Abel, Isabel Multiple Harness Patterns from the Early 1700'S 717 Adelson
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GLENEAGLE.Pdf
Fabric : 802752 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Design : Hairline Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802751 Colour :Grey Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Houndstooth Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 1/11 Fabric : 802750 Colour :Blue Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802749 Colour :Brown Dark Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : Sharkskin Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 2/11 Fabric : 802748 Colour :Other Green Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Prince of Wales Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802747 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Glen check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 3/11 Fabric : 802746 Colour :Brown Medium Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available Fabric : 802745 Colour :Brown Light Bunch : GLENEAGLE (C2494) Composition : 100 % WOOL Weave : 2/2 Twill Design : Check Weight : medium (260-320gr) G Width : 150 CM Fabric available Page 4/11 Fabric : 802744 Colour :Brown Light Bunch : GLENEAGLE -
Autumn Winter 19 Guide
DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER I $3,000 - $5,000 ~ Example black tie ensemble ~ Ceremonial 2-piece suit in black wool barathea, self covered buttons, peak lapels faced in black silk satin. - Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !1 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER II $5,000 - $7,000 ~ Example black tie ensemble ~ Ceremonial jacket in black cotton & silk velvet, self covered buttons, self faced peak lapels. - Ceremonial trouser in black wool & silk twill. Ceremonial dress shirt in white cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Ceremonial 6.5cm hand finished classic butterfly bow tie in black silk satin. - Ceremonial whole cut oxford dress shoes in patent black leather. ~ Evening dress change ~ Evening dress shirt in black cotton, signature 9cm collar, french cuffs, self bib front, concealed placket, matching monogrammed pocket square. - Evening 6cm hand finished pointed butterfly bow tie in black silk faille. *** Suite 220, 33 Pirie Street Adelaide SA 5000, Australia Phone: +61 423 399 978 WWW.DRESD.COM.AU !2 of !3 DRESD ARTISANS OF BLACK TIE Autumn/Winter 2019 Cloth selection: Dormeuil & Alumo Made in Europe *** TIER III $7,000 - $9,000 ~ Example black tie ensemble ~ Ceremonial jacket in black wool & silk jacquard, self covered buttons, self faced peak lapels. -
Spring | Sum M Er 2020 Introducing The
SUMMER 2020 SUMMER | SPRING INTRODUCING THE baekgaardUSA.com WOMEN'S COLLECTION Peer Baekgaard on his voyage from Denmark to America in 1951 THE BAEKGAARD STORY In 1951, Peer Baekgaard came to New York City from Denmark with $127 in his pocket and one big dream. He managed to sell his boats to FAO Schwarz, leading to the development of a unique giftware business. This lead to Peer launching a giftware business specializing in fine gifts and accessories. In the late 1980's, as the President of the Chicago Gift Mart, he met a woman starting a business of her own. In 1990, he and Barbara Bradley married and remained co-owners of Baekgaard Ltd. until Peer's passing in 2007. Barbara Bradley Baekgaard, co-founder of Vera Bradley, was looking for the same function and high-quality bags for the men in her life. She decided to re-launch Baekgaard USA in 2018 with a selection of travelbags, totes and accessories for both men and women who are looking for everyday essentials to take them from work and school to weekend getaways. The SPRING combination of ingenuity, functionality and can-do spirit of both Barbara and Peer | SUMMER 2020 SUMMER lives on in every piece Baekgaard creates. DANISH AMERICAN We invite you to explore our entire line of BORN BY DESIGN fine bags and accessories.Skol! TATTERSALL NEW PLAID COLBY CROSSBODY NEW The perfect sized crossbody for BROWN LEATHER STYLES all your needs: travel, shopping or evenings out. The main compartment has a zippered pocket and 3 credit BLACK card slots. -
Mathematics in African History and Cultures
Paulus Gerdes & Ahmed Djebbar MATHEMATICS IN AFRICAN HISTORY AND CULTURES: AN ANNOTATED BIBLIOGRAPHY African Mathematical Union Commission on the History of Mathematics in Africa (AMUCHMA) Mathematics in African History and Cultures Second edition, 2007 First edition: African Mathematical Union, Cape Town, South Africa, 2004 ISBN: 978-1-4303-1537-7 Published by Lulu. Copyright © 2007 by Paulus Gerdes & Ahmed Djebbar Authors Paulus Gerdes Research Centre for Mathematics, Culture and Education, C.P. 915, Maputo, Mozambique E-mail: [email protected] Ahmed Djebbar Département de mathématiques, Bt. M 2, Université de Lille 1, 59655 Villeneuve D’Asq Cedex, France E-mail: [email protected], [email protected] Cover design inspired by a pattern on a mat woven in the 19th century by a Yombe woman from the Lower Congo area (Cf. GER-04b, p. 96). 2 Table of contents page Preface by the President of the African 7 Mathematical Union (Prof. Jan Persens) Introduction 9 Introduction to the new edition 14 Bibliography A 15 B 43 C 65 D 77 E 105 F 115 G 121 H 162 I 173 J 179 K 182 L 194 M 207 N 223 O 228 P 234 R 241 S 252 T 274 U 281 V 283 3 Mathematics in African History and Cultures page W 290 Y 296 Z 298 Appendices 1 On mathematicians of African descent / 307 Diaspora 2 Publications by Africans on the History of 313 Mathematics outside Africa (including reviews of these publications) 3 On Time-reckoning and Astronomy in 317 African History and Cultures 4 String figures in Africa 338 5 Examples of other Mathematical Books and 343 -
Tattersall Lander Ptyltd ~
TATTERSALL ~-' LANDER PTYLTD ~ 12th May 2017 OUR REF: 216199-L001004 - COU NelL YOUR REF: DA-291/2017 !', :u.COAST ... 16 MAY 1017 The General Manager MidCoast Council r.::or,DS PO Box 450 ----_...- FORSTER NSW 2428 Attention: Wayne Burgess - Project Manager-Development Assessment Dear Wayne, RE: LOT 100 IN DP 1047534 -182 MYALL WAY, TEA GARDENS DEVELOPMENT APPLICATION FOR EARTH MOUND With regard to DA 291/2017 and in response to your correspondence (dated 24 February 2017), please accept this letter and attached plans as a suitable response and also as an addendum to the previously submitted Statement of Environmental Effects. In addition to this correspondence, amended plans and an ecological report (by Wildthing Environmental Consultants) have also been prepared and are attached. As stated above, this correspondence is to be considered an addendum to the previously submitted Statement of Environmental effects and is therefore to be read in conjunction with the afore mentioned report. All issues raised by the Department of Primary Industries (Water) are addressed within this document and also within the attached amended plans and ecological report. Water Management Act 2000 The proposal includes works which fall under Section 91 Activity approvals of the Water Management Act 2000. The objective of the controlled activities provisions of the Water Management Act 2000 is to establish and preserve the integrity of riparian corridors. The following principles should be employed to meet this objective: Identify whether or not there is a watercourse present and determine its order in accordance with the Strahler System. Comment - It is acknowledged that a watercourse is present (Station Creek) and the watercourse at this location is a third order stream under the Strahler system. -
Himachal Futuristic Communications Limited
HIMACHAL FUTURISTIC COMMUNICATIONS LIMITED STATEMENT OF UNPAID DIVIDEND FOR THE YEAR 2017‐18 FOLIO NO NAME ADDRESS WARRANT NO NET AMOUNT 00005049 AFZAL AMIRALI PATEL AGA ALY MANOR, 2ND FLOOR, FLAT NO.‐11, AGA HALL, NESBIT ROAD, MAZGOAN, MUMBAI 400010 232223 3.00 00005084 TAPAN KUMAR NAG HATUDEWAN, KATWA ROAD P.O. & DIST‐BURDWAN WEST BENGAL 713101 232224 6.00 00005116 RAYOMAND DINYAR MARFATIA M‐62 CUSHROW BANG SHAHID BHAGAT SINGH ROAD MUMBAI 400039 232225 6.00 00005153 SUSHILA BAID A‐63, SHREE KUNJ 51, DOBSON ROAD HOWRAH WEST BENGAL 711101 232226 108.00 00005203 PRODIP KUMAR BANERJEE 169 C S MUKHERJEE STREET P O KONNAGAR DISTT HOOGHLY, WEST BENGAL 712235 232227 6.00 00005211 ANANTHA SATYAVENI YANNAMANI W/O YANNAMANI VENKATA RAMA RAO DULLA, KADIAM MANDALAM EAST GODAVARI DISTT. A.P. 533234 232228 3.00 00005239 VINAY KUMAR SETHIA 156 SANTHOME HIGH ROAD MYLAPORE CHENNAI 600004 232229 6.00 00005261 DINU THAKKAR IN‐TIME INVESTMENTS 47 TOMRIND LANE, RAJABAHADUR MANSION 2ND FLOOR FORT, MUMBAI 400023 232230 42.00 00005334 SACHIN KASERA C‐188, BIRLA SAGAR COLONY PO : PORBANDAR ‐ 2 360576 232231 6.00 00005417 BUDDHA DEV KOAR 2 NO GURUDASHI PARA WEST 1 LANE, BURDWAN WEST BENGAL 713101 232233 30.00 00005480 JEHANBUX BOMI BHANDARA JEHANGIR MANSION FLAT NO 5, 1ST MARINE STREET, MUMBAI 400020 232235 3.00 00005535 HIMANSHU M MOGHE GOLDEN HEIGHTS, 4TH FLOOR ANANT PATIL ROAD DADAR, MUMBAI 400028 232236 6.00 00005542 VEENA ISSRANI PLOT NO 108, SECTOR‐2 GANDHIDHAM, KUTCH GUJARAT 370201 232237 6.00 00005586 NILESH J SHAH 12, SHRI KRISHNA ASHISH 6TH FLOOR, 137, GARODIA NAGAR GHATKOPAR, MUMBAI 400077 232238 6.00 00005588 SHRIKANT BAJAJ C/O SHRI SATI IRON TRADERS BEHIND L.I.C. -
Study on Mechanical Behaviour of Lantana-Camara Fiber Reinforced EPOXY Based Composites Bhupender1, Anil Kumar2
International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395 -0056 Volume: 04 Issue: 04 | April-2017 www.irjet.net p-ISSN: 2395-0072 Study on Mechanical Behaviour of Lantana-Camara Fiber Reinforced EPOXY Based Composites Bhupender1, Anil Kumar2 1PG student, Dept. of Mechanical Engineering, OITM, Juglan, Hisar, Haryana, India. 2Assistant Professor, Dept. of Mechanical Engineering, OITM, Juglan, Hisar, Haryana, India. ---------------------------------------------------------------------***--------------------------------------------------------------------- Abstract - Environmental awareness today motivates the properties such as tensile, flexural and impact strengths, researchers, worldwide on the studies of natural fiber stiffness and fatigue properties, which enable the structural reinforced polymer composite and cost effective option to design to be more versatile. Due to their many advantages synthetic fiber reinforced composites. The availability of they are widely used in aerospace industry, mechanical natural fibers and ease of manufacturing have tempted engineering applications (internal combustion engines, researchers to try locally available inexpensive fibers and to thermal control, machine components), electronic packaging, study their feasibility of reinforcement purposes and to what automobile, and aircraft structures and mechanical extent they satisfy the required specifications of good components (brakes, drive shafts, tanks, flywheels, and reinforced polymer composite for different applications. There pressure vessels), process industries equipment requiring are many potential natural resources, which India has in resistance to high-temperature corrosion, dimensionally abundance. Most of it comes from the forest and agriculture. stable components, oxidation, and wear, offshore and Lantana-Camara is one such natural resource whose potential onshore oil exploration and production, marine structures, as fiber reinforcement in polymer composite has not been sports, leisure equipment and biomedical devices [3, 4]. -
GENERAL PHOTOGRAPHS File Subject Index
GENERAL PHOTOGRAPHS File Subject Index A (General) Abeokuta: the Alake of Abram, Morris B.: see A (General) Abruzzi: Duke of Absher, Franklin Roosevelt: see A (General) Adams, C.E.: see A (General) Adams, Charles, Dr. D.F., C.E., Laura Franklin Delano, Gladys, Dorothy Adams, Fred: see A (General) Adams, Frederick B. and Mrs. (Eilen W. Delano) Adams, Frederick B., Jr. Adams, William Adult Education Program Advertisements, Sears: see A (General) Advertising: Exhibits re: bill (1944) against false advertising Advertising: Seagram Distilleries Corporation Agresta, Fred Jr.: see A (General) Agriculture Agriculture: Cotton Production: Mexican Cotton Pickers Agriculture: Department of (photos by) Agriculture: Department of: Weather Bureau Agriculture: Dutchess County Agriculture: Farm Training Program Agriculture: Guayule Cultivation Agriculture: Holmes Foundry Company- Farm Plan, 1933 Agriculture: Land Sale Agriculture: Pig Slaughter Agriculture: Soil Conservation Agriculture: Surplus Commodities (Consumers' Guide) Aircraft (2) Aircraft, 1907- 1914 (2) Aircraft: Presidential Aircraft: World War II: see World War II: Aircraft Airmail Akihito, Crown Prince of Japan: Visit to Hyde Park, NY Akin, David Akiyama, Kunia: see A (General) Alabama Alaska Alaska, Matanuska Valley Albemarle Island Albert, Medora: see A (General) Albright, Catherine Isabelle: see A (General) Albright, Edward (Minister to Finland) Albright, Ethel Marie: see A (General) Albright, Joe Emma: see A (General) Alcantara, Heitormelo: see A (General) Alderson, Wrae: see A (General) Aldine, Charles: see A (General) Aldrich, Richard and Mrs. Margaret Chanler Alexander (son of Charles and Belva Alexander): see A (General) Alexander, John H. Alexitch, Vladimir Joseph Alford, Bradford: see A (General) Allen, Mrs. Idella: see A (General) 2 Allen, Mrs. Mary E.: see A (General) Allen, R.C. -
Pricelist for : Web - Standard Jan 2020 - Valid Until Mar 15 2020
Pricelist for : Web - Standard Jan 2020 - Valid until Mar 15 2020 Prices include base fabric and digital printing. No setup/ hidden costs. Prices inc VAT Create your fabric today at www.fashion-formula.com Natural Fibres Fabric Code Fabric Name Composition Colour Weight Face Popular For Width (mm) Sample FQ 40 - 300 m 20-39m 10-19m 4-9m 1-3m CF001 SATIN 100% COTTON White 240 Satin ✂️ 1350 £3.25 £12.80 £20.65 £21.90 £26.25 £30.00 £33.15 CF002 DRILL 100% COTTON White 250 Twill ✂️ 1400 £3.25 £10.00 £18.75 £21.25 £22.50 £27.50 £29.40 CF004 POPLIN 100% COTTON White 130 Plain ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £26.25 £27.50 £30.00 CF005 PANAMA 100% COTTON White 210 Panama ✂️ 1400 £3.25 £12.00 £19.40 £20.65 £21.90 £27.50 £30.00 CF006 LIGHT TWILL 100% COTTON White 210 Twill ✂️ 1400 £3.25 £11.60 £20.00 £21.25 £22.50 £25.65 £28.70 CF007 TOP SATEEN 100% COTTON White 170 Satin ✂️ 1350 £3.25 £11.60 £20.65 £22.50 £25.00 £28.75 £30.65 CF008 MELINO LINEN 93% CO 7% LINEN White 228 Panama ✂️ 1350 £3.25 £12.40 £20.65 £22.50 £25.00 £29.40 £31.90 CF009 LIMANI LINEN 90% CO 10% LINEN White 250 Panama ✂️ 1350 £3.25 £12.80 £23.15 £26.25 £30.00 £32.50 £35.00 CF011 CALICO COTTON 100% COTTON White 155 Plain ✂️ 1400 £3.25 £8.00 £16.25 £18.15 £20.00 £21.90 £23.75 GOTS ORGANIC CF014 COTTON PANAMA 100% COTTON Natural 309 Panama ✂️ 1400 £3.25 £12.00 £20.65 £22.50 £25.00 £28.75 £31.90 NATURAL CF016 HEAVY DENIM 100% COTTON White 395 Twill ✂️ 1400 £3.25 £12.80 £23.15 £26.25 £28.75 £31.25 £32.25 CF017 COTTON SLUB 100% COTTON White 150 Slub -
BEADS in the KROBO CULTURE by MALEK APPIAH AFFUM.Pdf
BEADS IN THE KROBO CULTURE By MALEK APPIAH AFFUM B.F.A (Hons) Graphic Design A Thesis submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology, Kumasi, in partial fulfilment of the requirements of the degree of MASTER OF ARTS IN AFRICAN ART AND CULTURE Faculty of Art College of Art and Social Sciences September 2009 © 2009, Department of General Art Studies DECLARATION I hereby declare that this submission is my own work towards the M.A degree and that to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the university, except where due acknowledgement has been made in the text. Affum, Malek Appiah (20064999) ................................................ ………………………….… (Student’s name & ID) Signature Date Certified by: Dr. Osei Agyeman ..………………………….…. ……………………………. (Supervisor’s Name) Signature Date Certified by: Dr. Joe Adu-Agyem .…………….…………….… .……………………………. (Head of Department’s Name) Signature Date ii ABSTRACT Beads are an integral part of the Krobo culture and have so many uses and symbolic meanings. But in recent times, the uses and symbolism of Krobo beads seem to be under emphasized. This study focuses on how the beads are produced, their uses and symbolism in the Krobo culture. The study is limited to the YilƆ Krobo district and is divided into five chapters. Chapter one consists of the Introduction which includes the background of the study, statement of the problem, objectives, hypothesis, importance of study and ethnographic background of the study area. Chapter two deals with the Review of Related Literature which contains the history and origin of beads and the impact ancient civilisations such as Egyptian, Greek and Roman had on the use and spread of glass beads to the world. -
African Textiles in the V&A 1852- 2000
Title Producing and Collecting for Empire: African Textiles in the V&A 1852- 2000 Type Thesis URL http://ualresearchonline.arts.ac.uk/6141/ Date 2012 Citation Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum. Creators Stylianou, Nicola Stella Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Producing and Collecting for Empire: African Textiles in the V&A 1852-2000 Nicola Stella Stylianou Submitted to University of the Arts London for PhD Examination October 2012 This is an AHRC funded Collaborative PhD between Research Centre for Transnational Art, Identity and Nation (TrAIN) at UAL and the Victoria and Albert Museum. Volume 1 Abstract Producing and collecting for Empire: African textiles in the V&A 1850-2000 The aim of this project is to examine the African textiles in the Victoria and Albert Museum and how they reflect the historical and cultural relationship between Britain and Africa. As recently as 2009 the V&A’s collecting policy stated ‘Objects are collected from all major artistic traditions … The Museum does not collect historic material from Oceania and Africa south of the Sahara’ (V&A 2012 Appendix 1). Despite this a significant number of Sub-Saharan African textiles have come into the V&A during the museum’s history. The V&A also has a large number of textiles from North Africa, both aspects of the collection are examined. -
FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”.