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Ready-Made and Custom Jeans
Have a favorite College or Pro Team or some other Summer time is nearly here and business novelty that you want to add to your shirt? casual is in the air! Ahh yes SUMMER TIME… Time to pull out those shorts, shirts, blazers, and maybe even linen pants. Wait ... we still have to work, but we can be a bit more casual and still look like a professional. What does that mean anyway? It is simple! Some might say it is a suit without a tie or maybe just that blue blazer with a pair of nice slacks. Simplicity is sophistication. Streamlining your choices, you not only make it easier on yourself, but there’s an element of confidence that comes with keeping Ready-made things unfussy. It is about buying season-appropriate clothing. When I’m talking about picking up a new and piece for this spring/summer season, I’m assuming Custom Jeans that you’ll be on the lookout for lightweight cottons Carrying ready-made and wools along with madras, linen, and seersucker. jeans, as well as These will keep you cool and sweat-free at the office, custom. out entertaining clients, or perhaps even going to a We take what you like game. from all your favorite Ok what can I wear? Invest in a few separates; a jeans and make them navy blazer, windowpane sport jackets in lighter better! colors, some mid grey, tan, or light blue trousers, and don’t cut out those jeans. Even chalk stripe jackets can spice up that casual look to show that summer’s a time for play, not just work. -
Custom Digital Print
Digital Print Custom Capabilities What Will You Design? From digitally printed wallcovering, upholstery, 1. CHOOSE A DESIGN drapery and panel fabrics, our Digital Print Have an original design you want to see come to life? We can Custom Capabilities program has you covered. help make it a reality. Need some inspiration? Many of our KnollTextiles patterns can be translated to digital print designs Create truly one-of-a-kind textiles, combining for different applications or we can create a unique, ground-up modern technology with artful design, with our design for you. simple and cost-effective process. 2. SELECT A BASECLOTH Plus, with lower minimums and shorter lead We have a wide range of basecloths to choose from including times, customization has never been easier. a selection of proprietary textiles from our standard line. If you don’t see something that suits your needs, we can source a Questions? solution for you. Please contact your KnollTextiles Sales Representative for more information about 3. MAKE A STATEMENT Digital Print Custom Capabilities. Digital printing is the perfect solution for adding a touch of original design to your project, while balancing the challenges of budget and time. Let us help realize your vision. Digital Print Custom Capabilities Below are examples of one-of-a-kind digitally printed projects designed in collaboration with the KnollTextiles Customs team. From digitally printed wallcovering, upholstery, drapery and panel fabrics, our Digital Print Custom Capabilities program has you covered. For additional information, please contact your local Sales Representative. April 2021 | ©2021 KnollTextiles, Inc. All rights reserved. knolltextiles.com Digital Print Custom Capabilities Basecloth Options Choose from 16 basecloth options for upholstery, drapery, panel, wallcovering and pillow projects. -
YOUNIQUE TOUCH Pressed Powder Foundation
Fact Sheet YOUNIQUE TOUCH Pressed Powder Foundation New shades. New formula. Meet your match. We’ve got you covered with YOUNIQUE TOUCH pressed powder foundation. Our new formula goes on silky smooth to create a flawless, airbrushed finish with buildable, medium-to-full coverage. With brand-new shade options (in addition to our classic shades of TOUCH MINERAL pressed powder foundation), we’re sure you’ll be able to find your perfect match. TELL ME MORE APPLICATION TIPS USE WITH • Smooth and easy application with 1. Swirl the YOUNIQUE™ powder • Included foundation sponge a velvety soft feel puff brush or YOUNIQUE™ • YOUNIQUE™ • Shine control with matte finish powder/concealer brush in powder/concealer brush or • New skin-flattering shades: product, tapping away excess. YOUNIQUE™ powder • Crepe • Damask You can also swipe foundation puff brush • Camlet • Dupioni onto the included • TOUCH MINERAL skin • Poplin • Twill foundation sponge. perfecting concealer • Jacquard • Sable 2. Apply from center of face • Tweed • Percale towards outer edges. • Gingham • Brocade 3. Continue to build for • Voile desired coverage. Price for 8 g / 0.28 oz: $32 USD | $39 CAD | $46 AUD | $45 NZD | £25 GBP | $560 MXN | 34,50 € EUR | HK$248 ABOUT YOUNIQUE Nature + Love + Science. Since its inception in 2012, Younique has been committed to developing beauty products that combine innovative science with the best ingredients nature has to offer. Younique, famous for its best-selling MOODSTRUCK 3D FIBER LASHES+™ lash enhancer, is the first direct-selling company to pioneer the social media-based business model. Founded by a brother-sister team—Derek Maxfield and Melanie Huscroft—Younique offers women the opportunity to look and feel great while helping advance the brand’s mission to uplift, empower, and validate women around the world. -
Journal of Irish and Scottish Studies Migrating Minds
Journal of Irish and Scottish Studies Volume 5: Issue 1 Migrating Minds AHRC Centre for Irish and Scottish Studies, University of Aberdeen JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 5, Issue 1 Autumn 2011 Migrating Minds Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative ISSN 1753-2396 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne Journal of Irish and Scottish Studies General Editor: Cairns Craig Issue Editor: Paul Shanks Associate Editor: Michael Brown Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Ian Campbell Ross, Trinity College, Dublin Graham Walker, Queen’s University, Belfast International Advisory Board: Don Akenson, Queen’s University, Kingston Tom Brooking, University of Otago Keith Dixon, Université Lumière Lyon 2 Marjorie Howes, Boston College H. Gustav Klaus, University of Rostock Peter Kuch, University of Otago Graeme Morton, University of Guelph Brad Patterson, Victoria University, Wellington Matthew Wickman, Brigham Young David Wilson, University of Toronto The Journal of Irish and Scottish Studies is a peer reviewed journal published twice yearly in autumn and spring by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. -
TXA News Test1.Pmd
Volume 22, Number 5 November, 2006 Contents ANNOUNCING Welcome Amy Galford Announcing CONSTANZA ONTANEDA Welcome Amy Galford 1 The Department of Textiles and Apparel welcomes Amy Galford as its newest part-time Extension Associate. Amy works with Ann Lemley to provide educational materials on Engaging Youth water quality to Cornell Cooperative Extension staff and to consumers. Her main task is the maintenance and expansion Youth Publications 2 of the water quality website with information for homeowners about drinking water, septic systems, and wells. This is not Amy’s only job. She is also a Program Assistant Intriguing Yarns 2 for the Northeastern Integrated Pest Management Center at Cornell, a program that supports research and education on pest management strategies such as crop rotation and beneficial insects and links academic, government, and private Concerning Consumers sector representatives. The Jeans Scene 2 Amy received her B.S. in Biology from Cornell University and a M.S. in Ecology from the University of Minnesota. Her past Plaid is Forever 3 jobs include training extension educators and local government officials about nonpoint source pollution issues and management options. She has also been a research Browsing Websites 3 technician in biogeochemistry at Cornell and an adjunct instructor at SUNY Cortland and Tompkins Cortland Community College. Recalling Tradition 4 One of Amy’s personal interests is working with animals. She has two dogs of her own and once considered studying veterinary medicine. She has volunteered for several animal shelters where she enjoyed walking dogs and helping people learn about animals; she currently volunteers for a border collie rescue group. -
Ifbanefield & Co.
WEW-YORK DAILY TRIBUNE, SUNDAY, FEBRUARY 19. 1005. 9 NOT WASH SALKS THEY SAY s.lir.l) LIFE WITH TEETH. TO SAVE CITY $1,000,000. BY MUXROBS. Women on hunaway Airship Bit Six Cent Verdict for Man Whose I & CO. STATEMENT\u25a0 FBANEFIELD :.r__ Hole in Balloon. Property Was Damaged by Rain. IMPORTERS. JEWELERS. IBV TKLKGRAPH ' - Bought TO THE TBIBL'N'E.] Tlie Corporation 'oun \u25a0< i are now I'>i"atr<l $c (la, to •Ssn Francisco. Offset the Loxcmoh Scare, Feb. IS.—With broken cables days' trial, obtained .1 vprdicl ywsterdaj which will 1. Altmatt dans;";;;i(: and r.ith Mis. <;r Helton, in ilnirbuilding, 1 v Oi8 W. wife save tho city ov«»r The was Ks Inventor, f1.W0.000. actioo They Declare. of as Its freisht. the airship California brought by Henry Bundhelmer to recover dfti Messenger suddenly sprang upward f,,, 1 ST., two thousand from tlip.i|;v InjuricK Ii \u25a0 it 38 34TU Tr« f'ft done nn.ii.ru WEST stn-k brokerage firm of klunroe & Uunroe ovft- Idord Turk- 'iMs'-aftornbbn;' There M«med i»;Ptli-st.. in the rainstorm Augu I 19 I. when who came Into \v*]| no hop. of between lii'th Aye. an<l Herald Square Street promlnet-Cce about' two for its .K-rnpsnt. >but the woman Hi-- In 'I'h. Bninx wo I" , the gas Millbrook sewer unable months as<r when !»r>*ciilatlve movement in bit a bole in the bag and the machine plunged carry orf thr- water, and Bundhfimer'f pr< >Tc»r.tr-*l an.l Boston Ptock collapsed, and whore earthward, to hud lightly in Host Berkley. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
Veeraa Enterprises Chennai, Tamil Nadu, India
Veeraa Enterprises Chennai, Tamil Nadu, India We are one of the leading manufacturers, suppliers and exporters of fancy fabrics like patchwork, pintuck and printed fabrics. These are used to make a variety of home furnishings and textile items like curtains and covers. Veeraa Enterprises Profile Established in the year 1996, we, “Veeraa Enterprises”, are a noted manufacturer, supplier and exporter of patchwork fabrics, fancy patchwork fabrics, zig zag patchwork fabrics, embroidery patchworks fabrics, blue patchwork fabrics, black patchwork fabrics, US patchwork fabrics, frill patchwork fabrics, denim frinches with applique fabrics, border embroidery applique fabrics, pintuck fabrics, embroidered pintuck fabric, denim pintuck fabrics, printed fabrics, printed patchwork fabrics, printed dobby fabrics, batik print fabrics, batik blue fabrics, kalamkari fabrics, checks fabrics, yarn dyed checks fabrics, madras checks fabrics. These are manufactured using quality raw material and are highly praised for attributes such as colorfastness, durability, ease in washing & maintaining and tear resistance. It is largely due to the quality of our fabrics that we have succeeded in putting together an esteemed group of loyal clients and attain high level of customer satisfaction. Our main business motive is to provide best fabrics at market-leading prices. Our team is aided by our sound infrastructure at all stages of production to ensure that the quality of our fabrics remains high. With the support of an able team and a good infrastructure, we have acquired a special place for ourselves in the industry of textiles and furnishings. As we fully understand the demands of our customers, they have a pleasurable experience while dealing with us. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E. -
Window Treatment
Extension Bulletin No. 451 August 1951 Window Treatment Extension Service. Institute of Agricultural Sciences The State College of Washington. Pullman. Washington Function of Window Treatment Well-planned window treatment Controls the quantity of the light. Gives privacy. Frames a beautiful view or shuts out an unpleasant one. Decoratiue Use of Window Treatment Well-planned window treatment- Adds beauty through color, texture, and pattern. Harmonizes the colors in the furnishings with the background of a room. REFERENCE: How to Make Curtains, Michi gan State College Extension Service. Window Treatment By Lila B. Dickerson. Extension Home Management Specialist* Just as you consider a davenport or rug as an out-of-place piece of furniture, can spoil when refurnishing a room in your home, you the effect of an otherwise well-arranged room. should also plan your curtains or draperies Simple window treatments that are useful as carefully. Poorly used window treatment, just well as decorative are always a good choice. Choose Your Window Treatment The best window treatment for a room de The Size of a Room pends on the size, shape, and arrangement of If the room is small and you want it to ap the windows as well as the general character pear larger, choose draperies that blend with or of the room and its furnishings. match the color of the walls. Too much design In a room with elaborate furnishings you'll or color contrast divides the walls into small want to use more formal window treatment. areas and makes the room seem smaller. Choose lightweight, fine-textured, plain or small-pat For a room with simple furnishings, choose terned fabrics. -
American Clan Gregor Society INCORPORATED
YEAR BOOK OF THE American Clan Gregor Society INCORPORATED Containing the Proceedings of the 1954 Annual Gathering .. THE AMERICAN CLAN GREGOR SOCIETY INCORPORATED WASHIN GTO N, D. C. • Copyright, 1955 by T homas Gar land Magruder, ] r., Editor Cusson s, May & Co., Inc., Printers, Richmond, Va OFFI C ER S SIR MALCOLM MACGREGOR OF M ACGREGOR, BARONET ....H ereditary Chief "Edinchip," Lochearnhead, Scotland BRIG . GEN. MARSHALL MAGRUD ER, U. S. ARMY, Re tired Chieftain 106 Camden Road , N. E. , Atlanta, Ga. F ORREST S HEPPERSON H OL M ES Assistant to the Chieftain .. 6917 Carle ton Terrac e, College P ark. Md . R EV. D ANIEL RANDALL MAGRUDER Rallking D eputy Chieftain Hingham, Mass. M ISS A NNA L OUI SE R EyNOLD S Scribe 5524 8t h St., N . W ., W ashington , D. C. MRS. O . O. VANDEN B ERG........ .......................................... .....••..•R egistrar Th e H ighland s, A pt. 803, W ashington 9, D. C. MISS R EGINA MAGRUDER HILL...... .. .......•................ ........ ............Historian The H ighl and s, Apt. 803, W ashi ngton 9, D. C. C LARE N CE WILLIAM rVICCORM ICK Treasurer 4316 Clagett Road, University Pa rk, Md. R EV. REUEL L AMP HIER HOWE Chaplain Theological Se minary, Alexandria, Va, D R. R OGER GREGORY MAGRUDER Surgeon Lewis Mount ain Circle, Charl ott esville, Va, T HOMAS GARLAND MAGRUDER, J R E ditor 2053 Wil son Boulevard , Arlington, Va . C. VIRGI NIA DIEDEL Chancellor Th e Marlboro A pts., 917 18th St., N . W., Washington 6, D. C. MRS. J A M ES E . ALLGEYER (COLMA M Y ER S ) Deputy S cribe 407 Const itutio n Ave., N. -
African Lace
Introduction Does changing an original material destroy its traditional context? If a material assumes new meaning or significance in a new context, is this inherently an appropriation of the object? What loss does this cause, and is it a positive change, a negative one, or neither? This lexicon revolves around African Lace. Through an analysis of this particular material, I broadly explain, craftsmanship, authenticity and reasons behind an object’s creation, including why and how it is made, from which materials, and how the object translates into a specific environment. Various kinds of objects are created in and relate to specific places and time periods. If situated in an environment in which it did not originate, the meaning of an object changes. In fact, the object is used from a new perspective. Although it is possible to reuse an object as a source of inspiration or research, it cannot be used as it was in its previous context. Thus, it is necessary to rethink the authenticity of an object when it is removed from its past context. History is important and can explain a materials origin, and it therefore warrants further attention. A lack of knowledge results in a loss of authenticity and originality of a historical material. In view of this, I develop this Lexicon to elaborate on the importance of this historical attention. It is interesting to consider how an object can influence a user in relation to emotional or even material value. The extent of this influence is uncertain, but it is a crucial aspect since any situation could diminish the value and the meaning of an object.