the lower tension will be tight. Sew a sample on fabric scraps to decide if the resulting rolled edge looks the way you want it to. Adjust the settings as needed. Different fabric types and weights may require different tension adjustments for the perfect rolled edge. Serge all four edges of the scarf, starting at one end and serging off the opposite end, and trimming the edge slightly as you go. Supplies • 3 yards of lightweight, sheer, or single knit fabric in polyester, cotton, rayon, or silk (yardage will make 4-6 scarves) • Serger with 2- or 3-thread rolled hem capabilities • Three cones or spools of fine (60-weight) thread to match or blend with the fabric • Seam sealant Tip: Hold your hand lightly on the fabric to the left of Option 3: To wear the foot to make sure the fabric is going under the two or three scarves needle and not falling away after it passes the knife. -
Chapman Wrttes His Own Epitaph in Closing Hours
■f- ■- . WBfS PRESS RUN) v 4VBHAGB DAILY CIRCULATIOI*' Ot* PHB EVENING HERALD for tjiie month of March, IWBO, 4,736 VOL. XtIV „ NO. .^r HEAVY COATS WILL BE JOHN T. KING IN ORDER FOR EASTER BANDITS IRON Washington, April 2.—^Heavy coats will be needed along the 10 IN R. I. BANK, ; INUCTED FOR Atlantic seaboard for the annual Easter parade Sunday. Fair but cold was the weather bureau's prediction today for GET ALL CASH W N G INCOME the eastern part of the counbry. It will rain tomorrow but the precipitation probably will stop by night. Raid Trust Co. at Phenix, Huge Profits Disclosed/by Negni, Near Deadi, Assert! <$>------------- Handcuff Clerks, Custom ^ federal Probe Into Deal in New-York, April 2.— ^Eighty He Beard Employer Fire .percent o f, the crime in New TIES BOY TO POST; ers, Drive Off wiA $15, York .. is committed by; persons German-own^ Metals Co. FWiraUURYIN under 22 years of age, acCQrd*>^ Fatal Shot— Appeals to 000 to $20,000. ing tb'the annuarreport'of tl^ Stock. PUNISHED IN COURT Children’s* Aid society. B A T H m (P Z •»- Supreme Court Judges Phenlx, R. I., April 2.— The Fal^-lawyers* Last C a4 New York, April 2.— John T. Mrs. Urbanad on Probadon mdht daring bank robbery In the King, former Republican national history of Rhode Island was staged Play Producer Indicteff After CQjnmltteemani of Connecticut, was here today when four masked ban New Trial Petition, to Ifc indicted today for perjury by the for Harsb Treatment of dits entered the banking rpoms of federal grand jury that has been in the Phenlx Trust company and Jury Probe of Famous ‘ CDIDEin Played Tomorrow. -
House Dresses
L'iJA1 HJ - r a ,iwfw; . t. ,. mmmmmmmtms ' i ,1 ""."' . .,1.., j rtriiMn lis .u'.. 77ie Stere C7e5 Mjm .isriwww V7'v.tiiiz T Daily at 5 k M. Extra Trousers, $9.75 CLOTHIER double anniversary price. Smi STRAWBR1DGE & Werth this w will be the first day of our summer Suits of fine-twi- ll serge, with two pairs of roey shopping schedule. Beginning And until further notice the Stere will open at 9.00 M. and will close 6 P. M. dally. Sale A. at Anniversary years special at $1.25. H Incidentally the morning hours are the best Strawbrldee fc Clothier Second Floer, Filbert Street, Eatt K for' shopping, as they are the coolest. Thursday i: Announcements for Tomorrow w MBM m ' ' New Summer Frecks Much Wi These Wonder-Value-s in Women's. Coats and Capes Under Price in the Sale Canten Crepe Frecks, $32.50 Draped, plaited and straight-lin- e models, $15.00 $18.00 beaded and embroidered. Navy blue, black, Serges and wool veleurs. Tan Belivia weaves, wool veleurs beaver, gray, rust and white. and medium blue in Coats; tan, and tan cloaking, in loose-lin- e navy blue and black in Capes. Ceat3.. Capes of wool velour Fine Cotten Frecks, $17.50 Beautifully tailored and lined and twills nearly all lined Embroidered Dotted Swiss in navy blue, throughout. throughout. Copenhagen blue, brown, orchid and green. Im- 3& Strawbrldte Clothier Second Floer. Centre ported ginghams in blue, red, green and orchid trimmed in white. Dimities and Ginghams, $15 Dimity and fine ginghams, in tangerine, black, Misses' Dresses Under Price lavender and green. -
From Maroons to Mardi Gras
FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr. -
Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept
DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION -
Custom Digital Print
Digital Print Custom Capabilities What Will You Design? From digitally printed wallcovering, upholstery, 1. CHOOSE A DESIGN drapery and panel fabrics, our Digital Print Have an original design you want to see come to life? We can Custom Capabilities program has you covered. help make it a reality. Need some inspiration? Many of our KnollTextiles patterns can be translated to digital print designs Create truly one-of-a-kind textiles, combining for different applications or we can create a unique, ground-up modern technology with artful design, with our design for you. simple and cost-effective process. 2. SELECT A BASECLOTH Plus, with lower minimums and shorter lead We have a wide range of basecloths to choose from including times, customization has never been easier. a selection of proprietary textiles from our standard line. If you don’t see something that suits your needs, we can source a Questions? solution for you. Please contact your KnollTextiles Sales Representative for more information about 3. MAKE A STATEMENT Digital Print Custom Capabilities. Digital printing is the perfect solution for adding a touch of original design to your project, while balancing the challenges of budget and time. Let us help realize your vision. Digital Print Custom Capabilities Below are examples of one-of-a-kind digitally printed projects designed in collaboration with the KnollTextiles Customs team. From digitally printed wallcovering, upholstery, drapery and panel fabrics, our Digital Print Custom Capabilities program has you covered. For additional information, please contact your local Sales Representative. April 2021 | ©2021 KnollTextiles, Inc. All rights reserved. knolltextiles.com Digital Print Custom Capabilities Basecloth Options Choose from 16 basecloth options for upholstery, drapery, panel, wallcovering and pillow projects. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.