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Fabric : 802752 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Design : Hairline Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802751 Colour :Grey Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Houndstooth Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802750 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802749 Colour :Brown Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Sharkskin Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802748 Colour :Other Green Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Prince of Wales Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802747 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802746 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802745 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802744 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Sharkskin Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802743 Colour :Grey Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Sharkskin Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802742 Colour :Other Red Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Houndstooth Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802741 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Houndstooth Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802740 Colour :Blue Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Houndstooth Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802739 Colour :Blue Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Sharkskin Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802738 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Prince of Wales Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802737 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802736 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802735 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 90 % WOOL 10 % CASHMERE Weave : Sharkskin Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802734 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 90 % WOOL 10 % CASHMERE Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802733 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 90 % WOOL 10 % CASHMERE Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Fabric : 802732 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 90 % WOOL 10 % CASHMERE Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available

Fabric : 802731 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 90 % WOOL 10 % CASHMERE Weave : 2/2 Twill Design : Prince of Wales Weight : medium (260-320gr) G Width : 150 CM Fabric available

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Autumn Winter 19 Guide

DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER I $3,000 - $5,000 ~ Example black tie ensemble ~ Ceremonial 2-piece suit in black wool barathea, self covered buttons, peak lapels faced in black silk satin. - Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !1 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER II $5,000 - $7,000 ~ Example black tie ensemble ~ Ceremonial jacket in black cotton & silk velvet, self covered buttons, self faced peak lapels. - Ceremonial trouser in black wool & silk twill. Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. ~ Evening dress change ~ Evening dress shirt in black cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Evening 6cm hand finished pointed butterfly bow tie in black silk faille. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !2 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER III $7,000 - $9,000 ~ Example black tie ensemble ~ Ceremonial jacket in black wool & silk jacquard, self covered buttons, self faced peak lapels.
Himachal Futuristic Communications Limited

HIMACHAL FUTURISTIC COMMUNICATIONS LIMITED STATEMENT OF UNPAID DIVIDEND FOR THE YEAR 2017‐18 FOLIO NO NAME ADDRESS WARRANT NO NET AMOUNT 00005049 AFZAL AMIRALI PATEL AGA ALY MANOR, 2ND FLOOR, FLAT NO.‐11, AGA HALL, NESBIT ROAD, MAZGOAN, MUMBAI 400010 232223 3.00 00005084 TAPAN KUMAR NAG HATUDEWAN, KATWA ROAD P.O. & DIST‐BURDWAN WEST BENGAL 713101 232224 6.00 00005116 RAYOMAND DINYAR MARFATIA M‐62 CUSHROW BANG SHAHID BHAGAT SINGH ROAD MUMBAI 400039 232225 6.00 00005153 SUSHILA BAID A‐63, SHREE KUNJ 51, DOBSON ROAD HOWRAH WEST BENGAL 711101 232226 108.00 00005203 PRODIP KUMAR BANERJEE 169 C S MUKHERJEE STREET P O KONNAGAR DISTT HOOGHLY, WEST BENGAL 712235 232227 6.00 00005211 ANANTHA SATYAVENI YANNAMANI W/O YANNAMANI VENKATA RAMA RAO DULLA, KADIAM MANDALAM EAST GODAVARI DISTT. A.P. 533234 232228 3.00 00005239 VINAY KUMAR SETHIA 156 SANTHOME HIGH ROAD MYLAPORE CHENNAI 600004 232229 6.00 00005261 DINU THAKKAR IN‐TIME INVESTMENTS 47 TOMRIND LANE, RAJABAHADUR MANSION 2ND FLOOR FORT, MUMBAI 400023 232230 42.00 00005334 SACHIN KASERA C‐188, BIRLA SAGAR COLONY PO : PORBANDAR ‐ 2 360576 232231 6.00 00005417 BUDDHA DEV KOAR 2 NO GURUDASHI PARA WEST 1 LANE, BURDWAN WEST BENGAL 713101 232233 30.00 00005480 JEHANBUX BOMI BHANDARA JEHANGIR MANSION FLAT NO 5, 1ST MARINE STREET, MUMBAI 400020 232235 3.00 00005535 HIMANSHU M MOGHE GOLDEN HEIGHTS, 4TH FLOOR ANANT PATIL ROAD DADAR, MUMBAI 400028 232236 6.00 00005542 VEENA ISSRANI PLOT NO 108, SECTOR‐2 GANDHIDHAM, KUTCH GUJARAT 370201 232237 6.00 00005586 NILESH J SHAH 12, SHRI KRISHNA ASHISH 6TH FLOOR, 137, GARODIA NAGAR GHATKOPAR, MUMBAI 400077 232238 6.00 00005588 SHRIKANT BAJAJ C/O SHRI SATI IRON TRADERS BEHIND L.I.C.
Study on Mechanical Behaviour of Lantana-Camara Fiber Reinforced EPOXY Based Composites Bhupender1, Anil Kumar2

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395 -0056 Volume: 04 Issue: 04 | April-2017 www.irjet.net p-ISSN: 2395-0072 Study on Mechanical Behaviour of Lantana-Camara Fiber Reinforced EPOXY Based Composites Bhupender1, Anil Kumar2 1PG student, Dept. of Mechanical Engineering, OITM, Juglan, Hisar, Haryana, India. 2Assistant Professor, Dept. of Mechanical Engineering, OITM, Juglan, Hisar, Haryana, India. ---------------------------------------------------------------------***--------------------------------------------------------------------- Abstract - Environmental awareness today motivates the properties such as tensile, flexural and impact strengths, researchers, worldwide on the studies of natural fiber stiffness and fatigue properties, which enable the structural reinforced polymer composite and cost effective option to design to be more versatile. Due to their many advantages synthetic fiber reinforced composites. The availability of they are widely used in aerospace industry, mechanical natural fibers and ease of manufacturing have tempted engineering applications (internal combustion engines, researchers to try locally available inexpensive fibers and to thermal control, machine components), electronic packaging, study their feasibility of reinforcement purposes and to what automobile, and aircraft structures and mechanical extent they satisfy the required specifications of good components (brakes, drive shafts, tanks, flywheels, and reinforced polymer composite for different applications. There pressure vessels), process industries equipment requiring are many potential natural resources, which India has in resistance to high-temperature corrosion, dimensionally abundance. Most of it comes from the forest and agriculture. stable components, oxidation, and wear, offshore and Lantana-Camara is one such natural resource whose potential onshore oil exploration and production, marine structures, as fiber reinforcement in polymer composite has not been sports, leisure equipment and biomedical devices [3, 4].
Pricelist for : Web - Standard Jan 2020 - Valid Until Mar 15 2020

Pricelist for : Web - Standard Jan 2020 - Valid until Mar 15 2020 Prices include base fabric and digital printing. No setup/ hidden costs. Prices inc VAT Create your fabric today at www.fashion-formula.com Natural Fibres Fabric Code Fabric Name Composition Colour Weight Face Popular For Width (mm) Sample FQ 40 - 300 m 20-39m 10-19m 4-9m 1-3m CF001 SATIN 100% COTTON White 240 Satin ✂️ 1350 £3.25 £12.80 £20.65 £21.90 £26.25 £30.00 £33.15 CF002 DRILL 100% COTTON White 250 Twill ✂️ 1400 £3.25 £10.00 £18.75 £21.25 £22.50 £27.50 £29.40 CF004 POPLIN 100% COTTON White 130 Plain ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £26.25 £27.50 £30.00 CF005 PANAMA 100% COTTON White 210 Panama ✂️ 1400 £3.25 £12.00 £19.40 £20.65 £21.90 £27.50 £30.00 CF006 LIGHT TWILL 100% COTTON White 210 Twill ✂️ 1400 £3.25 £11.60 £20.00 £21.25 £22.50 £25.65 £28.70 CF007 TOP SATEEN 100% COTTON White 170 Satin ✂️ 1350 £3.25 £11.60 £20.65 £22.50 £25.00 £28.75 £30.65 CF008 MELINO LINEN 93% CO 7% LINEN White 228 Panama ✂️ 1350 £3.25 £12.40 £20.65 £22.50 £25.00 £29.40 £31.90 CF009 LIMANI LINEN 90% CO 10% LINEN White 250 Panama ✂️ 1350 £3.25 £12.80 £23.15 £26.25 £30.00 £32.50 £35.00 CF011 CALICO COTTON 100% COTTON White 155 Plain ✂️ 1400 £3.25 £8.00 £16.25 £18.15 £20.00 £21.90 £23.75 GOTS ORGANIC CF014 COTTON PANAMA 100% COTTON Natural 309 Panama ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £25.00 £28.75 £31.90 NATURAL CF016 HEAVY DENIM 100% COTTON White 395 Twill ✂️ 1400 £3.25 £12.80 £23.15 £26.25 £28.75 £31.25 £32.25 CF017 COTTON SLUB 100% COTTON White 150 Slub
FABRICS/ DYING Dictionary

FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”.
Abel, Isabel Multiple Harness Patterns from the Early 1700'S 717 Adelson

Abel, Isabel AymaraMultiple HarnessWeaving, Patterns Ceremonial from Textiles the Early of 1700'sColonial and 19th 717 Adelson, Laurie, Tracht Arthur Century Bolivia 951 Adrosko, Rita Natural Dyes and Home Dyeing 360 Aiken Marie Finger Weaves and Simple Looms 915 Aitkenhead, James Craft Encounters, a decade of Fibre influences 955 Albaum, Charlet Ojo de Dios - Eye of God 578 Albers, Anna On Weaving 463 Albers, Anna On Designing 621 Albers, Anna On Designing 713 Albers, Anna On Weaving 734 Albers, Anni On Designing 1046 Albers, Joseph Interaction of Color 685 Alberta Agriculture Money Making Ventures for Community Organizations 436 Alberta Agriculture Wool and Sheepskins 580 Alberta Culture Children's Weaving Notes - Technical 424 Alderman & Wertenberger Handwoven Tailormade 321 Alderman, Sharon A Handweaver's Notebook 655 Alderman, Sharon Mastering Weave Structures 873 Alexander, M Weaving Handcraft 396 Allard, Mary Rug Making - Techniques and Design 201 Allen, Edith Weaving You Can Do 461 Allen, Heather L. Weaving Contermpory Rag Rugs 842 Allen, Helen Louise American and European Hand Weaving Revised 171 American Craft Museum Felting (REF) 1043 Amos, Alden Big Book of Handspinning 854 Anderson, Gordon, Towner Beiderwand 443 Andrews, Mary The Fundamentals of Weaving, 1991 Banff, Alta Book #1 520 Andrews, Mary The Fundamentals of Weaving Book #3 605 Andrews, Mary The Fundamentals of Weaving, 1991 Banff, Alta Book #2 720 Appleton, Leroy American Indian Design & Decoration 978 Art Magazine In Praise of Hands 152 Ashenhurst, T.R. Design in
Fabric Fiber Content

Fabric Types, Count & Fiber Content Zweigart Linen Count Content Belfast 32 100% linen Afghans - 100% Polyacrylic Cashel 28 100% linen Abby 18ct Alba 14ct Almanac 14ct Cork 19 100% linen Anne Cloth 18ct Baby Snuggle 18ct Country Home 18ct Dublin 25 100% linen Diamond 18ct Gloria 14ct Hearthside 14ct Edinborough 36 100% linen Honeycomb 18ct Novara 14ct Patrice 14ct Fine Linen 45 55% linen + 45% cotton Afghans - 100% Cotton Glasgow 28 100% linen Anne Cloth 18ct Augusta 14 ct Novara 14ct Kingston 50 100% linen Teresa 14ct Newcastle 40 100% linen Afghans- Misc Normandie 55% cotton + 45% linen Pastel LinenD 28 52% cotton + 48% linen Gloria 14ct 70% rayon + 30% linen Pearl Linen 20, 25, 28 60% polyester + 40% linen Merino 28ct 100% Wool Mosaik 18ct 52% cotton + 42% rayon Patterned Count Content Tannenbaum 18ct 52% cotton + 42% rayon Cottage Huck 14 100% cotton Aida Weave Count Content Belinda 20 52% cotton + 48% rayon Diana 20 52% cotton + 48% rayon Aida 8, 11, 14, 16, 18 100% cotton Newport 28 100% linen Country AidaD 7 100% polyacrylic Sambuca 28 60% polyester + 40% linen Damask Aida 11,14,18 52% cotton + 48% rayon Saronno 28 52% cotton + 48% rayon GoldauD 7 55% rayon + Shenandoah 28 55% linen + 45% rayon 40% cotton + 5% metallic Hardanger 22 100% cotton Canvas Count Content Hearthstone 14 60% cotton + 40% linen Congress 24 100% cotton Herta 6 100% cotton Congressa 24 100% cotton Huck 14 100% cotton Cordova 22 100% cotton Klostern 7 60% rayon + 40% cotton Double Mesh 5, 6.5, 7.5, 10, 12, Linen Hardanger 22 100% linen 14, 16, 18, 20 100% cotton
Twill Weaves in Double Weave a Loom with 8 Or More Shafts Is Required to Produce Double Weave with Both Layers in Twill Structure

Twill weaves in Double Weave A loom with 8 or more shafts is required to produce double weave with both layers in twill structure. In this discussion the threading is straight draw on 8 shafts with dark warp threads on the odd numbered shafts and light colored warp threads on the even numbered shafts. Threading Shaft # 8 L 7 D 6 L 5 D 4 L 3 D 2 L 1 D The tieup (or peg plan) is easy to develop. This example is for 2/2 twill in both layers of the double weave, with the dark warp threads 1357 in the top layer and the light threads 2468 in the bottom layer. The first diagram shows the shafts to be raised to weave the top layer and the second diagram shows the shafts to be raised to weave the bottom layer. The third diagram puts the first two together and adds with dots the shafts of the top layer that must be raised to weave the bottom layer. The Development of the Tieup for 2/2 Twill Double Weave Shaft # 8 Shaft # 8 8 8 Shaft # 8 8 8 7 7 7 7 7 . 7 . 7 . 6 6 6 6 6 6 6 5 5 5 5 5 . 5 . 5 . 4 4 4 4 4 4 4 3 3 3 3 3 3 . 3 . 2 2 2 2 2 2 2 1 1 1 1 1 1 . 1 . The third diagram can be shown with numbers either as a tieup or a peg plan diagram. Tieup Peg Plan Shaft # 1 2 3456 7 8 Shaft # 8 8 8 1 3 7 7 7 7 7 7 7 135724 6 6 6 3 5 5 5 5 5 5 5 5 13574 6 4 4 4 5 7 3 3 3 3 3 3 3 13576 8 2 2 2 1 7 1 1 1 1 1 1 1 13572 8 It is helpful to look at the first two grids from the tieup development in a slightly different fashion so that the drawdowns for the two layers can be presented separately.
The Textile Museum Thesaurus

The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................
Spring | Summer 2018

Spring | Summer 2018 152163BK_r3_TCC_SpringLookBook_1.26.indd 1-3 2/6/18 6:58 PM CUSTOM IS FOR every day. There’s a long-held belief that special clothes should be reserved for special occasions. We believe diferently. You feel your best when you look your best, so why not feel great every day? That’s why our custom garments aren’t just made to fit your frame and suit your taste, but also to serve your lifestyle. Imagine what a flexible pair of golf pants could do for your drive. Or how an impeccably cut sport coat would make you feel during an interview. And when a special occasion does roll around, we’ll make you a suit worth celebrating in. Flip through these pages and you’ll find ideas for the many moments of your life. Because for each big day there are countless everydays—and we can help you dress for all of it. 152163BK_r1_TCC_SpringLookBook_1.26.indd 3 1/29/18 11:52 AM 01. 152163BK_r3_TCC_SpringLookBook_1.26.indd 4 2/6/18 6:38 PM CUSTOM IS FOR Monday mornings. From the three-piece formality of Wall Street to the come-as-you-are culture of Silicon Valley, every ofce has sartorial standards. Dress for yours from our extensive selection of workwear fabrics and design elements. 152163BK_r3_TCC_SpringLookBook_1.26.indd 5 2/6/18 6:40 PM 152163BK_r1_TCC_SpringLookBook_1.26.indd 6 1/29/18 11:56 AM SQUARED AWAY The windowpane overlay on these check trousers mimics the jacket fabric, creating a modern take on mixed patterns. 7 152163BK_r1_TCC_SpringLookBook_1.26.indd 7 1/29/18 12:52 PM 152163BK_r1_TCC_SpringLookBook_1.26.indd 8 1/29/18 12:38 PM NO SWEAT When you have to wear a three-piece suit in the heat, wool infused with silk and linen and an end-on-end cotton shirt help keep you cool.
Of Weaving Terms for Today's Weavers

THE FAMILY TREE OF WEAVES SIMPLE WEAVES WEAVES WITH COMPOUND SETS COMPOUND WEAVES OF ELEMENTS one warp and one weft more than one warp; more than one weave more than one weft structure A POCKET plain weave supplementary warp double weave: twill supplementary weft two weave structures satin weaves that produce weaves that produce two independent and pattern blocks pattern blocks equal structures DICTIONARY M's and O's overshot connected by spot weaves crackle exchanging faces: of weaving terms ‘diversified plain figured double weave weave’ weaves that produce repp weaves pattern blocks with two independent for today’s weavers units structures (face and weaves that produce —supplementary-weft back) connected by pattern blocks with structures with 2, 3, or stitching with: units 4 tie-down ends –warp from bottom repp weaves —warp or weft pile layer over weft from lace weaves: huck and weaves: velvet and top (piqué and other Bronson lace terry stitched double cloths) ‘diversified plain –warp from top layer weave’ complementary warp under weft from turned twill complementary weft bottom turned satin (damask) —warp-faced, weft- –extra warp faced ‘polychromes’ –extra weft —warp-faced compound tabby and twill two independent but —weft-faced compound unequal structures tabby (taqueté) and (main and secondary) twill (samitum) connected where the secondary weft swivel interlaces above the Bedford cord main structure —the two structures can form free double cloth where main structure is on the top Madelyn van der Hoogt or they can be PO Box 1228 completely interwoven Coupeville, WA 98239 Bateman weaves: park, plain-weave ground cloth. The ratio of must contain the complete threading more complementary sets of warp, one boulevard, and chevron: tie-down ends to pattern ends is 1:1; sequence of the tie-down ends.
Introduction

Introduction From 15 to 17 September 2015, the British woollen mill Abraham Moon and Sons Ltd exhibited at Première Vision Paris, the prestigious juried trade fair for apparel fabrics. The mill was one of 1,924 exhibitors from fifty-seven countries that made their new ranges for Autumn/Winter 2016 available to some 62,000 visitors, three- quarters of whom were international. Held at the Parc des Expositions de Paris- Nord Villepint, a convention centre near the Charles de Gaulle Airport, Première Vision Paris is a biannual trade show for the six major industries that supply the global fashion industry with ingredients and services: yarns, fabrics, leather, designs, accessories and manufacturing. Launched as a modest silk exhibition in Lyon in 1973 to give the customers a ‘first look’ at the new luxury fabrics, over the past forty years Première Vision, nicknamed ‘PV’, has become Europe’s most important textile trade show for apparel.1 In many trade shows, exhibitors have wide-open booths that advertise the products to the passers-by, but at PV, the vendors and their fabrics are all hidden behind tall white barriers. The idea is to keep the samples away from the prying eyes of competitors. Admission to a particular stand is limited to the customers, and people from rival mills are not allowed in. The customers—the fabric merchandisers, fabric buyers, apparel designers and other creative staff from retailers and brands— are identified by their badges. Besides the manufacturers’ stalls, the exhibition halls have public spaces with curated exhibitions, including a major display that forecasts the upcoming season’s trends in colour, style and texture.